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Posts Tagged ‘Tinker Tailor Soldier Spy’

The Dark Knight Rises may turn out to be both the biggest and the best film of the year. Every movie fan with a virtual soapbox to stand on will review it in one way or another, I may do so myself some time in the future, but for now I will not. Instead I have decided to do something different. I am looking at the key players in the movie and picking out my favourite of their movies or performances excluding The Dark Knight Trilogy.

Christopher Nolan: The modern interpretation of the term masterpiece refers a pierce of art (in any medium) that is receives high critical praise and is often considered the pinnacle of the artists career. But the original, true meaning is very different. During the old European guild system, an apprentice wishing to graduate from a guild and become a master craftsman or member of their guild would have to produce a Masterpiece. If successful, the piece would be retained by the master or the guild. Using this theory, Following (1998) is Christopher Nolan’s masterpiece. An ultra low budget mystery, crime, thriller with no star names. This led to him making Memento (2000), a simple revenge, thriller that is elevated to a superior mystery by the ingenious idea of telling the story backwards. Using the same criteria, it could be argued that Following was a practice run and Memento is the true masterpiece. Taken on its own merits Insomnia (2002) is a great movie, it just isn’t as good as the Norwegian original. It is a worthy and justified remake that is sympathetic to the story of the original but has its own individual touches. You know how movies come in two’s, this year there are two Snow White movies, a few years ago there were to giant asteroid movies, 2006 was the year of the Victorian stage magicians. Neil Burger’s The Illusionist was good, Christopher Nolan’s The Prestige was much better. Legend has it that after The Dark Knight took a billion dollars Warner Bros let Nolan make any movie he liked. What he came up with was Inception (2010) a little art house movie disguised as a big budget studio blockbuster. Inception may well be his best (non Batman) film, but for introducing me and most of the rest of the world to his work I am declaring Memento to be both his masterpiece and finest hour for Christopher Nolan.

Wally Pfister: Cinematographer/Director of Photography Wally Pfister started out as a cameraman for a Washington news service before being given his first break by Robert Altman. He then enrolled in American Film Institute where a film he worked on was nominated for the Academy Award for Best Live Action Short Film. Like so many great filmmakers, he received his first break as a Cinematographer from Roger Corman. Most of his notable works have been on Christopher Nolan films, he was nominated for the Academy Award for Best Cinematography for Batman Begins, The Prestige, The Dark Knight finally winning for the movie that truly is his finest hour, Inception.

Christian Bale: Where do you start with Christian Bale? A child star in Empire of the Sun who found real fame in his late twenties. Noted for his extreme physical transformations for the movies The Machinist and Rescue Dawn, in I’m Not There, it is a tossup between him and Cate Blanchett as to who is the best “Dylan”. In 3:10 to Yuma, The Prestige, The Fighter, Public Enemies and Terminator Salvation he gives more subtle and low key performances than his co stars, it is therefore a surprise that his finest hour is probably his most showy and over the top performance, Patrick Bateman in American Psycho.

Anne Hathaway: Many people know Anne Hathaway from her film début The Princess Diaries and can’t see beyond that. I first saw her in Havoc or Brokeback Mountain (saw them both around the same time) where despite all the praise going to Heath Ledger and Jake Gyllenhaal I thought the best performances came her and Michelle Williams. I was impressed enough to go and see The Devil Wears Prada and enjoyed it, but her finest hour is Rachel Getting Married. A family drama about a young woman who is released from rehab to attend her sisters wedding. A truly an amazing performance, her character is ultimately a miserable, selfish, narcissistic bitch but she also comes across as vulnerable, funny and sometimes even likable. 

Tom Hardy: I have seen many movies featuring Hardy and remember a great buzz about him around the time of Star Trek: Nemesis, but to be honest I really didn’t take notice until Bronson. Since then he has been brilliant in everything I have seen him in. as for his finest hour, it could easily be Warrior where his performance is monumental or Inception where he offers some great comic relief within an ensemble, but it has to be Bronson. 

