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Posts Tagged ‘Timothy Dalton’

In a recent article on the BBC website (quoting an interview in the Guardian) James Bond producer Barbara Broccoli stated her belief that James Bond will “probably” never be played by a woman. “Bond is male. He’s a male character. He was written as a male and I think he’ll probably stay as a male.” She went on to say “And that’s fine. We don’t have to turn male characters into women.” The same article went on to quote an article where Halle Berry also said that Bond should remain male, she however suggested a new Bond type female character could be created.  While it may not be a popular, or politically correct opinion at the moment, I agree that Bond only works as a man.  We are however, at a point in time where Bond casting can be colour-blind, while Bond needs to remain British (and male), we are a multicultural society, despite the views of a vocal minority, you don’t have to be white to be British.  This leaves the door open, not just for Idris Elba, but for any other British actor regardless of race, I believe Henry Golding has joined the debate!The Next James Bond_

To change the sex of Bond would impact on all his interactions with other characters to such an extent it would distract from the story.  Regardless of what I, or anyone else thinks, Broccoli is the person most directly responsible for casting the part, so will ultimately decide the direction it takes. This isn’t to say characters are locked into being one sex.  The BBC article I mention, refers to the new series of Doctor Who, starting tomorrow with the first ever female Doctor.  Ghostbusters (2016), wasn’t terrible because of the idea, or the casting of woman, the cast were good, the issue was with the terrible script. Barbara Broccoli

Back to Halle Berry and her idea: There has previously been a suggestion that her character Jinx Johnson, from Die Another Day (2002) would get her own spiff-off movie or TV show.  Fortunately, this did not happen, she was a terrible character from a terrible film.  The only positive thing I have ever heard about the character, is that she looks good!  Truely representing all that is bad about Bond!  There are far better characters in the Bondverse to get their own movie, characters with a little agency, would be: Pam Bouvier (Carey Lowell) from Licence to Kill (1989), Wai Lin (Michelle Yeoh) from Tomorrow Never Dies (1997), or Camille (Olga Kurylenko) from Quantum of Solace (2008).  I’m not sure any Bond shared universe is a good idea, do we want a new Bond related film every year?  The current format of a film every few years, reboot every decade or so works. Female Bond Spin-offs

It would be better to start from a clean slate, developed a new completely different character in their own universe and having their own characteristics.  Fortunately, that is exactly what Barbara Broccoli is doing.  In a rare none Bond movie, EON Productions next movie will be The Rhythm Section adapted from the book of the same name by Mark Burnell.  The first of four books about the character Stephanie Patrick.  In the books Stephanie Patrick is a couple of turns short of rock bottom in a downward spiral following a traumatic event.  She is working as a prostitute to fund her drug problem until a revelation from a  journalist sends her life in a completely new direction.  The books are about identity and purpose, but work on a more surface level too, with great action.  There are four books in the series leaving at least three more stories to adapt, but with author Burnell onboard writing the script, there could be more than that.  Blake Lively is staring, and looks like a good choice.blake lively

And finally the elephant in the room, who will be the next Bond?  The name we can’t escape is Idris Elba, I think he would make a fantastic Bond, but fear his time may have passed.  At 46 he is about the right age now, he should be making his second film.  As it is, he would be 50/51 before he made his debut, giving him time to make three film before he is too old.  I am not going to list contendors or speculate on who will take the part, that’s for another day, but I am going to keep banding the drum for my Bond Movie idea, I know it will never happen but it doesn’t stop me modestly suggesting it’s a great idea: Bring Timothy Dalton back to play a long retired James Bond, forced back for one last mission (there are multiple story ideas to facilitate this).  As he gets older, the same idea could also work for Pierce Brosnan. Old Bond

