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Posts Tagged ‘Marvel’

We lost Stan Lee this week at the age of 95.  Many people first became aware of him from his cameo’s in Marvel movies, but his impact on popular culture goes far beyond that:  For better or worse, make your own mind up; without Stan Lee we probably wouldn’t be seeing all the comic book movies that are dominating cinema screens.  Like many people I first became aware of him from the animated shows of the 1980’s.  These animated show were the start of a push to develop Marvel properties into other media.  Initial results were mixed at best but eventually led to what we now know as the MCU (Marvel Cinematic Universe). Stan Lee 1922 2018

But it all started before that, growing up Lee born (Stanley Martin Lieber) loved swashbuckling movies, and dreamt of becoming a novelist.  One of his earliest jobs as a writer came writing obituaries before at the age of 17 a family connection got him a job as an assistant at Timely Comics, the precursor Marvel Comics was at the time a new division of a pulp magazine.

Lee’s first job actually writing in a comic book came with the text fillers for Captain America Comics #3 in 1941.  This was the first time he used the pseudonym Stan Lee, which later became his legal name.  Before long he moved from fillers to writing the backup feature, “‘Headline’ Hunter, Foreign Correspondent”.

His early creations Jack Frost, Father Time, and Destroyer may not be household names now, but things were about to change.  At the age of just 19 Lee was made interim editor, a position that quickly became permanent, one that he remained in for just over thirty years before becoming Publisher.  After the war, were Lee served in first the Signal Corps, and then the Training Film Division, he formed a partnership with artist Jack Kirby, together they created a few characters you may have heard of: the X-Men, Iron Man, Thor, the Hulk, Black Panther, Ant-Man, and the Fantastic Four. x men fantastic four thor iron man black panther hulk ant man

He also created Daredevil with Bill Everett. And with Steve Ditko with, Doctor Strange and his (and Marvel’s most successful character) Spider-Man. Doctor Strange Daredevil Spider-man

As significant as the characters they created, in 1963 gathered them together along with some older character, most notably Captain America to create the  Avengers, a rival to DC’s Justice League (originally Justice League of America). With various reboots, relaunches, spin-offs, alternate universes, and ever changing line-up, The Avengers have been a constant fixture within the comic book world.     The Avengers

In 1981 Lee moved from New York to California in 1981 to develop Marvel’s movie and TV, while the live action of these were forgettable at best, the cartoons introduced a whole new generation to Marvel.  They also provided the springboard of what was to come.  The success of Blade for New Line Cinema, X-Men with Fox Studio’s and Sony’s Spider-Man movies proved there was a market for quality comic book movies that snowballed into the MCU, and who knows where that will take us? Excelsior!

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In a particularly meta moment in the oh so meta Scream 2, Randy (Jamie Kennedy) tells us “Sequels suck!” and “By definition alone, sequels are inferior films!”. Classmate Mickey (Timothy Olyphant) disagrees “It’s bullshit generalization. Many sequels have surpassed their originals.”  He suggests T-2, another classmate played by Joshua Jackson thinks “Aliens. Far better than the first.”  While I don’t totally agree, I prefer The Terminator to T-2, and love Alien and Aliens equally, there are however, some horror sequels and second films is series that I prefer to the first:Aliens and T2

Bride of Frankenstein (1935): I love the original, but the sequel has the edge.  Together cinematographer John Mescall and art director Charles D. Hall, director James Whale created Expressionist masterpiece that isn’t just a horror movie, it’s also a social satire and a comedy.  The greatest of the Universal horrors. Bride of Frankenstein

Dawn of the Dead (1978): George A. Romero’s masterpiece came a whole decade after the original film, Night Of The Living Dead. Tom Savini (who also appears in the film) provided the zombie makeup that makes the film so effective.  The allegory of modern consumer society is more and more relevant as time passes.  A film that manages to be both a truly gruesome horror and a clever satire.  Dawn of the Dead

Evil Dead II (1987): Bruce Campbell returns as Ash in Sam Raimi’s sequel to The Evil Dead.  It is essentially more of the same from the first film but more polished, more gory and a hell of a lot funnier. Evil Dead II

Dracula: Prince of Darkness (1966): Most fans will tell you the first Hammer Dracula, Horror of Dracula from 1958 is the best.  While a great film and one of the studio’s best, it is a retread of Bram Stoker ‘s original often told story.  Prince of Darkness is an original story, and a really effective one. It lacks  Peter Cushing as Van Helsing (except a prologue recap of the previous film) but Andrew Keir’s Father Sandor is a suitable substitute.  Famously, Christopher Lee doesn’t speak in this film (as the dialogue in the script was so bad), this makes his performance is more chilling.  A true horror that has a feeling of dread from start to finish. Dracula Prince of Darkness

