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Posts Tagged ‘Michael Fassbender’

After posting my choice for the BAFTA rising star award there have been a few comments suggesting other nominees  deserve to win.  While I stand by my choice of Jack O’Connell I actually believe all the nominees are deserving to demonstrate this I thought I would run through the winners and losers from previous years. 

2006

Winner: James McAvoy

Other Nominees: Chiwetel Ejiofor, Gael García Bernal, Rachel McAdams, Michelle Williams

2006

2007

Winner: Eva Green

Other Nominees: Emily Blunt, Naomie Harris, Cillian Murphy, Ben Whishaw2007

2008

Winner: Shia LaBeouf

Other Nominees: Sienna Miller, Ellen Page, Sam Riley, Tang Wei2008

2009

Winner: Noel Clarke

Other Nominees: Michael Cera, Michael Fassbender, Rebecca Hall, Toby Kebbell2009

2010

Winner: Kristen Stewart

Other Nominees: Jesse Eisenberg, Nicholas Hoult, Carey Mulligan, Tahar Rahim2010

2011

Winner: Tom Hardy

Other Nominees: Gemma Arterton, Andrew Garfield, Aaron Johnson, Emma Stone2011

2012

Winner: Adam Deacon

Other Nominees: Chris Hemsworth, Tom Hiddleston, Chris O’Dowd, Eddie Redmayne2012

2013

Winner: Juno Temple

Other Nominees: Elizabeth Olsen, Andrea Riseborough, Suraj Sharma, Alicia Vikander2013

2014

Winner: Will Poulter

Other Nominees: Dane DeHaan, George MacKay, Lupita Nyong’o, Léa Seydoux2014

 

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Skyfall and The Dark Knight Rises are amongst my favourite movies of the year, but between them they cost the best part of the unimaginable sum of half a billion dollars. What can be done with a lower budget? All of the ten films listed below were made for less than $25million and are all the better for the invention and creativity that comes with limitations of a small budget. In a B movie tradition I have discarded indie drama’s in favour of genre movies: action, gangsters, sci-fi and horror.  The other notable thing, is that despite their B credentials they all received a UK cinema release.

Haywire
Budget: $23,000,000 (estimated)
Legend has it that Steven Soderbergh was sat at home late one night channel surfing when he came across a Mixed Martial Arts contest (a cage fight). He was so enthralled with one of the contestants Gina Carano that he diced to write a movie for her. Having never acted before it was a big risk, but we are talking about the director who cast porn star Sasha Grey in The Girlfriend Experience. Taking a different approach for haywire, he filled the supporting roles with talented actors (Michael Fassbender, Michael Douglas, Antonio Banderas, Bill Paxton and Ewan McGregor), but it is the action that really sets the film apart. Forgoing the post Bourne trend of ultra close-ups and staccato editing in favour of long takes and mid length shots with lots of depth of field. It all helps show off Carano’s fighting talents. A love it or hate it film, it has received mixed reviews, personally I love it.

Killer Joe
Budget: $10,000,000 (estimated)
Back in 2006 William Friedkin made a criminally overlooked gem called Bug, it was based on a play by Tracy Letts who also wrote the screenplay. The pair re-teamed to adapt a play Letts wrote twenty years ago. Set around a criminally stupid dysfunctional Texas family it is a violent and repugnant tale. Emile Hirsch, Juno Temple, Thomas Haden Church and Gina Gershon are all brilliant but are in the shadow of the real star Matthew McConaughey. Often funny but the humour is truly jet black, this is a seriously fucked up film that many people will hate, again, I love it.

The Raid
Budget: $1,100,000 (estimated)
Welshman Gareth Evans is the unlikely director of this film that highlights Indonesian martial art, pencak silat. Set in a Jakarta tower block controlled by a crime lord a swat team have to fight for their lives as the story of why they are there gradually unfolds. A brutal and violent film that isn’t actually that originally but still manages to feel fresh and new. It isn’t as good, inventive or as memorable as Die Hard but it cost less than £1million, in other words less than the coffee budget from Lord of the Rings.

Wild Bill
Budget: no idea but its British so it won’t be much!
Dexter Fletcher has always been a decent and likeable actor, although never a great one, therefore it many come as a surprise, but his debut feature as a director is brilliant. Given his association with British gangster movies it is natural that Wild Bill would be set in London’s underworld. What’s great about the movie is that it avoids the usual storylines associated with this type of movie in recent years and concentrates on more personal story of an ex con who returns home from prison to find his two young sons abandoned my their mother. Being a farther is the last thing on his mind but something compels him to do the right thing. Fletcher also avoids the pitfall of casting himself instead opting for a whose who of British TV and genre movies.