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Back in 210 when production of the as yet unnamed 23rd James Bond movie was indefinitely suspended due to MGM’s financial troubles, I speculated about the future of Daniel Craig as the worlds most famous secret agent. Remembering what had happened the last time there was a delay and Timothy Dalton walked away from the role, I feared the worst. I looked at who could replace Craig should he drop out. As it happened there was nothing to worry about. When the film now named Skyfall finally arrived at the back end of 2012 it turned out to be one of the best Bond films ever and my favourite film of the year. It has since been revealed that Craig will appear in two more Bond films, at least one of them reuniting him with Skyfall director Sam Mendes. It is believed that “Bond 24” as it will be know until a title is chosen with be released in November 2015, suggesting Craig’s final outing will be two or three years after that by which time he will be somewhere around 50 about the right time to hang up his Wallther PPK .james bond daniel craig

This leaves a problem with some of my other suggestions for the next bond. If Craig does fulfil his commitment for another two (five in total) Bond films it will be around 2020 before a replacement is needed, by which time some of my other suggestions will be too old. Idris Elba: already in his 40’s Elba will be the wrong side of 50. The long time favourite Clive Owen will be 50 next year so will be way too old, his chance realistically went when Craig was first cast.

Michael Fassbinder (1977): The German born Irish actor has been in hugely varied movie and TV roles. He is very at home in period settings as seen in a lot of his films including Inglourious Basterds and X-Men: First Class making him the perfect choice for a 50’s or 60’s set Bond. He will be in his early 40’s by the time “Bond 26” goes into production, just about the right age.Michael Fassbinder

Henry Cavill (1983): For so long the nearly man, Cavill was the first choice for McG’s Superman but lost out to Brandon Routh when Bryan Singer took over as director. He was the fans favourite to play Cedric Diggory in Harry Potter but lost out to Robert Pattinson. He was author Stephenie Meyer‘s choice to play Edward Cullen in Twilight, again missing out to Pattinson. He narrowly missed out to Daniel Craig to play Bond in Casino Royale. All these casting choices turned out to be right, he was too old to play Diggory and Cullen, too young for Bond and eventually got to play Superman in Zack Snyder’s Man of Steel that was better than Superman Returns. He will be about the right age to play Bond in 2020.Henry Cavill

Tom Hiddleston (1981): Having worked mainly in television for a decade I had never heard of Hiddleston until he played Loki in Thor then all of a sudden he was everywhere with War Horse, The Deep Blue Sea and a small but memorable performance as F. Scott Fitzgerald in Midnight in Paris. He will always be associated with Loki and this villainous typecasting could help bring the necessary cold edge to Bond. Again he will be about the right age to play the part.Tom Hiddleston

There are lots of other names mentioned who I can’t see as Bond for one reason or another: Tom Hardy (1977) is probably to visceral and brutal and would need to slim down from his Warrior/Bane bulk. Christian Bale (1974) probably brings too much baggage (Batman) and is at the upper end of the age range. I could have seen Guy Pearce (1967) as Bond a couple of years ago but think he will be too old by the time the part becomes free. Jon Hamm (1971) is probably the right age now making him too old when Craig steps down. I also can’t see an American Bond.

Then we come to the leftfield choice: Nicholas Hoult (1989) at 23 he is too young to play Bond now and will still be at the bottom end of the age range in 2020, however it could work. Bond movies have always moved with the times (although often behind the times) without any mention of a reboot until Casino Royale (2006). This is a perfect opportunity to not only reboot the series but to return to Ian Fleming’s eleven key novels (skipping the short story compilations and The Spy Who Loved Me (1962) whose format would need a lot of tweaking):

Nicholas Hoult

  • Casino Royale (1953)
  • Live and Let Die (1954)
  • Moonraker (1955)
  • Diamonds Are Forever (1956)
  • From Russia, with Love (1957)
  • Dr. No (1958)
  • Goldfinger (1959)
  • Thunderball (1961)
  • On Her Majesty’s Secret Service (1963)
  • You Only Live Twice (1964)
  • The Man with the Golden Gun (1965)

If they start with a young enough actor and make a film every couple of years we could see an actor grow into age in the part. Possibly taking certain books and playing with the order a little we could have rise, fall and rebirth of bond including a SMERSH trilogy and a Blofeld trilogy. The big question is when to set the stories. Although always assumed to be contemporary at the time they were written Fleming was always as vague about the passage of time as he was about the age of his hero. The two options are either present day or 1950’s. I would go with 1950’s partly for the look of the films but also to help keep the stories close to the source material without the distraction of modern technology.