Blade II (2002): Wesley Snipes is perfectly cast as the half human, half vampire “daywalker” vampire hunter.  Predating the MCU, Blade (1998) proved what Marvel movies could be.  It works as both a horror, and an action movie, with suitable amounts of both gore and humour.  How could you make this better?  Hire Guillermo del Toro to direct it!  del Toro brings even more style, but also, as always  he plays with the idea of who the monsters are. blade II

The Devil’s Rejects (2005): Admittedly this one has something of low bar, 2003’s House of 1,000 Corpses wasn’t great, but this second instalment of the (mis)adventures of the Firefly family is a really solid grindhouse inspired gore-fest.  By far the best Rob Zombie directed movie, and the end is fantastic.  A third instalment 3 from Hell is in post production and due out in 2019. The Devil_s Rejects

10 Cloverfield Lane (2016):  Totally different to the original, telling a very different story, and dropping the now tired found footage gimmick.  Most of the film is a claustrophobic three-hander; John Goodman is fantastic, Mary Elizabeth Winstead is even better. 10 Cloverfield Lane

I have only included horror movies, there are plenty of examples from other genres, I have also stuck to examples where I think the sequel is better than the original movie, not merely good sequels.  

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I subscribed to Netflix, predominantly for TV, namely the Marvel TV shows.  I have enjoyed them all, Jessica Jones being the best of them.  I have since mainly watched TV show, including: Breaking Bad, The OA, The Expanse , 13 Reasons Why, Hannibal, and Orphan Black (that I had started watching on the BBC).  I have recently also started watching Star Trek Discovery and Mindhunter, both of which are excellent from the couple of episodes I have seen. 

I have also watched several movies, mainly older ones that I have wanted to re-watch.  This is because I see most films that I want to see at the cinema.  Netfix (and Amazon Prime) can be useful for catching up on films that I missed at the cinema, and those that didn’t get a wide enough release to make in to a cinema near me.  And this is the problem.  With Netflix (and Amazon) getting more into the business of making movies are the chances of seeing some films on the big screen diminishing?  Is this a 21st century version of the vertical integration of Hollywood’s studio system? A system ended in 1948, when the U.S. Supreme Court issued the Paramount decision, aka the Hollywood Antitrust Case of 1948.  Not exactly but there are similarities.  I hope the industry can find a solution to the issue without the need for legislation, or one of the methods of screening suffering.mcu-netflix

The reason I have come to this conclusion; I have seen two films recently on Netfix that I would have liked to have seen on the big screen.  The first, Gerald’s Game is a Netfix Original, the second The Bad Batch skipped UK cinemas after Netflix acquired SVOD rights.

Gerald’s Game: Based on a Stephen King novel and directed by Mike Flanagan who had previously made the excellent Oculus.  Carla Gugino and Bruce Greenwood play a married couple who visit an isolated lake house in an attempt to rekindle their relationship.  Gerald (Greenwood) suffers a heart attack leaving Jessie (Gugino) handcuffed to the bed without the hope of rescue.  At times it goes where you expect it to, at others it will surprise you. Geralds Game

The Bad Batch: Ana Lily Amirpour’s follow-up to A Girl Walks Home Alone at Night.  A young woman (Suki Waterhouse) dropped inside a vast fenced-in wasteland, declared to be outside of the U.S. and thus, American laws no longer apply.  There she encounters many strange people, most notably a group of cannibals.  The movie drifts along with a strange dreamlike narrative occasionally finding its way back to a plot.  It has been compared to every near future or exploration movie you can think of, none of these are appropriate, although the look and tone sometimes make me think of Peter Watkins’ Punishment Park.the bad batch

I really enjoyed both movies but with one big reservation.  I really wanted to see them on the big screen, but for different reasons.  The Bad Batch is beautifully shot in a vast landscape that needs a big screen.  As a horror/thriller, Gerald’s Game has moments that are best enjoyed with an audience.  But my thoughts go deeper than this;  if Netflix are making movies, or buying distribution rights before they make it to the big screen, this is surely the start of a new era of filmmaking.  A two tier system where cinema can be the only loser, and if cinema is a loser, the ultimate loser is the audience.

It is clear that streaming is the future of the home cinema market.  I don’t have a problem with movies being released on VOD at the same time as at the cinema; letting people watch movies at home legally and cheaply is a good way to cut down on piracy, but not when it’s at the expense of cinema screenings.  Streaming needs to be an addition or alternative to cinema not a replacement. 

