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Posts Tagged ‘Moonrise Kingdom’

Radio 2's Top 100 Favourite Albums

I spent a large proportion of the past Bank Holiday Monday listening to a BBC Radio2 poll ranking their Top 100 Favourite Albums. Basically what they did was take their Top 100 Most Played Albums (limited to one per artist) and asked listeners to rank them. The results were often surprising with a top five consisting of:

  1. Coldplay – A Rush Of Blood To The Head
  2. Keane – Hopes & Fears
  3. Duran Duran – Rio
  4. Pink Floyd – The Dark Side Of The Moon (the only one a lot of people expected)
  5. Dido – No Angel

Ahead of what a lot of people expected including in the top five:

The Rolling Stones – Sticky Fingers
The Beatles – Sgt Pepper’s Lonely Hearts Club Band
Queen – A Night At The Opera
Fleetwood Mac – Rumours
Led Zeppelin – Untitled fourth album

One of my thoughts were that different records live longer in the mind and memory, and possibly the heart than others. For example, I bought No Angel when it first came out (before the Eminem sample made it a hit), I listened to it a lot but haven’t listened to it in about five years. I first heard Rumours and Zeppelin’s fourth album when I was a kid and still listen to them all the time and see no reason why I won’t continue to for the foreseeable future. The conclusion, if they re-do this list in fifteen or twenty years time No Angel and A Rush Of Blood To The Head may not make the top 10 or even the top 100, but Rumours, The Dark Side Of The Moon, Sgt Pepper, Born to Run, Bridge Over Troubled Water and countless other classic albums will still be there.Sgt Pepper's Lonely Hearts Club Band Led Zeppelin Bridge Over Troubled Water The Dark Side Of The Moon

This got me thinking about the current and recent movies that will be heralded as classics in the future and which will be forgotten. Skyfall will be watched a lot and may prove to be the best Bond ever but will be dismissed as just another Bond movie. The Dark Knight Rises will survive as part of, one of the best movie trilogies ever, but possibly the weakest link of the trilogy. The Artist may be considered a gimmick. Stoker, Cloud Atlas, We Need to Talk About Kevin and some great foreign language movies like Amour, Rust and Bone, The Skin I live In and In the House may be too obscure for the masses. Moonrise Kingdom is going to age well as is Argo so could be up there in popular opinion. I can’t make my mind up about Drive and Black Swan but hope I love them as much in years to come as I do now after two or three viewings and hope others feel the same about them. Margin Call and Zero Dark Thirty will possibly stand as testaments to the time but possibly not a time we will want to look back on too often or very fondly.Moonrise Kingdom Argo Margin Call Zero Dark Thirty

The conclusion, there hasn’t been a 12 Angry Men, The Godfather, Goodfellas or even Star Wars in recent years, the two closest are probably The Dark Knight and Inception. I’m not saying it is a bad time for film, in fact the opposite, while, the occasional all time classics seem a little few and far between the number of really good movies being made is greater than ever. I just long for a Citizen Kane, The Searchers or Casablanca, we are about due one. Or am I being cynical and some of the movies I have mentioned will find their way to the upper reaches of the IMDB top 250?Citizen Kane The Searchers Casablanca 12 Angry Men

Update:

Want to read more on the subject? Check out THIS ARTICLE that picks up the baton from where I left off.

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Having now seen all but one of the best picture nominations I thought it was time to take a look back at the contenders and a few of the movies that missed out.

Amour: The only nominated movie I haven’t seen yet, I hope to see it on Monday when my local cinema is showing it for one night only.
Will it win? probably not but it will most likely win the best foreign language Oscar.  Amour
Argo: A political drama/thriller story based on real events that is tense and funny in equal measure and at the right times. Set in 1979/80 it often feels like a 70’s movie and is all the better for it, it’s a film that will age well making it a contender as a future classic.
Will it win? It certainly has momentum after its BAFTA and AFI wins. Actors form a large voting contingent and the they like to vote for their own so Ben Affleck’s presence as director could help but he has been snubbed in the Best Director category.