In truth the next Bond will most likely be someone we have never considered or possibly somebody we have never heard of. Although aware of Daniel Craig before Casino Royale I have never considered him as a potential Bond. Whoever they choose, we have two more Craig outings to look forward to, we can only hope they are as good as Skyfall.

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I started writing a review of The Living Daylights (1987) for my Groovers Video Vault, it quickly became clear that I was not writing about the movie but about its star, Timothy Dalton. He probably isn’t the best James Bond, but he is certainly the most underrated, probably the closest to the character Ian Fleming wrote, and possibly the most influential since Sean Connery. The review of The Living Daylights will have to wait for another day.

In 1985 a 58 year old actor played James Bond, the actor Roger Moore was playing the part for the seventh and final time in his twelve year tenure. An older Bond could have made an interesting character as it did when (the younger) Sean Connery reprised the role for the unofficial Never Say Never Again (1983), but thanks to lazy writing, Moore still playing the part as if he were a much younger man. This was exacerbated by the over reliance of silly gadgets and comedy one liners. In essence the small elements that made Bond, Bond had taken over. It was a bit like watching an aging rock star putting all their effort into an extravagant stage show but forgetting to sing the songs. The final nail in the creative coffin was that they had run out of Ian Fleming novels and were writing new stories, bad stories. Bond had become a parody, the result A View to a Kill was a terrible film, the franchise was an unsustainable mess, something had to be done. There was little of merit in the Roger Moore movies after his third outing, The Spy Who Loved Me (1977), the series really needed new direction back then. I suspect that remembering the failure of George Lazenby as Sean Connery’s replacement, the producers were scared of upsetting the status quo and kept Moore in the role for an extra decade. As bad as the films got (Moonraker (1979), Octopussy (1983) and A View to a Kill (1985) being the low points) they still made money.

Producers, particularly Cubby Broccoli courted a young little known Irishman Pierce Brosnan who was staring in the TV show Remington Steele. Contractual obligations prevented Brosnan from taking the part so attention turned to Shakespearean actor Timothy Dalton. Dalton had been approached to replace Connery in the late 60’s but felt he was too young, and then again in the early 80’s when Moore’s contract was in dispute. Comments in various interviews have suggested Dalton was not happy with the direction the franchise was going, he also suspected that he and other actors were used force Moore’s hand. When he eventually took the part he did it on his own terms. A fan of Flemings source novels, Dalton insisted on scaling back the sci-fi/fantasy elements of the plot in favour of a grittier more plot driven story. He played Bond as a reluctant hero who like his literary counterpart drank and smoked too much. He was a man clinging to small pleasures while he tried to take away the taste and guilt of the repugnant side of the job. This can be seen early in his first movie, The Living Daylights (1987). It took its name from an Ian Fleming short story that was originally published along with Octopussy.

The story saw a jaded Bond on sniper duty, his mission to take out a KGB sniper and aid an agents escape from East Berlin. On realising the KGB sniper is a beautiful, blonde cellist he had seen on her way to and from practice earlier, he decides to shoot her weapon from her hands rather than killing her. Captain Sender his local contact, explains to Bond that he had to mention Bonds actions in his report stating “You should have killed that sniper whoever it was” Bonds response:

James Bond Said wearily “Okay with any luck it’ll cost me my Double-0 number. But tell Head of Station not to worry. That girl won’t do any more sniping. Probably lost her left hand. Certainly broke her nerve for that kind of work. Scared the living daylights out of her. In my book, that was enough. Let’s go.”

It is with this defiance that Timothy Dalton played the part. Most of the short story makes it to the screen reworked into the plot of the movie. Bond’s words became “STUFF my orders! I only kill professionals. That girl didn’t know one end of her rifle from the other. Go ahead. Tell M what you want. If he fires me, I’ll thank him for it.”