Killing Them Softly
$18,000,000 (estimated)
This gritty tale of low level mobsters and hit men could have been a disaster. Not a great deal happens, it is filled with scenes of men talking around the issues of the movie. The social and political commentary have earned the movie its greatest praise and largest criticism. Directed by Andrew Dominik and starring Brad Pitt, the pair worked together on The Assassination of Jesse James by the Coward Robert Ford and are both on top form again. And like all great genre movies, it clocks in at less than 100 minutes.

Lockout
$20,000,000 (estimated)
Based on an “original idea” by Luc Besson, I’m not sure there is an original idea in the whole movie and don’t think Luc Besson has actually had an original idea in a long time, but that really doesn’t matter, the movie is great. Its silly and its fun and that’s all it ever intended or indeed needed to be. The plot involves a shady but honest spy type character who is forced to rescue the president’s daughter who is held hostage on a prison in space. So basically its Die Hard meets Escape from New York, in space. The CGI is terrible and the plot is thin but none of this matters, the action is good and the dialogue is often funny. The real appeal is a surprisingly good Maggie Grace and the always brilliant Guy Pearce.

Chronicle
$12,000,000 (estimated)
The surprise low budget hit from the early part of the year. A Sci-fi movie reminiscent of Push (2009) and the TV show Misfits. I’m not a fan of the found footage genre but they get away with on the whole here. It loses its way in the final act but overall it is still an enjoyable movie. The unknown cast are good and the fact they are unknown often works in the movies favour.

Storage 24
Budget: again no idea but its British so will be well within the $25million limit.
I have suggested in the past that Noel Clarke is the most important person in the British film industry at the moment. Actor, writer, director and producer, awarded the Orange Rising Star Award at the 2009 BAFTA’s, he is the writer and star of Storage 24. Ultimately it is an alien invasion movie but without the grandeur of Hollywood movies and scaling it back to a small intimate and personal story. It plays out like a haunted house movie with a great blend of horror, comedy and action. Remembering the golden rule the creature is kept hidden for a long time and when we see it, its pretty good for a low budget movie. Criminally overlooked and underrated.

How I Spent My Summer Vacation (aka Get the Gringo)
$20,000,000 (estimated)
Sadly under seen thanks to Mel Gibson’s personal problems and the lack of a cinema release in America. First time director Adrian Gruenberg worked for Gibson as assistant director on Apocalypto, the pair give us an old fashioned story of a getaway driver who finds himself in trouble south of the border. There is a scene towards the end of the movie where Gibson impersonates Clint Eastwood but long before that the film starts to resemble A Fistful of Dollars (1964)/Yojimbo (1961) and is all the better for it. Full of both the action and the dry whit you would expect from Mel Gibson of old. Ultimately it is the story of a flawed character looking for redemption, just like Gibson himself.

The Grey
$25,000,000 (estimated)
A horrible and inaccurate portrayal of grey wolves but a haunting and entertaining movie. Liam Neeson has always walked the line between serious actor and action star, originally leaning more towards actor but more recently falling on the action side of the line. When a plane carrying oil drillers crashes in the freezing wastes of Alaska the survivors are hunted by killer wolves. A metaphor for the destruction of the environment and the power of nature or just a survival thriller. Whatever you get from the movie it is well made and largely enjoyable.

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Talking about James Bond in last weeks Radio Times, film critic Barry Norman made the statement: Ask anybody: who is your favourite James bond? I guarantee the answer will be the first one they ever saw”. I’m not sure if I am more discerning or just awkward, but it isn’t true of me. To the best of my knowledge and memory the first Bond I saw was Roger Moore in Live and Let Die. Moore is far from my favourite Bond, but I have recently come to the conclusion that I don’t know who my favourite Bond is! For years I have always claimed it is Sean Connery with the caveat that Timothy Dalton is the closest to the character from Ian Fleming’s novels.

I hold with the popular opinion that George Lazenby was the worst Bond, and this is a great shame as On Her Majesty’s Secret Service is one of the best Bond films despite him. He is closely followed by Roger Moore whose comic version of Bond just doesn’t work for me. He did however make some decent movies, Live and Let Die and The Spy Who Loved Me were both really good films. The Man with the Golden Gun isn’t as good but does benefit from a fantastic performance from Christopher Lee as the villian Scaramanga.

So Back to who is my favourite Bond, Sean Connery certainly had the best stories with relatively faithful adaptations of Dr. No, From Russia with Love, Goldfinger, Thunderball. You Only Live Twice is the point where the franchise started to get silly and even became a parody of itself, it was however still a good film in its own right. Connery’s only misstep was Diamonds Are Forever that was both silly and dull.

