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Posts Tagged ‘Michelle Williams’

Those of you who have been reading from when I started this blog back in 2009 will know I always start the month with a recap of the movies I watched at the cinema the previous month and by picking my favourite.  Through various lockdowns when cinemas closed for prolonged periods I stopped this thread, and largely stopped blogging.  As things opened up again I never got back into the habit, maybe now is the time to restart the movie of the month, here goes:

M3GAN: A recently orphaned child goes to live with her toy developer aunt who gives her the prototype of a new robot doll.  All goes well until things get staby.  A slight but well-made and entertaining horror with just enough humour and gore. Pretty much what we have come to expect from a Blumhouse Production.  The inevitable sequel has already been greenlit. 

Tár: Cate Blanchett gives what is possibly her best ever performance (no mean feat as she is one of the best actors working today) as Lydia Tár; a superstar conductor at the pinnacle of her career, but on the brink of personal and professional freefall thanks to her self-destructive personality.  Blanchett and director Todd Field makes us root for Tár at the same time understanding she is a terrible person. 

Babylon: Damien Chazelle explores Hollywood’s favourite subject, Hollywood. Set in the early part of the Golden Age of Hollywood as the industry movies out of the silent era.  Told from multiple points of view, but manly a young man looking to break into the industry.  The spectacle and opulence on display puts Baz Luhrmann’s Gatsby in the shade.  Although the debauchery depicted was probably more representative of the early 20s than when the film was set, but the transition to sound is integral to the plot.  Critical and audience reception seems hugely polarised, I loved it. 

The Fabelmans: Semi-autobiographical story of Steven Spielberg’s early years and how he became a filmmaker.  While the film does explore his parents’ separation, a theme in the background of many of his movies, it avoids the usual bio-pic trap of explaining all the everything and filling a story with Easter eggs.  Michelle Williams is the standout in an excellent cast.  The casting of a cameo at the end is pure genius. 

Plane:  A plane is forced to make an emergency landing on a hostile island.  The captain and a prisoner they are transporting must team up to save the passengers from local bandits.  There is no doubt this is a dumb action movie, but it’s a dumb action movie done well.  It doesn’t overextend the plot, the characters act within their established character without making too many stupid decisions.  Forgettable but fun!

An interesting month.  I enjoyed all the movies I saw, but don’t think I will rush to see any of them again. Tár has the best performance, The Fabelmans is an absolute joy to watch, but my movie of the month is Babylon.  It isn’t perfect and I can see why some people hate it, but I loved its boldness and audacity.

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After posting my choice for the BAFTA rising star award there have been a few comments suggesting other nominees  deserve to win.  While I stand by my choice of Jack O’Connell I actually believe all the nominees are deserving to demonstrate this I thought I would run through the winners and losers from previous years. 

2006

Winner: James McAvoy

Other Nominees: Chiwetel Ejiofor, Gael García Bernal, Rachel McAdams, Michelle Williams

2006

2007

Winner: Eva Green

Other Nominees: Emily Blunt, Naomie Harris, Cillian Murphy, Ben Whishaw2007

2008

Winner: Shia LaBeouf

Other Nominees: Sienna Miller, Ellen Page, Sam Riley, Tang Wei2008

2009

Winner: Noel Clarke

Other Nominees: Michael Cera, Michael Fassbender, Rebecca Hall, Toby Kebbell2009

2010

Winner: Kristen Stewart

Other Nominees: Jesse Eisenberg, Nicholas Hoult, Carey Mulligan, Tahar Rahim2010

2011

Winner: Tom Hardy

Other Nominees: Gemma Arterton, Andrew Garfield, Aaron Johnson, Emma Stone2011

2012

Winner: Adam Deacon

Other Nominees: Chris Hemsworth, Tom Hiddleston, Chris O’Dowd, Eddie Redmayne2012

2013

Winner: Juno Temple

Other Nominees: Elizabeth Olsen, Andrea Riseborough, Suraj Sharma, Alicia Vikander2013

2014

Winner: Will Poulter

Other Nominees: Dane DeHaan, George MacKay, Lupita Nyong’o, Léa Seydoux2014

 

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Following Frank Miller/Robert Rodriguez’s neo-noir 2005 Sin City a sequel based on another of the Sin City graphic novel series “A Dame to Kill For”. Originally mooted for release in 2007 it has been constantly pushed back until around 2010 when it looked like it would never happen. In accordance with the new Hollywood bylaw stating that Josh Brolin must be cast in all new movies he has taken the part of Dwight McCarthy replacing the departing Clive Owen. Other changes Devon Aoki (who is pregnant) Michael Madsen (who dropped out), Brittany Murphy and Michael Clarke Duncan have sadly passed away. Josh Brolin Clive Owen A Dame to Kill For Dwight McCarthy