Bonds relationship with Saunders (based on Captain Sender from the short story) is unusual within a Bond film, in that it brings out many emotions in him. Initially the two don’t get on, but they grow to respect each other. When Saunders is killed Bond loses heart in his cover and becomes agitated and on edge. There is nuance in this performance you don’t expect from Bond. This isn’t a new Bond this is a return to the real Bond, the Fleming Bond. We can see this in his interactions with General Pushkin, the new head of the KGB. This the Bond we have seen on screen and read about on the page who has always been more interested in following his instincts than his orders. Dalton’s second and final Bond film Licence to Kill (1989) takes Bond a stage further refusing M’s orders and resigning in order to seek personal revenge. The film was both praised and criticised for darker and more violent tone of the movie taking it away from the family audience and more towards contemporary Hollywood thrillers. Interestingly it wasn’t that well received by American audiences. Receiving a 15 certificate in the UK and Rated PG-13 in America probably didn’t help.

In 1990, MGM/UA was sold, this led to various legal disputes that are too complicated to go into. The legal disputes caused delays and the next film due to go into production in the early 90’s was delayed until early 1994, this again was delayed and Dalton resigned from the role despite originally signing a three picture deal.

The interesting thing about Daltos time as Bond is what happened when he quit, Cubby Broccoli got his man, the actor he always wanted to play Bond, Pierce Brosnan. After a promising start GoldenEye (1995) the series descended into something very similar to the latter Roger Moore films, farces filled with silly gadgets and product placements. Bond as a character was conceived during World War II and was a cold war character, for that reason he lost a little of his relevance after The Living Daylights. While he was away fighting drug dealers and on a brief hiatus, the world was changing, Russia was changing. To their credit this became an underlying plot point in Brosnan’s début film but it was never expanded on or played with in future films. Then in 2006 in the wake of the Jason Bourne movies for the first time ever, Bond wasn’t recast, it was rebooted with Daniel Craig getting the part to the surprise of almost everyone. His début Casino Royale (2006) was a return to form, its sequel Quantum of Solace (2008) (a direct sequel is another Bond first) was less well received. And now the Zenith of what Dalton started, Skyfall (2012) has taken Bond further from Roger Moore and Pierce Brosnan than many thought possible. He may have taken it too far to be recognisable as a Bond, but it is proving popular with fans (including me), audiences and critics. Don’t expect the ever humble Dalton to take any credit where Bond is today, but I don’t think he would have got to this point without the new direction he took the character in 1987.

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It’s the 50th year of James Bond movies. Here are 50 random reasons to love Bond movies.

“Bond, James Bond” introduction
Aston Martin DB5
Francisco Scaramanga
Lotus Esprit submarine
Walther PPK
Ice chase from die another day
Attaché case in From Russia with Love
Red Grant
The Vesper martini
Little Nellie

Daniel Craig’s reinvention of the character
Pam Bouvier
M
Honey Ryder (Ursula Andress) emerging from the sea
Domino Dervaly
Rosa Klebs shoes
SPECTRE’s extravagant way of disposing with failed operatives
Oddjob’s hat
Jaws’ teeth
Sean Connery probably still the best Bond
Xenia Onatopp’s unusual way of killing
Moneypenny
SPECTRE’s ridiculously over the top bases and lairs
Union Flag parachute
Colonel Wai Lin
Introducing parkour to mainstream movies
Pussy Galore
AMC “barrel roll” from The Man with the Golden Gun
Magnetic Rolex watch
Q
Teresa “Tracy” Di Vicenzo
Scaramanga’s golden gun
Exploding pen
Monty Norman/John Barry’s James Bond Theme music
Vesper Lynd
007 logo
Its British
Felix Leiter
Camille Montes
The Gun barrel sequence
Theme Songs
Anya Amasova aka Agent XXX
Bond’s ‘one-liners’
Moonraker’s shameless attempt to cash in on the success of Star Wars
Timothy Dalton’s ahead of his time interpretation of Bond

Ian Fleming’s source novels
Pre-title sequence
Jill Masterson (Shirley Eaton) iconic but gruesome death
Title sequence
“James Bond Will Return”

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As we anticipate the release of Skyfall in less than two weeks I thought I would take a look at some of my older James Bond Movies for my ongoing Groovers Video Vault series. I’m not sure why I started with Licence to Kill but I am glad I did.