Ben Affleck in Argo
Beasts of the Southern Wild: The surprise indie hit of last year by first time director Benh Zeitlin. Stunningly shot fantasy that at its best may be metaphor for the environment and the way we treat it. It is however an esoteric mess of a film that while good, I fail to recognise the greatness others see in it.
Will it win? As a low budget indie movie with a tiny budget and a small gross it has the feeling of the “just glad to be nominated” film of the year.Beasts of the Southern Wild
Django Unchained: Where do I start with Quentin Tarantino’s Blaxploitation Spaghetti Western. Set against the backdrop of slavery it makes an interesting companion peace for Lincoln. Its too long and self indulgent to be a great film the violence is poetic and the dialogue sumptuous.
Will it win? The academy seems to want to keep Tarantino at arms length. The movie is more likely to pick up Oscars in acting and writing categories.Django Unchained
Les Misérables: I’m not a fan of musicals but largely enjoyed this one. Hugh Jackman, Eddie Redmayne and Anne Hathaway are great, Russell Crowe is terrible. The pacing and the editing all feels off making a collection of disjointed moments rather than a coherent movie.
Will it win? When it first came out I thought it would win but it doesn’t seem to have any momentum.Les Misérables
Life of Pi: An amazing achievement in film making. Its based on a reportedly un-filmable novel. Large sections of the movie feature a single charter played by an unknown actor. Impossible to film without a reliance on digital effects. On top o all this Ang Lee also makes 3D work to a certain extent. On a negative, how well will it work on the small screen and how many academy voters will have seen it of DVD screeners?
Will it win? I think it’s a bit of a long shot but it is directed by an Oscar winning director.

life-of-pi Lincoln: I have heard mixed reviews of this movie. A lot of people have described it as long and slow, accusing it of been an average film with great performances. I found it engrossing and mesmerising. It isn’t just about Daniel Day-Lewis and Tommy Lee Jones who are both sensational, the whole cast is fantastic with a recognisable actor in many of the supporting roles.
Will it win? A historical epic with a near certain best actor, it stands a good chance.Daniel Day Lewis as Lincoln
Silver Linings Playbook: A romantic comedy about mental illness isn’t what you expect for a pest picture nomination. Its possibly a little lightweight given the comparison to the other movies on the list but is elevated by some great performances.
Will it win? It stands a good chance, with nominations in all for acting categories, it has the support of the largest voting block.Silver Linings Playbook
Zero Dark Thirty: The dramatisation of the hunt for Osama bin Laden centred around one woman’s relentless. To make a gripping and story where the audience know the outcome is no easy task but Kathryn Bigelow has done it
Will it win? I think it stands a good chance. Kathryn Bigelow not receiving a best director nomination and controversy over its portrayal of torture will both work against it though.Zero Dark Thirty

The change in rules a couple of years ago allow for up to ten movies to be nominated in the category. Only nine were nominated, who could have taken the tenth place? Here are my top three:

Skyfall: Skyfall is my favourite movie of the year so far, I’m not sure it’s the best movie of the year, but what is best? If you enjoy something more than everything else, who is to argue its that it isn’t the best! To make a great movie within the confines of a franchise is impressive, but Sam Mendes managed to do it within THE franchise. Consisting of twenty-two movies made by ten previous directors, Bond is not a franchise or a movie series, it is an icon of cinema. But to add to the problem, it had become a joke, a pastiche of itself. To make a film within these confines and still following the conventions of the series to satisfy the fans. The great success of Skyfall is that it is rises above all the limitations that were placed on it.skyfall

The Dark Knight Rises: As much as I like Slumdog Millionaire, like every other movie from 2008, it isn’t anywhere near as good as The Dark Knight. The fact that The Dark Knight didn’t win the best picture Oscar is a travesty, it not being nominated wasn’t even a surprise. Sadly the final part of the trilogy The Dark Knight Rises didn’t get look-in either but comic boot movies simply don’t win best picture Oscars, even great ones. Had it been based on a novel by a respected author and feature a hero without a mask and cape there would be no question, it would have received a nomination.The Dark Knight Rises