I have already said Timothy Dalton most closely resembles the character from the books in his portrayal, but there is another actor who probably looks most like Bond, Pierce Brosnan. This may be a bit of a stretch as there is little description of Bonds appearance beyond his short black hair and a resemblance to Hoagy Carmichael. Pierce Brosnan isn’t my favourite Bond either. He is perfect for the films he made and the time they were made, but sadly most of them weren’t actually very good. After a strong opening with GoldenEye the rest of his films got progressively worse culminating with the car crash of a movie, Die Another Day that was as bad as anything Moore did.

This leaves us with two contenders: Timothy Dalton who was hamstrung by only making two appearances both of them being good but not great films, The Living Daylights and Licence to Kill. Had he made more films he could well have been my favourite Bond but for reasons to long winded and complicated to go into today he didn’t. And finally Daniel Craig, Casino Royale is certainly one of my favourite Bond films and Quantum of Solace is underrated and will probably age well, but is he my favourite? Not yet but he may well be in future, with three more movies including Skyfall due out next month, he will certainly have a chance before handing his Aston Martin and Walther PPK to Michael Fassbender, my choice for the next James Bond.

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With just a week to go until the 84th Academy Awards Britain’s foremost film critic, self confessed Luddite and 3D hater Mark Kermode has announced his own awards The Kermode’s. For someone who prides himself on being opinionated he actually talks a lot of sense and as often as not his opinions tend to be spot on. The only hard and fast rule of the awards is you can’t win a Kermode in a category for which you have been nominated for an Oscar. Here are the winners of the statuette that appears to be modelled in equal parts after Mark Kermode, “Oscar” and Richard Nixon!

Best Musical: Directors Renaud Barret, Florent de La Tullaye for Benda Bilili!

Best Documentary: Director: Asif Kapadia for Senna.

Best Actor: Michael Fassbender for Shame.

Best Actress: Tilda Swinton for We Need to Talk About Kevin & Olivia Colman for Tyrannosaur.

Best Movie & Best Director: Lynne Ramsay for We Need to Talk About Kevin.

I haven’t seen Benda Bilili! so can’t comment on that one. As for the others, it is hard to believe they aren’t nominated for Oscars. Check back tomorrow for the first ever Groovers Movie Awards.

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When I posted Don’t Let Me Be Misunderstood (ten pairs of very different movies with the same or similar titles) last year Katie from The Stories That Really Mattered commented that she “hadn’t realised there were so many movies with the same titles”! there are lots more where that came from. Here are another ten:

Convoy (1927): A silent-film set in the in the time leading up to the first world war starring Dorothy Mackaill about a New York socialite who is recruited Secret Service agent to befriend a man believed to be a spy for the Kaiser.

Convoy (1978): Sam Peckinpah’s road movie/ modern western is based on a country song of same title by C.W. McCall and stars Kris Kristofferson as an independent truck driver and Ali MacGraw as his passenger.

The Black Swan (1942): Notorious pirate Henry Morgan turned governor of Jamaica staring Tyrone Power and Maureen O’Hara.

Black Swan (2010): Natalie Portman Oscar winning perforce as a ballet dancer on the edge in Darren Aronofsky’s physiological thriller that owns a debt t European horror movies of the 70’s.

Notorious (1946): Loosely based on the same source novel as Convoy (1927) (see above) Ingrid Bergman and Cary Grant star, Alfred Hitchcock directs.

Notorious (2009): The rise and fall of rapper Christopher Wallace a.k.a. Notorious B.I.G.

Shame (1968): Haven’t seen this one so my synopsis is copied from IMDB “Ingmar Bergman’s psychological study of how humans react in a situation of war. The film takes place on Gotland, where invasion forces arrives.”

Shame (2011): Michael Fassbender and Carey Mulligan are devastatingly good in Steve McQueen’s portrayal of a man living with sex addiction.

Heat (1986): Burt Reynolds was for a time one of the most bankable stars in the world, this Las Vegas set mid 80’s crime thriller came shortly after that time.

Heat (1995): Focusing on two men on opposite sides of the law, Michael Mann’s crime thriller is both the directors finest hour and the last great performance (so far) from both Al Pacino and Robert De Niro.

Crossroads (1986):Director Walter Hill’s little known gem sees classical music student (Ralph Macchio) teaming up with old bluesman Willie Brown (Joe Seneca) on a road trip to the Crossroads where Robert Johnson made his deal with the devil.