Gary Oldman: How do you pick the finest hour from the thirty year career of an actor as talented as Oldman? Far more varied than you would think Oldman is at his best when he is wild and out of control, look back at Sid Vicious in Sid and Nancy, Stansfield in Leon and Beethoven in Immortal Beloved. That is why it may come as a surprise that his best performance may well be his most low key and economical performance, George Smiley in Tinker Tailor Soldier Spy. 

Michael Caine: Gary Olman’s career may be long but Michael Caine has been around for ever, certainly since before I was born. Many of his most notable performances came in the mid/late 60’s and early 70’s and include: Alfie, Sleuth, Zulu, Get Carter and The Ipcress File. He reinvented himself in more comic roles in the 80’s such as: Educating Rita, Without a Clue and Dirty Rotten Scoundrels. Outside Christopher Nolan movies, the pick of his 21st century movies are The Quiet American, Children of Men and Harry Brown, but for his finest hour, you need to go back to the 60’s for his iconic performance as Charlie Croker in The Italian Job.

Morgan Freeman: Freeman found fame relatively late in life. In his early fifties and after thirty years in the business, in a two year period he appeared in Driving Miss Daisy, Glory, Robin Hood: Prince of Thieves and The Bonfire of the Vanities. He makes a lot of movies, therefore there is a certain amount of crap in there too, but the highlights are very high, the include: Unforgiven, Se7en and Million Dollar Baby. His finest hour is probably The Shawshank Redemption. 

Marion Cotillard: A captivating actress who has been brilliant in every film I have ever seen her in. For many people she if best known for her Oscar winning portrayal of Edith Piaf in La vie en rose. Others will know her from her English language movies: Public Enemies, A Good Year, Big Fish and Nine. She was also memorable in Midnight in Paris and Inception. Although deep down I know her finest hour was as Edith Piaf in La vie en rose, I still go back to where I first saw her, Lilly, the long suffering but high maintenance girlfriend in Taxi (and its first two sequels).

Joseph Gordon-Levitt: The former child actor found fame as a teenager in the TV show 3rd Rock from the Sun. his most notable movie appearances from this time is probably 10 Things I Hate About You. He went on to appear in: Havoc (along side future Dark Knight Rises co-star Anne Hathaway) and earned acclaim in Mysterious Skin Stop-Loss and The Lookout. In recent years he has impressed in 500 Days of Summer, 50/50 and Inception, but his finest hour is still the high school noir Brick. 

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There has been much debate for the reasons and merits of having ten nominees in the best picture category. Having any number between five and ten makes a certain sense in the event there are no more than five suitable movies. The selection of nine when many worthy movies have been overlooked does however seem bizarre. Here are the nominated movies ranked in order of my preference (*denotes unranked as I haven’t seen the film):

The Artist
Hugo
Midnight in Paris
The Descendants
Moneyball
The Tree of Life
The Help
War Horse
Extremely Loud & Incredibly Close*

Had there been ten nominations which would be the tenth selection? Here are my suggestions, many of which would be ranked above the nominated films:

Drive
The Guard
Tinker Tailor Soldier Spy
We Need to Talk About Kevin
The Skin I live in
Shame

Which would you chosen as the tenth nomination?

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With just a couple of days to go until BAFTA Awards here are my thoughts on who I think will win and who I would choose.

