Feeds:
Posts
Comments

Posts Tagged ‘Nikita’

In recent years Luc Besson has been at his best when making totally bonkers films with extraordinary vision: Angel-A (2005), The Extraordinary Adventures of Adèle Blanc-Sec (2010), Lucy (2014), and Valerian and the City of a Thousand Planets (2017).  At the same time he has moonlighted as a writer, producer, mentor, or just contributing a story idea for other directors.   These have resulted in some excellent B pictures: Taxi, District B13, and Lockout, as well as some not so good movies/franchises: Taken, From Paris with Love, and 3 Days to Kill.

This slideshow requires JavaScript.

This makes his latest film, Anna, something of a curiosity.  On one hand it is return to the world of assassins, the subject of his best films, Nikita (1990) and Léon (1994), (or at least my favourite).  Anna has a lot more in common with Nikita, taking a young girl with a drug problem and a deadbeat boyfriend and training her as a killer.  To its credit, the film skips the usual training montage, and takes Anna from recruit to deadly killer in a moment.  The downside to this is a lack of character development.  Anna is looking for a way out of her life as an assassin before it has even begun.  The use of time is problematic.   The story keeps jumping backwards and forwards as a narrative device.  This works well in some ways, but, I’m not convinced adds up; probably best not to think too much about it.  Then we have the setting.  The main part of the story is set in 1990, so we are in Atomic Blonde territory,  the last days of the Cold War, and yet the film seems to be telling a story at the height of the tensions as seen in Tinker Tailor Soldier Spy.  This leads to further issues of distracting technology, mobile phones, laptop computers, and USB drives appearing five, ten or even fifteen years before invented.

This slideshow requires JavaScript.

The film is peppered with action set pieces all of which are well choreographed and shot, but they are interspersed with the spy stuff that is far less interesting and convincing.  This all results in the story feeling both rushed and too long.  Newcomer Sasha Luss is suitably attractive, and good in the action scenes, but doesn’t have the charisma, acting ability, or comic timing to match Charlize Theron, Scarlett Johansson, Anne Parillaud, and Jennifer Lawrence who have all played similar characters better.  Ultimately what we are left with is a film that doesn’t know if it wants to be Atomic Blonde or Red Sparrow (more the plot driven book, than its film adaptation) but ends up being an inferior retelling of Nikita. I enjoyed Anna, and would certainly watch a sequel should it be made, but will not rush to re-watch this one. 

Advertisements

Read Full Post »

The New Beverly Cinema in Los Angeles, California is a world famous “revival houses”.  Its legend is helped by the fact it is owned by Quentin Tarantino.  He purchased the 1920’s building that includes the cinema in 2007 to save it from redevelopment but acted more as a landlord than proprietor, until now.  The director had always vowed to show double features in 35mm, but has now taken it a stage further and has taken over programming and will be showing double features from his own  35mm private collection.  I’m sure he will show some of his own movies from time to time, but what would he pair them with?  Here are my ideas:

Reservoir Dogs  (1992) and The Killing (1956)

Three films are often credited with influencing Reservoir Dogs: Ringo Lam’s City on Fire (1987) (undercover cop and the suits), Joseph Sargent’s The Taking of Pelham One Two Three (1974) (the Mr [insert colour here] names) and Stanley Kubrick’s The Killing (the overall plot).  All great films but I am going with my favourite and possibly the least well know, The Killing.Reservoir Dogs  and The Killing

Pulp Fiction (1994) and Go (1999)

There are so many films I could pair with Pulp fiction, I am going with Doug Liman’s Go.  The narrative structure is different to the one used in Pulp Fiction but does use a group of intertwined stories in a similar way.  For all the films that have influenced Tarantino, it is nice to include a film that is most probably influenced by him.Pulp Fiction and Go

Jackie Brown (1997) and Nikita (1990)

The obvious choice, Out of Sight (1998), both are based on Elmore Leonard novels and even feature a shared character Ray Nicolette (Michael Keaton).   However I am going for Nikita, a very different film but with a similar thread, both films are about woman who get drawn into worlds that they don’t want to be in.Jackie Brown and Nikita

Kill Bill: Vol. 1  (2003) and Kill Bill: Vol. 2 (2004)

I am not going to pair these films with anything , instead I am going to put them together the way they should have been originally, as one film.Kill Bill Vol 1 and Kill Bill Vol 2