Crossroads (2002): Britney Spears vehicle about a group of friends who go on a road-trip to LA to take part in a karaoke contest. Originally dismissed as a movie for Britney fans only it is actually now more significant for an early appearance by Zoe Saldana.

Jersey Girl (1992): I had not actually heard of this Dylan McDermott, Jami Gertz romance until Mark Kermode mentioned it. I have no plans to see it!

Jersey Girl (2004): The other Ben Affleck/Jennifer Lopez movie! The good news it is considerably better than Gigli. It doesn’t live up to Kevin Smiths earlier films but has its moments and Liv Tyler is good.

Twilight (1998): A retired ex-cop turned private detective gets involved with a twenty year old Hollywood murder case. Worth a look for Paul Newman who is as great as ever and Susan Sarandon and Gene Hackman who provide good support but the plot is a little to thin and it runs out of steam.

Twilight (2008): Catherine Hardwicke’s surprisingly good adaptation of Stephenie Meyer’s teen vampire yarn.

The Avengers (1998): Disastrous movie adaptation of the classic 60’s TV show.

The Avengers (2012): Due for release later this year, the origin of Marvel’s team of superheroes.

Wonderland (1999):Michael Winterbottom’s stunning social realist movie that features a stunning performance from Gina McKee.

Wonderland (2003): The true story of porn star John Holmes and the wonderland murders.

Check back soon for Don’t Let Me Be Misunderstood 3

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With just a couple of days to go until BAFTA Awards here are my thoughts on who I think will win and who I would choose.

  • Best Film
  • Who I think will win: Tinker Tailor Soldier Spy
  • My Choice: The Artist
  • Other nominees: The Descendants, Drive, The Help
  • Alexander Korda Award for Outstanding British Film of the Year
  • Who I think will win: Tinker Tailor Soldier Spy
  • My Choice: We Need to Talk About Kevin
  • Other nominees: My Week with Marilyn, Senna, Shame
  • Best Actor
  • Who I think will win: Gary Oldman for Tinker Tailor Soldier Spy
  • My Choice: George Clooney for The Descendants
  • Other nominees: Jean Dujardin for The Artist, Michael Fassbender for Shame, Brad Pitt for Moneyball
  • Best Actress
  • Who I think will win: Meryl Streep for The Iron Lady (2011)
  • My Choice: Tilda Swinton for We Need to Talk About Kevin (2011)
  • Other nominees: Bérénice Bejo for The Artist, Viola Davis for The Help, Michelle Williams for My Week with Marilyn
  • Best Supporting Actor
  • Who I think will win: Kenneth Branagh for My Week with Marilyn
  • My Choice: Christopher Plummer for Beginners
  • Other nominees: Jim Broadbent for The Iron Lady, Jonah Hill for Moneyball, Philip Seymour Hoffman for The Ides of March
  • Best Supporting Actress
  • Who I think will win: Octavia Spencer for The Help
  • My Choice: Jessica Chastain for The Help
  • Other nominees: Judi Dench for My Week with Marilyn, Melissa McCarthy for Bridesmaids, Carey Mulligan for Drive
  • David Lean Award for Achievement in Direction
  • Who I think will win: Tomas Alfredson for Tinker Tailor Soldier Spy
  • My Choice:Lynne Ramsay for We Need to Talk
  • Other nominees: Michel Hazanavicius for The Artist, About Kevin, Nicolas Winding Refn for Drive, Martin Scorsese for Hugo
  • Best Screenplay (Original)
  • Who I think will win: The Artist (2011): Michel Hazanavicius
  • My Choice: The Guard: John Michael McDonagh
  • Other nominees: Bridesmaids: Annie Mumolo, Kristen Wiig, The Iron Lady: Abi Morgan, Midnight in Paris: Woody Allen
  • Best Screenplay (Adapted)
  • Who I think will win: Tinker Tailor Soldier Spy: Bridget O’Connor, Peter Straughan
  • My Choice: Tinker Tailor Soldier Spy: Bridget O’Connor, Peter Straughan
  • Other nominees: The Descendants: Alexander Payne, Nat Faxon, Jim Rash – The Help: Tate Taylor – The Ides of March: George Clooney, Grant Heslov, Beau Willimon – Moneyball: Steven Zaillian, Aaron Sorkin
  • Best Cinematography
  • Who I think will win: War Horse: Janusz Kaminski
  • My Choice: The Girl with the Dragon Tattoo: Jeff Cronenweth
  • Other nominees: The Artist: Guillaume Schiffman – Hugo: Robert Richardson – Tinker Tailor Soldier Spy: Hoyte Van Hoytema
  • Best Editing
  • Who I think will win: Senna: Gregers Sall, Chris King
  • My Choice: Senna: Gregers Sall, Chris King
  • Other nominees: The Artist: Anne-Sophie Bion, Michel Hazanavicius – Drive: Matthew Newman – Hugo: Thelma Schoonmaker – Tinker Tailor Soldier Spy: Dino Jonsäter
  • Best Production Design
  • Who I think will win: Tinker Tailor Soldier Spy: Maria Djurkovic, Tatiana Macdonald
  • My Choice: The Artist: Laurence Bennett, Robert Gould
  • Other nominees: Harry Potter and the Deathly Hallows: Part 2: Stuart Craig, Stephenie McMillan – Hugo: Dante Ferretti, Francesca Lo Schiavo – War Horse: Rick Carter, Lee Sandales
  • Anthony Asquith Award for Film Music
  • Who I think will win: The Artist: Ludovic Bource
  • My Choice: The Artist: Ludovic Bource
  • Other nominees: The Girl with the Dragon Tattoo: Trent Reznor, Atticus Ross – Hugo: Howard Shore – Tinker Tailor Soldier Spy: Alberto Iglesias – War Horse: John Williams
  • Outstanding Debut by a British Writer, Director or Producer
  • Who I think will win: Tyrannosaur: Paddy Considine, Diarmid Scrimshaw
  • My Choice: Tyrannosaur: Paddy Considine, Diarmid Scrimshaw
  • Other nominees: Attack the Block: Joe Cornish – Black Pond: Will Sharpe, Tom Kingsley, Sarah Brocklehurst – Coriolanus: Ralph Fiennes – Submarine: Richard Ayoade

