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Posts Tagged ‘The Dark Knight’

In the last few weeks Fast & Furious 7 has gone over $1billion at the world box-office making it the 20th film to achieve the milestone, the others are: Titanic, The Avengers, Harry Potter and the Deathly Hallows Part 2, Frozen, Iron Man 3, Transformers: Dark of the Moon, The Lord of the Rings: The Return of the King, Skyfall, Transformers: Age of Extinction, The Dark Knight Rises, Pirates of the Caribbean: Dead Man’s Chest, Toy Story 3, Pirates of the Caribbean: On Stranger Tides, Jurassic Park, Star Wars: Episode I – The Phantom Menace, Alice in Wonderland, The Hobbit: An Unexpected Journey, The Dark Knight. But it is unlikely to be the biggest film of the year.  In fact  2015 could be the biggest year for blockbusters ever.

The contenders to join the billion dollar club are:

Fast & Furious 7: $1.2billion and counting!fast and furious 7

Avengers: Age of Ultron has just been released and is brilliant.  The perfect blend of the darker tone seen in Captain America: The Winter Soldier (that took over $700million last year) and the fun of and the fun we have come to expect from the Marvel Cinematic Universe.  Given the fact The Avengers (2012)  took $1.518 billion, they will be looking for more this time.Avengers Age of Ultron

Star Wars: Episode VII – The Force Awakens should be a shoe in for the $1billion club.  The original Star Wars (1977) took over $700million, when adjusted for inflation and modern ticket prices it is well over the billion mark and the second highest grossing film of all time.  It won’t be the first Star Wars film to top $1billion, the first of the prequels The Phantom Menace (1999) got there first.Star Wars Episode VII  The Force Awakens

In 2012 Skyfall became the first Bond film to top $1billion, with Sam Mendes returning as a director and Daniel Craig heading a fantastic cast, Spectre could be the second.Spectre

Jurassic Park (2003) broke the billion dollar bracket on its re-release a few years back, adjusted for inflation, it would probably have done it on fist release.  With this in mind and a $150million+ budget the makers of Jurassic World must be hoping for something approaching the billion dollar mark.Jurassic World

The Hunger Games: Mockingjay, Part 2 should be good for around $800million. The final Harry Potter film broke $1billion so I wouldn’t discount the possibility of Mockingjay joining the club too.mockingjay

Minions is a prequel/spin-off to Despicable Me (2010) and is will probably smash the half billion dollars the original film took.  I don’t think it will make a billion dollars but you never know.Minions

Thanks to the licences Marvel sold before Marvel Studios emerged, The Fantastic Four is described as a 20th Century Fox/Marvel Entertainment release.  It may not be part of the Marvel Cinematic Universe, but it is riding on their coattails and will be looking for something north of $750million.  The casting looks good, but it’s going to need positive reviews to come close that figure thanks to the week first attempts at Fantastic Four movies.The Fantastic Four

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Radio 2's Top 100 Favourite Albums

I spent a large proportion of the past Bank Holiday Monday listening to a BBC Radio2 poll ranking their Top 100 Favourite Albums. Basically what they did was take their Top 100 Most Played Albums (limited to one per artist) and asked listeners to rank them. The results were often surprising with a top five consisting of:

  1. Coldplay – A Rush Of Blood To The Head
  2. Keane – Hopes & Fears
  3. Duran Duran – Rio
  4. Pink Floyd – The Dark Side Of The Moon (the only one a lot of people expected)
  5. Dido – No Angel

Ahead of what a lot of people expected including in the top five:

The Rolling Stones – Sticky Fingers
The Beatles – Sgt Pepper’s Lonely Hearts Club Band
Queen – A Night At The Opera
Fleetwood Mac – Rumours
Led Zeppelin – Untitled fourth album

One of my thoughts were that different records live longer in the mind and memory, and possibly the heart than others. For example, I bought No Angel when it first came out (before the Eminem sample made it a hit), I listened to it a lot but haven’t listened to it in about five years. I first heard Rumours and Zeppelin’s fourth album when I was a kid and still listen to them all the time and see no reason why I won’t continue to for the foreseeable future. The conclusion, if they re-do this list in fifteen or twenty years time No Angel and A Rush Of Blood To The Head may not make the top 10 or even the top 100, but Rumours, The Dark Side Of The Moon, Sgt Pepper, Born to Run, Bridge Over Troubled Water and countless other classic albums will still be there.Sgt Pepper's Lonely Hearts Club Band Led Zeppelin Bridge Over Troubled Water The Dark Side Of The Moon