Death Proof  (2007) and Doomsday (2008)

Death Proof started life out as part of the  Grindhouse project and therefore already has a paired film, Planet Terror.  My first thought for a paired film was the movie it most directly references Vanishing Point (1971), but I went a different way, of recent films Neil Marshall’s Doomsday is the film that best captures the exploitation cinema vibe that Tarantino was looking for in Grindhouse.Death Proof  and Doomsday

Inglourious Basterds  (2009) and Casablanca (1942)

I considered various movies: resistance films, Flame and Citron (2008) or Black Book (2006), WWII behind enemy lines story Saving Private Ryan (1998) or ludicrous comedy Tropic Thunder (2008), however I went with Casablanca (1942) for no particular reason, I could just see these very different WWII movies working together.Inglourious Basterds and Casablanca

Django Unchained (2012) and Butch Cassidy and the Sundance Kid (1969)

The obvious choice Django (1966) (original Django, Franco Nero has a cameo in unchained) but when you strip away the themes of Django Unchained you are left with a buddy movie disguised as a western and the best buddy movie disguised as a western has to be Butch Cassidy and the Sundance Kid.Django Unchained and Butch Cassidy and the Sundance Kid

Read Full Post »

3 Days To Kill opened a couple of weeks ago to universal derision, it surprisingly isn’t that bad. With a script by Luc Besson and a plot featuring an aging CIA hit-man, comparisons with Taken are unavoidable. Kevin Costner does a good job with a flimsy and derivative story that loses its way in the middle. The action scenes and the family bonding both work on their own merits but the film fails to join the two elements together into a coherent movie. Not as nasty as Taken but also not as focused, it is worth seeing for any fans of either Costner or Besson, but we should expect so much more from Luc Besson.3 Days to Kill

Both as a director and writer/producer Besson has been responsible for some great films. Subway (1985) was the beginning of the style over substance tag (known as Cinéma du look movement ) that has followed Besson for his entire career, but with this much style how much substance do you need? Five years later came the film that introduced me to non English language cinema: Nikita (1990), I rented the VHS when I was 15 years old (I know it is an 18 and I was 15, but the video shop man didn’t notice or care!) about a year after its cinema release, I was drawn to the movie mainly because I liked the cover. Often criticised for lack of originality, Nikita has surely influenced more movies than it was influenced by. Anne Parillaud’s reluctant government assassin has spawned a Hollywood remake, two TV shows and countless imitators. Léon(aka The Professional) (1994) is widely regarded as Besson’s best film thanks to the just over-the-top enough turn by Gary Oldman and the sensational feature debut of 12-year-old Natalie Portman. It is also notable as Besson’s first film in English. Again in English, this time with an even less restrained Gary Oldman, The Fifth Element (1997) saw a new direction for Besson, a big budget Sci-Fi adventure. it has its problems but on the whole is a fun with some interesting ideas. Better know as a writer and producer in recent years, he is still able suprise as a director as he did with the bizarre but brilliant Angel-A (2005) and The Extraordinary Adventures of Adèle Blanc-Sec (2010). Sadly less well know, possibly because they are in French, I would recommend both movies to anyone who hasn’t seen them.nikita

Probably the best know of his writer/producer movies is The Transporter (200, 2005, 2008), starring Jason Statham, they are exactly what you expect from Besson and Statham, slick, glossy, well made, dumb action. Also falling into that category but with more comedy is Taxi (1998) and its three sequels (2000, 2003, 2007). Also notable for early appearances from Marion Cotillard nearly a decade before La Vie en rose. I wouldn’t bother with parts 3 and four or the American remake (2004) but the first two films are great. There were three films released in the UK in 2006 to feature parkour: Breaking and Entering (2006), Casino Royale (2006) and District 13 (2004) (original title Banlieue 13, also known as District B 13). Only District 13 stars parkour founder David Belle. Belle and writer/producer returned for a sequel District 13: Ultimatum (2009) and Brick Mansions (2014), neither were as good as the exciting and innovative original film. Lockout (2012) is a B Sci-Fi starring Guy Pearce and go-to kidnap victim Maggie Grace. The story is derivative and the effects terrible, but the film itself is tremendous fun and really Enjoyable.Lockout

