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X-Men Franchise Re-Watch

I have spent the last few days re-watching the X-Men movies, here are a few thoughts.  The MCU has reshaped cinema, nine of the twenty  movies have grossed over $1billion.  Their success is responsible, not only for imitators, but also setting a new benchmark for film budgets, and what is deemed successful.  Back when a comic book movie looked like Batman & Robin (1997) this would not have seemed possible.  A series of events, or to be more precise films set the foundations that made the MCU possible.  I believe it started in 1998 with Blade, but there are two other franchises that were the key stepping stones: Spider-Man starting in 2002, and X-Men franchise starting in 2000.  At the time I knew the X-Men better than most MCU characters, I’m sure the same is true for a lot of viewers.  From that point of view, it was probably a safer franchise to begin with.  But they still started off small with relatively small budgets.  After all, none of the X-Men were as big or well known as DC’s big hitters, Batman, Superman, and Wonder Woman, or Marvels big two, Spider-Man, and The Hulk! It’s worth remembering, this is all before Marvel Studios, when Marvel properties were made by other companies under complicated licence agreements that are still being unpicked to this day.  The X-Men movies were co-productions between Marvel Entertainment and 20th Century Fox.   Marvel, 20th Century Fox, and lots of companies are now owned by The Walt Disney Studios.  That’s enough of the business, what about the movies? Here goes:

X-Men (2000) – The first movie X-Men was limited by a relatively small budget.  While $75million is a lot of money (think how many indie movies you could make for that), it is relatively small by blockbuster standards, around half that of The World Is Not Enough (1999), the most recent Bond film at the time.  The financial limitations probably helped with the creativity of writer/direct Bryan Singer, and he his co-writers David Hayter, and Tom SeSanto.  There are a few key reasons the film works: The story starts with the X-Men as a established group, not an origin story.  But we as the viewers have a way into both the world of the X-Men (both the group, and the world they inhabit) with minimal exposition.  We are introduced via Wolverine (Hugh Jackman) and Rogue (Anna Paquin).

With a vast array of characters within the comic book universe all with their own abilities, it would have been easy to flood the story with them.  Partly due to the limited budget the groups are kept small, with the X-Men consisting of Professor Charles Xavier (Patrick Stewart), Jean Grey (Famke Janssen), Storm(Halle Berry), and Cyclops (James Marsden).  The Brotherhood of Mutants are Magneto (Ian McKellen), Mystique(Rebecca Romijn), Sabretooth (Tyler Mane), and Toad (Ray Park).  This restraint and the benefit of is shown in later films when the cast gets bloated and it detracts from the story.  This leads nicely onto the next point, the casting is perfect throughout, with a special mention for Stewart, McKellen and Jackman.  The real revelation is Hugh Jackman, a late replacement for Dougray Scott who was stuck doing reshoots on Mission: Impossible II (2000).  At 6’2″ Jackman is a foot taller than the character in the comic book, this is never an issue.  At the time of the first movie, he was a relative unknown, the only thing I had seen him in at the dime was Paperback Hero, a romantic comedy drama.

The plot is relatively simple in a world that is just learning about mutants, but doesn’t accept them there are two opposing views Xavier who believes humans and mutants can live together, and Magneto who believes mutants are superior and should rule the world.  The film is filled with all the ideas that are at the heart of the comic books, the most overt of those are acceptance for people who are perceived to be different.  That people are stronger when they work together as a team.  There is also a recurring idea that no one is all bad, this depicted by Charles’ refusal to give up on Eric/Magneto, and significantly Charles winning in a game of chess.

X2 (2003) – The X-Men were back just two years later, again with Bryan Singer at the helm.  There are two references to the Arthurian novel The Once and Future King (1958) by T.H. White.  Firstly we see Eric/Magneto reading it early in the movie, then at the end Charles asks his class of they know of the story.  While not a blueprint for the X-Men, or the movie X2, there are similarities.  Charles’ School is clearly Camelot, and the X-Men the Knights of the round table.  But who is who.  Charles is not Arthur as you may first think, he is Merlin.  We see in both this and the first film other taking the public lead, such as when Jean Grey address government.  Charles is the power in the background, he also fights with his mind not with his body.  We then have the love triangle between Arthur, Guinevere and Lancelot. Cyclops, Storm and Logan.  Most importantly, in this sits Magneto.  But who is Magneto in this analogy?  He is probably a combination of Morgan le Fay (Sorceress, half-sister and sometime ally, sometimes antagonist of Arthur.  Mother of Mordred) and Mordred (Arthur’s illegitimate son who ultimately kills and is killed by Arthur), but who he is, is less important than who he thinks he is! He believes himself to be Merlin and/or Arthur, he even has his own round-table in the form of the Brotherhood of Mutants.  But he can never be Arthur, as his table is never truly round, he is always at the head of it!

Longer and with a higher budget, it is the step up you expect from a sequel.  The story is a little more complicated both telling its own story, and delving into Logan’s back story.  With a new antagonist, Magneto teams up with Charles and X-Men.  This is one of the most interesting things about the film, the filmmakers understand the character.  Magneto never goes all the way to Charles’ side, they team up to fight a mutual enemy, but he is always on his own side, or more accurately on the side of mutants, at least from his own point of view.  The visual effects also go up a notch.  Amazingly this does not come at a cost, the film is as good, potentially better than the first film.  The notable additions to the cast are Alan Cumming as Kurt Wagner aka Nightcrawler.  Brian Cox as Colonel William Stryker and Kelly Hu as Yuriko Oyama aka Lady Deathstrike (I don’t think she is actually referred to by this name in the film).

X-Men: The Last Stand (2009) – Bryan Singer left the franchise to make the oh, so dull Superman Returns and handed directing duties to Brett Ratner.  Although not as bad as I remember, the film isn’t great.  To the credit of the earlier films, recognising that film is its own medium, they did not use existing stories from the comic books, they created cinematic ones in keeping with the mythology of the characters.  The biggest issue with this film, they took a beloved story, “The Dark Phoenix Saga” and developed it, poorly!

The centre of the plot revolves around a “cure” to the mutant gene.  This results in some interesting questions, the most overt being the mutants being a metaphor for homosexuality and the idea that you can’t cure someone who isn’t sick! while touched upon, it is never really explored.  The plot is unnecessarily  bloated, as is the cast of characters.  To its credit, the film looks good, and the visual effects are good, except the de-ageing of Stewart and McKellen that may have been groundbreaking in its day but is truly horrific.

