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Posts Tagged ‘Peter Jackson’

Last night I visited the cinema to watch two perfect movies; Nerve and The Shallows.  When I say perfect, you may think they were instant classic movies that will contend all the awards and will rank amongst the greatest ever made.  Sadly this is not true, they are flawed movies that are average at best.  However, they are exactly what they are supposed to be,  they are disposable fun B movies.Nerve and The Shallows

The B movie started life in the early days of cinema using sets and stages from major pictures to make cheep films in an effort to maximise studios return on investment.  They were also a useful way of breaking new contract players into movie making.  The major studios were full of potential leading men and ladies, ingénue’s straight of the bus, a small number of whom would become stars.

Many of the B pictures became series, or followed a formula that would make you think they were a series.  Away from the eight major studios, the so called Poverty Row studios made nothing but B movies.  In the last days of the silent era and the early days of the talkies into the Golden Age of Hollywood, the B movie evolved into second features.  Throughout the 30’s and 40’s B movies were often genre pictures and usually clocked in at between 60 and 70 minutes for the poverty row studios and up to 90 minutes for the majors. As antitrust rules killed off second features, B movies evolved.  They continued to focus of genres; monsters, gangsters and cowboys were joined by the post war explosion in Sci-Fi.  The 60’s saw the birth of Exploitation movies.  Many of the directors credited as visionaries of American New Wave got their break in 60’s exploitation and B movies.

So back to last night’s double feature: Nerve is a teen (although most actors haven’t been teens this decade) satire on social media dressed up as an adventure thriller.  The plot isn’t as good as the concept and loses its way as it develops but is helped by engaging performances from Emma Roberts and Dave Franco.Nerve

The Shallows is an effective horror thriller about a young surfer who is stranded on rocks 200 yards from shore by a killer shark.  The surf scenes are well shot and Blake Lively manages to hold the viewers interest in a largely solo performance.  The plot is full of clichés and goofs but does feature a main character who doesn’t make the stupid decisions you usually associate with the genre.the shallows

So what is so good about the movies? They are 106 and 96 minutes long respectively.  If Scorsese or Nolan want to make a three hour masterpiece, great, they have proved they can do it, but do popcorn B pictures need to be two plus hours long? Simply NO!  Many two hour movies could be dramatically improved by being trimmed down to sub 100 minutes.  A perfect example of this:King Kong

If you watch the original, and still the best version of King Kong (1933) staring Fay Wray and directed by Merian C. Cooper and Ernest B. Schoedsack (both uncredited) and run it alongside Peter Jackson’s 2005 version, you may be surprised at what happens.  The older film runs for around 96 minutes, and is ending at about the same time as Naomi Watts, Jack Black and Adrien Brody arrive at Skull Island.  In fact, you could watch the old film twice in the time it takes to watch the new one once.  Did beauty kill the beast, or was it boredom?

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AAvengers: Captain America: The Winter Soldier set the Avengers franchise in a new direction and Marvel announced phase Three schedule covering films up to 2019.marvel-avengers

B  – Boyhood: What could have been a gimmick turned out to be the best film of the year.boyhood poster

CNick Cave: 20,000 Days on Earth was neither documentary or a narrative film, but was one of the best movies of the year.20,000 Days on Earth

DDoug Liman: Edge of Tomorrow was the enigma of 2014.  The Doug Liman directed movie received solid reviews and great word of mouth but underperformed at the box-office.edge of tomorrow

EEgypt & Exodus: Gods and Kings – Ridley Scott’s biblical epic was released on Boxing Day in the UK and few weeks earlier in some countries.  The film has been banned in Egypt as the courtiers censors are unhappy with “historical inaccuracies”.Exodus Gods and Kings

FFincher & Flynn: Director David Fincher turned Gillian Flynn’s bestselling Novel Gone Girl into an excellent movie.Gone Girl

GGuardians of the Galaxy –  Made up of a cast of largely unknown characters, it was considered a risk for the franchise.  Not only was the film great fun but was the Highest grossing film at the US box-office (and 2nd highest worldwide) for the year.Guardians-of-the-Galaxy

HThe Hobbit: After more than 20 hours screen time, The Battle of the Five Armies brings Peter Jackson’s time in Middle Earth to an end.Peter_Jackson_Hobbit

IThe Interview:  The release for the movie The interview was cancelled following threats from hackers.  Barack Obama and George Clooney joined the debate and the film received a limited Christmas day release earning $1million from 331 scenes in independent theatres.the-interview-poster

JJennifer Lawrence: With an Oscar win and two other nominations as well as a starring role in two of the biggest movie franchises, Jennifer Lawrence is probably the biggest young star in Hollywood.  She was also the most outspoken victim of hackers who stole nude images and posted them online.jennifer-lawrence

KKickstarter: the big names to come from kickstarter in 2014 were the Veronica Mars movie and Zach Braff’s ;Wish I Was Here.  Blue Ruin and Obvious Child also raised a little to help get them released.veronica-mars-movie

L Luc Besson & Lucy: After numerous movies with his name attached as a writer or producer Besson is back in the director’s chair with the surprise hit Lucy.  Making back its $40million budget back in its opening weekend.Lucy

MMcConaissance: Matthew McConaughey’s resurgence was completed with a best actor Oscar for Dallas Buyers Club.Matthew McConaughey for Dallas Buyers Club

NNightcrawler: Jake Gyllenhaal gives the performance of his career in Dan Gilroy’s feature debut.Nightcrawler Jake Gyllenhaal