Working across multiple genres, Besson also wrote, produced and directed the Arthur and the Invisibles movies (2006, 2009, 2010), and the biopic of Aung San Suu Kyi, The Lady (2011). I haven’t seen any of these films so can’t comment on them other than to say they were not well received critically. Returning to the director’s chair for his next film Lucy, set for release in August (in UK). Starring Scarlett Johansson in the title role it looks from the trailer like a riff on the ideas of Limitless. A return to large budget Sci-Fi and yet another film to feature a strong female lead, I am looking forward to it.the lady

All this producing isn’t an act of randomly placing his name on movies to help distribute them, in 1999 he founded the Paris based EuropaCorp, one of the few independent studios that both produces and distributes movies. As well as the films Besson has creative infuemce over, he has also produced Nil by Mouth (1997), directed by Gary Oldman; The Three Burials of Melquiades Estrada, by Tommy Lee Jones (2005) (and Tommy Lee Jones’ upcoming The Homesman) and Tell No One (2006), by Guillaume Canet. Three fantastic films that may not have been made if not for Besson and EuropaCorp. While I respect what Besson is doing with EuropaCorp, I would just like to see a few more great films directed by him and a few less mediocre ones written and, or produced by him.

Read Full Post »

On episode 5 of the Film Don’t Hurt podcast Kai and Dylan talk about a list devised on The Vulture of the best 25 action movies since die hard. You can see what they came up with HERE. While I don’t disagree with any of there list (except Suppercop that I haven’t seen) I have my own ideas so thought I would come up with my own list. Die Hard is probably my favourite action movie. I have stated many times that it reinvented the genre. While this is largely true, if you look at it from a different point of view, it also killed the genre. Through the 70’s and 80’s action meant big men like Stallone, Schwarzenegger or Lundgren. With Die Hard Bruce Willis made it possible for the everyman to be an action hero. Then through the 90’s things changed with the rise of comic book movies and directors like Michael Bay and Roland Emmerich who just want to blow shit up. I like comic book movies but am a board of blowing shit up movies as reflected in my list. It was surprisingly difficult, there are at least another fifteen movies I would have liked to have included. I couldn’t decide on the order for the list. The best movies or the ones that represent the genre best. I decided to go for a chronological list, firstly for simplicity but I also think it gives an interesting overview of the changes in the genre. I used the same three simple rules:

Not every movie with action in it is an action movie. (it had to be a film that wouldn’t make any sense if you took all the action scenes out)

Only one film per franchise.

No animation.

Nikita (1990)nikita
Total Recall (1990)Total Recall
Terminator 2: Judgment Day (1991)Terminator 2 Judgment Day
Point Break (1991)Point-Break Utah and Bodhi
Hard Boiled (1992)hard boiled
Speed (1994)Speed
The Crow (1994)The Crow
Desperado (1995)Desperado
Run Lola Run (1998)Run Lola Run
Taxi (1998)taxi
The Matrix (1999)The Matrix
Crouching Tiger, Hidden Dragon (2000)Crouching Tiger, Hidden Dragon
Gladiator (2000)Gladiator
Battle Royale (2000)Battle Royale
Blade II (2002)Blade 2
The Bourne Identity (2002)The Bourne Identity
Kill Bill Vol. 1 (2003)uma thurman kill bill
District 13 (2004)District 13
Serenity (2005)river
Batman Begins (2005) (I prefer The Dark Knight but Batman Begins is more of an action film)Batman Begins
Casino Royale (2006)Casino Royale
Apocalypto (2006)Apocalypto
300 (2006)300
Doomsday (2008)Rhona Mitra Doomsday
Avengers Assemble (2012)Marvel Avengers Assemble
 

Read Full Post »

The cinema has been awash with sequels in recent years some good, many bad! But are there any characters you would like to see again? Here are a few I would like to see:

Eden Sinclair – Played by Rhona Mitra – Doomsday (2008): A cynical and wisecracking, hardcore but emotionally detached soldier. Essentially she is a female Snake Plissken, when she says “if he touches me one more time, I will kill him where he stands” you know its true. With the character left open at the end of Doomsday, a sequel could follow, but only if written and directed by Neil Marshall, anything would be a mistake.Eden Sinclair Rhona Mitra

