Feeds:
Posts
Comments

Posts Tagged ‘Oldboy’

“You wake up to eerie silence. You call out ‘Hello?’ but no-one answers. You’re alone except for a film projector and speakers with infinite battery life and five of your favourite films at the foot of the projector. You have nowhere to be so start watching the films. What are they, where are you and how will your story play out?”

This is the scenario presented to us by Claire Packer at the recently rejuvenated Cinematic Delights.  Her expectation goes beyond just choosing the five films.  Find out more HERE.

  • My five films: What are the five films you would happily watch for the foreseeable future and why?
  • My fate: Where have you been deserted – are you adrift like Hanks in Castaway or are you an end of the world survivor like Smith in I Am Legend?
  • My finale: How will your time alone end? Will you be saved by Spielberg or will you live happily ever after on your own like Disney?

Let’s start in the middle where am I? I prefer to go with the Desert Island Discs/Hanks in Castaway option, as it always gives a degree of hope!

As for the movies, I set myself an extra challenge.  Eleven years ago, hosted a similar event that I called Desert Island DVD’s also taking its inspiration from the long running BBC Radio 4 show Desert Island Discs.  I have decided not to choose any of the eight movies I picked before, they were: My movies back then were:

  • Casablanca (1942)
  • Some Like it Hot (1959)
  • Two Lane Blacktop (1971)
  • Goodfellas (1990)
  • Dazed and Confused (1993)
  • Pulp Fiction (1994)
  • Oldboy (2003)
  • Serenity (2005)

Like last time, it isn’t just about my favourite films, its about films I can watch over and over and not tire of. One thing I can say fore sure, limiting us to just five films was cruel!

Chinatown (1974): I’m not sure there has ever been a film dripping with despair as Chinatown.  Not only is it one of my favourite movies, but it is strangely perfect for this scenario.  When I watched it during the first lockdown last year there was something comforting about watching people whose situation was more hopeless with than me. 

Fandango (1985): The most sentimental film on the list.  The film that give its name to my Blog and twitter handle.  This film has to be on the list for so many reasons.  Just taken on its own merits, it’s a great and under seen film.  It also lends a little much needed brevity to my list.  It is also associated with great memories; the favourite film of a close friend, it was on hard rotation when I was a student, we also visited some of the filming locations while on holiday in West Texas a few years back. 

The English Patient (1996): I loved the film from when I first watched it at the cinema twenty-five years ago.  It has since been either forgotten, overlooked, or dismissed.  I don’t care what anybody thinks, it’s an absolute masterpiece.  One of the few films that I actually think is better than the book on which it’s based.  Like Chinatown, I see more every time I watch it. 

Mad Max: Fury Road (2015): There is a conversation at the heart of the movie between Max (Tom Hardy) and Furiosa (Charlize Theron) about why the characters are doing what they are doing.  The answer is simple, they are all looking for either hope or redemption.  That’s kind of what all movies are about! And that’s just one of the reasons the film is so perfect. 

Atomic Blonde (2017): Comparisons with another film that came out a few years before are inevitable, but Atomic Blonde is both the slickest and most fun of its type.  It does the near impossible task of invoking other great films, without making me wish I was watching them. 

The final question: How will your time alone end?  That’s not for me to say, but we are nothing without hope!

Advertisement

Read Full Post »

A little late with my movie of the month following a busy weekend, here are the contenders, just five new movies and two classic reissues:

Fast & Furious: Hobbs & Shaw – The Fast and the Furious long since stopped being The Fast and the Furious and became Mission Impossible, if you accept that you will probably enjoy their latest outing.  It isn’t exactly good, but it is really great fun.  Dwayne Johnson and Jason Statham are likeable stars, Idris Elba is having great fun as the villain, and Vanessa Kirby is sensational.Fast & Furious Presents Hobbs & Shaw

Oldboy – Back in cinemas for one day only, one of my all time favourite movies is as great as ever.Oldboy