  • Best Film
  • Who I think will win: Tinker Tailor Soldier Spy
  • My Choice: The Artist
  • Other nominees: The Descendants, Drive, The Help
  • Alexander Korda Award for Outstanding British Film of the Year
  • Who I think will win: Tinker Tailor Soldier Spy
  • My Choice: We Need to Talk About Kevin
  • Other nominees: My Week with Marilyn, Senna, Shame
  • Best Actor
  • Who I think will win: Gary Oldman for Tinker Tailor Soldier Spy
  • My Choice: George Clooney for The Descendants
  • Other nominees: Jean Dujardin for The Artist, Michael Fassbender for Shame, Brad Pitt for Moneyball
  • Best Actress
  • Who I think will win: Meryl Streep for The Iron Lady (2011)
  • My Choice: Tilda Swinton for We Need to Talk About Kevin (2011)
  • Other nominees: Bérénice Bejo for The Artist, Viola Davis for The Help, Michelle Williams for My Week with Marilyn
  • Best Supporting Actor
  • Who I think will win: Kenneth Branagh for My Week with Marilyn
  • My Choice: Christopher Plummer for Beginners
  • Other nominees: Jim Broadbent for The Iron Lady, Jonah Hill for Moneyball, Philip Seymour Hoffman for The Ides of March
  • Best Supporting Actress
  • Who I think will win: Octavia Spencer for The Help
  • My Choice: Jessica Chastain for The Help
  • Other nominees: Judi Dench for My Week with Marilyn, Melissa McCarthy for Bridesmaids, Carey Mulligan for Drive
  • David Lean Award for Achievement in Direction
  • Who I think will win: Tomas Alfredson for Tinker Tailor Soldier Spy
  • My Choice:Lynne Ramsay for We Need to Talk
  • Other nominees: Michel Hazanavicius for The Artist, About Kevin, Nicolas Winding Refn for Drive, Martin Scorsese for Hugo
  • Best Screenplay (Original)
  • Who I think will win: The Artist (2011): Michel Hazanavicius
  • My Choice: The Guard: John Michael McDonagh
  • Other nominees: Bridesmaids: Annie Mumolo, Kristen Wiig, The Iron Lady: Abi Morgan, Midnight in Paris: Woody Allen
  • Best Screenplay (Adapted)
  • Who I think will win: Tinker Tailor Soldier Spy: Bridget O’Connor, Peter Straughan
  • My Choice: Tinker Tailor Soldier Spy: Bridget O’Connor, Peter Straughan
  • Other nominees: The Descendants: Alexander Payne, Nat Faxon, Jim Rash – The Help: Tate Taylor – The Ides of March: George Clooney, Grant Heslov, Beau Willimon – Moneyball: Steven Zaillian, Aaron Sorkin
  • Best Cinematography
  • Who I think will win: War Horse: Janusz Kaminski
  • My Choice: The Girl with the Dragon Tattoo: Jeff Cronenweth
  • Other nominees: The Artist: Guillaume Schiffman – Hugo: Robert Richardson – Tinker Tailor Soldier Spy: Hoyte Van Hoytema
  • Best Editing
  • Who I think will win: Senna: Gregers Sall, Chris King
  • My Choice: Senna: Gregers Sall, Chris King
  • Other nominees: The Artist: Anne-Sophie Bion, Michel Hazanavicius – Drive: Matthew Newman – Hugo: Thelma Schoonmaker – Tinker Tailor Soldier Spy: Dino Jonsäter
  • Best Production Design
  • Who I think will win: Tinker Tailor Soldier Spy: Maria Djurkovic, Tatiana Macdonald
  • My Choice: The Artist: Laurence Bennett, Robert Gould
  • Other nominees: Harry Potter and the Deathly Hallows: Part 2: Stuart Craig, Stephenie McMillan – Hugo: Dante Ferretti, Francesca Lo Schiavo – War Horse: Rick Carter, Lee Sandales
  • Anthony Asquith Award for Film Music
  • Who I think will win: The Artist: Ludovic Bource
  • My Choice: The Artist: Ludovic Bource
  • Other nominees: The Girl with the Dragon Tattoo: Trent Reznor, Atticus Ross – Hugo: Howard Shore – Tinker Tailor Soldier Spy: Alberto Iglesias – War Horse: John Williams
  • Outstanding Debut by a British Writer, Director or Producer
  • Who I think will win: Tyrannosaur: Paddy Considine, Diarmid Scrimshaw
  • My Choice: Tyrannosaur: Paddy Considine, Diarmid Scrimshaw
  • Other nominees: Attack the Block: Joe Cornish – Black Pond: Will Sharpe, Tom Kingsley, Sarah Brocklehurst – Coriolanus: Ralph Fiennes – Submarine: Richard Ayoade

A note on my selection. I have seen all the nominations mentioned above. The categories I haven’t mentioned are either because I haven’t seen the enough of the nominated movies or else I’m not that bother red about who wins. A could of categories I would like to mention are Best Film not in the English Language and Best Documentary, I have only seen one movie in each (The Skin I Live In and Senna) but as they both made it to my top ten movies list of last year, I would love to see them win.