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With Mixed reviews, you may be wondering if The Defenders is worth watching.  The Simple answer if you have seen and enjoyed any of The other Marvel TV shows, yes, if you haven’t, No.  This doesn’t stop me expressing my thoughts: 

Story: If you are reading this, you probably already know all you need to know; the stars of their respective shows: Daredevil, Jessica Jones, Luke Cage, and Iron Fist team up to fight The Hand in New York. Although not the best story we have seen so far in Marvels TV universe, it is probably the most focused.  The meeting of the quartet is less forced than it could have been.  The villains are believable with coherent motives.   After a little build up and a brief introduction of the characters for the uninitiated, the action kicks in and doesn’t really stop.  Each ending on note that strikes the perfect balance between narrative closer and making you want to watch, just one more episode, it is the closest Marvel have come to recreating for the screen what it is to read a comic book; but its on Netflix so you don’t have to wait a week for the next part!  The Defenders

Main Characters: All four characters are archetypes and this is exacerbated by the scenario, they each become an even more extreme example of who they are.  The story does play a little on their individual abilities and character traits, but not as much as you would expect.

Jessica Jones (Krysten Ritter): remains the best character. The cynical, hard drinking private detective is possibly the most clichéd of the characters but Ritter pulls it off with such charisma and fun that it really doesn’t matter.  It is like she is in a different show to the others, but in a good way.

Matt Murdock (Charlie Cox): A great charter in his own show; dramatically, he shrinks a little in the presence of the others, he does have some great dialogue with Ritter, and some of the best fight scenes.  Daredevil is a more interesting character the angst/catholic guilt ridden Matt Murdock.

Luke Cage (Mike Colter): The boy scout of the crew, Luke Cage can’t help but do the right thing regardless of personal consequences, the Captain America of the group.

Danny Rand (Finn Jones): The weakest link from their own shoes, Iron Fist has the most significant role within the plot.  The billionaire needs to be a little more fun, a little more Tony Stark.   Defenders

Secondary Characters: Most of the secondary characters have already been seen in the individual shows.  While a few of these characters have previously been the most interesting and compelling characters in the shows, they are largely sidelined here to make space for the leads:

Claire Temple (Rosario Dawson): The MVP of the individual shows isn’t given anything to do, but is as great as you would expect with the little she has to do.

Foggy Nelson (Elden Henson): The weakest character in the show has one perfunctory role within the plot.

Misty Knight (Simone Missick): Joins up a few tots in the plot and provides a little sass. We also get a hint at where her character is going.

Colleen Wing (Jessica Henwick): Has her moments in the latter episodes but is largely sidelined.

Stick (Scott Glenn): Given the dual role of (deadpan) comic relief and Basil Exposition Glenn performs admirably.

Trish Walker (Rachael Taylor): Has one interesting scene and does nothing else.

Karen Page (Deborah Ann Woll): Given precisely nothing to do, the character could have been totally dropped without any real impact on the plot. The Defenders Secondary Characters

Villains: We have already seen The Hand in Iron Fist and Daredevil, now they are out of the shadows, front and centre with an agenda.

Alexandra Reid (Sigourney Weaver): Ever wondered who is in charge of The Hand? Sigourney Weaver leaves us in no doubt, Alexandra Reid is the epitome of the Alpha Dog, Weaver plays her with determination, but also in a believable way.

Elektra Natchios (Elodie Yung): Brought back from the dead, Elektra provides both the antagonist and strangely some of the heart of the show.  As you would expect, she also gets a lot of the best action.

The five “fingers” of the Hand also include Madame Gao (Wai Ching Ho) reprising her role, and Bakuto (Ramón Rodríguez) who we met in Iron Fist as Wing’s former sensei. The Hand

Conclusion: The show has its issues but with a punchy high action plot it is compelling and binge worthy in the way Netflix must have hoped.  In keeping the characteristics of the individual characters undiluted the show can still work for an audience that hasn’t seen, or doesn’t like all the previous shows.  This takes us back to the beginning; if you have enjoyed any of The other Marvel TV shows, you will probably like this. 