OOprah Winfrey: as well as producing two movies: Selma and The Hundred-Foot Journey Winfrey proved her Hollywood power by lending her support to the independent British film Belle.Oprah Winfrey

PPaddington: What could have been a disaster turned out to be charming and funny.paddington

Q – Quvenzhané Wallis: The young star of Beasts of the Southern Wild retuned with a small part in 12 Years a Slave and starring role in the remake of Annie.Quvenzhané Wallis

RThe Rover: After his début feature, Animal Kingdom in 2010 David Michôd is back with The Rover, a movie full of subtext, foreboding and great acting from Guy Pearce, Robert Pattinson and Scoot McNairy. The Rover

SScarlett Johansson: It’s been a busy year for Johansson with the UK release of: Her, Captain America: The Winter Soldier, Chef, Under the Skin and the surprise hit of the year Lucy.Scarlett Johansson under the skin

TAlan Turing: The imitation Game finally told the long overdue story of war hero and farther of computing, Alan Turing.the imitation game

UUnreleased: A region 2 DVD of Snowpiercer is available from a well know online retailer but the film is still yet to receive a UK release.Snowpiercer

VVampire: Forget Twilight, with Only Lovers Left Alive and What We Do in the Shadows there are two original ideas to kick-start the genre.Only Lovers Left Alive

W – Mia Wasikowska: After appearing in Stoker my favourite film of 2013 Mia Wasikowska is rapidly becoming one of my favourite actresses with appearances in Maps to the Stars, The Double, Only Lovers Left Alive and Tracks in 2014.Mia Wasikowska

X – X-Men: Days of Future Past: Bryan Singer returned to the X-Men franchise with a seminal story form the 80’s. It beat Captain America: The Winter Soldier at the world box-office, dragging the franchise from the shadow of Marvel Studios.X-Men-Days-of-Future-Past-chess-game

Y – 12 Years A Slave: Winner of Oscars for Best picture, Best Adapted Screenplay and best supporting actress for Lupita Nyong’o in her first feature film.Lupita Nyongo

ZThe Zero Theorem: Terry Gilliam is back after five years, and back to what he does best, making interesting films that look like the cost a lot more to make than they actually did.The Zero Theorem

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The long playing record better know as the LP is the definition of restraint. Limited to around twenty two and half minutes on each side there is no room for fillers and no opportunity add a few more minutes on a whim.  Film does not have an equivalent, whether digital or film there is no limit to the potential length, Modern Times Forever (Stora Enso Building, Helsinki) (2011) runs for ten days, yes I di say days. The term epic seems to be tagged onto films simply because they are long. Even the longest of movies can not compete with television for length and yet television until recently was always the poor relation to the cinema. When talking about two movies that came out around the same time the critic Mark Kermode made a very salient point; Killing Them Softly benefits for it relatively short 97 minute run time but within the 131 minute Savages there is probably a good 90 minute movie trying to get out.mark kermode

I had carried this thought around in the back of my mind for over a year without thinking too much about it until Christmas. I watched the Lord of the Rings trilogy over two days, in the case of the final film, The Lord of the Rings: The Return of the King it was the first time I had seen the film since seeing it at the cinema on release. Despite coming in at a whopping 201 minutes (that’s more than three hours) it never felt that long. Even the bizarre sense that the film doesn’t want to end doesn’t drag out as much as I remember it. However, I wasn’t watching a 201 minute version, I was watching the a 251 minute extended edition. I understand there is an even longer version on Blu-Ray clocking in an arse-numbing 263 minutes, that’s the best part of four and half hours. To be perfectly honest I can’t remember how it differs from the original cut, but know I enjoyed watching both.The Lord of the Rings The Return of the King

This leads to the big question, what is the point of extended versions of movies? I kind of understand directors cuts where a film maker who didn’t have final cut returning to a movie to re-cut it in line with his original vision. However extended cuts are a very different beast, but what is the reason for it? A vanity project of a director who believes his movie is so great and so important that it deserves a longer version. A cynical money making exercise of a studio who promise extra footage or a more explicit cut to temp people to buy the DVD/Blue-Ray.The Godfather Part II

It would be understandable if length equated to quality, but it very often does not. Many films would benefit from a trim not an extended edition. King Kong (2005) is a perfect example, sorry to pick on Peter Jackson, I do like his movies. The original film is 187 minutes long and to be honest too long, so what did Jackson do? He added another fifteen minutes to the special extended DVD edition. The original 1933 movie directed by Merian C. Cooper and Ernest B. Schoedsack (both uncredited) is less than a hundred minutes and is a far better film. Don’t get me wrong, this isn’t a campaign for short movies, I don’t think there is a wasted second in the 200 minutes of The Godfather: Part II (1974). Mandela: Long Walk to Freedom (2013) is actually too short, running through the 95 years of Nelson Mandela’s life in 141 minutes. It plays life a movie version of CliffsNotes. On the other hand Steven Soderbergh’s Che (2008) splits its four and half hours into to distinct movies.Che

I’m not sure there is any right answer, Martin Scorsese films are often long but never too long. Films should be the length they need to be, I just can’t help thinking that they often should be shorter than they are. I would also go as far as to say they should also always be the same cut whether they are being shown in cinemas, on DVD or on TV. I know this won’t happen, as long as filmmakers believe their own bullshit the length of films will be dictated by directors ego’s and producers wallets and not the way they should be, by the art.

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