Blinded by the Light – Based on the memoir of Bruce Springsteen supperfan Sarfraz Manzoor: Greetings from Bury Park: Race, Religion and Rock N’ Roll.  The tone of the film doesn’t always work, not knowing if it wants to commit to being a musical fantasy or not.  The young leads are great and its use of music of The Boss is great.Blinded by the Light

Pain & Glory – Many of Pedro Almodóvar’s movies have elements of autobiography, particularly about his relationship with his mother.  This may be his most autobiography and is certainly about his mother. Penélope Cruz is as great as ever in a small part.  Always underrated as an actor, Antonio Banderas gives the performance of a lifetime; it’s a shame Oscar is blinkered to subtitles! The film features something in the final act that I would call a revelation rather than a twist, it is truly sublime. Pain & Glory

Apocalypse Now, Final Cut – I first saw Apocalypse Now in my early teens, and loved it.  A few years later I saw a scratchy old 35mm print on the big screen, it was even better. The Final Cut offers a longer version of the film (but around 20 minutes shorter than the Redux version), with a runtime around three hours.  More significant than the cut, is the print, a 4K transfer from the original negative; I saw it on IMAX, it looked amazing! Apocalypse Now

Once Upon A Time In Hollywood – Quentin Tarantino’s return to form.  Rather than try and distil my thoughts into a paragraph, take a look at THISonce upon a time in hollywood dicaprio and pitt

Scary Stories to Tell in the Dark – Teen horror, that lacks any real horror or scares.  It is generally fun with likeable characters, and a couple of good performances.  The film looks fantastic with excellent production design and photography. Scary Stories to Tell in the Dark

As always I excluded re-releases for movie of the month, this leaves two contenders.  In most moths Pain & Glory would be a clear winner, but looses out to my Movie of the Month:movie of the month once upon a time in hollywood (1)

Read Full Post »

Dom 5There is a little academy you may have heard of who plan to announce the nominees for their film awards this week, I think they call them the Oscars.  Before that we have the Seventh Annual Groovers Movie Awards.  As ever all categories, eligibility and winners are decided by me:

Best Movie: Blade Runner 2049: Blade Runner (1982) didn’t need a sequel,  not only is this movie a worthy sequel, but it continues the story that enhances rather than diminishes the original, continuing, even expanding on the themes.  As you would expect from director Denis Villeneuve and cinematographer Roger Deakins, it looks amazing.  A love it or hate it type film; like the original, it may have underperformed at the box-office, it will find its audience in time. Blade+Runner+2049-1

Best Director: Chan-wook Park for The Handmaiden.  A labyrinthine tale that never loses its focus and always holds the audience’s attention.  Based on Sarah Waters novel Fingersmith, this adaptation sees the setting change from Victorian England to Japanese occupied Korea, making the most of the setting, the film looks amazing.  Possibly Park’s best movie since Oldboy. Chan-wook Park for The Handmaiden

Best Actor/Actress: Casey Affleck won the academy award for Manchester by the Sea, a result I certainly wouldn’t argue with.  Jessica Chastain gave to fantastic performances in Miss Sloane and Molly’s Game. Casey Affleck and Jessica Chastain

Best Dialogue: Aaron Sorkin (writer/director) Molly’s Game.  In his directorial debut, Sorkin is helped by his actors: Jessica Chastain, Idris Elba, Kevin Costner who makes his machine gun dialogue sound amazing. 'Molly's Game' New York Premiere

Best Editing: Jonathan Amos and Paul Machliss (editors) Edgar Wright (writer/director), Julian Slater (sound designer), for Baby Driver.  I have always been an advocate of the idea that the best editing is invisible.  Baby Drive breaks this rule with very conspicuous editing; there are long takes, single take tracking shots, quick cuts all done in time with the music.  It could have been a disaster, it’s actually a masterpiece.   Baby Driver