Moonrise Kingdom: Recognised for its screenplay (where it will most likely lose out to Quentin Tarantino for Django Unchained) but overlooked in other categories. It was possibly more Oscar friendly than the other two movies with a charming story and a terrific ensemble cast. The problem, Wes Anderson has long been the darling of the critics but his only Oscar nominations to date are for best screenplay written Directly for the Screen for The Royal Tenenbaums (2001) (Shared with Owen Wilson) and Best Animated Feature Film of the Year for Fantastic Mr. Fox (2009).Moonrise Kingdom

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Dom 5Back for a second year of Groovers Movie awards. As with last year, no nominations, just winners. Ten categories, most of which are the same or similar to those in other awards. The award itself named the “Dom” is modelled after a Dom Pérignon bottle (you need to watch Fandango to understand the relevance) and is a virtual for a second year as Moët haven’t approached offered to sponsor the award.

Best Movie:
Skyfallskyfall
Best Director:
Ben Affleck for Argoben affleck directing argo
Best Actress:
Marion Cotillard for Rust and BoneMarion Cotillard  Rust and Bone
Best Actor:
Matthew McConaughey for Killer JoeKiller Joe
Best Screenplay:
Moonrise KingdomMoonrise Kingdom
Best Foreign Language Film:
Rust and Bonerust-and-bone-poster
Best Documentary:
Marley – The Imposter got all the plaudits but I found Marley more interesting and enjoyable.Marley
Best Looking Movie:
Life of Pi; An amalgam of many awards including Cinematography, Production Design and Art Direction. Life of Pi wins the award for being the most beautiful looking movie of the year.life-of-pi
Best Ensemble Cast:
The Avengers: last years Movie Stars of the year given to movie stars who had impressed in a variety of movie has been replaced by Best Ensemble Cast, this goes to: Robert Downey Jr. Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Clark Gregg, Cobie Smulders, Stellan Skarsgård, Samuel L. Jackson, Gwyneth Paltrow and Paul Bettany who all played a part in making The Avengers great.Marvel Avengers Assemble
Fandango Award:
Fandango was writer/director Kevin Reynolds debut (and best) feature, and the first notable movie for star Kevin Costner. That is why the Fandango Award goes to someone in a début or breakthrough feature: Gina Carano in Steven Soderbergh’s B movie masterpiece Haywire.haywire-gina-caranoDom 5