This got me thinking about the current and recent movies that will be heralded as classics in the future and which will be forgotten. Skyfall will be watched a lot and may prove to be the best Bond ever but will be dismissed as just another Bond movie. The Dark Knight Rises will survive as part of, one of the best movie trilogies ever, but possibly the weakest link of the trilogy. The Artist may be considered a gimmick. Stoker, Cloud Atlas, We Need to Talk About Kevin and some great foreign language movies like Amour, Rust and Bone, The Skin I live In and In the House may be too obscure for the masses. Moonrise Kingdom is going to age well as is Argo so could be up there in popular opinion. I can’t make my mind up about Drive and Black Swan but hope I love them as much in years to come as I do now after two or three viewings and hope others feel the same about them. Margin Call and Zero Dark Thirty will possibly stand as testaments to the time but possibly not a time we will want to look back on too often or very fondly.Moonrise Kingdom Argo Margin Call Zero Dark Thirty

The conclusion, there hasn’t been a 12 Angry Men, The Godfather, Goodfellas or even Star Wars in recent years, the two closest are probably The Dark Knight and Inception. I’m not saying it is a bad time for film, in fact the opposite, while, the occasional all time classics seem a little few and far between the number of really good movies being made is greater than ever. I just long for a Citizen Kane, The Searchers or Casablanca, we are about due one. Or am I being cynical and some of the movies I have mentioned will find their way to the upper reaches of the IMDB top 250?Citizen Kane The Searchers Casablanca 12 Angry Men

Update:

Want to read more on the subject? Check out THIS ARTICLE that picks up the baton from where I left off.

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Following last weeks thoughts on where the Batman franchise may go from here, I thought I would take a look how we got to where we are now. The Dark Knight Rises didn’t just happen, a comic book movie this big and epic but also this dark could not have been made in the 80’s or 90’s. Is the world in a darker place making such filmmaking a product of its time? Probably, but there is more to it than that. The billion dollar gross of The Dark Knight (2008) ensured that there would be a third film but things were very different before that. Batman Begins (2005) had a reasonable but unspectacular profit (it grossed around two and half times its budget). A few years before that would a big budget comic book movie have been made especially after Batman & Robin (1997).

When I started getting into movies as a kid the only comic book or super hero movies that had any credibility were Superman (1978) and Superman II (1981). Batman was best remembered for the Adam West/Burt Ward TV show from the 60’s that although it has gained a cult status now it something of a joke for a long time. Then things changed in with Tim Burtons Batman (1989). Although it is a long way from Christopher Nolan’s (very dark) Dark Knight version of Batman it was a million miles from the camp TV show. Gotham City became stylized Art Deco world that didn’t know if it belong to the future or the past. Futuristic gadgets existed alongside old cars and villains carrying Tommy guns. Michael Keaton’s Bruce Wayne is a gloriously awkward character, only just the right side of sanity and probably closer to Robert Downey Jr’s Tony Stark than Christian Bale’s Batman. The big name and star turn is Jack Nicholson as the Joker who has been unfairly forgotten in the shadow of Heath Ledger in The Dark Knight. Batman Returns (1992) offered more of the same, it didn’t expand on the first film or offer anything new or different the way The Dark Knight did after Batman Begins but did boast an unforgettable Michelle Pfeiffer as Selina Kyle/Catwoman. But then it all went wrong when Joel Schumacher took over.

Before all of that Frank Miller wrote two seminal comic book series The Dark Knight Returns (1986) and Batman: Year One (1987). As well as introducing characters and storylines that their way into Nolan’s films, both books had a dark tone and themes of rebirth and redemption that we have come to associate with Batman. It also popularised the name “The Dark Knight”.