A note on my selection. I have seen all the nominations mentioned above. The categories I haven’t mentioned are either because I haven’t seen the enough of the nominated movies or else I’m not that bother red about who wins. A could of categories I would like to mention are Best Film not in the English Language and Best Documentary, I have only seen one movie in each (The Skin I Live In and Senna) but as they both made it to my top ten movies list of last year, I would love to see them win.

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After a successful assignment in Barcelona freelance security contractor Mallory Kane (Gina Carano) is ready for a holiday but her employer, Kenneth (Ewan McGregor) has other ideas. A simple job that should have been a “paid holiday” in Dublin goes wrong when she is double crossed. She goes looking for answers and revenge.

In 2009 Steven Soderbergh cast porn star Sasha Grey as a high-end Manhattan call girl in The Girlfriend Experience, it is no surprise then that when he set out to make an action movie he would hire a Mixed Martial Arts fighter, Gina Carano. Legend has it that Soderbergh came across Carano while channel surfing cable TV. Prior to this chance encounter the star and director had never heard of each other. I’m not sure if he saw her fighting or on the American version of the TV Gladiators where she had a stint.

The big question here that will result in the success or failure of the movie should be can Gina Carano act, but strangely it isn’t. Like Arnold Schwarzenegger in Predator and The Running Man (both 1987) Carano’s presence and charisma is enough to carry the movie despite the fact she isn’t a great actress. Had the movie not been as well directed, surrounding Carano with talented actors (Michael Fassbender, Michael Douglas, Antonio Banderas, Bill Paxton and Ewan McGregor) could have emphasise her acting deficiencies, it actually works the other way. The end result is a slick and enjoyable movie where the most distracting and detracting thing turns out to be Ewan McGregor’s terrible accent.

The way the film is shot is interesting. Using long takes, still cameras and short lenses giving lots of depth of field, takes the movie back to a pre Bourne time for action movies. It actually works well showing off Gina Carano’s fighting talents and letting us see what is going on unlike in other modern action movies. This simplicity and transparency extends to the plot that despite a nonlinear structure is simple and easy to follow, coupled with a brisk 93 minute runtime makes the movie easy to watch and enjoy. It all boils down to a simple revenge/payback thriller, but is actually the best I have seen since Kill Bill (2003/04). I don’t see Gina Carano having a great career as an actress but she is the first new credible female action star to come along in a long time and like Vinnie Jones and Dwayne Johnson she has enough going for her to suggest she could carve a niche in action movies. The only reel criticism I can throw at the film is that it does sometimes feel cold and clinical, something I have thought about some of the directors previous work. I also wonder how well it will be received by female audiences, outside the main character, women are largely overlooked within the cast. 

Whether the movie was a chance for Steven Soderbergh to tick off another genre on his cinematic CV or a genuine attempt to do something different, I don’t know but do feel it is a successful movie either way.  Like its star, it is a movie that will divide opinions, despite a few flaws my opinion is very positive. 

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