On route to his wedding Felix Leiter (David Hedison) gets word that south American drug lord Franz Sanchez (Robert Davi) has left the safety of the (fictional central American state) Republic of Isthmus to retrieve his runaway girlfriend (Talisa Soto). Leiter along and his best man James Bond (Timothy Dalton) capture Sanchez before arriving fashionably late for the wedding. Sanchez promptly escapes and takes revenge on Leiter and his new bride. Refusing the order from M (Robert Brown) to fly to Istanbul on a mission, Bond escapes and recruits pilot and friend of Leiter, Pam Bouvier (Carey Lowell) to seek help him seek revenge.

Having directed Roger Moore’s last three Bond movies that were frankly rubbish, John Glen was a brave choice to take Bond in a new direction with a new leading man.  But, he did a good job with The Living Daylights, so bringing him back for a fifth and final time made a lot of sense.  Continuing from Timothy Dalton’s first outing as Bond in The Living Daylights, Licence to Kill dispenses with the increasingly silly character portrayed by Roger Moore and returns Bond closer to the character from Ian Fleming’s novels. This however is no step back in time to the in time to Sean Connery’s Bond this is a modern (for the late 80’s when it was made) Bond who finds himself not saving the world from preposterous criminal organisation but in the middle of Reagan’s “War on Drugs”. This was the obvious but ultimately the right choice for a cold war character in a new post cold war era. This Bond isn’t a mischievous charmer with a glint in his eye, he is a cold hard cynical killer, still carrying the emotional scars of the past.

The opening sequence features a mid air stunt where Bond hooks a cable around a the tail of a light aircraft attached to a Coast Guard helicopter. Clearly an inspiration for Bond fan Christopher Nolan who copied the scene on a larger scale for his opening scene to The Dark Knight Rises. Sanchez makes a public offer to anyone listening to anyone who springs him from custody, something that was copies in the recent version of the movie S.W.A.T. (2003). The real credit to the film isn’t just the influence it had on other films, but the impression that they got it right. Reviews from the time were mixed but Dalton and his Bond is beginning to receive the respect he deserves. Delays from a legal dispute ultimately cost Dalton his place as Bond, when the franchise did return with GoldenEye in 1995 he was replaced by Pierce Brosnan. While Goldeneye was a solid film, it did return to an extravagant world domination plot. This continued in the downward spiral that led to the invisible car, ice palace and Madonna of Die Another Day (2002). Were the movies just a product of there time or was the Dalton direction the one they should have continued on? We will never know but Daniel Craig’s Bond of Casino Royale (2006) and Quantum of Solace (2008) is closer to Dalton’s interoperation than any of his other predecessors suggesting to me that in the Dalton movies they got it right!

The first Bond film with an original title and not one taken from a Fleming story, it does have references to the books as well as the movies that went before it. David Hedison reprised his role of Felix Leiter having played the part in Roger Moore’s first Bond film Live and Let Die. The story of Leiter being fed to the sharks and the line “He disagreed with something that ate him” came from the Book of Live and Let Die but had not been used in the film. The character Milton Krest is lifted from the short story The Hildebrand Rarity as is his boat the Wavekrest, but a lot of his character attributes including physical abuse of his wife are transferred to the character Franz Sanchez. Although lacking the grandeur and extravagance of The Spy Who Loved Me or Thunderball the underwater scenes have become a classic and iconic part of Bond movies and are used sparingly but handled well here. Q (Desmond Llewelyn) pops up with his usual array of useful gadgets but not very far fetched by Bond standards. This really is a grounded Bond movie in comparison to what followed.