Then in a true comic book way, an unlikely hero came forward to save the genre, Blade (1998). After years of the rights to Marvel comics being sold off for TV shows and rubbish films (often with a tiny budget) Marvel studios first film was a co production with New Line Cinema. Not risking one of their big name comic books their first film and in some ways their most important was Blade. The character originated in the 1970’s as a supporting character in The Tomb of Dracula comic book. He went on to star in his own comic book as well as making appearances in various other Marvel Titles. Released in 1998 written by David S. Goyer (who also has writing credits on all three Nolan, Batman films), directed by Stephen Norrington and starring Wesley Snipes. Snipes is perfect in the lead role giving the right blend of stone faced killer, brooding hero and a little deadpan humour. The production had a relatively modest budget of around $45million and produced worldwide Gross revenue of $131million. This does not appear to be much when compared to the near $600million Iron Man took or the or the $2.5billion the three Spider-Man movies have made however without the relative success of Blade these films and the X-Men may never have been made. The sequel directed by visionary geniuses Guillermo Del Toro is even better and also introduced comic book audiences to a darker more melancholic view. Like many of his movies, there is an underlying question of who the monsters really are, and more importantly who are the real monsters.

So these are the films that created the environment that made The Dark Knight trilogy possible but what about its director. Christopher Nolan’s first feature Following (1998) is a low budget, low key affair that is well worth a look. He really made his name with the innovative and brilliant Memento (2000) before making Insomnia (2002) a remake of a Norwegian. Both films made a decent profit received critical praise. Between the first two Batman movies Nolan made The Prestige (2006), another financial success that received largely positive reviews. After the success of The Dark Knight he embarked on what appeared to be an expensive vanity project, Inception (2010), but that too was a runaway success taking over $800million and appearing at the top of many people top ten movies of 2010 (including mine). The net result of each of these movies is the same, they prove Nolan to be a bankable director that studios what to work with.

This leads to the part Warner Bros. played in the production of Nolan‘s Batman trillogy. Ultimately they hired him to make A Batman film. Prior to that, there was always going to be a Batman film but which Batman film? Early ideas involved a fifth film in the existing series and a return for director Joel Schumacher. Schumacher preferred the idea of a reboot bases on Frank Miller’s Batman: Year One he was reported to have said: “[I] owe the Batman culture a real Batman movie. I would go back to the basics and make a dark portrayal of the Dark Knight.” This is the first suggestion I have heard of for both a reboot and a darker movie. Lee Shapiro and Stephen Wise pitched an idea to Warner called Batman: DarKnight. It involved the character Man-Bat as well a plot centred around Dr. Jonathan Crane and his experiments into fear (sound familiar). This idea didn’t get off the ground, the studio instead deciding to hired Darren Aronofsky to write and direct and adaptation of Batman: Year One. He quickly brought Frank Miller in on the project as a co-writer and approached Christian Bale for the role of Batman. This idea fell by the wayside along with Clint Eastwood’s The Dark Knight Returns and a Wolfgang Petersen directed Batman vs. Superman.

I’m not necessarily saying all of these movies or events had a direct influence on Nolan and his trilogy but they are all the building blocks that made the movies possible.

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“It’s the car, right? Chicks dig the car.”  

The Batmobile has always been an important part of the appeal of Batman.  It has gone from a vehicle to get Batman to the scene of the crime to an import weapon in his fight against crime.   Here is a brief look at how it has evolved:

The Batman (1943): A little like the original comic book, Batman drives a regular car and not The Batmobile, in this case a 1939

60’s TV Show & 1966 movie: For the 60’s TV show car customizer Dean Jeffries was hired to design and build a “Batmobile”, due to time constraints the original design was dropped in favour of the 1955 Lincoln Futura concept car.

Batman (1989) & Batman Returns (1992): The long low sleek Batmobile was designed to reflect Tim Burton’s Art Deco vision.  It was designed by Anton Furst who won an Oscar for the Art Direction/Set Decoration.  The car was built on a Chevy Impala chassis.

Batman Forever (1995): New Batman, new Batmobile.  H. R. Giger was chosen to design it but sadly departed the project sighting creative differences. What we got was something that had lost its sleek lines in favour a more aggressive looking car.

Batman & Robin (1997): As the franchise lost its way so did the design of the car.  Without a roof or a passenger seat it isn’t the most practical crime fighting vehicle.  It does have one nice if pointless design touch, the GoodYear tires have Batsymbols in the treads.

Batman Begins (2005): Every Batman movie up to this point featured Batman as an established character.  As an origin story Batman Begins doesn’t just tell the origin of the character it tells the origin of the car.  A prototype military vehicle called “the Tumbler” designed by the character Lucius Fox.  More practical, manoeuvrable than the last few Batmobile’s, it looks like something that could exist in the real world just like Christopher Nolan’s Batman.

The Dark Knight (2008): The Tumbler returned for a second movie but this time with a new part trick. After being hit by rocket-propelled grenade fired by The Joker the Batmobile is damaged beyond repair. Batman ejects motorcycle like vehicle know as the Batpod formed from the front wheels of the Tumbler.