As the previous films worked for their efficient use of characters, this film is dragged back by them, and the need to give them something to do.  Even killing two major characters, and sidelining two more early in the story there are still too many.  The most notable addition to the cast was Ellen Page as Kitty Pryde, a mutant with an ability to walk through walls, or to be precise through just about anything.  Not a new character having had a small part in previous films, but a huge character within the comic books, and portrayed by Page who was on the cusp of superstardom.  As with the comic books, by the time the film was make Logan/Wolverine had become the fans favourite.  In the first film he was the main character (although it could easily have been made Rogue’s film).  The second film had a plot that easily put him to the for front, but here, it always feels forced.  It was clear, Wolverine needed is own movie, and the X-Men needed a to tell a story without him.  Both of these were to come, to good and bad effect!

X-Men Origins: Wolverine (2009) – While I had seen the first two movies many times, and The Last Stand twice, this was my first re-watch of Wolverine.  After a cold open showing the origin of Logan, and Victor Creed/Sabretooth (Liev Schreiber), we get the best part of the film.  The opening credit sequence is truly excellent.  Showing the brothers Logan and Creed fighting together in the American Civil War, WWI, WWI and Vietnam; each time showing Creed getting more bloodthirsty.  The first act with the pair fighting as part of Team X led by Major William Stryker (same character as Colonel Stryker from X2, now played by Danny Huston).  This is brief but good as is the set-up as we see Logan try to live a normal life also works, it is when he gets his adamantium, once Logan becomes Wolverine/Weapon X that the film loses its way.

This is the film that introduces Wade Wilson (Ryan Reynolds) to cinema audiences.  Referred to as Wade Wilson, Weapon XI, and Deadpool, this is the movie that infuriated the fans.  Understandably as it is a million miles from ” the merc with a mouth”.  This is unfortunate, in the early scenes show promise, after they sewed his mouth shut, it was never going to work! Taylor Kitsch’s Remy LeBeau/Gambit isn’t as far from the comic book character, but still isn’t great.  Over a decade later,  the idea of a Taylor Kitsch Gambit movie still keeps comes up every few years but has never happened.  Liev Schreiber is very good as Creed, and would probably have made a really good Logan.

An interesting point of note is the use of the Three Mile Island accident.  This is the first, but not the last time the franchise incorporated real events within the narrative.  The fact that the first (nearly) half of the film is good, but is persevered to be terrible proves the theory that a good final act can save (our perception) of a film, and a poor ending will destroy a film.

X-Men: First Class (2011) – After eleven years, two good, and two not so good movies the franchise took a new direction.  Matthew Vaughn steps into the director’s chair and wrote the screenplay along with Jane Goldman, Ashley Miller, and Zack Stentz.  Expanding on the opening of the first movie with a young Eric/Magneto discovering his powers in Nazi-occupied Poland tells us we are in the same universe as the original films.  Recasting with younger actors and telling the origin story of both The X-Men, and Magneto.  Following the previous films use of Mile Island accident, this film doubles down, and uses The Cuban Missile Crisis.  James McAvoy and Michael Fassbender have the unenviable task of stepping into the shoes off Patrick Stewart and Ian McKellen as younger versions of Charles Xavier and Erik Lensherr, they are both excellent, particularly Fassbender.  There is more than a hint of James Bond about the 1960’s setting.  Every time I see the film I think how good Michael Fassbender would be as Bond.  The film also gives a new and interesting take on Mystique’s origin and her relationship with both Xavier and Magneto.  With hindsight she is the most interesting casting; it was Jennifer Lawrence’s first big budget movie, when she only had one Oscar nomination (Winter’s Bone), and before The Hunger Games.  The main antagonists are Sebastian Shaw (Kevin Bacon) and in true Bond Villain style his henchwoman Emma Frost (January Jones).  Rose Byrne gets to have fun as Moira MacTaggert, it’s a shame she is so underused in future films.

There are so many things about the film that shouldn’t work from the training montages, the period setting, playing with history, and the actors playing a version of the characters to fit with the older versions; but strangely it does work making it one of the best films of the series.

The Wolverine (2013) –  Just over a year after taking part in the Normandy landings, Logan finds himself as a prisoner of war in Nagasaki in August 9 1945, not the time you want to be in Nagasaki.  Most of the film is set in the present day, after the events of The Last Stand.  Following the events in Nagasaki seen at the start of the movie, Logan finds himself in Tokyo.  This is no great stretch for the character, within the comic book Logan has a lot of stories set in Japan and is closely associated with Samurai and Ronin culture, the character has always essentially been a Ronin.

The most stand alone movie in the franchise up to this point, none of the characters introduced appear again, the only character from previous movies is Jean Grey (Famke Janssen) who appears in Logan’s head.  The most interesting of the rest of the cast are the only other mutants to appear in the film (other than a cameo).  Yukio (Rila Fukushima) A precognitive mutant and member of a deadly assassins clan.  And, Dr. Green / Viper (Svetlana Khodchenkova) one of the movies main antagonists.

A personal story for Logan on a smaller scale than the other movies within the universe, it is more in keeping with a standalone story.  Logan’s “healing factor” has always been his key to his identity, to take that away should diminish the character, in a way it does, but in doing so, it actually enhances the film by raising the stakes.  The whole film, both in plot, and execution feels more grounded and real (until the final act) than previous films in the franchise.  The Shinkansen fight is excellent. Sadly, the final act is terrible, both in story and visual effects, but the MCU struggles with final acts too, so it isn’t exactly unique!

X-Men: Days of Future Past (2014) – Days of Future Past sounds like a terrible idea.  Bring the old cast, last seen in The Last Stand, together with the new cast of First Class, and tell a much loved epic tale from the X-Men comic books. However, it really works and is if not the best, close to the best movie in the franchise.  Simon Kinberg provided the screenplay, based on a story by himself along with Jane Goldman, and Matthew Vaughn.  Vaughn was set to direct but agreed to hand it back to the boss, producer and director of the first two movies Bryan Singer.  Understanding that cinema is a very different medium to comic books, the writers took the brave, but ultimately correct decision to not tell the same story as the comic book.  Using a lot of the same characters, and using the idea of travelling back in time to prevent an assignation in the past to save the present/future.