Best Comedy: The Death of StalinArmando Iannucci made an interesting choice with his cast using a mix of British and American accents in this story of the power struggle in the days that followed the titular death of Stalin. Farce and satire in equal parts, with a really dark undercurrent, the risk pays off, it is brilliant and hilarious.The-Death-of-Staling-Banner-Poster

Special Award: Kristen Stewart and Robert Pattinson.  This special award is for making interesting movie choices.  A decade ago Stewart and Pattinson became two of the biggest stars in the world thanks to the Twilight movies.  Choosing to work with directors including: James Gray, David Cronenberg, Olivier Assayas, Kelly Reichardt and Woody Allen.  They have continued making interesting and extremely good movie:  Stewart worked with Olivier Assayas for a second time with Personal Shopper, while Pattinson made Good Time with The Safdie Brothers. Kristen Stewart and Robert Pattinson

Fandango Award: William Oldroyd, Alice Birch, and Florence Pugh – Fandango was writer/director Kevin Reynolds debut (and best) feature, and the first notable movie for star Kevin Costner. It gives its name to this award for the best breakout film-makers of the year:  William Oldroyd, Alice Birch, and Florence Pugh are director, writer and star of Lady Macbeth respectively.   The captivating movie is the first feature for Oldroyd and Birch, and the first starring role for  Pugh.William Oldroyd Alice Birch Florence Pugh

Dom 5

Read Full Post »

Happy new year. As always, the first post of the month is the review of the previous month and the Movie of the Month award that goes with it:

Saving Mr. Banks: The true story of Walt Disney’s battle to make Mary Poppins despite the objections of author P.L. Travers. Most notable for fantastic acting and less sentimental than you would expect.

SAVING MR BANKS

Carrie: Remake of Brian De Palma’s classic horror movie based on Stephen King’s novel. Julianne Moore does a good job, Chloë Grace Moretz gives a good performance but is miscast. There is nothing really wrong with it but it’s a shadow of the original movie.Carrie

Kill Your Darlings: Daniel Radcliffe plays Allen Ginsberg in this story of the origins of the “Beat Generation”. Well made and well acted but probably one for fans of beat literature and not casual moviegoers.Kill Your Darlings

Nebraska: Alexander Payne’s family drama disguised as a road movie. Bruce Dern is perfectly cast and gives the performance of a lifetime. Look out for the Oscar nomination.NEBRASKA

Homefront: Jason Statham stars in this revenge action thriller written by his Expendables co star Sylvester Stallone (screenplay). Not a great film but Statham does what Statham does making for a fun film. James Franco, Kate Bosworth and Winona Ryder appear to be having fun. Based on a novel by Chuck Logan, there are another four films in the series, sequel?Homefront

Getaway: Ethan Hawke plays a former race-car driver tasked with driving around an unnamed eastern European city causing traffic chaos in order to save his kidnapped wife. Selena Gomez and a customised Shelby Mustang provide support. It isn’t much good but like Homefront its good fun.GETAWAY

Oldboy: If you saw this movie in isolation you would probably think it was an original and interesting thriller. However Spike Lee’s movie just doesn’t work when compared to Chan-wook Park’s original masterpiece. Josh Brolin, Elizabeth Olsen and Michael Imperioli are all good but Sharlto Copley and Samuel L. Jackson look like they have stepped in from a different movie.Oldboy

The Hobbit: The Desolation of Smaug: after being underwhelmed by The Hobbit: An Unexpected Journey, I was pleasantly surprised by this second outing. Jumping straight into the action and not letting up for most of 161minute runtime.THE HOBBIT: THE DESOLATION OF SMAUG

47 Ronin: A surprisingly good retelling of the legendry tale of the 47 Ronin (as depicted in the 1941 movie of the same name) with the addition of Keanu Reeves. Despite the high fantasy trailer, this is actually a traditional samurai movie with a couple of fantasy elements added for modern taste. It is surprisingly good.47 Ronin