Dirk Pitt – Played by Matthew McConaughey – Sahara (2005): We have seen Dirk Pitt before, played by Richard Jordan in Raise the Titanic (1980), but that’s best forgotten. Sahara is an underrated and fun action adventure, the closest anyone has ever come to emulating Indiana Jones. The right blend of hero and comedian Matthew McConaughey was perfectly cast and had great chemistry with co-stars Penélope Cruz and Steve Zahn. Sadly the film “underperformed” at the box-office and was beset with legal issues mainly involving author Clive Cussler making a sequel unlikely but we can hope.Dirk Pitt Matthew McConaughey

The Bride – Played by Uma Thurman – Kill Bill: Vol. 1 (2003) & Vol. 2 (2004): The Bride aka Beatrix Kiddo codename Black Mamba is the character created by Thurman and writer/director Quentin Tarantino. A member of the Deadly Viper Assassination Squad, a group of female assassins with a striking resemblance to “Fox Force Five” the group that Mia Wallace (played by Uma Thurman) describes in Pulp Fiction when talking about the TV pilot that she was in. There has been a lot of speculation about a Kill Bill 3, but who knows what Tarantino is thinking. Will we see a grownup Nikki Bell (Ambrosia Kelley) tracking down the bride?The Bride Uma Thurman

Wesley – Played by James McAvoy – Wanted (2008): When Russian director Timur Bekmambetov (The man responsible for Night Watch (2004) and Day Watch (2006)) made Wanted, James McAvoy was an unlikely action stat , but he really pulls it off. There has been talk of a sequel since before the release of the original film, but it has never happened. Their have been reports that both McAvoy and Bekmambetov are interested so it could happen.

Wesley James McAvoy

Nikita – Played by Anne Parillaud – Nikita (1990): We have already seen a lot of Nikita, there has been an American remake and two TV series, but what I would really like to see is a new movie written and directed by Luc Besson and starring Anne Parillaud. The plot possibilities are endless but one thing that could be interesting, Parillaud and Besson have a daughter, Juliette Besson who is in her mid twenties.

Anne Parillaud as Nikita and her daughter Juliette Besson

Anne Parillaud as Nikita and her daughter Juliette Besson

Read Full Post »

When visiting my parents or talking to then on the telephone they often ask what movies I have seen, if I respond with the name of a film they haven’t heard of my mom, knowing I watch a lot of foreign language movies will ask “is it foreign”. On more than one occasion I have given the somewhat flippant and slightly rude response “yes, American”. It is funny that a movie made five thousand miles away in Hollywood is familiar and not foreign because it is in something similar to “The Queens English”, and yet something made across the channel in France, still on the same continent as England, is in some way foreign and exotic. Maybe we are two nations joined by a common language and not divided by it as George Bernard Shaw quipped. Whatever the reason, as we step below the surface of these idea we find an interesting thing, filmmaking does exist beyond the bright lights of Hollywood, both in Europe and in the rest of America.Mean Streets The Terminator Blood Simple Memento

When I talk about American independent cinema it isn’t just the obvious and seminal movies like Easy Rider (1969) (Dennis Hopper) or Two-Lane Blacktop (1971) (Monte Hellman) or the small no budget movies that you have never heard of. Think of some of the biggest name directors working today: Martin Scorsese, James Cameron, Ethan and Joel Coen, Christopher Nolan, then look at their independent films Mean Streets (1973), The Terminator (1984), Blood Simple (1984), Memento (2000) . Sam Raimi may be making money movies for Disney now but it all started with Evil Dead (1981) and Evil Dead II (1987). Would George Lucas have made Star Wars (1977), if he hadn’t already made THX-1138 (1971) or the hugely profitable American Graffiti (1973)? Then there are directors like David Lynch, Quentin Tarantino and Darren Aronofsky that are just more comfortable outside or on the edge of the system. There was a time before he started believing his own publicity that Kevin Smith was the darling of the indie scene thanks to the cult status of Clerks (1994), but before that came Richard Linklater’s Slacker (1991). A day in the life of various social outcasts and misfits held together by loose strands and an even looser narrative, the style and the realistic dialogue became a blueprint for a generation. Linklater wasn’t seduced by Hollywood instead he remained in Austin and two years later he came up with Dazed And Confused (1993).Dazed And Confused Clerks THX 1138 Evil Dead