The cast is huge: The bulk of the movie taking place in 1973 with Logan/Wolverine (Hugh Jackman), Charles Xavier (James McAvoy), Erik Lehnsherr/Magneto (Michael Fassbender), Raven / Mystique (Jennifer Lawrence), and Hank / Beast (Nicholas Hoult).  All are given plenty to do, and most importantly is in keeping with their character, nobody is making up the numbers.  In the furure section we have lots of recognisable characters Logan/Wolverine (Hugh Jackman – who due to the characters slow aging is able to play the part in past and future), Professor X (Patrick Stewart), Kitty Pryde (Ellen Page), Storm (Halle Berry), Magneto (Ian McKellen), Bobby / Iceman (Shawn Ashmore), Colossus (Daniel Cudmore).  They are joined by Bishop (Omar Sy), Blink (Bingbing Fan), Sunspot (Adan Canto), and Warpath (Booboo Stewart).  The past section also includes a small part for Peter / Quicksilver (Evan Peters), who in one scene steals the movie.

The film looks, and sounds spectacular.  The visual effects are the best we have seen within the franchise, and the photography and production design are both fantastic.  Thanks to changes in the timeline, this film undoes a lot of the narrative of the previous movies leaving (two in particular) of the original characters in a better place than we last saw them.  Given this was the last time the majority of them were to be used in the franchise, this is great fan service without pandering.   The story also leaves the door open to make future stories easier without having to worry about the fitting the continuity,  Sadly they didn’t exactly make the most of it.

X-Men: Apocalypse (2016) – Be careful what you wish for, The Empire review of Days of Future Past ends with the line “We want X-Men: Apocalypse, now.” Sadly the film is terrible, in many ways the weakest X-Men movie.

Oscar Isaac plays the title villain, En Sabah Nur / Apocalypse.  He is hid beneath lots of CGI and makeup, and frankly isn’t very good. Fan favourite from the comics Psylocke (Olivia Munn) is given a sexy outfit, but no character.  She is given more to do than Mei Melançon did in The Last Stand, we know nothing of her.  Even the outfit doesn’t work, it looks like it doe on the pages of the comic book, but not in the flesh.  And that’s kind of the problem with the film it is all big, bold bright, and brash, you would be forgiven for thinking Michael Bay had directed it, it was actually Bryan Singer.  And that’s the sad thing about it, we know Singer can do so much better,  Michael Fassbender gets a couple of brilliant moments that remind us of this.

The cast is huge again.  As well as the usual suspects, Lucas Till, who sat out the last movie returns as Alex Summers / Havok.  He is joined by new younger versions of characters we have seen in the original three movies: Jean Grey (Sophie Turner), Scott Summers / Cyclops (Tye Sheridan), Kurt Wagner / Nightcrawler (Kodi Smit-McPhee), Ororo Munroe / Storm (Alexandra Shipp), Angel (Ben Hardy) Kodi Smit-McPhee, and I believe for the first time in the movies Jubilee (Lana Condor). Evan Peters gets to do another set piece as Peter Maximoff / Quicksilver, taken on its own merit, it is the best seen in the movie, but offers nothing new, and isn’t as good as what we saw in the last movie.  There is no place for Wolverine within the corner they have painted themselves into with the timeline; rather than embracing this they squeeze him into the story.

The bigger, bolder and brasher it got the less I cared about it.  A sad end to Bryan Singer’s time at the helm of the X-Universe!  Let’s it to one side and remember the three great films he gave us.

Logan (2017) – Firstly, it is worth mentioning, for my re-view, I watched Logan Noir, the black and white version that comes on a separate disk with the Blu-Ray version.  It’s the first time I have watched it this way.  While it isn’t as spectacular as Fury Road: Black and Chrome, it does add to the atmosphere of the movie, and what a movie!  While I have described Days of Future Past as the best X-Men movie, Logan is something different, in a lot of ways, it isn’t an X-Men movie, it doesn’t even look like a comic book movie.  Written (along with Scott Frank and Michael Green) and directed by James Mangold who was also responsible for the previous movie, The Wolverine.  Not only is this Logan’s  most personal story, it is also the most grounded movie within the X-Men universe.  The cinematography by long-time Ridley Scott collaborator John Mathieson is fantastic (in both black and white or colour).  The low angles give a feeling of space reminiscent of with a western.  This is further enhanced by big mood skies straight out of an Ansel Adams photograph.

Set in a post super hero universe where very few mutants remain, and a 90 year old Professor X and Logan are the last of the X-Men.  Charles is struggling to contain his powers and Logan’s powers are fading as he is poisoned by his Adamantium.  There is often a theme in movies like this where the hero has to balance their own survival with a reluctant search for redemption associated with helping somebody else.   This comes in the form of Laura (Dafne Keen – who went on to play Lyra Belacqua in His Dark materials) recognisable to comic book fans as X23, a young mutant with abilities with a striking resemblance to Logan’s.  Richard E. Grant is wonderfully sinister as the movies main villain Dr. Rice.  Other notsble cast members are Boyd Holbrook as Pierce, the main henchman, and Stephen Merchant as Caliban, a mutant friend of Charles and Logan.

This isn’t a comic book movie for all.  New fans of the genre, those who have come along since the start of the MCU, and DCEU will not find what they are used to.  But it’s the comic book movie we need, one that doesn’t end with a giant something hovering over a major city threatening to destroy the world.  The stakes may be smaller, but not for those involved, making it more personal, and relatable.  Even before the Disney takeover, Hugh Jackman had decided to end his time as Logan/Wolverine, this is a brilliant and fitting end to his seventeen years portraying the character, he is going to be a hard act to follow in the inevitable remake.

X-Men: Dark Phoenix (2019) – OK, time to confess, I didn’t re-watch all the movies.  Its less than a year since I saw Dark Phoenix.  It is only available to me by rental, which I wasn’t prepared to pay for as quite frankly, it wasn’t very good.  This is a real shame, it represented so much: The final film in both the reboot since First Class, and of the whole franchise before Marvel/Disney take back the franchise, But most importantly a chance to undo The Last Stand, and tell a better version of the Dark Phoenix Saga.  Most of the cast of the last movie return including Sophie Turner, James McAvoy, and Michael Fassbender, they are all good.  But Jessica Chastain is totally wasted.  This won’t be the last time we see the X-Men, but it is most likely the last time we see these actors portray them, the deserved a better send-off.DEADPOOL

Depending on your point of view, the bonkers, but brilliant Deadpool (2016), and the pretty good sequel Deadpool 2 (2018) may be set within the X-Men universe, but that’s for another day.

