Feeds:
Posts
Comments

Posts Tagged ‘pulp novels’

Most of the films I have spoken about so far in this series are either all time classics or more recent and highly regarded movies (mainly animated as that is where my blind spot lies) but Remo Williams is in a strange way the most appropriate movie for the series. Born in the mid 70’s I grew up in the 80’s watching thousands of movies on VHS as a kid. Remo Williams: The Adventure Begins, or Remo: Unarmed and Dangerous as it is known in the UK market is the type of movie I would have watched in the 80’s. For example I remember watching a glut of cop thrillers involving revenge and or corruption including: Raw Deal (1986), Cobra (1986), Lethal Weapon (1987), RoboCop (1987), Number One with a Bullet (1987), Red Heat (1988), Blue Jean Cop (aka Shakedown) (1988), Cop (1988), Tango & Cash (1989) and Next of Kin (1989). However I didn’t see Remo Williams, why? Because I had never heard of it until I started blogging, over the last couple of years the name keeps coming up, usually on Man I Love Films and the MILFCAST. So it suddenly became an essential movie I hadn’t seen, a Blind Spot.remo-williams-the-adventure-begins-poster

Based on The Destroyer series of pulp novels; the first Created, The Destroyer was written by Warren Murphy and Richard Sapir and published in 1971. The series now runs to nearly 150 books, but only one movie. The American title “The Adventure Begins” suggests the start of franchise, future films failed to materialise. There was a 1988 TV pilot with Jeffrey Meek in the title role, but it wasn’t picked up. A reboot has been suggested, most recently in 2009 when there were reports of Charles Roven and Steve Chasman, the producers responsible for The Dark Knight and the Transporter respectively (Jason Statham as Remo Williams could be interesting) taking an interest, but things don’t seem to have gone beyond speculation.remo williams

Sam Makin (Fred Ward) is a tough New York cop and Marine Corps veteran who is unwillingly recruited by CURE a secret government organization who rename him Remo Williams. Williams is sent to Korean martial arts master, Chiun (Joel Grey – best know as the MC from Cabaret) who trains him in the fictional “Sinanju”. Quickly sent on his first mission involving a dodgy weapons manufacturer and the resulting corruption within the US Army, he comes across Major Rayner Fleming (Kate Mulgrew – captain Janeway in Star Trek: Voyager) who is investigating the same thing.Remo Williams The Adventure Begins

Directed by Guy Hamilton who had previously been at the helm of a Harry Palmer and four James Bond movies, the potential franchise was in good hands. The interesting thing about the film is that it isn’t actually that good, in fact there are lots of things wrong with it. Chief among the problems, It looks cheep and the story lacks scope, ambition and direction. The portrayal of Chiun by Joel Grey rivals Mickey Rooney as Mr. Yunioshi in its awkwardness. The film never knows when it should be serious and when it needs to be a comedy. Having said all this, it has its moments and is often good fun. Fred Ward makes a good reluctant and moody hero and surprisingly good leading man. The big set piece fight on the Statue of Liberty is well choreographed and shot as are some of the other fight scenes. The first meeting between Remo and Chun is excellent, reminiscent of Morpheus and Neo. This along with the bullet dodging makes me think The Wachowski’s are fans. Composer Craig Safan’s score is often cheesy 80s synth’ but actually fit’s the tone of the movie well and is lifted the kung fu movie inspired sections. I can’t help thinking had I seen it in the 80’s I would embrace the good and overlook its problem the way I can with films like The Running Man (1987) and Road House (1989).Remo Williams the statue of liberty fight

As a fun action movie the film works, but it lacks any depth or subtext. I’m glad to have seen it but it is far from an essential classic and because I saw it 25 years to late it lacks the emotional nostalgia that I have for other 80’s movies.

You can find the rest of the Blind Spot Series at The Matinee 

Advertisements

Read Full Post »

As previously mentioned, a new Batman movie is inevitable but how will it live up to Christopher Nolan’s Dark Knight vision of Batman, the answer make it very different. One option is to follow the silly or the camp versions that went before it, but I have a different idea. Until I started researching a article a couple of months ago I didn’t know that there was a Batman serial made in 1943. Set at the time it was made during World War II “The Batman” had become a government agent and was pitted against Japanese agent Dr. Daka. Are you starting to see where I am coming from? Firstly a little background: Batman’s first appearance was in May 1939 in The Case of the Chemical Syndicate, published in Detective Comics #27. Six months later his origin (variations of which have been retold many times since) and motivation were revealed. He received his own solo title in 1940 and Robin, Catwoman and The Joker were all introduced.

Like all good stories Batman could exist in any era, the 40’s set Captain America and the 60’s set X-Men: First Class have proved that setting a comic book movie in the past has proved that it can work. Set in the mid 30’s in a Gotham City full of gangsters rich from profits made during prohibition. Falling somewhere between a noir detective thriller and an action adventure it will give a great chance to reinvent Batman. This isn’t as strange as it sounds, not only was Batman created in the 30’s but it’s original style was inspired by pulp novels of the time. I would probably avoid World War II, that would probably stray too far into Captain America territory. Rather than an actual reboot from day one this new Batman should jump straight into the story as an established character with a little exposition as we go along, we all know enough about the characters mythology now to negate the need for an origin story.

The key to a movie like this is getting the right director, given what he did with The Rocketeer (1991) and Captain America: The First Avenger (2011), Joe Johnston could be the man for the job. I loved Zack Snyder’s Watchmen (2009) but given the fact he is currently making the Superman movie Man of Steel, it is unlikely he would make a Batman movie. Then there is my go to director for action with a little depth, Kathryn Bigelow. I would love to see a Quentin Tarantino Batman movie, but not this one. But all these would be a second choice at best, the next Batman movie should be the one who missed out when Nolan made Batman Begins, Darren Aronofsky. I would expect Aronofsky’s Batman to b darker even than Nolan’s, pushing the boundaries of right and wrong and how far a Batman should go in his fight against crime. Next we need a credible Batman, there are two options, a complete unknown or a huge star. Of the stars a few ideas that have been kicking around that I like are: Leonardo DiCaprio, Ryan Gosling, Michael Fassbinder (who could probably play any part he likes) and Jake Gyllenhaal. Joseph Gordon-Levitt and Tom Hardy could also do a good job but their presence in the Nolan movies probably negates this.

I don’t see this movie ever being made, for one simple reason, money. A 1930’s set movie won’t fit with the inevitable Justice League movie without a Superman movie set in the same era. Whatever happens a suitable gap should be left before the franchise is rebooted, the eight years between Batman & Robin and Batman Begins should be a minimum, however I don’t see them waiting that long again because of money! Christopher Nolan has turned Batman into Time/Warner’s most bankable commodity.

Read Full Post »