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Posts Tagged ‘Molly’s Game’

Dom 5There is a little academy you may have heard of who plan to announce the nominees for their film awards this week, I think they call them the Oscars.  Before that we have the Seventh Annual Groovers Movie Awards.  As ever all categories, eligibility and winners are decided by me:

Best Movie: Blade Runner 2049: Blade Runner (1982) didn’t need a sequel,  not only is this movie a worthy sequel, but it continues the story that enhances rather than diminishes the original, continuing, even expanding on the themes.  As you would expect from director Denis Villeneuve and cinematographer Roger Deakins, it looks amazing.  A love it or hate it type film; like the original, it may have underperformed at the box-office, it will find its audience in time. Blade+Runner+2049-1

Best Director: Chan-wook Park for The Handmaiden.  A labyrinthine tale that never loses its focus and always holds the audience’s attention.  Based on Sarah Waters novel Fingersmith, this adaptation sees the setting change from Victorian England to Japanese occupied Korea, making the most of the setting, the film looks amazing.  Possibly Park’s best movie since Oldboy. Chan-wook Park for The Handmaiden

Best Actor/Actress: Casey Affleck won the academy award for Manchester by the Sea, a result I certainly wouldn’t argue with.  Jessica Chastain gave to fantastic performances in Miss Sloane and Molly’s Game. Casey Affleck and Jessica Chastain

Best Dialogue: Aaron Sorkin (writer/director) Molly’s Game.  In his directorial debut, Sorkin is helped by his actors: Jessica Chastain, Idris Elba, Kevin Costner who makes his machine gun dialogue sound amazing. 'Molly's Game' New York Premiere

Best Editing: Jonathan Amos and Paul Machliss (editors) Edgar Wright (writer/director), Julian Slater (sound designer), for Baby Driver.  I have always been an advocate of the idea that the best editing is invisible.  Baby Drive breaks this rule with very conspicuous editing; there are long takes, single take tracking shots, quick cuts all done in time with the music.  It could have been a disaster, it’s actually a masterpiece.   Baby Driver

Best Comedy: The Death of StalinArmando Iannucci made an interesting choice with his cast using a mix of British and American accents in this story of the power struggle in the days that followed the titular death of Stalin. Farce and satire in equal parts, with a really dark undercurrent, the risk pays off, it is brilliant and hilarious.The-Death-of-Staling-Banner-Poster

Special Award: Kristen Stewart and Robert Pattinson.  This special award is for making interesting movie choices.  A decade ago Stewart and Pattinson became two of the biggest stars in the world thanks to the Twilight movies.  Choosing to work with directors including: James Gray, David Cronenberg, Olivier Assayas, Kelly Reichardt and Woody Allen.  They have continued making interesting and extremely good movie:  Stewart worked with Olivier Assayas for a second time with Personal Shopper, while Pattinson made Good Time with The Safdie Brothers. Kristen Stewart and Robert Pattinson

Fandango Award: William Oldroyd, Alice Birch, and Florence Pugh – Fandango was writer/director Kevin Reynolds debut (and best) feature, and the first notable movie for star Kevin Costner. It gives its name to this award for the best breakout film-makers of the year:  William Oldroyd, Alice Birch, and Florence Pugh are director, writer and star of Lady Macbeth respectively.   The captivating movie is the first feature for Oldroyd and Birch, and the first starring role for  Pugh.William Oldroyd Alice Birch Florence Pugh

Dom 5

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I will publish my top ten favorite movies of the year in the next few days.  As a precursor, here are a few of my favorite films of the year that missed out on the top ten: 2017 Recommended Movies

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I read an article about Molly Bloom a couple of years ago when her book Molly’s Game was first released.  A truly interesting story, I would have been keen to see a film based on it; but then things got interesting, it was announced that it was to be Aaron Sorkin’s directorial debut. Molly's Game poster

After a freak accident caused the end of her dreams of becoming an Olympic Skier, Molly Bloom decided to take a year out somewhere warm.  Finding herself working in LA as a PA.  Her boss orders her to help run his poker game that features a few celebrities.  Before long, thanks to intellect, drive and organisation she took over the game and transformed it from a relatively friendly high stakes game into the biggest game in town.  Things go really well, until they don’t.     molly's game jessica chastain

It has been reported the real life game featured A list Hollywood stats, hedge fund managers, politicians and wealthy businessmen.  The names have been changed to protect the (not so) innocent.  Even West Hollywood’s infamous Viper Room (the venue for the original game) has been rebranded for the movie.  This anonymity becomes a far more important element of the story later on.  The most notable of the players known as Player X (Michael Cera) is portrayed as a grade one asshole, he clearly based on a real Hollywood star, do your own research if you are interested in finding out who he is, it isn’t difficult. molly's game michael cera