All Is Lost: did you see last months movie of the month Gravity? Imagine the same story set at see instead of in space and you have All Is Lost. It isn’t as good as Gravity, but Robert Redford’s performance is sensational.all is lost

The Secret Life of Walter Mitty: Star/Director Ben Stiller and Writer: Steve Conrad retell James Thurber’s short story in the modern age. Stiller is both unusually restrained and funny. A surprisingly good movie that I enjoyed far more than I thought I would.the secret life of walter mitty

I could have changed my movie over the month with virtually every film I have seen this month. Although not terrible, Carrie and Oldboy were a waste of time and you would be better off watching the original movies. Homefront and Gateway were the most fun and Nebraska was the best film. But those who have read previous examples of this post will know being the best isn’t always enough to be Movie of the Month. The movie of the month is the uplifting and surprisingly good (and funny) The Secret Life of Walter Mitty:The Secret Life of Walter Mitty Poster

Read Full Post »

the secret life of walter mittygravityNEBRASKAHBT2-fs-140204.DNGall is lostID_D47_17954.dngSAVING MR BANKSHow I Live NowOldboyEnders Game

Read Full Post »

If you take a look at the top ten grossing movies of the year so far there are seven sequels (Iron Man 3, Despicable Me 2, The Hunger Games: Catching Fire, Monsters University, Fast & Furious 6, Oz The Great and Powerful, Star Trek Into Darkness) and a reboot (Man of Steel). World War Z (based on a book) will probably be knocked out of the top ten by The Hobbit: The Desolation of Smug leaving Gravity as the only original property to bother the top ten. Do audiences only go in large numbers to see sequels of franchise movies or do studios only commit large amounts of money to existing properties that a ready made audience? The $825million taken by Christopher Nolan’s Inception proved that a totally original movie could make money, however it would probably never been given the green light if not for the $1billion The Dark Knight took. As cinema prices creep up and audiences become ever more selective, studios become more cautious making it a self fulfilling prophesy relegating most original ideas to smaller films. With this in mind, here are my top five original movies of the year. Original movies, not a sequel, prequel, remake, re-imagining or reboot. Also, not based on a book, comic book or true story.

Stoker: In the year that the remake of Chan-wook Park’s masterpiece Oldboy limped onto cinema screens Stoker proved to be Park’s best film since Oldboy. The original screenplay was written by actor Wentworth Miller. A weird, beautiful and sublime blend of melodrama, psychological thriller and coming of age drama. Budget: $12,000,000 (estimated)stoker

Gravity: Alfonso Cuarón’s space adventure about a pair of astronauts trying to find a way home after a collision in space is a truly stunning film and the first film that should be seen in 3D preferably IMAX 3D. Budget: $100,000,000 (estimated)GRAVITY

Prisoners: Great acting from ensemble cast and stunning photography from Roger Deakins combine with taught direction French-Canadian director Denis Villeneuve making his English-language debut elevate this from a genre movie with an overt subtext to a really good film. Budget: $46,000,000 (estimated)Prisoners

The East: An original story of the murky world of private intelligence firms and an environmental anarchist collective. Written by director Zal Batmanglij and star Brit Marling. It is notable for great acting and its dark melancholic tone. Budget: $6,500,000 (estimated)The East

Pacific Rim: To call Guillermo del Toro’s monsters vs. robot movie original would be a stretch as it appears to be based on every other monster movie/comic book to have gone before it, however it isn’t directly based on any other previously produced work. It makes the list ads it is just great fun, pure and simple. Budget: $190,000,000 (estimated)PACIFIC RIM

Mud – the continuing renascence of Matthew McConaughey.
The Counsellor – Cormac McCarthy’s first screenplay is far better than has been reported
About Time – Charming and funny time travel comedy from Richard Curtis.
Blue Jasmine – Cate Blanchett, deserves an Oscar.
Elysium – Neill Blomkamp’s Sci-Fi action drama lacks subtlety but is still good

Check back at the end of the month to see how many of these movies make my top ten of the year.

