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Posts Tagged ‘Rachel Weisz’

Black Widow has a problem, a big problem, timing! The issue is twofold, firstly it has been hugely delayed due cinemas being largely closed throughout last year and the start of this year.  The second more serious problem is that it is set before the previous two movies removing any real jeopardy for the main character.  Whether it can overcome these hurdles depends on different factors, on a critical level, the film is good; financially, we may never know!  It has received the strongest opening numbers since the start of the pandemic, but this is still way down on other movies in the franchise.  It is also available as a premium offering on Disney+ that may help with the ultimate bottom line but not the published box-office.  I would normally advocate watching movies in the order they were made.  However, in this case, I would suggest if you are new to the MCU that you slot this one on in somewhere between Captain America: Civil War from and Avengers: Infinity War. 

Following a prologue set in 1995 the movie kicks off with Natasha Romanoff (Scarlett Johansson) on the run from the authorities aka Thaddeus Ross (William Hurt) for breaching The Sokovia Accords (see Captain America: Civil War).  A MacGuffin and an attempt on her life later she finds her way to the often mentioned Budapest and on the hunt for a ghost from her past in the shape of General Dreykov (Ray Winstone).

Before I star anything that resembles a review, I have to admit I was predisposed to like this movie.  I have always felt that Natasha Romanoff / Black Widow and Clint Barton / Hawkeye (Jeremy Renner) are the heart of the MCU, the franchises most interesting character, but they have never been given the screen time they deserve.  I am also a huge fan of a couple of Cate Shortland’s earlier movies. To add to this, the film most resembles, even echoes a lot of Captain America: The Winter Soldier, a film that is both one of my favourites in the franchise and also the film that prior to getting her own film gave Scarlett Johansson the most screen time in the MCU.  Interestingly the final act (the MCU’s Achilles heel) is similar to, and has the same issues as the winter soldier. 

There are three big and several small action set pieces. As you would expect for a Marvel movie the action is well shot, and well choreographed, but this isn’t the films greatest strength.  The titular Black Widow is surrounded by great characters in the shape of her “family”  Yelena Belova (Florence Pugh),  Alexei Shostakov aka Red Guardian (David Harbour), and Melina Vostokoff (Rachel Weisz).  Both the performances and the dialogue are excellent.  The bickering and piss-taking all feels very real and natural as you only see with family or close friends.  Weisz has a level of calm and superiority that perfectly bounces off Harbour’s comic relief, but Pugh is comfortably the MVP.  She plays the part with a perfect combination of childlike sincerity and amazement with a certain grit and cynicism.  There have been suggestions that if this truly is Johansson’s Marvel swansong that Pugh will take on the mantle of Black Window within the Avengers.  While it would be a shame to lose Johansson, Pugh would make an excellent addition, it appears she has already been confirmed to reprise her role in the Hawkeye TV series due to hit Disney+ later this year. 

Like the aforementioned Winter Solider the villains are more grounded than many in other MCU movies, this isn’t a bad thing.  When a story is well told, personal tragedy and  grounded adversaries are just as significant as those that threaten worlds or universes! The plot is slim taking a central idea from On Her Majesty’s Secret Service (although a different Bond movie is reverenced and another invoked!).  The accents drift in and out of Russian, often for no real reason.  But these and any other issues spring to mind after the film has finished, because while you watch it, you just go with it! This is testament to the taught direction and  great performances.  What could have been a paper thin narrative used to string together the action set pieces actually comes across as a fun hang-out movie.  The characters are so strong that you may want the action to stop so they could spend more time hanging out and arguing with each other, fortunately this never happens, because the bickering continues  during the big action scenes. 

Marvel have made 24 movies in a decade and half, a similar number to what James Bond Managed in nearly fifty years and around double the Star Wars output in around forty-five years. when you get to this point, you cannot just judge an MCU movie on how good it is, you have to look at in relation to the rest of the franchise, the greater world of comic book movies, and its competitors from the DCEU.  It’s far from the best MCU movie as it doesn’t move the narrative forward, it actually has little to no impact on the franchise as a whole, and you would not miss anything by skipping it, but that would be a shame, and a mistake.  It does something that a lot of the other movies in it stable cannot, it stands on its own.  You could watch and enjoy the movie without having seen any other MCU movie.  And for the record, it’s better than most of the output of the DCEU. Go see it support your local cinema and have some fun!

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Best Supporting Actress Nominees ranked in my order of preference:

  1. RACHEL WEISZ – The Favourite
  2. REGINA KING – If Beale Street Could Talk
  3. EMMA STONE – The Favourite
  4. AMY ADAMS – Vice
  5. MARINA DE TAVIRA – RomaACTRESS IN A SUPPORTING ROLE

And the omissions that I think deserved a nomination:

  1. CLAIRE FOY – First Man
  2. TONI COLLETTE – Hereditary
  3. CYNTHIA ERIVO – BAD TIMES AT THE EL ROYALEACTRESS IN A SUPPORTING ROLE omissions

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Following Frank Miller/Robert Rodriguez’s neo-noir 2005 Sin City a sequel based on another of the Sin City graphic novel series “A Dame to Kill For”. Originally mooted for release in 2007 it has been constantly pushed back until around 2010 when it looked like it would never happen. In accordance with the new Hollywood bylaw stating that Josh Brolin must be cast in all new movies he has taken the part of Dwight McCarthy replacing the departing Clive Owen. Other changes Devon Aoki (who is pregnant) Michael Madsen (who dropped out), Brittany Murphy and Michael Clarke Duncan have sadly passed away. Josh Brolin Clive Owen A Dame to Kill For Dwight McCarthy

Dwight McCarthy (Josh Brolin) is called by femme fatale and former lover Ava Lord (Eva Green) asking for his help to get away from her abusive husband. It soon becomes clear there is far more going on than Dwight bargained for. For the film to work the casting of Ava Lord is crucial. The first name mentioned back in 2006 was the seemingly perfect Angelina Jolie. It was even suggested that the original delay was caused by her pregnancy. After she dropped out Rachel Weisz was reported as a replacement but the film never got off the ground. Over time Salma Hayek, Rose McGowan (who was dating Robert Rodríguez at the time), Michelle Williams, Helena Bonham Carter, Scarlett Johansson, Anne Hathaway and Jennifer Lawrence have all been linked or rumoured for the part but Eva Green has finally been confirmed in the role.Eva Green Ava Lord Sin City

As with the first film, it is split into sections, it appears they are based on A Dame to Kill For, Just Another Saturday Night and two new stories, The Long Bad Night and one as yet untitled. Other returning cast includes: Mickey Rourke as Marv, Jessica Alba as Nancy Callahan, Powers Boothe as Senator Roark, Rosario Dawson as Gail, Jaime King as Goldie and Wendy, Bruce Willis as John Hartigan with new cast including Joseph Gordon-Levitt as Johnny, Ray Liotta as Joey and Juno Temple as Sally. North American release is set for October, European dates are yet to be announced but are sure to be soon after.Sin City A Dame to Kill For new and retuning cast

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