As mentioned, last year The Walt Disney Company acquired 20th Century Fox, and with it the film rights for the X-Men.  They soon put all film production within the franchise on hold, eventually cancelling all future films except The New Mutants which was already in the can.  The New Mutants is yet so see the light of day following multiple delays and some re-shoots.  This is despite a 2017 trailer promising a release date April the following year.  Its a great shame as the trailer actually looks good, more of a haunted house horror than a superhero movie.  The two most interesting projects to be cancelled were: X-23; James Mangold was to write and direct the continuing story of Laura aka X-23 from them movie Logan.  And, a Kitty Pryde movie.  Had it been made, it would probably have been an origin story as studios seem to like, if that was the case, it is no great loss, but if they were thinking of a stand alone movie with the character from the existing franchise played by Ellen Page, that would have been worth seeing.  Sadly it is not to be!  There will be new X-Men movies made by Marvel/Disney, I just hope they keep them out of the MCU, as the franchises are probably best not mixed.

 

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We lost Stan Lee this week at the age of 95.  Many people first became aware of him from his cameo’s in Marvel movies, but his impact on popular culture goes far beyond that:  For better or worse, make your own mind up; without Stan Lee we probably wouldn’t be seeing all the comic book movies that are dominating cinema screens.  Like many people I first became aware of him from the animated shows of the 1980’s.  These animated show were the start of a push to develop Marvel properties into other media.  Initial results were mixed at best but eventually led to what we now know as the MCU (Marvel Cinematic Universe). Stan Lee 1922 2018

But it all started before that, growing up Lee born (Stanley Martin Lieber) loved swashbuckling movies, and dreamt of becoming a novelist.  One of his earliest jobs as a writer came writing obituaries before at the age of 17 a family connection got him a job as an assistant at Timely Comics, the precursor Marvel Comics was at the time a new division of a pulp magazine.

Lee’s first job actually writing in a comic book came with the text fillers for Captain America Comics #3 in 1941.  This was the first time he used the pseudonym Stan Lee, which later became his legal name.  Before long he moved from fillers to writing the backup feature, “‘Headline’ Hunter, Foreign Correspondent”.

His early creations Jack Frost, Father Time, and Destroyer may not be household names now, but things were about to change.  At the age of just 19 Lee was made interim editor, a position that quickly became permanent, one that he remained in for just over thirty years before becoming Publisher.  After the war, were Lee served in first the Signal Corps, and then the Training Film Division, he formed a partnership with artist Jack Kirby, together they created a few characters you may have heard of: the X-Men, Iron Man, Thor, the Hulk, Black Panther, Ant-Man, and the Fantastic Four. x men fantastic four thor iron man black panther hulk ant man

He also created Daredevil with Bill Everett. And with Steve Ditko with, Doctor Strange and his (and Marvel’s most successful character) Spider-Man. Doctor Strange Daredevil Spider-man

As significant as the characters they created, in 1963 gathered them together along with some older character, most notably Captain America to create the  Avengers, a rival to DC’s Justice League (originally Justice League of America). With various reboots, relaunches, spin-offs, alternate universes, and ever changing line-up, The Avengers have been a constant fixture within the comic book world.     The Avengers

In 1981 Lee moved from New York to California in 1981 to develop Marvel’s movie and TV, while the live action of these were forgettable at best, the cartoons introduced a whole new generation to Marvel.  They also provided the springboard of what was to come.  The success of Blade for New Line Cinema, X-Men with Fox Studio’s and Sony’s Spider-Man movies proved there was a market for quality comic book movies that snowballed into the MCU, and who knows where that will take us? Excelsior!

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A few years ago I wrote about The Dark Knight Returns and how a previous Batman could return to reprise the role of batman. This type of role is unusual if not unique. Can you imagine an old superman or Spider-Man? But one other comic book character does have a literary source for an older version of the character coming out of retirement, Wolverine.the dark knight returns

Wolverine: Old Man Logan was an eight-issue storyline from writer Mark Millar and artist Steve McNiven, published by between June 2008 and September 2009.  Set in an alternate universe over fifty years in the future (designated as Earth-807128).  A dystopian future where super heroes have been destroyed and the United States is divided five territories ruled by super villains.  Logan, who has long since given up the Wolverine persona for reasons that become clear in flashback, lives in the territory known as “Hulkland”.  The territory originally belonged to The Abomination and later conquered by the Hulk is now run by his the incestuous hillbilly grandchildren.old man logan

Hugh Jackman has hinted that Old Man Logan is the basis for the third and final Wolverine solo film, but has since suggested that this isn’t true.  If true, this would leave the door open for Jackman to reprise the role for at least the next twenty years.  It is common for actors to return to the parts that made them successful (Vin Diesel retuning to both Xander Cage and Riddick, Matt Damon coming back for a fourth The Bourne and Arnold Schwarzenegger returning to both The Terminator and Conan.), but it is rare for an opportunity to present itself so easily.arnold schwarzenegger terminator genisys

Jackman’s Wolverine has been a fans favourite since the first X Men movie fifteen years ago.  As good as Jackman is, it isn’t all about him, Wolverine has always been a fans favourite in the comic books too.  So as X-Men Apocalypse that he may or may not be in sees the end of a second trilogy, a reboot, or at least a recasting could be on the cards. Jackman will be a hard act to follow as he has become so iconic in the part (despite being a foot taller than the character in the comic books).  The perfect time for Jackman to reprise his role would be after another character had either failed or had completed a successful run and everyone is debating who will take over the part.The Wolverine

This all assumes there will still be a market for comic book movies in a decade or more.

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When writing about a female led comic book/superhero movie I purposely missed out the X-Men.  The X-Women are so complicated they need their own article.  20th Century Fox currently hold the rights to the X-Men.  The film series so far consists of: X-Men (2000), X2 (2003), X-Men: The Last Stand (2006), X-Men Origins: Wolverine (2009), X-Men: First Class (2011), The Wolverine (2013) and X-Men: Days of Future Past (2014).  The next film in the series will be X-Men: Apocalypse (2016) followed by an as yet untitled Wolverine sequel (2017).  There has also been a suggestion of a spin-off X-Force movie.

The problem is twofold, the X-Men exist as a group or team and work best as such.  The second problem, the X-Men haven’t always made best use of their female characters.  In the comic books Wolverine has been truly successful as a solo character and in turn is the only one to get a his own movie.  The one female character that could hold a film, Psylocke has never been properly introduced.  The most notable character that advances have been disappointed with is Storm/Ororo Munroe.  Many people blame Halle Berry for her performance, in reality it is more down to the writing.