Read Full Post »

When visiting my parents or talking to then on the telephone they often ask what movies I have seen, if I respond with the name of a film they haven’t heard of my mom, knowing I watch a lot of foreign language movies will ask “is it foreign”. On more than one occasion I have given the somewhat flippant and slightly rude response “yes, American”. It is funny that a movie made five thousand miles away in Hollywood is familiar and not foreign because it is in something similar to “The Queens English”, and yet something made across the channel in France, still on the same continent as England, is in some way foreign and exotic. Maybe we are two nations joined by a common language and not divided by it as George Bernard Shaw quipped. Whatever the reason, as we step below the surface of these idea we find an interesting thing, filmmaking does exist beyond the bright lights of Hollywood, both in Europe and in the rest of America.Mean Streets The Terminator Blood Simple Memento

When I talk about American independent cinema it isn’t just the obvious and seminal movies like Easy Rider (1969) (Dennis Hopper) or Two-Lane Blacktop (1971) (Monte Hellman) or the small no budget movies that you have never heard of. Think of some of the biggest name directors working today: Martin Scorsese, James Cameron, Ethan and Joel Coen, Christopher Nolan, then look at their independent films Mean Streets (1973), The Terminator (1984), Blood Simple (1984), Memento (2000) . Sam Raimi may be making money movies for Disney now but it all started with Evil Dead (1981) and Evil Dead II (1987). Would George Lucas have made Star Wars (1977), if he hadn’t already made THX-1138 (1971) or the hugely profitable American Graffiti (1973)? Then there are directors like David Lynch, Quentin Tarantino and Darren Aronofsky that are just more comfortable outside or on the edge of the system. There was a time before he started believing his own publicity that Kevin Smith was the darling of the indie scene thanks to the cult status of Clerks (1994), but before that came Richard Linklater’s Slacker (1991). A day in the life of various social outcasts and misfits held together by loose strands and an even looser narrative, the style and the realistic dialogue became a blueprint for a generation. Linklater wasn’t seduced by Hollywood instead he remained in Austin and two years later he came up with Dazed And Confused (1993).Dazed And Confused Clerks THX 1138 Evil Dead

The same can be said for foreign language cinema, it isn’t all about weird esoteric art house movies, there are many accessible movies not in the English language. Not that the weird esoteric art house movies are a bad thing, they are just not the best place to start. The test as to if a movie is accessible and worth seeing is simple, would you watch it if it were in English? If the answer is yes, it is worth a look. There were two movies that seemed to cross the language barrier that came out within a year of each other just over a decade ago: Ang Lee’s Crouching Tiger, Hidden Dragon (2000) and Jean-Pierre Jeunet’s Amélie (2001). Many of the people who watched and enjoyed them wouldn’t normally have seen a movie in another language. There have been some interesting examples too; the French thriller Tell No One (2006) is very American in its style, no great surprise, it is based on an American novel (of the same name) by Harlan Coben. A Hollywood remake was supposed to have been made but it doesn’t appear to have materialised yet. The same can’t be said for Anything for Her (2008), it took just two years for the American remake The Next Three Days to hit cinema screens. Both Tell No One and Anything for Her benefited from the presence of actresses familiar to English speaking audiences Kristin Scott Thomas and Diane Kruger respectively. On the subject of remakes the terrible Queen Latifah movie Taxi (2004) is a remake of a great French movie also called Taxi (1998). It has spawned three sequels (the first of which is also really good) the movies are notable for lots of things including significant early roles for Marion Cotillard.Crouching Tiger, Hidden Dragon Amélie Tell No One Anything for Her