The same can be said for foreign language cinema, it isn’t all about weird esoteric art house movies, there are many accessible movies not in the English language. Not that the weird esoteric art house movies are a bad thing, they are just not the best place to start. The test as to if a movie is accessible and worth seeing is simple, would you watch it if it were in English? If the answer is yes, it is worth a look. There were two movies that seemed to cross the language barrier that came out within a year of each other just over a decade ago: Ang Lee’s Crouching Tiger, Hidden Dragon (2000) and Jean-Pierre Jeunet’s Amélie (2001). Many of the people who watched and enjoyed them wouldn’t normally have seen a movie in another language. There have been some interesting examples too; the French thriller Tell No One (2006) is very American in its style, no great surprise, it is based on an American novel (of the same name) by Harlan Coben. A Hollywood remake was supposed to have been made but it doesn’t appear to have materialised yet. The same can’t be said for Anything for Her (2008), it took just two years for the American remake The Next Three Days to hit cinema screens. Both Tell No One and Anything for Her benefited from the presence of actresses familiar to English speaking audiences Kristin Scott Thomas and Diane Kruger respectively. On the subject of remakes the terrible Queen Latifah movie Taxi (2004) is a remake of a great French movie also called Taxi (1998). It has spawned three sequels (the first of which is also really good) the movies are notable for lots of things including significant early roles for Marion Cotillard.Crouching Tiger, Hidden Dragon Amélie Tell No One Anything for Her

When I first saw Oldboy (2003) it immediately became one of my all time favourite films. I didn‘t expect it to have gained the following that it has, I also didn‘t think Hollywood would dare to touch it, but they have the American remake of Park Chan-wook’s vengeance movievis in production and is set for release later this year, it is directed by Spike Lee. The other movie that plays well to British and American audiences is Run Lola Run (1998). It put its German star Franka Potente and director and Tom Tykwer onto the international stage both have worked in American and their native Germany many times since. But I can trace my first experience of a foreign language movie back a little further than that. In 1990 I read a review of a film I really wanted to see Nikita (1990). At fourteen years old I didn’t have a chance of getting into see it at the cinema to see the eighteen certificate movie, but a couple of months later (when I was fifteen) renting the video was surprisingly easy. Its impact in America was such that it spawned a Hollywood remake and two television series. Its director Luc Besson’s next two films Léon (1994) and The Fifth Element (1997) were in English.Oldboy Run Lola Run Nikita Taxi

I have done little more than scratch the surface of independent and foreign langue movies, but I hope I have inspired at least one person to look below the tent-pole blockbuster and popcorn movie and towards the smaller films that don’t get all the publicity. Many of them will get limited runs in big multiplexes but others are harder to find, but if this means you are also helping to support your local independent cinema’s it’s an added bonus. As you grow to love them as much as I do you will look deeper and further back at older movies and a whole world of cinema will open up to you. I know that I am to a certain extent preaching to the converted as many readers are film fans and bloggers themselves and are far more cineliterate than me.

Read Full Post »

I’m not sure the 90’s is the best decade for movies but it is certainly consistent! Without any padding to make up the numbers every year of the decade has at least five great films to be in contention.

1990: Nikita, Wild at Heart, Henry: Portrait of a Serial Killer, Miller’s Crossing, Tie Me Up! Tie Me Down!

1991: Point Break, The Silence of the Lambs, Terminator 2: Judgment Day, Cape Fear, Delicatessen

1992: Reservoir Dogs, Unforgiven, Batman Returns, Army of Darkness, Hard Boiled 

1993: Army of Darkness, Three Colours: Blue, Schindler’s List, Dazed and Confused, True Romance

1994: Pulp Fiction, The Shawshank Redemption, Leon, Three Colours: Red, Ed Wood

1995: Heat, Se7en, Twelve Monkeys, Before Sunrise, The City of Lost Children

1996: Bound, Crash, The English Patient, Pusher, Romeo + Juliet

1997: L.A. Confidential, Jackie Brown, The Ice Storm (forget Wushu and gay cowboys, this is Ang Lee‘s best film), Cube, The Fifth Element

1998: Saving Private Ryan, Run Lola Run, Blade, The Big Lebowski, American History X

1999: Fight Club, The Matrix, Go, Eyes Wide Shut, The Straight Story

Read Full Post »

Older Posts »