The Dark Knight Rises (2013): Trailers and images from the new film suggest that the primary villain Bane has got himself a fleet of Tumblers.  We also see Catwoman riding a Batpod.

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Lewis Wilson – The Batman (1943): Before the 60’s TV show came a serial staring Lewis Wilson as Batman. Made during World War II and seeing Batman as a U.S. government agent pitted against Japanese agent Dr. Daka.

Adam West – 60’s TV Show & 1966 movie: With a movie and 120, 25 minute episodes between 1966 and 1968 Adam West has by far the most screen time as Batman. The camp action comedy show is considered a bit of a joke now but was hugely popular at the time (and in the early 80’s when I saw the rerun) and led to West being offered the part of James Bond in the early 70’s.

Michael Keaton – Batman (1989) & Batman Returns (1992): Looking back Its hard to believe that there were more than twenty years between Adam West handing up the bat cape and Michael Keaton taking it up. What is also hard to believe is that it has been a further twenty years since Keaton gave up the role. Now sadly tainted by the two Joel Schumacher efforts and lost in the shadow of the Christopher Nolan movies, Tim Burton’s original two films are well worth another look.

Val Kilmer – Batman Forever (1995): In fairness to Val Kilmer he isn’t a bad Bruce Wayne / Batman, sadly he is hampered by being in a truly bad film.

George Clooney – Batman & Robin (1997): As bad as Batman Forever was, it is Citizen Kane in comparison to Batman & Robin. A few years ago I fell into a conversations about how many more Batman movies Christopher Nolan should make. We all agreed a trilogy was about right, I then suggested they should make a movie based on Frank Miller’s seminal graphic novel The Dark Knight Returns. I suggested Michael Keaton reprises the role of Batman, no one agreed with me and the question was then asked, what square jawed actor in their late 40’s early 50’s could play the part? When George Clooney’s name was mentioned we all thought it was a great idea for about a minute until we remembered Batman & Robin, but you never know!

Christian Bale – Batman Begins (2005), The Dark Knight (2008) & The Dark Knight Rises (2012): The star of the most recent Batman series isn’t Christian Bale, its Christopher Nolan. Like Quentin Tarantino, the director has achieved superstar status over his actors, unlike Tarantino, he has done it without acting in his movies. Bale’s standing was further dented by the admiration for Heath Ledger’s performance as the Joker. This is unfair, Bale really makes the movies work and like Daniel Craig in the current Bond movies, there are few actors who could do such a good job.

Tomorrow, The Batmobile. 

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Another strong decade, 2004 and 2009 only just missed out.

2000: Almost Famous, Battle Royale, The Claim, Crouching Tiger, Hidden Dragon, Memento

2001: Mulholland Drive, Donnie Darko: Amelie, Training Day, Y Tu Mamá También

2002: City of God, 28 Days Later, Talk to Her, Hero, Punch-Drunk Love

2003: Oldboy, Kill Bill vol 1, Lost in Translation, X2, Azumi

2005: Sin City, Batman Begins, The Descent, Good Night and Good Luck, Serenity

2006: Pan’s Labyrinth, Casino Royale, Children of Men, Miami Vice (I know I’m of about three people who like it), The Departed

2007: Juno, No Country For Old Men, The Orphanage, Death Proof, Into the Wild

2008: The Dark Knight, The Hurt Locker, In Bruges, Let the Right One In, Gran Torino

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With less than a year to go until the release The Dark Knight Rises and after much speculation we now have official and unofficial Images of Anne Hathaway as Selina Kyle/Catwoman.

It appears that my idea of her costume as a practical high-tech material with a matt finish, something like Scarlet Johansson’s Black Widow from Iron Man 2 were wrong. Its hard to be sure from the images but it appears her catsuit is made from some sort of textured leather. As previously reported (and speculated by me long before that) she is wearing goggles, these do appear to have some high-tech features. What is missing however is her trademark cowl and cats ears.

More interesting than the costume is the fact she appears to be riding the Batpod as featured in The Dark Knight. For those that don’t remember the Batpod was ejected from the Tumbler when it self destructed after being damaged beyond repair. The possible reasons why Catwoman could be using Batmans vehicle are so numerous that it isn’t worth speculating, whatever they are they are sure to be interesting. The image comes from the movies official website.

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