As you would expect in a movie written by Aaron Sorkin, the dialogue is intelligent, snappy and extremely fast paced.  It is an absolute joy to hear it spoken by supremely talented actors Jessica Chastain in the title role as Molly Bloom, Idris Elba as her lawyer Charlie Jaffey and Kevin Costner in a small but memorable part as her farther Larry Bloom.  What I didn’t expect was the structure.  Told with that rarest of things, a voiceover that works.  at first the flashbacks seemed a little disjointed, as the film found its feet at became clear that it was telling a story at three different points in time, not just flashbacks.  This was easy to follow and well balanced, as a viewer, I never wanted to be in a different part of the story. MOLLY'S GAME

I was amazed to learn that it clocks in at 2 hours 20, it felt more like 100 minutes.  With the dialogue coming at million miles an hour it packs a lot in this time.  The best of the story comes with the interactions between Chastain and Elba.  Elba even gets the obligatory grandstand Lawyers speech, this is far measured than you would expect, but no less satisfying.  It is helps that it is shot with a reasonable amount of visual flair without being overly showy.  Aaron Sorkin’s script is based on Bloom’s book so is understandably sympathetic to her.  It is also a product of its time; wrapped before the recent scandals, there is little mention of the players attitude towards women, something Bloom has mentioned in the past.  It does however have an interesting and not particularly favourable comment on how the American justice system works.

Not without problems, but all things considered a classy and impressive film elevated by fantastic dialogue and brilliant acting.  It is also great fun to watch, with some great comic moments.  On the evidence of this I am keen to see what Aaron Sorkin comes up with next and hope it is also in the director’s chair. 

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This month’s contenders are:

Murder on the Orient Express – Kenneth Branagh’s lavish and glossy take on the classic Agatha Christie murder mystery.  All the A-list cast are outstanding especially Michelle Pfeiffer.  Is it better than the revered 1970’s Sidney Lumet version? Probably not, however, it offers enough new gloss to make it worth seeing especially for those who haven’t seen any of the many other versions.Murder on the Orient Express

The Killing of a Sacred Deer – As with director Yorgos Lanthimos previous movie, The Lobster, it may be hard to decide if it is a masterpiece or an esoteric rant. I would go with the former on both counts.The Killing of a Sacred Deer

Professor Marston & the Wonder Women – The unusual origins of the Wonder Woman Comic book are explored in what is either a tender love story, or the most vanilla BDSM movie depending on your point of view.  The performances are excellent, particularly the always brilliant Rebecca Hall.  Not the best Wonder Woman movie of the year, but by far the best of the month!Professor Marston & the Wonder Women

The Florida Project – Poignant drama set on the edge of society just outside Disney World in Florida.  There is little in the way of plot, this doesn’t matter as the cast of newcomers and unknowns (along with an excellent as always Willem Dafoe) tell the powerful story of the shame of our generation, the so called hidden homeless.The Florida Project

Paddington 2 – The first Paddington movie was so much better than expected.  This sequel doesn’t disappoint.  Hugh Grant and Brendan Gleeson are excellent additions to the cast.Paddington 2

Justice League – The Avengers (2012) was the sixth film of the MCU after introducing all its main characters.  It did a great job of bringing this disparate group together.  Justice League was the DCEU’s chance to do the same, they really screwed it up.  The film spends the first half a movie introducing characters, the second half battling a the worst, most uninteresting villain in the history of comic book movies.Justice League

Film Stars Don’t Die in Liverpool – True story of the romance between a young British actor and fading movie star Gloria Grahame.  I am a big fan of both Gloria Grahame and Annette Bening who plays her here, so the stakes were high, it doesn’t disappoint.Film Stars Don't Die in Liverpool

Battle of the Sexes – Billed as the story of the 1973 tennis match between Billie Jean King and Bobby Riggs, reportedly the most watched televised sports event of all time.  The film is so much more; a love story, the story of King’s coming out, and most notably the origin of the WTA.  The biggest surprise, the story isn’t just about King, Riggs’ story is sympathetically told and interesting.  Emma Stone and Steve Carell are both brilliant.Battle of the Sexes

Ingrid Goes West – obsession and stalking in the cyber generation.  I didn’t exactly like or enjoy this movie, probably because I hated most of the characters, Dan (O’Shea Jackson Jr.) being the exception. However, it was strangely compelling.  The end is perfect anchors the films context.  You expect Elizabeth Olsen to be good, and she is in what a supporting role, Aubrey Plaza is brilliant in the lead.Ingrid Goes West

Molly’s Game – Shown as a secret screening a month before its UK release.  Writer Aaron Sorkin’s directorial debut tells the true story of Molly Bloom, the woman who ran a high-stakes poker game for the rich and famous until the mob and the FBI got in the way.  The snappy dialogue that you would expect from Sorkin comes to life thanks to the brilliant Jessica Chastain and Idris Elba.Molly_s Game

Before I started writing this, I didn’t know what the movie of the month would be,  It suddenly became clear it had to be: The Florida ProjectThe Florida Project movie poster

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