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When I first published my top ten movies of 2011 I chose to do it a little differently to previous years by selecting films by their original release date and not the UK release date. This in theory should bring my selections in line with other top ten lists, however it presents a problem, in the UK we don’t get a some of the best movies until January. With this in mind I present my Redux Top Ten. It only has one change but it is a significant one:

  1. The Artist – Telling the story of the transition from silent cinema to “talkies” isn’t a completely original one, but it is one that hasn’t been successfully told in a long time. The ingenious thing about The Artist is the way the story is told as a mainly silent film. With charismatic leading actors and a story that is both funny and touching it is a film I couldn’t help loving.
  2. Hugo – To be called a family film these days usually means a silly kids films with a few in-jokes for older viewers but Hugo really is a film for all ages and will remain so for generations to come. A film for lovers of film by a director who truly loves his medium, he even made 3D work.
  3. Drive – This is a movie that really shouldn’t work, there isn’t much plot, its old fashioned, overly violent, the leading man doesn’t have much dialogue. For some reason it does all work and like all the best movies it will haunt your memories long after you have seen it. It missed out to Tinker Tailor Soldier Spy as my movie of the month back in September but on reflection it is a better movie.
  4. The Guard – What could easily have been yet another fish out water tale is elevated by prospective. Instead of focusing on Don Cheadle’s FBI agent the film is centred around Brendan Gleeson’s wiser than he first appears Irish policeman. The real star however is the script and more importantly the dialogue.
  5. Senna – The first documentary to make my top ten of the year list. A fantastic and moving story of Ayrton Senna, a man who was possibly the greatest racing driver of all time, the true greatness of the film is the number of none F1 fans who also enjoyed it.
  6. Tinker Tailor Soldier Spy – The BBC adaptation of John le Carré’s Tinker Tailor Soldier Spy is possibly the best spy thriller I have ever seen, I think the movie may just be better.
  7. We Need to Talk About Kevin – Not the easiest movie to watch but well worth the effort. Confidently directed and superbly acted (Tilda Swinton deserves an Oscar) but the real strength lies in the screenplay. Adapted from a novel with a near un-filmable format, it’s a miracle any film was made let alone such a good one.
  8. Midnight In Paris – The premise is silly and clichéd but the execution is so charming and amusing that it gets away with all its potential faults. Especially rewarding for fans of Hemingway, Fitzgerald and the “Lost Generation” but entertaining and enjoyable for any film fan. Woody Allen’s best movie in a very long time.
  9. The Skin I live in – Beautifully shot, perfectly cast and brilliantly acted but most importantly Pedro Almodóvar back to his weird, bizarre best. Antonio Banderas is also back to his best and Elena Anaya deserves more roles like this.
  10. Moneyball – with a screenplay by Steven Zaillian and Aaron Sorkin you expect a compelling story and snappy dialogue, I am happy to report both are present and are helped by Brad Pitt’s second great performance of the year. Reminiscent in part to The Social Network (also written by Sorkin) and that has to be a good thing.
You can see my original list HERE.

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The BAFTA long-list has been announced today. The list is made up of between five and fifteen nominations in each category, it will be whittled down to five to create the actual nominations announced on the 17th of this month. As the British equivalent to the Oscars often has a strong home-grown leaning it is no surprise that My Week With Marilyn and Tinker Tailor Soldier Spy lead the way with sixteen inclusions each.

The thing I find surprising is some of films that have been included: The Artist, The Descendants, The Iron Lady, War Horse, J. Edgar, Shame, Young Adult and Carnage. The problem isn’t that they are bad or undeserving films, it is that it haven’t seen them. Or to be more precise, that I haven’t been given the opportunity to see them yet. Two of the films I refer to went on general release today, the rest are yet to be released. This is a bizarre state of affairs for an award ceremony that is supposed to represent the best films seen in UK cinemas during 2011. A quick look at the BAFTA website explains the loophole in eligibility:

“Films must be released theatrically in the UK, within the Academy awards year: 1 January to 31 December 2011. Films that open between 1 January and 10 February 2012 inclusive may be ‘qualified’ by Distributors by being screened to Academy Film Voting Members by Tuesday 20 December 2011”.

