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Posts Tagged ‘Twin Peaks’

Twin PeaksThirty years ago today saw the premier of the greatest TV show ever, Twin Peaks.  By the time it reached the UK in October of the same year it was already a phenomenon; 34.6 million people watched the pilot on US TV, people were already quoting “damn fine coffee”, and Cherry Pie.  I watched it because of David Lynch.  I had seen Dune (1985) shortly after release, and loved it (despite popular opinion), and had recently seen Blue Velvet (a little young at 14).  Both directed by Lynch, and like Twin Peaks, both starring Kyle MacLachlan.  Like everybody else, I didn’t know what to expect from the show. The Radio Times described it as an “offbeat murder-mystery drama”.  I seem to remember people having a problem with the long-form  story arc.  One review, possibly also in the Radio Times called it a Soap Noir suggesting it had more in common with soap operas than quality TV, which at the time was episodic.  Little did they know that it was a glimpse of the future.  But it is more than that, this is TV at its most cinematic.  After all, it was television directed by a visionary filmmaker, something that would be almost the norm two, and three decades on.  Lynch may be known for his quirky characters and absurd scenarios, but he is also an elegant filmmaker.  Take a scene early on; Laura Palmer’s parents (Ray Wise & Grace Zabriskie) are talking on the phone, she is missing but they don’t know she is dead, we as an audience do.  As they are talking we see a police car pull up in the background.  As with so much of the show it is subtly brilliant.  That’s not to say Lynch and co creator Mark Frost are afraid to lean into the melodrama of soap!  The “Who Killed Laura Palmer?” advertising campaign was directly influenced by the “Who shot J.R.?” campaign from the show Dallas a decade earlier.  Like a soap, there are over thirty main characters.  There are also the strange encounters and conversations , many which are left hanging and are not connected to the plot, but all add to the colour. laura-palmer

Ultimately the long form nature of the show was its downfall for me, for a while at least.  Early in the second series, I went on Holiday and missed an episodes when the recording failed.  An episode or two later I stopped watching intending to pick it up again when re-run.  Ultimately, this opportunity came a couple of years later when I borrowed the VHS from a friend and watched both season  all the way through.  I have watched it all the way through at least three times since then. dale cooper audrey horne

The title sequence shows both the simple splendour, as well and the mundane of small two life.  There is something strangely beautiful about watching a giant saw-blade being sharpened, or is that Angelo Badalamenti’s theme music doing the heavy lifting?  The theme that is echoed throughout the rest of score perfectly captures the grief and melancholy that hovers over the show.  It doesn’t take a music expert to recognise that Laura’s theme (that is repeated throughout the show), and the theme music are of the same piece.  Other parts of the score reflect the absurdity and obscurity of the show.  The music is bizarrely brilliant, and totally timeless; it sounds like nothing else, but is also reassuringly familiar.    The evil lurking under the surface of a seemingly perfect and idyllic community is not new ground for Lynch having explored it in Blue Velvet (1986).  But lets not forget this is a murder mystery, and that is where Mark Frost’s expertise rests, his credits include around fifty episodes of Hill Street Blues as scriptwriter and/or story editor.  If you strip away all the strange characters and events, it is still a great murder mystery, just not one with the conclusion you would normally expect. Part of the brilliance comes with the setting Agent Cooper (Kyle MacLachlan) talks about how murder isn’t a faceless event, not a statistic, and how Laura Palmer’s death affected everybody in town.  Pure evil is more noticeable and more meaningful than if it had been set in a large city. Twin Peaks Black Lodge

Like all the best shows, it hasn’t dated (except possibly the 4:3 aspect ratio), even after thirty years.  Initially cancelled after two seasons, but as a final act, Lynch made the boldest of moves.  Taking a storyline that goes back to early in the first season as a jumping off point, he revisited the show (just over) twenty-five years later.   Twin Peaks The Return, as it is sometimes known dove deeper into the supernatural that always been there, often just below the surface.  The result was a very different experience, that makes you look differently at the original show.  Like a film with a very different sequel, you can take Twin Peaks as the original thirty episodes of seasons one and two, or you can take all forty-eight from all three seasons; either way, it was as groundbreaking as it was brilliant! twin peaks the return