Dwight McCarthy (Josh Brolin) is called by femme fatale and former lover Ava Lord (Eva Green) asking for his help to get away from her abusive husband. It soon becomes clear there is far more going on than Dwight bargained for. For the film to work the casting of Ava Lord is crucial. The first name mentioned back in 2006 was the seemingly perfect Angelina Jolie. It was even suggested that the original delay was caused by her pregnancy. After she dropped out Rachel Weisz was reported as a replacement but the film never got off the ground. Over time Salma Hayek, Rose McGowan (who was dating Robert Rodríguez at the time), Michelle Williams, Helena Bonham Carter, Scarlett Johansson, Anne Hathaway and Jennifer Lawrence have all been linked or rumoured for the part but Eva Green has finally been confirmed in the role.Eva Green Ava Lord Sin City

As with the first film, it is split into sections, it appears they are based on A Dame to Kill For, Just Another Saturday Night and two new stories, The Long Bad Night and one as yet untitled. Other returning cast includes: Mickey Rourke as Marv, Jessica Alba as Nancy Callahan, Powers Boothe as Senator Roark, Rosario Dawson as Gail, Jaime King as Goldie and Wendy, Bruce Willis as John Hartigan with new cast including Joseph Gordon-Levitt as Johnny, Ray Liotta as Joey and Juno Temple as Sally. North American release is set for October, European dates are yet to be announced but are sure to be soon after.Sin City A Dame to Kill For new and retuning cast

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The Dark Knight Rises may turn out to be both the biggest and the best film of the year. Every movie fan with a virtual soapbox to stand on will review it in one way or another, I may do so myself some time in the future, but for now I will not. Instead I have decided to do something different. I am looking at the key players in the movie and picking out my favourite of their movies or performances excluding The Dark Knight Trilogy.

Christopher Nolan: The modern interpretation of the term masterpiece refers a pierce of art (in any medium) that is receives high critical praise and is often considered the pinnacle of the artists career. But the original, true meaning is very different. During the old European guild system, an apprentice wishing to graduate from a guild and become a master craftsman or member of their guild would have to produce a Masterpiece. If successful, the piece would be retained by the master or the guild. Using this theory, Following (1998) is Christopher Nolan’s masterpiece. An ultra low budget mystery, crime, thriller with no star names. This led to him making Memento (2000), a simple revenge, thriller that is elevated to a superior mystery by the ingenious idea of telling the story backwards. Using the same criteria, it could be argued that Following was a practice run and Memento is the true masterpiece. Taken on its own merits Insomnia (2002) is a great movie, it just isn’t as good as the Norwegian original. It is a worthy and justified remake that is sympathetic to the story of the original but has its own individual touches. You know how movies come in two’s, this year there are two Snow White movies, a few years ago there were to giant asteroid movies, 2006 was the year of the Victorian stage magicians. Neil Burger’s The Illusionist was good, Christopher Nolan’s The Prestige was much better. Legend has it that after The Dark Knight took a billion dollars Warner Bros let Nolan make any movie he liked. What he came up with was Inception (2010) a little art house movie disguised as a big budget studio blockbuster. Inception may well be his best (non Batman) film, but for introducing me and most of the rest of the world to his work I am declaring Memento to be both his masterpiece and finest hour for Christopher Nolan.

Wally Pfister: Cinematographer/Director of Photography Wally Pfister started out as a cameraman for a Washington news service before being given his first break by Robert Altman. He then enrolled in American Film Institute where a film he worked on was nominated for the Academy Award for Best Live Action Short Film. Like so many great filmmakers, he received his first break as a Cinematographer from Roger Corman. Most of his notable works have been on Christopher Nolan films, he was nominated for the Academy Award for Best Cinematography for Batman Begins, The Prestige, The Dark Knight finally winning for the movie that truly is his finest hour, Inception.

Christian Bale: Where do you start with Christian Bale? A child star in Empire of the Sun who found real fame in his late twenties. Noted for his extreme physical transformations for the movies The Machinist and Rescue Dawn, in I’m Not There, it is a tossup between him and Cate Blanchett as to who is the best “Dylan”. In 3:10 to Yuma, The Prestige, The Fighter, Public Enemies and Terminator Salvation he gives more subtle and low key performances than his co stars, it is therefore a surprise that his finest hour is probably his most showy and over the top performance, Patrick Bateman in American Psycho.

Anne Hathaway: Many people know Anne Hathaway from her film début The Princess Diaries and can’t see beyond that. I first saw her in Havoc or Brokeback Mountain (saw them both around the same time) where despite all the praise going to Heath Ledger and Jake Gyllenhaal I thought the best performances came her and Michelle Williams. I was impressed enough to go and see The Devil Wears Prada and enjoyed it, but her finest hour is Rachel Getting Married. A family drama about a young woman who is released from rehab to attend her sisters wedding. A truly an amazing performance, her character is ultimately a miserable, selfish, narcissistic bitch but she also comes across as vulnerable, funny and sometimes even likable. 

