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Posts Tagged ‘The Death of Stalin’

Original Screenplay Nominees ranked in my order of preference:

  1. ROMA written by Alfonso Cuarón
  2. THE FAVOURITE written by Deborah Davis and Tony McNamara
  3. FIRST REFORMED written by Paul Schrader
  4. GREEN BOOK written by Nick Vallelonga, Brian Currie, Peter Farrelly (yes, that Peter Farrelly!)
  5. VICE written by Adam McKayWRITING ADAPTED &ORIGINAL SCREENPLAY

Adapted Screenplay Nominees ranked in my order of preference:

  1. IF BEALE STREET COULD TALK written for the screen by Barry Jenkins
  2. BLACKKKLANSMAN written by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee
  3. CAN YOU EVER FORGIVE ME? screenplay by Nicole Holofcener and Jeff Whitty
  4. THE BALLAD OF BUSTER SCRUGGS written by Joel Coen & Ethan Coen
  5. A STAR IS BORN screenplay by Eric Roth and Bradley Cooper & Will FettersWRITING ADAPTED and ORIGINAL SCREENPLAY omissions

The omissions that I think deserved a nomination (both original and adapted):

  1. THE DEATH OF STALIN written by Armando Iannucci, David Schneider, Ian Martin, and Peter Fellows
  2. SPIDER-MAN: INTO THE SPIDER-VERSE screenplay by Phil Lord, and Rodney Rothman
  3. LEAVE NO TRACE screenplay by Debra Granik, and Anne Rosellini
  4. WIDOWS screenplay by Gillian Flynn, and Steve McQueen
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Dom 5There is a little academy you may have heard of who plan to announce the nominees for their film awards this week, I think they call them the Oscars.  Before that we have the Seventh Annual Groovers Movie Awards.  As ever all categories, eligibility and winners are decided by me:

Best Movie: Blade Runner 2049: Blade Runner (1982) didn’t need a sequel,  not only is this movie a worthy sequel, but it continues the story that enhances rather than diminishes the original, continuing, even expanding on the themes.  As you would expect from director Denis Villeneuve and cinematographer Roger Deakins, it looks amazing.  A love it or hate it type film; like the original, it may have underperformed at the box-office, it will find its audience in time. Blade+Runner+2049-1

Best Director: Chan-wook Park for The Handmaiden.  A labyrinthine tale that never loses its focus and always holds the audience’s attention.  Based on Sarah Waters novel Fingersmith, this adaptation sees the setting change from Victorian England to Japanese occupied Korea, making the most of the setting, the film looks amazing.  Possibly Park’s best movie since Oldboy. Chan-wook Park for The Handmaiden

Best Actor/Actress: Casey Affleck won the academy award for Manchester by the Sea, a result I certainly wouldn’t argue with.  Jessica Chastain gave to fantastic performances in Miss Sloane and Molly’s Game. Casey Affleck and Jessica Chastain

Best Dialogue: Aaron Sorkin (writer/director) Molly’s Game.  In his directorial debut, Sorkin is helped by his actors: Jessica Chastain, Idris Elba, Kevin Costner who makes his machine gun dialogue sound amazing. 'Molly's Game' New York Premiere

Best Editing: Jonathan Amos and Paul Machliss (editors) Edgar Wright (writer/director), Julian Slater (sound designer), for Baby Driver.  I have always been an advocate of the idea that the best editing is invisible.  Baby Drive breaks this rule with very conspicuous editing; there are long takes, single take tracking shots, quick cuts all done in time with the music.  It could have been a disaster, it’s actually a masterpiece.   Baby Driver

Best Comedy: The Death of StalinArmando Iannucci made an interesting choice with his cast using a mix of British and American accents in this story of the power struggle in the days that followed the titular death of Stalin. Farce and satire in equal parts, with a really dark undercurrent, the risk pays off, it is brilliant and hilarious.The-Death-of-Staling-Banner-Poster