Jean Grey / Phoenix (Famke Janssen) is better written for the screen but is used to the greatest effect when playing against Hugh Jackman’s Wolverine.Jean Grey  Phoenix Famke Janssen

Marie / Rogue (Anna Paquin) has been used to less effect in each film until the most recent where she is reduced to a cameo.X-Men: Last Stand (2006) Anna Paquin as Marie/Rogue

Kitty Pryde (Ellen Page) Promoted from a cameo for to a leading role in Days of Future Past.Kitty Pryde Ellen Page

Raven Darkholme / Mystique could be the answer.  Always an interesting character in the first three movies  played by Rebecca Romijn, replaced by Jennifer Lawrence for the prequel movies, First Class and Days of Future Past, star power has been added to the mix.  I suggested the possibility of a Mystique movie five years ago.  I’m would have to be a different story to fit with the existing continuity but could still work.Raven Darkholme Mystique Rebecca Romijn Jennifer Lawrence

I mentioned about the idea of an X-Force movie, this could do two things.  Continue the old film series with some of the old characters alongside the First Class team.  It also gives the chance to introduce unused characters or reintroduced characters that were wasted in The Last Stand such as Psylocke.  Elizabeth “Betsy” Braddock/Psylocke first appeared in Captain Britain, vol. 1 #8 in 1976 as a supporting character to her brother Brian Braddock Captain Britain.  Originally having precognitive abilities, then later revealed as a telepath, she also gained Jean Grey’s telekinesis ability.  She later transferred into the body of female Japanese mutant ninja Kwannon.  She gained Kwannon’s skills and elements of her personality.  The Character has a lot of millage and could introduced in her Japanese form with an origin story to follow using an English actress.Psylocke

I don’t see Fox rushing to join the race for a female comic book movie.  But like the idea of an X-Force movie.

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This month’s movies are A remake of a recent classic, a retelling of a fairytale, a sporting documentary, a literary adaptation two very different revenge thrillers and three summer blockbusters. Edge of Tomorrow came out two days before the end of the month and I haven’t seen it yet, hopefully it will be on next month’s list.

Brick Mansions: Remake of the 2004 French film District 13 written by Luc Besson. The late Paul Walker again proves to be a likeable leading man and the parkour skills of David Belle (reprising his role from the original) are always thrilling to watch. Unfortunately the film is unoriginal and a little dull.Brick Mansions

Pompeii: Gladiator-a-like action film set in the last days of the titular Italian city before Mount Vesuvius buried it is ash. Paul W. S. Anderson’s movie is rubbish but it is such good fun rubish its hard not to enjoy it.Pompeii

Blue Ruin: Low budget revenge thriller that is both considered and thoughtful. Throwing away the conventions of the genre it is full of suspense a tinged with a sense of despair and dread.Blue Ruin

Sabotage: What appears to be a more intelligent movie than you would expect for Arnold Schwarzenegger turns out to be as dumb as you would expect. intimately though, despite a critical panning and a week box-office, I enjoyed it.Sabotage

Next Goal Wins: Documentary about the national football team of American Samoa, described as the worth national team in the world. A timely reminder of what sport is all about away from with multimillionaire footballers. Jast as with Senna (2010), you don’t have to be a fan to enjoy the movie.Next Goal Wins

Two Faces of January: Based on Patricia Highsmith novel of the same name the movie is old-fashioned in a good way. Beautifully shot and fantastically acted (Viggo Mortensen, Kirsten Dunst, Oscar Isaac), Hossein Amini’s supremely confident directorial debut owes a debt to Hitchcock.Two Faces of January

Godzilla: After the success of his micro budget Monsters, Gareth Edwards is given £160million to play with. The film is a worthy successor to Ishirō Honda’s original and helps wash away the bad taste left by the Roland Emmerich version. The human characters aren’t great but we are here to see the monsters.Godzilla

X-Men: Days of Future Past: Based on the seminal 80’s two part X-Men story of the same name. The casts of First Class and the original trilogy come together in one of the best X-Men movies yet. It also opens the door to tell future stories without worrying about the continuity of original trilogy.x men

Maleficent: The concept is good and it looks really good. Angelina Jolie is fantastic and clearly having fun but it is all let down by a really dull story.Maleficent

I could happily have chosen Blue Ruin, Next Goal Wins, Two Faces of January or Godzilla as my movie of the month. But I have to go with the film that I am most looking forward to seeing again, allso the film that has inspired two articles this week: X-Men: Days of Future Past. X-Men-Days-of-Future-Past-Movie-Poster

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Having watched the X-Men: Days of Future Past I decided to look out the original comic book first published in 1981 in The Uncanny X-Men issues #141-142 by writer/artist team of Chris Claremont, John Byrne and Terry Austin. I had read it many years ago but didn’t remember much beyond the basic story. I was most surprised at how short it was consisting of around 40 pages over two issues. So unlike so many films that cut out large chucks of source material, Days of Future Past expands on the idea. The film has always been sold as “Inspired” by the comic and not a direct adaptation. The differences in plot are for the continuity of the film series as well as for dramatic reasons. I thought I would list a few.

  • The future in the comic book is 2013
  • The film future is 2023

days of future past comic cover

  • In the Comic; Kate Pryde travels back in time to inhabit her younger self, chosen, as the newest and youngest member she hadn’t been trained to defend herself against psychic attack yet. She is referred to as Kate in the future and Kitty in the past.
  • In the film Wolverine travels back to inhabit his younger body as he in the only one whose mind can survive the process. (and because it was the only way of writing him into the story as in the film timeline he doesn’t meet the X-Men until around 2000)

wolverine and kitty pryde

  • Kate is sent back by Rachel Summers
  • Wolverine is sent back by Kitty Pryde.kate pryde
  • Kate is sent back around 30 years to 1980
  • Wolverine is sent back 50 years to 1973days of future past 1980
  • In the comic book Mystique has formed a New Brotherhood of Mutants: Avalanche, Pyro, Destiny and The BLOB.
  • In the film Mystique acts alonebrotherhood of mutants days of future past
  • Mystique and The Brotherhood of Mutants kill presidential candidate Robert Kelly, Charles Xavier and Moira MacTaggert.
  • Mystique kills Bolivar Trask, the designer of the Sentinels.Trask
  • In the comic book the future resistance are made up of: Sprite (Kate Pryde), Wolverine, Storm, Colossus, Franklin Richards (from the fantastic Four), Rachel Summers (the daughter of the alternate future counterparts to Cyclops and Jean Grey, she has not appeared in the movie universe) and Magneto
  • The future resistance in the film are: Kitty Pryde, Storm, Wolverine, Iceman, Bishop, Colossus, Blink, Sunspot, Warpath, Professor Xavier and Magneto

