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Posts Tagged ‘Nebraska’

As previously reported I am struggling to come up with a top ten movies of 2013. The problem, there are four 2012 films that didn’t get a UK release until 2013 that are in contention. There are also half dozen big 2013 movies that haven’t been released here yet. Therefore I am forgoing my top ten in favour of a top five (sort of).

  1. Stoker (dir. Chan-wook Park): Its no secret that Oldboy is one of my all-time favourite movies, it therefore comes as no surprise that I have been eagerly anticipating the English language debut of its director, Chan-wook Park. It isn’t Oldboy but I was far from disappointed. Sumptuous and beautiful to look at and suitably weird and unnerving.stoker
  2. Before Midnight (dir. Richard Linklater): Ethan Hawke and Julie Delpy are back for part three of Richard Linklater’s “before” series. Nine years after the events in Paris and the magic is still there. It’s basically more of the same as we saw in the first two movies. In other words it is sensational.Before Midnight
  3. Gravity (dir. Alfonso Cuarón): Generally I hate 3D but once in a while it works, once in a very long while, it really, really works, this is that film. To call it stunning is an understatement. My one reservation, it just won’t be the same on TV as it was in IMAX 3D.GRAVITY
  4. Captain Phillips (dir. Paul Greengrass): Pauld Greengrass lends his signature style and flair to the true story of Somali pirates. Full of visual style and unbelievable tension, Greengrass’ direction is sublime and Tom Hanks gives the performance of his career.Tom Hanks
  5. Rush (dir. Ron Howard): Chris Hemsworth and Daniel Brühl are excellent as James Hunt and Niki Lauda in this true story of their rivalry particularly during the 1976 F1 season. But ultimately it is a story about people not about racing and like the Documentary Senna (2010) it should still hold the interest of audiences who are not racing fans.Rush

Also recommended:

Nebraska
Prisoners
Mud
The EastNebraska Prisoners Mud The East

The best of 2012 released in 2013 in the UK:

Zero Dark Thirty 
Cloud Atlas 
Django Unchained 
Amour Zero Dark Thirty Cloud Atlas Django Unchained Amour

Look out for my redux list later in the year once I have seen all 2013 movies.

Ryan at The Matinee has compiled a list of other bloggers best of lists HERE

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Happy new year. As always, the first post of the month is the review of the previous month and the Movie of the Month award that goes with it:

Saving Mr. Banks: The true story of Walt Disney’s battle to make Mary Poppins despite the objections of author P.L. Travers. Most notable for fantastic acting and less sentimental than you would expect.

SAVING MR BANKS

Carrie: Remake of Brian De Palma’s classic horror movie based on Stephen King’s novel. Julianne Moore does a good job, Chloë Grace Moretz gives a good performance but is miscast. There is nothing really wrong with it but it’s a shadow of the original movie.Carrie

Kill Your Darlings: Daniel Radcliffe plays Allen Ginsberg in this story of the origins of the “Beat Generation”. Well made and well acted but probably one for fans of beat literature and not casual moviegoers.Kill Your Darlings

Nebraska: Alexander Payne’s family drama disguised as a road movie. Bruce Dern is perfectly cast and gives the performance of a lifetime. Look out for the Oscar nomination.NEBRASKA

Homefront: Jason Statham stars in this revenge action thriller written by his Expendables co star Sylvester Stallone (screenplay). Not a great film but Statham does what Statham does making for a fun film. James Franco, Kate Bosworth and Winona Ryder appear to be having fun. Based on a novel by Chuck Logan, there are another four films in the series, sequel?Homefront

Getaway: Ethan Hawke plays a former race-car driver tasked with driving around an unnamed eastern European city causing traffic chaos in order to save his kidnapped wife. Selena Gomez and a customised Shelby Mustang provide support. It isn’t much good but like Homefront its good fun.GETAWAY

Oldboy: If you saw this movie in isolation you would probably think it was an original and interesting thriller. However Spike Lee’s movie just doesn’t work when compared to Chan-wook Park’s original masterpiece. Josh Brolin, Elizabeth Olsen and Michael Imperioli are all good but Sharlto Copley and Samuel L. Jackson look like they have stepped in from a different movie.Oldboy

The Hobbit: The Desolation of Smaug: after being underwhelmed by The Hobbit: An Unexpected Journey, I was pleasantly surprised by this second outing. Jumping straight into the action and not letting up for most of 161minute runtime.THE HOBBIT: THE DESOLATION OF SMAUG

47 Ronin: A surprisingly good retelling of the legendry tale of the 47 Ronin (as depicted in the 1941 movie of the same name) with the addition of Keanu Reeves. Despite the high fantasy trailer, this is actually a traditional samurai movie with a couple of fantasy elements added for modern taste. It is surprisingly good.47 Ronin

All Is Lost: did you see last months movie of the month Gravity? Imagine the same story set at see instead of in space and you have All Is Lost. It isn’t as good as Gravity, but Robert Redford’s performance is sensational.all is lost

The Secret Life of Walter Mitty: Star/Director Ben Stiller and Writer: Steve Conrad retell James Thurber’s short story in the modern age. Stiller is both unusually restrained and funny. A surprisingly good movie that I enjoyed far more than I thought I would.the secret life of walter mitty

I could have changed my movie over the month with virtually every film I have seen this month. Although not terrible, Carrie and Oldboy were a waste of time and you would be better off watching the original movies. Homefront and Gateway were the most fun and Nebraska was the best film. But those who have read previous examples of this post will know being the best isn’t always enough to be Movie of the Month. The movie of the month is the uplifting and surprisingly good (and funny) The Secret Life of Walter Mitty:The Secret Life of Walter Mitty Poster

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the secret life of walter mittygravityNEBRASKAHBT2-fs-140204.DNGall is lostID_D47_17954.dngSAVING MR BANKSHow I Live NowOldboyEnders Game

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As a movie fan I am relatively well located. Living just a short drive from the centre of a major UK city, England’s so called second city, Birmingham, I have access to many cinemas including a great independent and a multiplex with an IMAX screen. However I am beginning to feel a little short changed.

For the second time this year a much hyped movie doesn’t appear to be coming anywhere near my city. The first was Upstream Colour (2013) Shane Carruth’s long anticipated follow up to Primer (2004). More recently Blue Is the Warmest Colour (2013), the controversial Palme d’Or winner from this years Cannes Film Festival. Earlier in the year Amour (2012) received a single screening after it had won the Best Foreign Language Oscar. Had it not won, it is unlikely that it would have made it to a multiplex.Upstream Colour

Back to my local multiplex I mentioned above. They have over 80 UK cinemas. Five of them are showing Blue Is the Warmest Colour. All but one of the five are in London. While I accept that we don’t get as many of the smaller movies as they do in the capital, but if they are unable to show a Palme d’Or winner in England’s second city what is the point of modern technology? The modern technology that is supposed to make it easier and cheaper for cinemas to show more films making smaller films more accessible and available.Blue Is the Warmest Colour

Upstream Colour and Blue is the Warmest Colour are set for release on DVD on 30th December and 17th March respectively, I fear these will be my first opportunities to see them. I am also confident they will find their way onto FIlm4 before too long. This however isn’t the point, I don’t just want to watch movies, I want to watch them where they are made to be seen, on a giant screen in a cinema.Nebraska

Before you feel too sorry for me, I do get to see more films than many people and will most likely be going to see Alexander Payne’s Nebraska tomorrow.

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