Special Award: Kristen Stewart and Robert Pattinson.  This special award is for making interesting movie choices.  A decade ago Stewart and Pattinson became two of the biggest stars in the world thanks to the Twilight movies.  Choosing to work with directors including: James Gray, David Cronenberg, Olivier Assayas, Kelly Reichardt and Woody Allen.  They have continued making interesting and extremely good movie:  Stewart worked with Olivier Assayas for a second time with Personal Shopper, while Pattinson made Good Time with The Safdie Brothers. Kristen Stewart and Robert Pattinson

Fandango Award: William Oldroyd, Alice Birch, and Florence Pugh – Fandango was writer/director Kevin Reynolds debut (and best) feature, and the first notable movie for star Kevin Costner. It gives its name to this award for the best breakout film-makers of the year:  William Oldroyd, Alice Birch, and Florence Pugh are director, writer and star of Lady Macbeth respectively.   The captivating movie is the first feature for Oldroyd and Birch, and the first starring role for  Pugh.William Oldroyd Alice Birch Florence Pugh

Dom 5

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It’s that time of year again, my top ten favourite films of the year.  A really tough choice, my top five came easy, I then had a short list of twenty to choose from for the final five.  From a criteria point of view:  All films were released, and most importantly seen by me in the UK in 2017. 

  1. Blade Runner 2049: I am getting predictable.  Two years ago Sicario missed out on my top movie of the year by the smallest margin to Mad Max.  Last year Arrival took the top spot. Back in 2013, Prisoners made my top ten.  It is therefore no surprise that a Denis Villeneuve tops the tree again.  What is a surprise, is that my favourite film of the year, is one I didn’t want to be made. As a lover of the original Blade Runner I just didn’t want them to mess it up.  Far from it, the film is both excellent in its own right, and takes the original movie and its concepts in an interesting direction. Blade+Runner+2049-1
  2. The Handmaiden: Chan-wook Park’s second appearance on the list after Stoker took top spot in 2013.  His adaptation of Sarah Waters novel Fingersmith sees the setting change from Victorian England to Japanese occupied Korea.  The film looks amazing and has a plot that twists and turns in a most satisfying way.The Handmaiden
  3. Baby Driver: Every generation has a new movie about a getaway driver, Baby Driver is up there with the best thanks to a fantastic concept.  The car chases are the best I have seen in years, the soundtrack is killer.  The thing that sets it apart is the way the action is cut perfectly in time with the music.  The music becomes a character in itself. A film that could have disappeared in its own style and sheen turns out to be nothing short of amazing.  Baby Driver
  4. Free Fire: Ben Wheatley’s costume drama goes back to a more innocent time, well not exactly; 1978!  It is essentially a single location shoot ’em up  B movie set during and after a failed arms deal.  The outcome is violent but also highly amusing.  Clocking in at a brisk 90 minutes, it’s a movie a many filmmakers could learn a lot from.Free Fire
  5. Dunkirk: Christopher Nolan is yet to make a bad film.  Dunkirk looked like it would be his most conventional story to date.  The structure of three stories told over three different periods of time makes it far from conventional. The tension never lets up and is only enhanced by the lack of CGI and the imposing score.  The structure enhances rather than confuses the film.  The photography is nothing short of stunning especially when seen on IMAX. Dunkirk
  6. Atomic Blonde: Imagine if John Wick looked like Charlize Theron and was a spy in the last days of the Cold War, that would give you an idea of Atomic Blonde.  The miracle is how you make a movie like that work.  David Leitch, stunt man/coordinator and half the team behind John Wick has done it. Based on the 2012 graphic novel The Coldest City, Theron finally gets her perfect and iconic character.  There is a little more plot than the movie needs but the action is great and it looks amazing.Atomic Blonde
  7. The Death of Stalin: Armando Iannucci made an interesting choice with his cast using a mix of British and American accents in this story of the power struggle in the days that followed the titular death of Starlin.  Farce and satire in equal parts, with a really dark undercurrent, the risk pays off, it is brilliant and hilarious.  The best comedy of the year. the death of stalin
  8. Logan: Finally a Wolverine movie worthy of the character from the comic books.  More violent than anything else we have seen from the franchise.  Within the confines of a comic book movie it is also far more realistic and grounded than usual.  Hugh Jackman and Patrick Stewart are both fantastic in parts they have grown into in the seventeen years since the first X-Men movie.Logan
  9. Personal Shopper: After a fantastic supporting performance in director Olivier Assayas’ previous film Clouds of Sils Maria, Kristen Stewart returns to star.  A haunting film the seeps into your psyche.  Not as good as Clouds of Sils Maria but Stewart is sensational.Personal Shopper
  10. Get Out: A clever race satire dressed up as a horror/thriller.  Far more intelligent and subversive than many have give it credit for.  Best of all it is tremendous fun.Get Out