When I first saw Oldboy (2003) it immediately became one of my all time favourite films. I didn‘t expect it to have gained the following that it has, I also didn‘t think Hollywood would dare to touch it, but they have the American remake of Park Chan-wook’s vengeance movievis in production and is set for release later this year, it is directed by Spike Lee. The other movie that plays well to British and American audiences is Run Lola Run (1998). It put its German star Franka Potente and director and Tom Tykwer onto the international stage both have worked in American and their native Germany many times since. But I can trace my first experience of a foreign language movie back a little further than that. In 1990 I read a review of a film I really wanted to see Nikita (1990). At fourteen years old I didn’t have a chance of getting into see it at the cinema to see the eighteen certificate movie, but a couple of months later (when I was fifteen) renting the video was surprisingly easy. Its impact in America was such that it spawned a Hollywood remake and two television series. Its director Luc Besson’s next two films Léon (1994) and The Fifth Element (1997) were in English.Oldboy Run Lola Run Nikita Taxi

I have done little more than scratch the surface of independent and foreign langue movies, but I hope I have inspired at least one person to look below the tent-pole blockbuster and popcorn movie and towards the smaller films that don’t get all the publicity. Many of them will get limited runs in big multiplexes but others are harder to find, but if this means you are also helping to support your local independent cinema’s it’s an added bonus. As you grow to love them as much as I do you will look deeper and further back at older movies and a whole world of cinema will open up to you. I know that I am to a certain extent preaching to the converted as many readers are film fans and bloggers themselves and are far more cineliterate than me.

Read Full Post »

Another strong decade, 2004 and 2009 only just missed out.

2000: Almost Famous, Battle Royale, The Claim, Crouching Tiger, Hidden Dragon, Memento

2001: Mulholland Drive, Donnie Darko: Amelie, Training Day, Y Tu Mamá También

2002: City of God, 28 Days Later, Talk to Her, Hero, Punch-Drunk Love

2003: Oldboy, Kill Bill vol 1, Lost in Translation, X2, Azumi

2005: Sin City, Batman Begins, The Descent, Good Night and Good Luck, Serenity

2006: Pan’s Labyrinth, Casino Royale, Children of Men, Miami Vice (I know I’m of about three people who like it), The Departed

2007: Juno, No Country For Old Men, The Orphanage, Death Proof, Into the Wild

2008: The Dark Knight, The Hurt Locker, In Bruges, Let the Right One In, Gran Torino

Read Full Post »

Whilst discussing his new book Monsters in the Movies on Kermode and Mayo’s Film Reviews (aka Wittertainment), John Landis suggested that zombie are bigger and more prolific than vampire movies at the moment. He suggested that there are nine zombie movies in production at the moment including one starring Brad Pitt (World War Z). It could well be that zombies will be the go-to monster of the near future but there have been plenty of vampires movies recently:

Vampire Movies

The new century began with one of the most original vampire movies in years, Shadow Of The Vampire (2000) is a high concept movie, the premise; the actor Max Schreck who played Graf Orlok/Nosferatu (Dracula in all but name) in F.W. Murnau classic Nosferatu (1922) was really a vampire posing as an actor playing a vampire.

It is impossible to overemphasise the importance of Blade (1998), not only was it an early entry into the current trend for vampire movies but it was also the first credible comic book movie in a long time and the movie that started the Marvel phenomenon. Its sequel Blade II (2002) directed by Guillermo del Toro took a big step forward reintroducing the idea that the monster in the movie may not be the monster of the movie.

Before the battle between vampires and werewolves in The Twilight books and movies there was Underworld (2003), like Blade it is more action orientated than scary but also explores the idea of who the real monster are. It is also incredibly stylish and has a well thought-out back-story that has helped it spawn a sequel (Underworld: Evolution (2006)), a prequel (Underworld: Rise of the Lycans (2009)) as well as a further sequel Underworld: Awakening due next year.

Directed by Uwe Boll Blood Rayne (2005) is loosely based on a video game of the same name, it isn’t very good, neither are its sequels: BloodRayne: Deliverance (2007) and Bloodrayne: The Third Reich (2010).