days of future past

  • In the comic book we don’t see Mystique killing Kelly, Xavier and MacTaggert, we are only told about it.
  • In the film we are shown Mystique killing Trask.mystique days of future past
  • In the comic Mystique’s attack sets of a chain of events leading to the sentinels taking over America and about to embark on a nuclear war with the rest of the world.
  • In the movie Mystique is captured and her ability (and those of others we are shown) help create a next generation of Sentinel that recreates mutant abilities and uses them against their enemies.Days-of-Future-Past-Sentinels
  • In 1980 Wolverine has his adamantium.
  • in 1973 Wolverine is yet to have his adamantium.Wolverine-Bone-Claws-X-Men-Days-of-Future-Past
  • In 1980 Xavier is bald.
  • In 1973 he has hair.days of future past
  • In the comic the attack happens during a senate hearing in Washington.
  • In the film the attack happens in Paris, were the Americans and Vietnamese are negotiating the end of American involvement in the Vietnam Wartime out of mind
  • In the comic the X-Men team who stop Mystique are Wolverine, Colossus, Storm, Angel, Sprite and Nightcrawler.
  • In the movie they are: Wolverine, Professor Xavier, Magneto and Beast.Blink-and-Warpath-in-X-Men-Days-of-Future-Past
  • In the comic book the X-men resistance escape from a concentration camp try and break into Sentinel HQ to stop the nuclear war from happening.
  • In the movie they hold up in a monastery in China knowing they will be found and killed but holding out as long as they can, Wolverine being their only hope.days of future past movie
  • After the attack on the senate hearing fails the story in the comic book is over.
  • The movie has another act where magneto fucks things up and they have to stop him too.

maneto

  • The characters in the comic book version of the future do not know if they have succeeded in changing the future. Rachel Summers (herself from an alternate reality) speculates “our world may not change at all, instead Kate’s actions could create an entirely different timeline… an alternate parallel earth”.
  • The movie appears to exist in a single changeable reality, when they succeed the future is rewritten, the characters disappear and reappear in a new reality with only Wolverine remembering the dystopian world.

X-Men-Days-of-Future-Past-Kitty-Pryde-2

I’m sure there is lots more I have missed.

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Over 50 years and 23 movies James Bond has moved with the times without aging. The stories in the films are largely self contained. The continuity from one film to the next is shaky at best. Comic books have a different approach having story arcs that last months or years, eventually however they rewrite history often as new writers come in. Sometimes this is done within the story other times it is simply what we now call a reboot. Comic books often contain more than one story at a time, these stories can appear at any time in the within the timeline of the characters, this helps distract from the reinvention of the characters. This has found its way into the movie adaptations. Batman, Spiderman and Superman have all had the reboot treatment recently.The X Men

The X-Men took a different approach. Bryan Singer’s first film in 2000 took all already established group, any origin or back story was told in flashback over the first two movies. Instead of rebooting the series, X-Men: First Class (2011) went back and told the origin of the characters in the 1960’s keeping the existing continuity (more or less). Despite positive reviews and a strong box-office the film has never received much love. When everyone expected a First Class sequel or another origin movie. What they came up with was nothing short of stunning in its audacity. Returning director Bryan Singer has come up with sequel to The Last Stand (and The Wolverine (2013) that was a sort of sequel to The Last Stand) and First Class, that at the same time rewrote continuity of the entire franchise except First Class and part of Origins: Wolverine, wiping out the events of The Last Stand. A similar thing was achieved in Star Trek (2009), while that series gave the opportunity to reboot and recast the series within the continuity of the original films and TV show the X-Men has a far different agenda and appeal. All the events from 1973 onwards can be re written without having to worry about continuity of the original trilogy, and best of all within the new continuity, the events of X-Men: The Last Stand did not happen. Like so many other comic books, the X-Men seem to pick and choose between a multiverse and single changeable reality.  The way characters disappear from the screen when the past changes suggests that it becomes a “dead reality” and not part of an alternate reality.

the last stand

So where does that leave us? The possibilities are endless but a few thoughts on what this opens up. Days of Future past ends with Wolverine in the hands of William Stryker (or does it?), I think we have seen enough Weapon X and Wolverine getting his adamantium, but what he does after this is up fro grabs. A new path in his life could result in Wolverine joining The X-Men prior to 2000 as he did in the original movie. This allows him to appear in X-Men Apocalypse. It would mean he doesn’t meat Rogue when he did in that movie. That will change her timeline dramatically, although we do see her at the School at the end of the movie, so she makes it to the X-Men one way or another. This leaves the door open for a Mystique and Rogue Movie. The biggest criticism many fans have of The Last Stand is the way it handled The Dark Phoenix story, this could now be retold. It could work as a standalone movie told in two time periods, the other story coming from The Adventures of Cyclops and Phoenix. However poorly handled Phoenix/Jean Grey was in that movie Famke Janssen is perfectly cast. The other character who was short-changed in that movie is Psylocke aka Elizabeth “Betsy” Braddock. She was unrecognisable from the character in the comic book. She could be re-introduced, however, she was famously missing from the original Age of Apocalypse comic.X2

There are a few clunks and contrivances along the way but when you look back at it the X-Men franchise has done what so many other franchises have failed to do. Just eight years after Tim Burton reinvented Batman (1989), Joel Schumacher had killed the franchise with Batman Forever (1995) and Batman & Robin (1997). It took Christopher Nolan another eight years to reinvent the character with Batman Begins (2005) and the rest of the Dark Knight trilogy. It took Sam Raimi just five years to reboot and destroy Spider-Man between 2002 and 2007 resulting in a reboot in further reboot in 2012. The X-Men has recovered from the disasters of The Last Stand and Origins: Wolverine to come up with three decent films X-Men: First Class (2011), The Wolverine (2013) and now X-Men: Days of Future Past (2014).days of future past

The post credit sting doesn’t reveal anything we don’t already know, the next film, X-Men: Apocalypse based on The Age of Apocalypse story arc has been announced and is set for release in two years time. As long as Bryan Singer stays onboard as director I am looking forward to it.

 

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2009 X-Men origin: Wolverine was a mess; it suffered from too many characters and an incoherent plot.  Previous X-Men movies have handled the character well revelling parts of his mysterious back story in flashbacks and exposition.  An origin story is just that, taking the character back to the origins and exploring how he became the charter we know.  With the back-story out the way how does a second Wolverine movie stand up?the-wolverine

Set some time after the events of X-Men: The Last Stand (2006), haunted by the death of Jean Grey, Logan (Hugh Jackman) has dropped the moniker Wolverine and is living a solitary existence in the woods.  He is tracked down by a young woman whose employer is keen for him to visit Japan.