 

 

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Ten movies, most good, a couple are great, here are the contenders:

Home Again – Enjoyable but lightweight rom-com.  Pairing a forty year old woman with a twentysomething man is a welcome reversal of the cinematic norm.  Reese Witherspoon is always a likeable screen presence. Home Again

Goodbye Christopher Robin – The story of author A.A. Milne and the creation of the Winnie the Pooh stories is a deeper and darker one than you would expect.  Domhnall Gleeson and Margot Robbie are both excellent, Kelly Macdonald is better. Goodbye Christopher Robin

Blade Runner 2049 – My love of the original Blade Runner is no secret, it is therefore no surprise that I was apprehensive about a sequel.  If anyone was going to make it work, it is Denis Villeneuve, and he really does make it work.  Truly a sequel picking up the story of the original film and taking it in an interesting direction. Blade+Runner+2049-1

The Snowman – A first rate cast does a great job in a stunning looking adaptation of Jo Nesbø’s novel.  Unfortunately the Tomas Alfredson directed movie is a mess with disjointed plot.  Not even three time Oscar wining editor Thelma Schoonmaker could save it. The Snowman

Double Date – A young man desperate to lose his virginity is pushed into approaching two women by his cocky friend.  Unfortunately for them, the two sisters are serial killers looking for a virgin.  Comedy horror is so hard to get right, but this low budget British offering really gets it right. Double Date

The Death of Stalin – Armando Iannucci made an interesting choice with his cast using a mix of British and American accents in this story of the power struggle in the days that followed the titular death of Starlin.  Farce and satire in equal parts, with a really dark undercurrent, the risk pays off, it is brilliant and hilarious. Andrea Riseborough

The Party – One location, a 71 minute running time, and a small cast (Patricia Clarkson, Bruno Ganz, Cherry Jones, Emily Mortimer, Cillian Murphy, Kristin Scott Thomas, Timothy Spall), The Party is essentially a filmed play. The cast are all excellent mainly playing unlikeable people.  Sure to divide opinion, I was unsure to begin with, but loved it by the end.  The Party

Happy Death Day – You can imagine the pitch “its Groundhog Day, meets Scream”.  That is essentially what it is, a college student is murdered but has to re-live the day over and over until she solves the crime and survives the day.  Disposable but surprisingly enjoyable. Happy Death Day

Thor: Ragnarok – Taika Waititi movies are bonkers, given a major franchise movie you would expect him to tow the line and make a generic sequel or find himself out of a job (Phil Lord and Christopher Miller!!!), fortunately that isn’t the case.  Ragnarok is as barmy and as funny as you would expect.  In Hela, played brilliantly by Cate Blanchett Marvel have found their best villain since Loki.Thor Ragnarok

Breathe – Andy Serkis’ first movie as a director.  Remarkable true story of a couple’s life together after one contracts polio and isn’t expected to survive for long.  A little jolly and lightweight but well shot with great performances and likeable characters. Screen-Shot-2017-06-29-at-6.47.39-PM

The two funniest films of the year; The Death of Stalin and Thor: Ragnarok came close, but the movie of the month is the monumental Blade Runner 2049Blade runner 2049 poster

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