Ever since the release of Nosferatu in 1922 vampires have been destroyed by sunlight (unless they just glitter and sparkle), with this in mind, where would you go if you where a vampire? How about Alaska in winter where the sun doesn’t rise for a month? That is exactly what happens in 30 Days of Night (2007). An original and entertain vampire with scary and bloody monsters.

Probably the most successful vampire movies of the century but far from the best, Twilight (2008) and its sequels tells the story of “vegetarian” vampires in a Mormon inspired morality tale. Not as bad as many would have you believe but not a classic vampire movie.

Also based on a novel, the darker and more subversive Swedish movie, Let the Right One In (2008) (original title: Låt den rätte komma in) exploring themes of childhood and bullying, the vampires are almost secondary to the plot. By far the best vampire movie of recent years.

The obvious and overt concept of Daybreakers (2009) is that of a world where vampires outnumber humans who have become little more than food. Behind this, there is a story of hope and humanity.

Thirst (2009) Bakjwi (original title), Oldboy (2003) director Chun-wook Park’s take on the vampire movie is thoughtful and original as well as being full of very dark humour.

Combining a road movie with an apocalyptic story, Stake Land (2010) at times has more in common with zombie movies than vampire movies. There is also a well crafted subtext about fanaticism, one of the best and most original vampire movies of recent years.

Priest (2011) is an underrated action horror that does little to expand the genre but is good fun.

Vampires on TV

Based on a poorly received 1992 movie of the same name, Buffy the Vampire Slayer (1997–2003) had a perfect blend of comedy, action and horror; its spin-off Angel (1999–2004) was more of the same if a little darker. Lasting 145 and 111 episodes respectively and having the opportunity to develop their characters, both series can be considered a success and are greatly missed by their fans. A movie version is often talked about but has never materialised. A further spin-off based on Eliza Dushku’s character Faith was proposed but never happened. Far less successful but also worth a look Blood Ties (2007– 2008) lasted just 22 episodes over two seasons. The similar themed Moonlight (2007–2008) had just one season of 17 episodes. They were both well made and enjoyable shows but offered nothing new. That is where True Blood (2008– ) succeeded, like Buffy before it, True Blood combined some original ideas with a great cast of varying characters, at times there is so much going on it is almost like a soap-opera, and not in a bad way! Having just finished its fourth season and with a fifth scheduled for next year it is still going strong.

Zombie Movies

Okay lets kick of with the big question, what is a zombie? For the purposes of this post the simple answer, if I say it’s a zombie, it’s a zombie. I know a lot of people don’t agree that “infected” are zombies, but they are closer to Romero zombies than Romero zombies are to the witch doctor zombie slaves of 30’s/40’s cinema. There is another reason, the zombie side of this debate would be a bit light without the inclusion of the infected.

When people are killed and buried in “The Forest of Resurrection” they come back from the dead thanks to an evil Sprit. If you put a group of gangsters in the middle of this, that’s that happens in the bonkers but brilliant Versus (2000).

28 Days Later… (2002) is so good that I am sorry to say its downhill from here, but it does set the bar pretty high, Following a group of survivors after an zombie apocalypse, its as much a road movie as a horror, the key to its success is putting likeable characters that we care about in (surprisingly believable) dangerous situations.

Less well received but surprisingly good, the video game derived Resident Evil (2002) is the start of a franchise, the fifth part of which is due out next year. The classic fight for survival against a zombie hoard is given a little extra edge by setting that amounts to a claustrophobic underground maze but the success of the movie hangs on the appeal of Milla Jovovich.

Don’t dismiss Shaun of the Dead (2004) as a comedy horror, it is a knowing and cleverly constructed story from a team well versed in zombie movies.

If you take Dawn of the Dead (2004) on its own merits it is a great movie, it does feel a little lightweight and less relevant than the classic 1978 original but it will make you jump more often.

