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Posts Tagged ‘Punishment Park’

The HuntThe marketing for the movie The Hunt tells us: “The most talked about movie of the year is one that no one’s actually seen”.  The studio, Universal Pictures pulled its release last summer.  It had already drastically scaled back the marketing following a mass shooting in America.  The Donald Trump (who I understand had, not, and has still not, seen the film) got involved accusing the producers of inciting violence.  Having now seen the film, it is neither inciting or provocative, it is actually a run of the mill action thriller within a sub-genre that crops up from time to time.  The modern twist is the hunters are “Woke” liberal elites who are truly horrible, and the prey are call “deplorables”, basically people who have expressed less than woke views.  the film is fun and has some interesting ideas, but isn’t cutting enough to be a true satire on modern society. The Hunt

The first film of the genre was probably The Most Dangerous Game (1932) based on Richard Connell’s short story of the same name.  Anyone who has seen Zodiac (2007) will remember the reference to this movie, if the events of that movie are to be believed it even provide inspiration for the real life Zodiac killer. It has also inspired filmmakers for nearly 90 years with numerous, copies imitators and remakes. The idea was even used for an episode of The Avengers (The Superlative Seven) and is spoofed in The Simpsons (Treehouse of Horror XVI).The Most Dangerous Game

Made in 1932 parts of the movie look dated, the most notable of these are the use of close-ups of exaggerated facial expressions, a clear hangover from the silent era. The movie starts onboard a ship, all exterior shots are clearly a model and not up to the standard of King Kong (1933) that it actually shares a lot with (including one of its directors, sets and cast). Other than this the movie stands up really well and is wonderfully atmospheric. Due to the relatively low production cost it actually made more money than the better known King Kong. Coming in at only a fraction over an hour the movie is incredibly short, but its stripped down simplicity is to its credit.

A Game of Death (1945) directed by Robert Wise is a direct remake of The Most Dangerous Game, shot towards the end of WWII, the madman is a Nazi, not Russian.A Game of Death

The Tenth Victim (1965) is an Italian Sci-Fi entry to the genre featuring Marcello Mastroianni and Ursula Andress.  “The Big Hunt,” is a televised competition with contestants who must survive five rounds as a hunter, and five as the prey. For years a hard to find obscurity, it is now available on Amazon Prime in the UK (complete with a terrible dub).  The Tenth Victim

One of the most interesting and controversial examples is the excellent Punishment Park (1971) shot as a bleak mockumentary. Punishment Park

Arnold Schwarzenegger vehicle based on a Stephen King story (as Richard Bachman), The Running Man (1987) looks far more satirical and incisive in today’s world of reality TV than it did back in the day. The Running Man

One of my favourites of the genre: Hard Target (1993) is possibly the only Hollywood film by John Woo to live up to the bonkers fun of his Hong Kong movies.  Jean-Claude Van Damme plays a man down on his luck hired to find a missing man, he soon finds himself in the same “Most Dangerous Game” headed up by Lance Henriksen.Hard Target

This was closely followed by Surviving the Game (1994) with Ice-T as a A homeless man hunted by Rutger Hauer and Gary Busey. Surviving the Game

Battle Royale (2000), and its sequel (2003), Series 7: The Contenders (2001), The Hunger Games (2012-15), The Belko Experiment (2016) all take a slightly different angle, as the prey are also the hunters, forced to kill each other. 

While Predators (2010), features and extraterrestrial hunter, it fulfills most of the tropes of the genre, even more so than other films in the series.  Predators

Revenge (2017), is also worth a look.  The setup is very different, put it soon finds itself in familiar  territory with a few interesting twists along the way. Revenge

Finally, if you fancy a different medium, take a look at the Jack Reacher novel Past Tense (2018) by Lee Child.Jack Reacher Past Tense

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I subscribed to Netflix, predominantly for TV, namely the Marvel TV shows.  I have enjoyed them all, Jessica Jones being the best of them.  I have since mainly watched TV show, including: Breaking Bad, The OA, The Expanse , 13 Reasons Why, Hannibal, and Orphan Black (that I had started watching on the BBC).  I have recently also started watching Star Trek Discovery and Mindhunter, both of which are excellent from the couple of episodes I have seen. 

I have also watched several movies, mainly older ones that I have wanted to re-watch.  This is because I see most films that I want to see at the cinema.  Netfix (and Amazon Prime) can be useful for catching up on films that I missed at the cinema, and those that didn’t get a wide enough release to make in to a cinema near me.  And this is the problem.  With Netflix (and Amazon) getting more into the business of making movies are the chances of seeing some films on the big screen diminishing?  Is this a 21st century version of the vertical integration of Hollywood’s studio system? A system ended in 1948, when the U.S. Supreme Court issued the Paramount decision, aka the Hollywood Antitrust Case of 1948.  Not exactly but there are similarities.  I hope the industry can find a solution to the issue without the need for legislation, or one of the methods of screening suffering.mcu-netflix

The reason I have come to this conclusion; I have seen two films recently on Netfix that I would have liked to have seen on the big screen.  The first, Gerald’s Game is a Netfix Original, the second The Bad Batch skipped UK cinemas after Netflix acquired SVOD rights.

Gerald’s Game: Based on a Stephen King novel and directed by Mike Flanagan who had previously made the excellent Oculus.  Carla Gugino and Bruce Greenwood play a married couple who visit an isolated lake house in an attempt to rekindle their relationship.  Gerald (Greenwood) suffers a heart attack leaving Jessie (Gugino) handcuffed to the bed without the hope of rescue.  At times it goes where you expect it to, at others it will surprise you. Geralds Game

The Bad Batch: Ana Lily Amirpour’s follow-up to A Girl Walks Home Alone at Night.  A young woman (Suki Waterhouse) dropped inside a vast fenced-in wasteland, declared to be outside of the U.S. and thus, American laws no longer apply.  There she encounters many strange people, most notably a group of cannibals.  The movie drifts along with a strange dreamlike narrative occasionally finding its way back to a plot.  It has been compared to every near future or exploration movie you can think of, none of these are appropriate, although the look and tone sometimes make me think of Peter Watkins’ Punishment Park.the bad batch

I really enjoyed both movies but with one big reservation.  I really wanted to see them on the big screen, but for different reasons.  The Bad Batch is beautifully shot in a vast landscape that needs a big screen.  As a horror/thriller, Gerald’s Game has moments that are best enjoyed with an audience.  But my thoughts go deeper than this;  if Netflix are making movies, or buying distribution rights before they make it to the big screen, this is surely the start of a new era of filmmaking.  A two tier system where cinema can be the only loser, and if cinema is a loser, the ultimate loser is the audience.

It is clear that streaming is the future of the home cinema market.  I don’t have a problem with movies being released on VOD at the same time as at the cinema; letting people watch movies at home legally and cheaply is a good way to cut down on piracy, but not when it’s at the expense of cinema screenings.  Streaming needs to be an addition or alternative to cinema not a replacement. 

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