A notably better movie than Origins or The Last Stand but it still lacks the magic of the other X-Men movies.  The most notable thing about the story is the scale and subtext.  While the X-Men movies are concerned with global issues and have social subtext, The Wolverine is concerned with a story more personal to the character and subtext (if there is one) that is more existential. This helps the movie survive on its own merits away from a big franchise.  There is enough exposition to allow a newcomer enjoy the movie without being bogged down with the back-story.  The Wolverine

The mutant level is also kept to a minimum with just a couple of other “gifted” characters.  These include the villain, Viper (Svetlana Khodchenkova), who like lots of other characters in the movie are based on characters from the comic books.  We get a version of Mariko (Tao Okamoto) Yukio (Rila Fukushima) and Silver Samurai, comic book purists may not like them, but they do work within the context of the movie.  Viper is well used both orchestrating the henchmen and getting involved with the action herself, although her first appearance in a movie she seems very familiar, coming across as a combination of Poison Ivy (Uma Thurman) from Batman & Robin (1997) and Typhoid Mary (Natassia Malthe) from Elektra (2005). As with the comic book character she is based on Viper goes back to the traditions of the early days of the comic book villains she dresses in green.  She is interestingly the only character in the movie who dresses in what can be described as a comic book costume. Viper and Mariko in the wolverine

The action scenes are well handled when they involve Logan fighting with sword or claws but fall down when CGI gets involved.  A case in point is a fight seen on a bullet train, there are elements of it that are really good but others that are ludicrous.  This kind of sums the whole film up, some of it works some of it doesn’t.  The final showdown could have been better but it does neatly tie up the story and leaves us wanting more.  As you would expect for a comic book movie, there is a “stinger” a short way into the credits.  Without spoiling it too much I will say it appears to relate to the forthcoming X-Men: Days of Future Past (2014).  For the first time in an X-Men movie they have managed in the one scene to achieve what the Avengers movies do, creating excitement for the next film.Rila Fukushima

Although different in tone the movie does fit in with the other movies in the series with one exception: Unless I am missing something, there is a huge continuity error, Logan lost his memory towards the end of Origins (it appears to be 1979), and yet in the present day he appears to have memories of 1945.  As mentioned in a previous article, we still have more than 20 years of Logan’s life that is unaccounted for between the end Origins and his first appearance in X-men, so there is lots of space for another stand alone story. 

It doesn’t always feel like an X-Men movie and it is flawed, but it is largely a fun and enjoyable.  It has its charms and some great moments marks a great improvement on Wolverines other solo outing.

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Following last weeks thoughts on where the Batman franchise may go from here, I thought I would take a look how we got to where we are now. The Dark Knight Rises didn’t just happen, a comic book movie this big and epic but also this dark could not have been made in the 80’s or 90’s. Is the world in a darker place making such filmmaking a product of its time? Probably, but there is more to it than that. The billion dollar gross of The Dark Knight (2008) ensured that there would be a third film but things were very different before that. Batman Begins (2005) had a reasonable but unspectacular profit (it grossed around two and half times its budget). A few years before that would a big budget comic book movie have been made especially after Batman & Robin (1997).

When I started getting into movies as a kid the only comic book or super hero movies that had any credibility were Superman (1978) and Superman II (1981). Batman was best remembered for the Adam West/Burt Ward TV show from the 60’s that although it has gained a cult status now it something of a joke for a long time. Then things changed in with Tim Burtons Batman (1989). Although it is a long way from Christopher Nolan’s (very dark) Dark Knight version of Batman it was a million miles from the camp TV show. Gotham City became stylized Art Deco world that didn’t know if it belong to the future or the past. Futuristic gadgets existed alongside old cars and villains carrying Tommy guns. Michael Keaton’s Bruce Wayne is a gloriously awkward character, only just the right side of sanity and probably closer to Robert Downey Jr’s Tony Stark than Christian Bale’s Batman. The big name and star turn is Jack Nicholson as the Joker who has been unfairly forgotten in the shadow of Heath Ledger in The Dark Knight. Batman Returns (1992) offered more of the same, it didn’t expand on the first film or offer anything new or different the way The Dark Knight did after Batman Begins but did boast an unforgettable Michelle Pfeiffer as Selina Kyle/Catwoman. But then it all went wrong when Joel Schumacher took over.

Before all of that Frank Miller wrote two seminal comic book series The Dark Knight Returns (1986) and Batman: Year One (1987). As well as introducing characters and storylines that their way into Nolan’s films, both books had a dark tone and themes of rebirth and redemption that we have come to associate with Batman. It also popularised the name “The Dark Knight”.

Then in a true comic book way, an unlikely hero came forward to save the genre, Blade (1998). After years of the rights to Marvel comics being sold off for TV shows and rubbish films (often with a tiny budget) Marvel studios first film was a co production with New Line Cinema. Not risking one of their big name comic books their first film and in some ways their most important was Blade. The character originated in the 1970’s as a supporting character in The Tomb of Dracula comic book. He went on to star in his own comic book as well as making appearances in various other Marvel Titles. Released in 1998 written by David S. Goyer (who also has writing credits on all three Nolan, Batman films), directed by Stephen Norrington and starring Wesley Snipes. Snipes is perfect in the lead role giving the right blend of stone faced killer, brooding hero and a little deadpan humour. The production had a relatively modest budget of around $45million and produced worldwide Gross revenue of $131million. This does not appear to be much when compared to the near $600million Iron Man took or the or the $2.5billion the three Spider-Man movies have made however without the relative success of Blade these films and the X-Men may never have been made. The sequel directed by visionary geniuses Guillermo Del Toro is even better and also introduced comic book audiences to a darker more melancholic view. Like many of his movies, there is an underlying question of who the monsters really are, and more importantly who are the real monsters.

So these are the films that created the environment that made The Dark Knight trilogy possible but what about its director. Christopher Nolan’s first feature Following (1998) is a low budget, low key affair that is well worth a look. He really made his name with the innovative and brilliant Memento (2000) before making Insomnia (2002) a remake of a Norwegian. Both films made a decent profit received critical praise. Between the first two Batman movies Nolan made The Prestige (2006), another financial success that received largely positive reviews. After the success of The Dark Knight he embarked on what appeared to be an expensive vanity project, Inception (2010), but that too was a runaway success taking over $800million and appearing at the top of many people top ten movies of 2010 (including mine). The net result of each of these movies is the same, they prove Nolan to be a bankable director that studios what to work with.

