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Posts Tagged ‘Red Grant’

It’s the 50th year of James Bond movies. Here are 50 random reasons to love Bond movies.

“Bond, James Bond” introduction
Aston Martin DB5
Francisco Scaramanga
Lotus Esprit submarine
Walther PPK
Ice chase from die another day
Attaché case in From Russia with Love
Red Grant
The Vesper martini
Little Nellie

Daniel Craig’s reinvention of the character
Pam Bouvier
M
Honey Ryder (Ursula Andress) emerging from the sea
Domino Dervaly
Rosa Klebs shoes
SPECTRE’s extravagant way of disposing with failed operatives
Oddjob’s hat
Jaws’ teeth
Sean Connery probably still the best Bond
Xenia Onatopp’s unusual way of killing
Moneypenny
SPECTRE’s ridiculously over the top bases and lairs
Union Flag parachute
Colonel Wai Lin
Introducing parkour to mainstream movies
Pussy Galore
AMC “barrel roll” from The Man with the Golden Gun
Magnetic Rolex watch
Q
Teresa “Tracy” Di Vicenzo
Scaramanga’s golden gun
Exploding pen
Monty Norman/John Barry’s James Bond Theme music
Vesper Lynd
007 logo
Its British
Felix Leiter
Camille Montes
The Gun barrel sequence
Theme Songs
Anya Amasova aka Agent XXX
Bond’s ‘one-liners’
Moonraker’s shameless attempt to cash in on the success of Star Wars
Timothy Dalton’s ahead of his time interpretation of Bond

Ian Fleming’s source novels
Pre-title sequence
Jill Masterson (Shirley Eaton) iconic but gruesome death
Title sequence
“James Bond Will Return”

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As I sat watching Silver Streak on TV, a movie I haven’t seen for about twenty years, I suddenly realised something I have always know in the back of my mind; there is something magical about movies set on trains. Air travel and the jet set should be more sexy, it probably is, but its far less cinematic, Planes are little more than a mode of transport, they are the way James Bond gets from one exotic local to another, but trains are the locations in themselves. True, plains have been the setting for movies live Air Force One, Flight Plan or Red Eye, but none of these movies offer anything new that we haven’t seen before in movies like The Narrow Margin (the 1952 original, although the Gene Hackman, Anne Archer remake isn’t bad either). The size of a train is what makes it so suitable for a film, particularly a thriller or murder mystery, they are big enough to provide the space need for the action to play out but small enough to create just enough claustrophobia and intimacy.

A common theme of train set movies if people finding love, romance or just sex on a journey. North by Northwest features one of the best seduction scenes ever as Cary Grant and Eva Marie Saint flirt and seduce each other over dinner. The movie then ends with the most audacious ending as the train itself becomes a phallic symbol in the most overt of innuendos that only Hitchcock could get away with. In a lot of ways Silver Streak condenses all the ideas of North By Northwest down to a train based part of the movie with just enough action, comedy and absurdity to keep it the right side of parody.

Although only a small section of Some Like it Hot is set on a train, it is a fantastic part, not least as its where we are introduced to ‘Sugar’ Kane (Marilyn Monroe). James Bond has spent his fair share of time on train, most notably in From Russia with Love (1963). Encapsulating the romance and the danger as Bond (Sean Connery) woos Tatiana Romanova (Daniela Bianchi) and fights ‘Red’ Grant (Robert Shaw). Bringing things more up to date Harry Potter first meets Hermione on the Hogwarts Express, it is also the place he first encounters the dementors.

As the world shrinks under the weight of ever the increasing progress of technology the magic of trains in movies evaporates, but filmmakers will always find ways to bring it back. This can involve setting movies in more exotic places like The Darjeeling Limited (2007) and Transsiberian (2008) or in the past: Water for Elephants (2011). In this age of laptop computers and MP3 players I wonder how often people actually strike up a conversation with a stranger on a train anymore? That could be a good or a bad thing depending on who you talk to: Guy Haines (Farley Granger) encounters psychotic Bruno Anthony (Robert Walker), who has a plan to help him get away with murder in Alfred Hitchcock’s Strangers on a Train (1951) (adapted from Patricia Highsmith’s novel of the same name with a screenplay by Raymond Chandler). On the other hand in Richard Linklater’s Before Sunrise, American student Jesse (Ethan Hawke) has a very different experience when he meets Céline (Julie Delpy), a young French woman on her way home to Paris.

Next time you are watching a movie set on a train (and there a lot, I have only mentioned a few) have a think about the setting and if it would work anywhere else.

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