I can only speculate the reason for BAFTA’s desire to include otherwise ineligible movies. If asked they would probably tell you that they want to be inline with the original release date of the movies and other award ceremonies. My opinion, they relish their new importance as the forerunner to the Oscars. While I don’t have a particular problem with either possibility I cant help thinking that if distributors want their movies to be eligible for awards they should show them during the “awards year” so ordinary cinemagoers like me can see them.

I also have another fear for the strange practice; providing they don’t screen utter crap, the voters could be unduly influenced by a film being put forward in this way. This already happens to a small degree by the time of year that a film is released. In last years best picture category (nominations: The Kings Speech, Black Swan and True Grit, Inception and The Social Network) three of the five nominated films were released after 31st December 2010 and none of the movies were released in the first half of the year. It isn’t just about the BAFTA’s, along with other early award ceremonies like The Golden Globe (awarded by the Starfuckers of the Hollywood Foreign Press Association) the awards help influence the nominations and ultimately the winners of the Oscars.

Aside from the complaining, I would like to express my delight at a some of the included films: Drive (isn’t a typical award film), Senna (I didn’t know documentaries were eligible in the best picture category). And in the acting categories: Antonio Banderas – The Skin I Live In (none English performances are often overlooked), Brendan Gleeson – The Guard (line foreign language, comedy are often overlooked), Christopher Plummer – Beginners (released back in July – the academy have short memories).

As mentioned the nominations will be announced on 17th January and the awards will take place on Sunday 12th February.

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2011 Films

All the films I saw at the cinema in 2011 ranked in order of preference:
  1. Hugo
  2. Drive
  3. The Guard
  4. Black Swan
  5. Senna
  6. Tinker Tailor Soldier Spy
  7. True Grit
  8. We Need to Talk About Kevin
  9. Midnight In Paris
  10. The Skin I live in
  11. The King’s Speech
  12. Moneyball
  13. Stake Land
  14. Kill List
  15. The Girl With the Dragon Tattoo
  16. Another Earth
  17. Melancholia
  18. Warrior
  19. 127 Hours
  20. The Way
  21. Julia’s Eyes
  22. Mission: Impossible – Ghost Protocol
  23. Troll Hunter
  24. 50/50
  25. Source Code
  26. Submarine
  27. Super 8
  28. 13 Assassins
  29. A Lonely Place To Die
  30. The Extraordinary Adventures of Adèle Blanc-Sec
  31. The Adjustment Bureau
  32. X-Men: First Class
  33. Thor
  34. Captain America: The First Avenger
  35. Limitless
  36. My Week With Marilyn
  37. The Inbetweeners Movie
  38. Take Shelter
  39. The Rum Diary
  40. Harry Potter And The Deathly Hallows: Part 2
  41. The Ides Of March
  42. Real Steel
  43. Sherlock Holmes: A Game of Shadows
  44. Fair Game
  45. Never Let Me Go
  46. Blue Valentine
  47. Tree Of Life
  48. The Lincoln Lawyer
  49. The Help
  50. In Time
  51. The Awakening
  52. Sucker Punch
  53. Fast Five
  54. Hanna
  55. Don’t Be Afraid Of The Dark
  56. Wuthering Heights
  57. Contagion
  58. The Fighter
  59. Paul
  60. Animal Kingdom
  61. NEDS
  62. Rabbit Hole
  63. One Day
  64. John Carpenter’s The Ward
  65. Drive Angry
  66. The Beaver
  67. Beginners
  68. Bridesmaids
  69. Red State
  70. Cowboys and Aliens
  71. Rise of the Planet of the Apes
  72. The Conspirator
  73. The Art of Getting By
  74. I am Number Four
  75. Fright Night
  76. Henry’s Crime
  77. Blitz
  78. Priest
  79. Red Riding Hood
  80. Oranges and Sunshine
  81. Faster
  82. 1920 The Battle of Warsaw
  83. Win Win
  84. Colombiana
  85. Water for Elephants
  86. Immortals
  87. Battle: Los Angeles
  88. 30 Minutes or Less
  89. Hereafter
  90. Biutiful
  91. The Mechanic
  92. The Thing
  93. The Three Musketeers
  94. Anonymous
  95. Tomorrow, When The War Began
  96. The Debt
  97. Green Lantern
  98. The Twilight Saga: Breaking Dawn – Part 1
  99. Footlose
  100. Justice
  101. Attack the Block
  102. Apollo 18
  103. Pirates of the Caribbean: On Stranger Tides
  104. Unkown
  105. Scream 4
  106. The Silent House
  107. The Eagle
  108. The Resident
  109. Season of the Witch
  110. Transformers: Dark of the Moon
  111. The Hangover: Part II
  112. Sanctum