If subscribe to the philosophy that people infected by a virus aren’t zombies, you really won’t like the idea of aliens turning people into zombies as they do in Slither (2006). A silly and insignificant movie elevated by a charismatic and funny performance from Nathan Fillion.

The Spanish horror [Rec] (2007) is one of the few found footage movies that really works. Filled with jumpy and scary moments and anchored by a fantastic performance from Manuela Velasco. The sequel [Rec] ² (2009) picks up where the original left off, it isn’t as good but is still far better than your average Hollywood movie. Speaking of Hollywood, [Rec] was remade as Quarantine (2008), I haven’t seen it so can’t comment on how good it is, but understand it follows the story of the original film pretty closely relocating the action from Barcelona to an unnamed American city. Interestingly, its sequel Quarantine 2: Terminal (2011) takes the story in a new direction telling of a new outbreak on a passenger plane.

28 Weeks later (2007), the sequel to 28 Days later tries to be bigger and more expansive than the original movie but actually suffers for its grander scale. Well worth seeing but not as good as the original.

Planet Terror (2007) is for me, the weaker half of Rodriguez and Tarantino’s Grind house project (although it has a higher rating on IMDB than Death Proof) it is a real throwback to the 80’s toxic waste zombie movies like The Return of the Living Dead (1985).

Pontypool (2008) where does this one come on the is it, isn’t debate? A zombie virus spread by “infected” English words forcing the inhabitants of a Canadian town to communicate in French. There is probably some political statement that goes over my head, putting this aside, as a film it is original and brilliant.

The French movie, The Horde (2009), isn’t a great movie but it is a effective one. There is no explanation of where the zombies come from but killing them follows all the genre “rules”, the escape from a confined space is also an archetype.

George A. Romero is still making zombie movies more than forty years after his first, Night of the Living Dead (1968). Land of the Dead (2005) is a good addition to the “of the dead” series. In keeping with the social commentary of the earlier movies it is a good allegoric tale of the distribution of wealth. Diary of the Dead (2007) is less successful, using mocumentary/found footage as a basis it is a stand a lone story. Not a bad movie but the format has been better used in [Rec]. Set on an isolated Survival of the Dead (2009) has good concept but is all a little lightweight. He is also credited as an executive producer on The Crazies (2010), a remake of his 1973 movie of the same name. Not a zombie movie but it does share a lot of similarities with them, a surprisingly good movie even if it lacks the killer ending of the original.

Zombies on TV

The Walking Dead (2010– ) is the only zombie show on the list, but what a show, based on a comic book series of the same name, the story follows a small group of survivors and presents a gritty almost realistic aftermath of a zombie apocalypse.

As I started writing this article I had no idea if there had been more vampire of zombie movies in recent years. I was of the opinion that recent vampire movies where better than their zombie equivalents. What I soon came to realise is that they both have a few great movies, a few rubbish ones and lots of mediocre ones. The whole zombie issue is further clouded by the debate of what is and isn’t a zombie movie. For me it is a genre that is as wide or as narrow as you want it to be. As for what is coming soon, the vampire movies of note are: Abraham Lincoln: Vampire Hunter, Dario Argento’s Dracula 3D, The Twilight Saga: Breaking Dawn – Part 2 and Underworld: Awakening. Far more interesting is World War Z. Based on the novel World War Z: An Oral History of the Zombie War by Max Brooks that was inspired by The Good War, an oral history of World War II by Studs Terkel as well as the movies of George A. Romero. The movie that is in production now is set for release this time next year, directed by Marc Forster and starring Brad Pitt whose Plan B Entertainment reportedly won a bidding war over Leonardo DiCaprio’s production company Appian Way. Only time will tell which genre will be best or most prolific and you will have to make your own mind up as to which has been better so far, personally I am happy to watch many more of both types of movie.

Read Full Post »