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  1. Twin Peaks: This could have gone so wrong.  Revisiting a TV show from quarter of a century ago with a combination of the original and a new cast.  The results were amazing, with one mind-bending episode in particular standing out.  Why did I ever doubt David Lynch.Twin Peaks
  2. The Handmaid’s Tale: I read Margaret Atwood’s 1985 dystopian satire back in the early 90’s and loved it.  There was a film version in 1990 that wasn’t bad.  Why is this version so good? Is it because it is frighteningly relevant today, because Elisabeth Moss is so good in the lead role, or that its just really well written well made television? Probably all three!The Handmaid's Tale
  3. Mindhunter: You could call it Manhunter/Silence of the Lambs Year 0.  Set in the mid/late 1970’s and telling the story of the FBI Behavioral Science Unit in the early days of criminal psychology and profiling.  It’s a very talky show, so don’t expect lots of action, but if that’s your thing you will love it.Mindhunter
  4. Godless: A seven part mini-series set in the American west in the 1880’s.  While it contains all the archetypes of the genre you would expect, and yet it feels strangely authentic.  A well constructed piece with flashbacks to tell back stories dropped in at just the right moment, it is more like a seven hour movie than a TV show.  The cast are all fantastic.Godless
  5. American Gods: Based on Neil Gaiman’s book of the same name.  The conflict between the old gods of mythology and the new gods of the modern consumer age told from the point of view of a mortal man.  Blending mythology and pop culture in a visually stunning way often trippy to a trippy effect.  You don’t always who what is going on but it kind of all pulls together in the end.American Gods
  6. Alias Grace: The second Margaret Atwood adaptation on the list, this time written for the screen by Sarah Polley.  Based on a fictionalized version of a murder in 19th-century Canada.  The story of female oppression feels sadly relevant today, but also works as a historical drama.Alias Grace
  7. Game of Thrones: The first returning show on the list (unless you count Twin Peaks), the penultimate series gives exactly what you expect of the show to date.  Taken on its own merits it would be higher up the list, as it is, it loses a few places for reasons of familiarity.Game of Thrones
  8. Taboo: A strange and dark tale that seems a little bold for prime time BBC.  What started out looking like a strange otherworldly tale quickly settled into a far darker tale; one of commerce, and a (real life) multinational corporation trying to survive at any cost to the society around it.  Tom Hardy is excellent as ever.Taboo
  9. Peaky Blinders: Steven Knight, also responsible for Taboo, returns with a fourth season of his Birmingham based organised crime/ gang series.  It was hard to see after the last season what there was left to say.  The new storyline is excellent as are the new characters but the standout is still Helen McCrory.Peaky Blinders
  10. Star Trek Discovery: Discovery has done the impossible, it is everything you expect from Star Trek, and nothing live Star Trek as you expect it.  The boldest move is to make a character other then the captain the shows lead character.  Sonequa Martin-Green is excellent in the lead, Jason Isaacs’ Captain Lorca is the most interesting character.Lethe

Also recommended:

Glow, The Punisher, Stranger Things, Preacher, 13 Reasons Why, Into the Badlands

Shows That have seen recommended to me, but I haven’t seen yet:

Big Little Lies, The Good Place, Legion, Feud, The Deuce

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The Dukes of Hazard, The Fall Guy, Knightrider, Battlestar Galactica, The A Team, Magnum, P.I.  I remember watching all of these movies as a kid.  One thing they had in common with all TV of the time, I watched one episode a week for the duration of their time on TV.  If I missed an episode, I missed it, unless I happened to catch a rerun.  On the whole this was never an issue as most shows were made up of self contained episodes.  There are exceptions, to this day, there still remains an episode of magnum that I haven’t seen, the second of a two part story. the dukes of hazard

Things changed a few years ago with programs like The Sopranos, Firefly and the new version of Battlestar Galactica.  Shows that I watched on DVD not when they aired on TV.  This was my first experience of binging TV shows.  With Amazon and Netflix shows like Bosch, The Man in the High Castle, Preacher and The Marvel TV shows Binging took on a whole new meaning. Battlestar Galactica

I recently bemoaned that American Gods was released one episode per week, however, some shows better savoured.  The long awaited third season of Twin Peaks and the TV version of The Handmaids Tale are perfect examples.  While every episode of American Gods leaves you wanting more Twin Peaks in particular needs time to sink in.  Part 8 is a perfect example, esoteric in the extreme and abstract in places.  After watching it, I wouldn’t have watched another episode straight after that even if it had been available.   Part 8

So what is the conclusion to all this?  Are TV shows best savoured or binge watched?  There probably isn’t an answer, it depends on the show, and the person watching it; I just thought I would share my thoughts and ramblings, what else is a blog for!

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On Saturday morning I received a text message from a friend who is a huge Twin Peaks fan:

“So Dale Cooper first arrives in Twin Peaks at 11:30am.  Yesterday at that exact time both David Lynch and Mark Frost sent the same tweet”:

The text also quoted Dale Cooper “When two separate events occur simultaneously pertaining to the same object of inquiry we must always pay strict attention”

The immediate reaction.  Lynch and Frost are going to re-team for a new Twin Peaks series or Movie.  The speculation was ended on Monday when they tweeted their intentions:

The Show Time website confirms the series is set to return in 2016, to mark the 25th anniversary of the end of the original run.  Original creators/producers David Lynch and Mark Frost are on board and will write and produce all nine episodes and Lynch will direct them.   No plot details have been released but many original cast members have expressed an interest and I understand Kyle MacLachlan (Special Agent Dale Cooper) has confirmed he will be reprising his role.

We are long overdue for a serving of cherry pie and some damn fine coffee!

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