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  1. Hugo – To be called a family film these days usually means a silly kids films with a few in-jokes for older viewers but Hugo really is a film for all ages and will remain so for generations to come. A film for lovers of film by a director who truly loves his medium, he even made 3D work.
  2. Drive – This is a movie that really shouldn’t work, there isn’t much plot, its old fashioned, overly violent, the leading man doesn’t have much dialogue. For some reason it does all work and like all the best movies it will haunt your memories long after you have seen it. It missed out to Tinker Tailor Soldier Spy as my movie of the month back in September but on reflection it is a better movie.
  3. The Guard – What could easily have been yet another fish out water tale is elevated by prospective. Instead of focusing on Don Cheadle’s FBI agent the film is centred around Brendan Gleeson’s wiser than he first appears Irish policeman. The real star however is the script and more importantly the dialogue.
  4. Senna – The first documentary to make my top ten of the year list. A fantastic and moving story of Ayrton Senna, a man who was possibly the greatest racing driver of all time, the true greatness of the film is the number of none F1 fans who also enjoyed it.
  5. Tinker Tailor Soldier Spy – The BBC adaptation of John le Carré’s Tinker Tailor Soldier Spy is possibly the best spy thriller I have ever seen, I think the movie may just be better.
  6. We Need to Talk About Kevin – Not the easiest movie to watch but well worth the effort. Confidently directed and superbly acted (Tilda Swinton deserves an Oscar) but the real strength lies in the screenplay. Adapted from a novel with a near un-filmable format, it’s a miracle any film was made let alone such a good one.
  7. Midnight In Paris – The premise is silly and clichéd but the execution is so charming and amusing that it gets away with all its potential faults. Especially rewarding for fans of Hemingway, Fitzgerald and the “Lost Generation” but entertaining and enjoyable for any film fan. Woody Allen’s best movie in a very long time.
  8. The Skin I live in – Beautifully shot, perfectly cast and brilliantly acted but most importantly Pedro Almodóvar back to his weird, bizarre best. Antonio Banderas is also back to his best and Elena Anaya deserves more roles like this.
  9. Moneyball – with a screenplay by Steven Zaillian and Aaron Sorkin you expect a compelling story and snappy dialogue, I am happy to report both are present and are helped by Brad Pitt’s second great performance of the year. Reminiscent in part to The Social Network (also written by Sorkin) and that has to be a good thing.
  10. Stake Land – A grim and often violent road movie from the team who gave us the direct to DVD zombie/rat/mutant classic Mulberry Street. Benefiting from its gritty realism and the constraints of a low budget it is intelligent and thoughtful whilst still being entertaining, and the vampires don’t sparkle in sunlight they burn! The best vampire movie since Let The Right One In (that topped my list two years ago).

A note on my selection: in previous years my top ten has been made up of films released in the UK during the calendar year. This time I have excluded films that were on general release in America in 2010 making my list more comparable with other best of the year lists (Stake Land is a bit of a grey area as it is listed as a 2010 movie but doesn’t appear to have been screened anywhere outside film festivals until 2011). I would like to have seen The Artist before compiling my list but despite the published December 30th release date it doesn’t appear to be on anywhere. Check back tomorrow to see how True Grit, Black Swan and The King’s Speech compare to this years movie in my full list of movies seen this year.

Finally: the list are my favourite films of the year not necessarily the best ten films of the year, so please don’t tell me the list is wrong but feel free to share your favourite films of the year.

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