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We are a few hours away from the BAFTA awards, in advance of that here are a few thoughts on who I think will and should win:
Best Filmbafta awards
Zero Dark Thirty is the best film and should win, I would also be happy to see Argo win but actually think it will go to: Les MisérablesZero Dark Thirty
Alexander Korda Award for Outstanding British Film of the Year
Skyfall is by far the best film in the category and is unlucky not to be in the best film category. It stands a good chance of winning but if Les Misérables doesn’t get best film, it will be in with a chance too.skyfall
Best Actor
Hugh Jackman and Ben Affleck were both great and in any other year would be worthy winners, but there is really only one contender this year: Daniel Day-Lewis for Lincoln (2012)Daniel Day Lewis as Lincoln
Best Actress
A really strong category, I think it will go to Jessica Chastain for Zero Dark Thirty.Zero Dark Thirty Best Supporting Actor
I would be happy to see any of the nominees win this one, but think Tommy Lee Jones edges it for Lincoln.Tommy Lee Jones Lincoln
Best Supporting Actress
The shoe in for the equivalent Oscar is Anne Hathaway for Les Misérables, she stands a good chance here too, the only competitor could be Judi Dench for Skyfall.Judi Dench Skyfall
David Lean Award for Achievement in Direction
I would chose Kathryn Bigelow for Zero Dark Thirty with Ben Affleck for Argo as a close second. However, I have a feeling Michael Haneke for Amour may sneak it.Michael Haneke Amour
Best Screenplay (Original)
Only one choice here, Wes Anderson and Roman Coppola for the magical Moonrise KingdomMoonrise Kingdom
Best Screenplay (Adapted)
Another strong category, I would go for David Magee for Life of Pi and think it should win, as much for the complexity of adapting the screenplay as for the final result.Life Of Pi
Best Cinematography
It easy to forget that cinematography is about hw well shot and lit and film is not how pretty the finished result is. With this in mind it has to be a straight fight between Janusz Kaminski for Lincoln and Roger Deakins for Skyfall. My vote goes to Deakins.Roger Deakins Skyfall
Best Editing
To clarify for the people who nominated Django Unchained, this catergry is for the best editing, not the movie most in need of editing. Again I think it’s a straight fight between Skyfall (Stuart Baird) and Zero Dark Thirty (Dylan Tichenor, Billy Goldenberg). I would lean towards Zero Dark Thirty.zero dark thirty
Best Production Design
I would like to see Dennis Gassner and Anna Pinnock for Skyfall as they avoided all the usual lazy clichéd pitfalls usually associated with the franchise. However the design of Anna Karenina (Sarah Greenwood and Katie Spencer) is both clever and stunning so will probably win.annakarenina-sets-various
Best Costume Design
All the nominees tick all the relevant boxes Jacqueline Durran for Anna Karenina looks like a good bet.annakarenina_poster-header Anthony Asquith Award for Film Music
None of the nominated scores was that memorable for me.
Best Make Up/Hair
Forgoing the flash and flair of the other nominated movies, Lincoln had a believable look of the era.Lincoln
Best Sound
Skyfall had the most amazing sound design , especially noticeable when seen in Imax but Les Misérables will most likely win for the original way in which the songs were recorded.Les Misérables
Best Achievement in Special Visual Effects
All the nominated movies could put up a strong argument for this award, but Life of Pi edges it.life-of-pi
Best Film not in the English Language
I liked Untouchable and Headhunters but thought Rust and Bone was considerably better than both. However, I havent seen Amour (the favourite) or The Hunt so can’t accurately predict this one.Marion Cotillard  Rust and Bone
Best Animated Feature Film
I have seen two of the nominated movies. Frankenweenie was better than Brave.It's a dog's death … Frankenweenie
Best Documentary
I have only seen two of the three nominated movies so will go with the favourite: The ImposterThe Imposter
EE Rising Star Award
Her Killer Joe performance is enough for me to give it to Juno Temple but wouldn’t mind seeing Andrea Riseborough or Elizabeth Olsen win as they are both brilliant in everything they do. I would like to see more of Suraj Sharma and Alicia Vikander before deciding on their future stardomJuno Temple Killer Joe
Outstanding Debut by a British Writer, Director or Producer
I would love to see Dexter Fletcher, Danny King win for the excellent but under seen Wild Bill. Dexter Fletcher

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The Oscar for Cinematography is not a beauty contest, it isn’t about how pretty a film looks, it is about how well it is lit and photographed, in the same vein, the best director Oscar doesn’t go to the best film, that’s what the best film category is for! While, the Best picture Oscar is really the sum total of all the awards, the acting, the music, the photograph, the script, the direction and all the other elements that make up a film, the best director Oscar, is based purely on the process of directing. It is worth remembering that although the winners are selected by the Academy membership as a whole, the nominations are made by the academy’s directing branch. In other words, the nominations come from the directors and their contemporaries.

Michael Haneke Benh Zeitlin Ang Lee Steven Spielberg David O Russell

This years nominations are: Michael Haneke – Amour, Benh Zeitlin – Beasts of the Southern Wild, Ang Lee -Life of Pi, Steven Spielberg – Lincoln David O. Russell -Silver Linings Playbook. I am yet to see Lincoln and Amour so will reserve judgment on the strength of the category but have selected five directors I would have liked to have seen nominated:

Kathryn Bigelow – Zero Dark Thirty
Wes Anderson – Moonrise Kingdom
Ben Affleck – Argo
Sam Mendes – Skyfall
Christopher Nolan – The Dark Knight Rises

Each of them has crafted a fantastic movie that would have been run of the mill in lesser hands if they even existed. All would have been worthy winners.

