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Posts Tagged ‘The Irishman’

Last year, shortly before the Oscars I wrote about how I thought Green Book was in with a real shout of winning the best picture Oscar Because of the way the best picture is voted for, it can be seen that the most popular film, doesn’t necessarily win, it is more that the least unpopular movie wins.  A quick recap on how voting works:  In other categories the voter picks their favourite and the person/people/movie with the most votes wins. In the Best Picture poll however, each voter ranks the films from favourite to least favourite.  All the votes are counted and if a film achieves over 50% of the vote it wins.  If however there is no clear winner, the film to achieve the lowest number of votes (or number one picks) is eliminated.  The vote is recounted; the second place pick of anyone who voted for the eliminated film is now elevated to the first choice.  This process is continually repeated until one film achieves over half the ballot and is declared winner.

Thus the least unpopular movie triumphs.  Green Book probably wasn’t the film to get the most number one picks, but it probably got a lot of 2nd, 3rd or even fourth place picks.  The complication this year is that it’s a really strong field, with no obvious Green Book.  The closest is probably either Ford v Ferrari, or Little Women.  Another curveball, Netflix.   It is often suggested that lots of voters don’t go to the movies so haven’t seen all they have voted for.  Sure, they get screeners of nominated films, but is there a higher chance that the will already have seen a movie on a screening platform like Marriage Story and The Irishman.  They we have the Hollywood effect, Hollywood has no vanity and doest vote for movies about itself does it?  Films about films and the industry tend to do well, and Once upon a Time in Hollywood is a real love letter to the town and the industry.  Joker and Jojo Rabbit may be just a little to divisive and Parasite has the massive battle of subtitles to overcome.

So who will win? who knows, and who really cares? The true merit of a film is how much the viewer enjoys it, not how many awards it wins, or how much money it makes!  With this in mind, here is my ranking the best picture nominations from favourite to least favourite:

  1. Once upon a Time in HollywoodOnce_Upon_a_Time_in_Hollywood_poster
  2. ParasiteParasite
  3. 19171917
  4. Jojo RabbitJojo Rabbit
  5. The IrishmanThe Irishman
  6. Marriage StoryMarriage Story
  7. Ford v FerrariFord v Ferrari
  8. Little WomenLittle Women
  9. Jokerjoker

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It’s that time of year again, my top ten movies of the year.  The criteria for selection: All films to have been released in the UK during 2019,  and seen by me in a cinema. 

Once Upon A Time In Hollywood – The film I was most concerned about turned out to be my favourite of the year. I didn’t particularly enjoy Quentin Tarantino’s last film, The Hateful Eight, do we really need another movie about Charles Manson, and most significantly, is he capable of the sensitivity needed to tell the story of the horrendous murder of actress Sharon Tate?Once Upon A Time In Hollywood

The Irishman – Martin Scorsese’s epic tale of mob hitman Frank Sheeran based on the novel I Heard You Paint Houses by Charles Brandt.  This is not Goodfellas part 2, it is more thoughtful and sombre film than Scorsese’s previous entries into the gangster genre.  A masterpiece by a true master of cinema, the three and a half hour runtime is justified! The Irshman

Styx – Unbelievably this is just Wolfgang Fischer second feature, and more than a decade after his debut.  If All Is Lost is an existential crisis, Styx is a commentary on one of the biggest world issues today.  The title tells you all you need to know: In Greek mythology Styx is the river between the land of the living and the land of the dead.  Passengers must pay the ferryman, if they have no money they must remain on the river for 100 years.styx

Midsommar – I visited rural Sweden for midsummer a few years ago, while I’m pleased to report there was no murder or mutilation, it is a really big deal.  If you hated Hereditary, you will really hate Midsommar!  I was mixed on Hereditary but loved Midsommar.  The film looks amazing and is disturbing rather than scary, the near two and a half hour runtime flew by.  Once again Florence Pugh proves she is the most exciting and talented young actor working today.Midsommar

Apollo 11 – The rare inclusion of a documentary on my bets of year list.  Made up of NASA footage shot at the time of the moon landings.  Much of it on 65mm.  With no voiceover and no talking heads, it’s a wonder the film can hold the attention for its 93 minute runtime.  The key word here is wonder, because the film is filled with wonder, it is nothing short of stunning.Apollo 11

Burning – Its best to go into Chang-dong Lee’s Korean thriller with as little background information as possible.  Wonderfully ambiguous that keeps you guessing until the end and ultimately asks a lot more questions than it answers.Burning

Can You Ever Forgive Me? – True story of celebrity biographer Lee Israel based on her own memoir detailing her decent to rock bottom.  Written and directed by Marielle Heller with both flair, and humanity.  Melissa McCarthy’s gives her best performance to date, Richard E. Grant is as brilliant as ever.Can you ever forgivr me

If Beale Street Could Talk – Barry Jenkins adaptation of James Baldwin’s novel.  Brilliantly conveying a novels internal monologue in a way that last years On Chesil Beach failed to do. The acting is first rate throughout,  but the true triumph of the film comes in its direction and construction.If Beale Street Could Talk

The Nightingale – I have been waiting five years Jennifer Kent’s follow up to The Babadook, it was worth the wait.  What has been tagged as a revenge thriller, but it is so much more than that, a damning indictment of colonialism it is brutal but never gratuitous.The Nightingale

Under the Silver Lake – The downside to David Robert Mitchell’s follow-up to It Follows is that it has a feel someone trying to emulate David Lynch or the Coen brothers.  The plus side, is that it looks amazing and has some great moments of flair.  It doesn’t always work but it so bold it deserves to be seen.Under the Silver Lake

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