As has become the tradition since Golfinger there are two Bong Girls. The movie benefits from them being very different both in personality and look. Although more common now, Ex-Army pilot and CIA informant Pam Bouvier (Carey Lowell) was the first Bond girl since Major Anya Amasova aka Agent XXX (Barbara Bach) in The Spy Who Loved Me who could hold her own alongside Bond. The modernisation of the Bond girl is sometimes an awkward one, with her short hair she is often portrayed as a tomboy and as useful as she is to Bond she nags and begs him to let her come along rather than him seeing that he needs her. Lupe Lamora (Talisa Soto) is more conventional, the villains woman who wants to get away and falls for Bond in the process. She is the catalyst for the story and was clearly chosen for her looks and not her acting ability. That leads onto the main villain/antagonist; Latin America drug lord Franz Sanchez played with cold perfection by Robert Davi. A perfect opponent for this more modern Bond, a ruthless businessman who is ultimately defeated by his by his own character flaws. His main henchman is played with relish by a young (22) Benicio Del Toro.

As mentioned on its release the movie received mixed reviews, Roger Ebert for the Chicago Sun-Times being one of the few major critics to give a positive review. I think what Ebert saw and others missed was that Licence to Kill is a solid movie as they were so fixated on how it compared to what went before it. As Pierce Brosnan took us back to the bad old days of Roger Moore Dalton’s Bond looked increasingly out of place but now as a companion pierce to the Daniel Craig movies it may just find its place in Bond history.

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Talking about James Bond in last weeks Radio Times, film critic Barry Norman made the statement: Ask anybody: who is your favourite James bond? I guarantee the answer will be the first one they ever saw”. I’m not sure if I am more discerning or just awkward, but it isn’t true of me. To the best of my knowledge and memory the first Bond I saw was Roger Moore in Live and Let Die. Moore is far from my favourite Bond, but I have recently come to the conclusion that I don’t know who my favourite Bond is! For years I have always claimed it is Sean Connery with the caveat that Timothy Dalton is the closest to the character from Ian Fleming’s novels.

I hold with the popular opinion that George Lazenby was the worst Bond, and this is a great shame as On Her Majesty’s Secret Service is one of the best Bond films despite him. He is closely followed by Roger Moore whose comic version of Bond just doesn’t work for me. He did however make some decent movies, Live and Let Die and The Spy Who Loved Me were both really good films. The Man with the Golden Gun isn’t as good but does benefit from a fantastic performance from Christopher Lee as the villian Scaramanga.

So Back to who is my favourite Bond, Sean Connery certainly had the best stories with relatively faithful adaptations of Dr. No, From Russia with Love, Goldfinger, Thunderball. You Only Live Twice is the point where the franchise started to get silly and even became a parody of itself, it was however still a good film in its own right. Connery’s only misstep was Diamonds Are Forever that was both silly and dull.

I have already said Timothy Dalton most closely resembles the character from the books in his portrayal, but there is another actor who probably looks most like Bond, Pierce Brosnan. This may be a bit of a stretch as there is little description of Bonds appearance beyond his short black hair and a resemblance to Hoagy Carmichael. Pierce Brosnan isn’t my favourite Bond either. He is perfect for the films he made and the time they were made, but sadly most of them weren’t actually very good. After a strong opening with GoldenEye the rest of his films got progressively worse culminating with the car crash of a movie, Die Another Day that was as bad as anything Moore did.

This leaves us with two contenders: Timothy Dalton who was hamstrung by only making two appearances both of them being good but not great films, The Living Daylights and Licence to Kill. Had he made more films he could well have been my favourite Bond but for reasons to long winded and complicated to go into today he didn’t. And finally Daniel Craig, Casino Royale is certainly one of my favourite Bond films and Quantum of Solace is underrated and will probably age well, but is he my favourite? Not yet but he may well be in future, with three more movies including Skyfall due out next month, he will certainly have a chance before handing his Aston Martin and Walther PPK to Michael Fassbender, my choice for the next James Bond.

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