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Posts Tagged ‘Robert De Niro’

There is a line in Tim Burtons 1989 incarnation of Batman where Batman tells Joker “I made you, you made me first”.  This is one of the clearest examples in movies of how the characters need each other.  Without an adversary, they are just mad men in costumes, they give each other purpose, and giver the films a narrative.  Jack Napier as the person who killed Bruce Wayne’s parents, then later became the Joker is an invention of the Movie. The symbiotic nature of the Batman/Joker relationship is perfect; as is the Heath Ledger incarnation in The Dark Knight (2008).  We don’t know the origin of this version of the character, he tells just appears fully formed as a character.  At various points in the film, Joke tells different, conflicting stories about the scars on his face.  When arrested,  Gordon describes  what they know about him, nothing! “No matches on prints, DNA, dental. Clothing is custom, no labels. Nothing in his pockets but knives and lint. No name. No other alias.”

By the this point, there are so many Joker origin stories, who knows what is or isn’t canon.  In his comic books, the character was created in the 1940’s by Bill Finger, Bob Kane, and Jerry Robinson (who is mainly responsible has been disputed).  Starting life as a criminal mastermind, intended for a single issue, he became a mainstay.  As the Comics Code Authority came into effect in the 1950’s be became less of a psychopath, and more of a prankster, before returning to darker roots in the 70’s and 80’s.  The idea of Joker as a failed comedian came from Alan Moore’s seminal The Killing Joke (2008).The Killing Joke

The One thing, they all have in common, is Batman.  Even when Joke is the focus of the story, his nemesis Batman is there, until now!  This new incarnation director Todd Phillips (who co-wrote the screenplay with Scott Silver), is Batman free, we do see a young Bruce Wayne, and yet another death of Thomas and Martha Wayne, but no man dressed as a bat.  This is cleary a story without Batman, and it wouldn’t work with Batman.  Joker would be a different character, and the film would be very different with Batman.  The Martin Scorsese inspiration is clear, particularly Taxi Driver (1976), and The King of Comedy (1983), this gives a more gritty reality than we have ever seen in a movie of this type, even Christopher Nolan’s trilogy.  The echoes of  Rupert Pupkin we see it the character of Arthur Fleck are emphasised by the inclusion of Robert De Niro who appears in Joker in what is essentially the Jerry Lewis role from The King of Comedy.

By the time I had seen the film, it had something of a critical rollercoaster; winning the Golden Lion  and Graffetta d’Oro Venice Film Festival, and a series of four and five star reviews were followed by a backlash of its portrayal of mental illness, and a sympathetic portrayal of a homicidal maniac. There was then a backlash against the backlash.  Whatever your thoughts on the film, there are two things that are hard to argue: Joaquin Phoenix is fantastic as Arthur Fleck, and the score by Hildur Guðnadóttir is sensational.  Ultimately I think the film is really good, but not excellent, I can’t help thinking those who love it are blinded by how different it is to a typical DC movie, and those that don’t like it are concerned by the controversy, or sniffy about its comic book origins. Joker

As to the question, Can there be a Joker without Batman? that is something history will tell us.  The film is intended as a standalone story.  As this it works, and as a viewer, we can see a world in which a character like Batman could exist, we are seeing a cities decent into the crime ridden place we have seen in other Batman movies.  We see Jokers decent into madness, and his total disconnection with reality, but we don’t see a fully formed criminal mastermind.  This is where it needs to be left, lefty for the viewers imagination.  If however, the studio decide to catch in (at the time of publishing the world Box-office had topped $770million) it will dilute the story and have a negative impact on the original film.  Indications they are that Warner Bros intend leave Joker as a single film,  but will “launch DC Black” a series standalone films with a darker tone, based on DC Comics but not related to the DCEU. To put it another way, Joker as a character can work without Batman, but the film Joker can ONLY work without Batman, and not as a precurser to a Batman Movie.  

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The Contenders are: 

Argo – A spy story based on real events following the storming of the U.S. embassy in Tehran. Ben Affleck has done it again, as both star and director he has given us a film completely different to but as good as if not even better than his first two films. Tense and funny in equal measure and at the right times, a future classic.Ben Affleck in Argo

Rust and Bone – Jacques Audiard follows up A Prophet with a bruising and brutal melodrama. Marion Cotillard is as great as ever as is her co star Matthias Schoenaerts. Sometimes oppressive and hard to watch, at others uplifting but always emotional. A film that needs to find a worldwide audience.Rust and Bone

The Sapphires – Pitched as Good, Morning Vietnam meets The Commitments, its probably a fair comparison. Loosely based on real events. A heavy drinking Irish cruise ship entertainer (Chris O’Dowd) finds himself in the middle of nowhere in Australian until he hooks up with an Aboriginal girl group. They soon find them selves entertaining American troops in Vietnam. A likeable cast and some great music make for an entertaining film.The Sapphires

Twilight Saga: Breaking Dawn – Part 2 – More of the same from the glittery vampires. Fans of the series will love it, detractors won’t see it. It isn’t the best of the series but its far from the worse.Twilight Saga Breaking Dawn Part 2

The Master – Paul Thomas Anderson’s character study of people involved in a religion, cult or possibly religious cult that may or may not be based on L. Ron Hubbard and the Church of Scientology. The film looks nothing short of amazing and the performances from Philip Seymour Hoffman, Joaquin Phoenix and Amy Adams are all sensational. The film does lack a plot, this will bother some people not others. I like it but don’t love it.The Master

End of Watch – Written and directed by David Ayer,. Made up of little snippets of the daily life of a pair a of cops (perfectly cast Jake Gylleenhaal and Michael Pena) working one of the roughest beats in South Central LA. Director of The French Connection William Friedkin describes said of twitter “End of Watch is a great film…may be the best cop film ever”.End of Watch

Gambit – Colin Firth, Cameron Diaz and Alan Rickman star in a remake of the Michael Caine, Shirley MacLaine and Herbert Lom comedy crime caper. Lightweight and not clever enough to be a classic crime caper or funny enough to be a great farce but it is still entertaining and fun.Gambit

Silver Linings Playbook – Shortly after being released from a mental institution for beating up his wife’s lover Pat (Bradley Cooper) meets Tiffany (Jennifer Lawrence) a damaged and disturbed young woman whose husband has recently been killed. After a string of crapy comedies Robert De Niro is on really good form but the star of the film is Jennifer Lawrence who electrifies the screen every time she is on it.Silver Linings Playbook

The best film I saw in November was probably Skyfall, that I went back to see a second time but a close second was a more believable spy film:Argo poster

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