Kathryn Bigelow Wes Anderson Ben Affleck Sam Mendes Christopher Nolan

Should Steven Spielberg win it will put him the elite company of : William Wyler and Frank Capra with three best director Oscars and just one behind John Ford with four. Ang Lee has picked up one win and one other nomination in the category previously (Brokeback Mountain and Crouching Tiger, Hidden Dragon respectively), David O. Russell has been nominated before (The Fighter), it is Michael Haneke’s first nomination. Not only is it Benh Zeitlin’s first nomination, it is his first feature.

Whoever loses, or indeed those who weren’t nominated, it is worth remembering they are in good company, despite thirteen nominations between them Alfred Hitchcock (5), Federico Fellini (4) and Stanley Kubrick (4) didn’t win a single best director Oscar.Alfred Hitchcock Federico Fellini Stanley Kubrick

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  1. Skyfall: I wasn’t sure if Sam Mendes would be the right director for Bond, how wrong was I! After seeing a Bond film I have said “that was a great Bond film” on many occasions, its rare to say that’s a great film. That’s why Skyfall makes the top of my list, its simply a great film.skyfall
  2. The Dark Knight Rises: Both the most intimate and the biggest in scale of Christopher Nolan’s Batman trilogy. Elevated by great casting particularly Tom Hardy and Anne Hathaway. A fitting conclusion to what is possibly the best trilogy ever that like all great movies leaves you wanting more.The Dark Knight Rises
  3. Argo: A spy story based on real events is going to be a hard sell but Ben Affleck has done it again. As both star and director Affleck has given us a film completely different to but as good as if not even better than his first two films. Tense and funny in equal measure and at the right times, a future classic.Ben Affleck in Argo
  4. Haywire: Possibly the controversial choice on the list certainly the “Marmite” choice on the list. Steven Soderbergh has crafted a B movie with an A list cast held together by Gina Carano, a former cage fighter with no acting experience. The antidote to modern action movies with frenetic editing an too much CGI.Gina Carano and Channing Tatum Haywire
  5. The Avengers: Joss Whedon has done the impossible. Bringing a disparate group of characters together to create an exciting and entertaining movie with just the right blend of action and comedy. Making good use of all the characters and giving the franchise a future, its far more than I expected from the movie. And he gave The Hulk the best like of 2012.Marvel Avengers Assemble
  6. Killer Joe: William Friedkin’s tale of murder set around a dysfunctional Texas family is often violent and repugnant, but it is also brilliant mainly because of a star turn from a resurgent Matthew McConaughey.Killer Joe
  7. Moonrise Kingdom: Wes Anderson has turned his unique quirky bittersweet eye on a coming of age drama. It is as funny as you would expect from Anderson, but it is more engaging and endearing thanks to fantastic performances from both the recognisable established actors and the unknown kids.Moonrise Kingdom
  8. Life of Pi: I was a little sceptical about seeing this movie, I had heard it was a bit preachy and how interesting can a film about a boy in a boat be? I also hate 3D. I shouldn’t have worried, as previous mentioned; the 3D is the best I have ever seen, the story is great as well as being stunning to look at.Life Of Pi
  9. Rust and Bone: Jacques Audiard follows up A Prophet with a bruising and brutal melodrama. Marion Cotillard is as great as ever as is her co star Matthias Schoenaerts. Sometimes oppressive and hard to watch, at others uplifting but always emotional. A film that needs to find a worldwide audience.Rust and Bone
  10. End of Watch: Written and directed by David Ayer,. Made up of little snippets of the daily life of a pair a of cops (perfectly cast Jake Gylleenhaal and Michael Pena) working one of the roughest beats in South Central LA. A tough, brutal and believable cop film like nothing that has been made in a generation.End of Watch

A note on my selection: I have only included movies from this year. 2011 movies that didn’t reach the UK until this year have been excluded. I will probably do a redux version when I have seen all the 2013 movies in early 2013.

Don’t forget, this isn’t a best of 2012 list, it is it is simply my favourite 10 of the year. So don’t tell me the list is wrong but feel free to share your favourite films of the year.

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