This leads to the part Warner Bros. played in the production of Nolan‘s Batman trillogy. Ultimately they hired him to make A Batman film. Prior to that, there was always going to be a Batman film but which Batman film? Early ideas involved a fifth film in the existing series and a return for director Joel Schumacher. Schumacher preferred the idea of a reboot bases on Frank Miller’s Batman: Year One he was reported to have said: “[I] owe the Batman culture a real Batman movie. I would go back to the basics and make a dark portrayal of the Dark Knight.” This is the first suggestion I have heard of for both a reboot and a darker movie. Lee Shapiro and Stephen Wise pitched an idea to Warner called Batman: DarKnight. It involved the character Man-Bat as well a plot centred around Dr. Jonathan Crane and his experiments into fear (sound familiar). This idea didn’t get off the ground, the studio instead deciding to hired Darren Aronofsky to write and direct and adaptation of Batman: Year One. He quickly brought Frank Miller in on the project as a co-writer and approached Christian Bale for the role of Batman. This idea fell by the wayside along with Clint Eastwood’s The Dark Knight Returns and a Wolfgang Petersen directed Batman vs. Superman.

I’m not necessarily saying all of these movies or events had a direct influence on Nolan and his trilogy but they are all the building blocks that made the movies possible.

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Anyone who has heard or read anything about the new Avengers movie will have come across comments about which characters can or can not be in the movie because of licensing agreements with other studios. For example Spider-Man is licensed to Columbia/Sony. With expiring deals, lawsuits and mergers there will come a time more characters become available. This has got me thinking about how much the Marvel universes should overlap.

There have probably been more Marvel based movies than you think in recent years. So far, Iron Man, The Hulk, Captain America and Thor have all had there own movies and have all featured together in The Avengers alongside Clint Barton/Hawkeye, Natasha Romanoff/Black Widow and Nick Fury who haven’t had their own movie but have made previous appearances in other movies. Matt Murdock/Daredevil and Elektra have appeared together as well as an ill advised (in other words crap) Elektra spin-off. There have been four X-Men movies and a Wolverine origin story. Spider-Man, Fantastic Four, Blade, Frank Castle/The Punisher, and Ghost Rider have all appeared in their own movie(s).

The world in which Tony Stark/Iron Man exists appears to be just like our own, other than the advanced technology, mostly in vented by Stark.  A similar thing could be said of Bruce Banner, he and those around him (usually trying to capture him) are the only things out of the ordinary.  Thor on the other hand is pure fantasy, introducing Asgard and the nine realms.  Thor’s power is mystical and he is prevented from wielded it by an enchantment.  But even this has a real world setting.  As with Masters of the Universe (1987) the action takes place on earth, an earth who has no knowledge of other words.  Similar is true of Blade, although the world is full of vampires, most people are blissfully unaware of them.  Fantastic Four could have been an interesting movie, as we see ordinary people becoming supper heroes.  That only leaves X-Men, that develops across the movies where people become aware of mutants.  

Of the movies mentioned above, characters who have appeared in them who have been members (in comic books) of The Avengers in one form or another include: War Machine (from Iron Man 2), Spider Man, Wolverine, Storm, Venom (Spider Man 3 played by the brilliant Topher Grace), Victor Creed/Sabretooth and Daredevil. As well as Fantastic 4 members: Benjamin Jacob Grimm/Thing and Susan Richards (née Storm)/Invisible Woman, (I am led to believe the Avengers has included a Human Torch but this character was a different Human Torch and not Johnny Storm). Red Hulk (has not appeared in any of the movies to date but his alter ego General Thaddeus “Thunderbolt” Ross aka Betty Ross’ father appeared in Hulk (2003) and The Incredible Hulk (2008) played by Sam Elliott and William Hurt respectively).

So this is how I see it: Blade doesn’t fit into The Avengers universe and vice versa, the same goes for Ghost Rider. As a regular human, Frank Castle/The Punisher could work in the Avengers universe but does the team need another angry loaner who doesn’t play well with others? Then you have the issue of who to play him. The two hulk movies and The Avengers have seen three different actors (Eric Bana, Edward Norton, Mark Ruffalo) as Bruce Banner, each has got progressively better. The opposite true of The Punisher, with Dolph Lundgren, Thomas Jane and Ray Stevenson they have got progressively worse. Although Wolverine, Sabretooth and Storm have all been Avengers in the comic books, a world where mutants like the X-Men exist doesn’t really need The Avengers. The Fantastic Four could exist alongside The Avengers and as mentioned above, at least two of them have been members in the comic books, the problem? I have never read any Fantastic 4 comic books but have seen the two film versions, there are too lightweight, and not good enough to fit into The Avengers. That leaves two credible characters who could be future members: Daredevil and Spider-Man who is going through his own soon to be released reboot. Under the right circumstances either could work.

To add to the potential confusion there are a few actor crossovers: Jon Favreau (the director of the Iron Man movies) plays Tony Stark’s friend/chauffeur/bodyguard Happy Hogan in the iron man movies as well as Franklin “Foggy” Nelson, Matt Murdock’s friend and legal partner. Chris Evans plays Johnny Storm / Human Torch in Fantastic Four and Steve Rogers / Captain America.

Realistically given the team dynamic a second Avengers movie probably couldn’t accept more than one or two extra members. Given who we have so far, the a second female member wouldn’t be a bad idea. This means dipping into an untapped character, the online version of Empire magazine ran a piece recently suggesting this. The characters and casting they suggested are: Wasp/Janet van Dyne (Stana Katic), Ms. Marvel/Carol Danvers (Yvonne Strahovski), Scarlet Witch/Wanda Maxim off (Marion Cotillard), Firestar/Angelica “Angel” Jones (Jessica Chastain), Mockingbird/Barbara “Bobbi” Morse (Greta Gerwig), Moondragon/Heather Douglas (Noomi Rapace), Tigra/Greer Grant Nelson (Michelle Rodriguez), She-Hulk/Jennifer Walters (Gina Carano), Squirrel Girl/Doreen Green (Ellen Page). I posted a similar thing just over two years ago, I also suggested Michelle Rodriguez as Tigra/Greer Grant as well as She-Hulk/Jennifer Susan Walters and Huntress/Mockingbird Barbara “Bobbi” Morse (not the same casting though,  I do love the idea of Gina Carano as She-Hulk).

In summary there is crossover potential, even beyond my suggestions providing they keep the X Men and Avengers universes apart. Having said all that, it’s a nice problem to have like a coach with more players than spaces on his team. Look at DC, Given the disastrous attempts to bring their super heroes (other than Batman) to the screen in recent years they certainly don’t have the same problem. And if they did can you see Superman in Christopher Nolan Bat-universe?

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