Tom Hardy: I have seen many movies featuring Hardy and remember a great buzz about him around the time of Star Trek: Nemesis, but to be honest I really didn’t take notice until Bronson. Since then he has been brilliant in everything I have seen him in. as for his finest hour, it could easily be Warrior where his performance is monumental or Inception where he offers some great comic relief within an ensemble, but it has to be Bronson. 

Gary Oldman: How do you pick the finest hour from the thirty year career of an actor as talented as Oldman? Far more varied than you would think Oldman is at his best when he is wild and out of control, look back at Sid Vicious in Sid and Nancy, Stansfield in Leon and Beethoven in Immortal Beloved. That is why it may come as a surprise that his best performance may well be his most low key and economical performance, George Smiley in Tinker Tailor Soldier Spy. 

Michael Caine: Gary Olman’s career may be long but Michael Caine has been around for ever, certainly since before I was born. Many of his most notable performances came in the mid/late 60’s and early 70’s and include: Alfie, Sleuth, Zulu, Get Carter and The Ipcress File. He reinvented himself in more comic roles in the 80’s such as: Educating Rita, Without a Clue and Dirty Rotten Scoundrels. Outside Christopher Nolan movies, the pick of his 21st century movies are The Quiet American, Children of Men and Harry Brown, but for his finest hour, you need to go back to the 60’s for his iconic performance as Charlie Croker in The Italian Job.

Morgan Freeman: Freeman found fame relatively late in life. In his early fifties and after thirty years in the business, in a two year period he appeared in Driving Miss Daisy, Glory, Robin Hood: Prince of Thieves and The Bonfire of the Vanities. He makes a lot of movies, therefore there is a certain amount of crap in there too, but the highlights are very high, the include: Unforgiven, Se7en and Million Dollar Baby. His finest hour is probably The Shawshank Redemption. 

Marion Cotillard: A captivating actress who has been brilliant in every film I have ever seen her in. For many people she if best known for her Oscar winning portrayal of Edith Piaf in La vie en rose. Others will know her from her English language movies: Public Enemies, A Good Year, Big Fish and Nine. She was also memorable in Midnight in Paris and Inception. Although deep down I know her finest hour was as Edith Piaf in La vie en rose, I still go back to where I first saw her, Lilly, the long suffering but high maintenance girlfriend in Taxi (and its first two sequels).

Joseph Gordon-Levitt: The former child actor found fame as a teenager in the TV show 3rd Rock from the Sun. his most notable movie appearances from this time is probably 10 Things I Hate About You. He went on to appear in: Havoc (along side future Dark Knight Rises co-star Anne Hathaway) and earned acclaim in Mysterious Skin Stop-Loss and The Lookout. In recent years he has impressed in 500 Days of Summer, 50/50 and Inception, but his finest hour is still the high school noir Brick. 

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As soon as the Golden Globe nominations were IMDB declared it “The Road To The Oscars”. I am never very excited by the golden globes for this exact reason, they truly are the starting point and an indicator for the Oscars but really have little or no right to be. For those who don’t know the globes are nominated, voted and presented by the 93 members of the Hollywood Foreign Press Association. But who are the Hollywood Foreign Press Association? In the words of Ryan McNeil from The Matinee they are “one hundred or so anonymous star-fucker fans”. In the 1960’s it was revealed that the selection of winners was less than fair, suggesting that if the winner wasn’t in attendance at the ceremony, a new winner would be selected.

There have also been more other accusations made against the group, earlier this year in an article in the telegraph Anita Singh picked up on a joke make by Ricky Gervais during this years ceremony “I’d like to quash this ridiculous rumour going around that the only reason The Tourist was nominated was so the Hollywood Foreign Press could hang out with Angelina Jolie and Johnny Depp. That is rubbish. That is not the only reason. They also accepted bribes,” she went on to say “The HFPA is currently being sued for $2m by a publicist who claims its members accept lavish gifts in exchange for supporting particular films. The HFPA denies the allegations.” Having said all that I don’t think they have done a bad job this time around. Here are a few awards I think they got right this year:

  • Best Motion Picture – Musical or Comedy: The Artist (2011)
  • Best Actor – Motion Picture – Musical or Comedy: Jean Dujardin for The Artist (2011)
  • Best Actress – Motion Picture – Musical or Comedy: Michelle Williams for My Week with Marilyn (2011)
  • Best Supporting Actor – Motion Picture: Christopher Plummer for Beginners (2010)
  • Best Director – Motion Picture- Martin Scorsese for Hugo (2011)
  • Best Screenplay – Motion Picture: Woody Allen for Midnight in Paris (2011)
  • Best Original Score – Motion Picture –Ludovic Bource for The Artist (2011):
  • Best Actor – Mini-Series or a Motion Picture Made for Television: Idris Elba for Luther (2010)
  • Best Supporting Actor – Mini-Series or Motion Picture Made for Television: Peter Dinklage for Game of Thrones (2011)

There are three possible reasons for the categories I haven’t mentioned: I haven’t seen the winning film – I don’t agree with the winner – I don’t care who won in that category.

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