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At a time when action movies have become CGI laden and often dull, there are occasionally films that break the mould.  Shortly before his short live retirement,  Steven Soderbergh made Haywire (2011).  The story goes that while channel surfing late at night Soderbergh spotted Gina Carano fighting in an MMA fight on TV.  He quickly developed the idea of Mallory Kane, a highly trained operative working for an independent contractor.  One of the notable things about the film is the way the fight scenes are staged.  Shot at mid range with long takes, much the way MMA and Boxing is shot.  This is a world away from the ultra close-up highly edited style that can make anyone look like an action hero.  Then came John Wick (2014); former stunt men and stunt coordinators Chad Stahelski and David Leitch made their feature debut.  Making the most of Keanu Reeves martial arts skills the fight scenes and gun fu are highly choreographed making the whole spectacle like a ballet. The photography and editing combines styles with a mixture of long takes and quick cuts.John Wick Haywire

While Chad Stahelski made John Wick Chapter 2, his former directing partner, David Leitch went his own way and made Atomic Blonde.  An action spy thriller the 2012 graphic novel The Coldest City by Antony Johnston and Sam Hart’s.  Charlize Theron stars MI6 field agent sent to Berlin in the last few days before the fall of the wall to retrieve a McGuffin that anyone who has seen Mission: Impossible or Skyfall will be familiar with.  The film is so stylish it makes a Luc Besson look passively plain, the action is fantastic and Charlize Theron is a  charismatic and likeable lead.  The film is a little too plot heavy to be as fun as John Wick; there are a series of twists and turns that you will see coming a mile of, but none of this matters, it is still an enjoyable movie.attomic blonde

In the near thirty years since the film was set films have changed a lot so I thought it would be fun to look back at some of the spy and or action movies of 1989:

Starting with the spy thrillers: Licence to Kill was Timothy Dalton’s second and final James Bond movie.  A more violent and action based movie than earlier Bond movies, it recived mixed reviews on release.  I loved it and am happy to report it has aged well and in the era of Daniel Craig’s Bond people are beginning to re-evaluate Timothy Dalton’s time as 007.Licence to Kill

The same is not true of The Experts; a  John Travolta vehicle in the pre Pulp Fiction wilderness years.  I seem to remember enjoying it at the time but re-watched it about ten years ago and was surprised just how bad it was.  It was also considered a box office bomb at the time.the experts

Technically a 1988 move: Red Scorpion was released in the USA and UK in ’89.  Significant as it portrays Dolph Lundgren as a soviet soldier who ends up fighting African freedom fighters against Soviet oppression.  I remember liking the film at the time, it did however receive poor reviews, I must re watch it to see.Red Scorpion

We think of Marvel and DC comic book movies as a modern thing, with about three each a year as well as TV spinoffs, but both comic book giants had movies out in 1989.  The more significant of the two: Batman; Tim Burtons vision of the dark knight was revolutionary.  A dark brooding gothic fairytale Batman a world away from the camp of the60’s TV show.  The Batmobile looked amazing and the black sculpted latex batsuit was revolutionary.  I’m not sure if Michael Keaton is the best Batman, he is certainly the best Bruce Wayne.  Over at Marvel, Dolph Lundgren was staring as Frank Castle, aka: The Punisher.  Taking the idea of the Marvel character but changing many details of his origin.  The film isn’t great, and is a world away from current Marvel movies, but it isn’t terrible either and has a certain charm.Batman The Punisher

Cop movies, particularly buddy cop movies were all the rage at the time, the best of the bunch was Lethal Weapon 2. Almost as good as the original, this first sequel had all the action and excitement of the first in the franchise but with a lot more comedy.   Other entries to the subgenre worth watching are: Black Rain and Tango & Cash.Lethal Weapon 2 Black Rain Tango & Cash

One of the best movies of the year and possibly my favourite of the franchise: Indiana Jones and the Last Crusade.  Taking a big risk with a very self indulgent origin or the character prologue that not only works, it enhances the film.Indiana Jones and the Last Crusade

Two years after Dirty Dancing and two before Point Break, Patrick Swayze’s star was on the rise, he had two movies out in ’89 the better of the two was: Roadhouse. Dumb action fun, it isn’t a great film but its impossible not to like it. Roadhouse

One of the biggest action stars of the time, Jean-Claude Van Damme had two movies out in ’89: the sci-fi action adventure Cyborg, and the fight movie Kickboxer.  I saw Kickboxer around the same time as the previous year’s Bloodsport and can’t differentiate between them in my mind. cyborg and kickboxer

Finally: Blind Fury is a Zatôichi inspired action movie starring Rutger Hauer.  Robot Jox is a low budged B movie masterpiece from Empire Studios about people fighting giant robots similar to the Jaegers from Pacific Rim. Blind Fury Robot Jox

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AAvengers: Captain America: The Winter Soldier set the Avengers franchise in a new direction and Marvel announced phase Three schedule covering films up to 2019.marvel-avengers

B  – Boyhood: What could have been a gimmick turned out to be the best film of the year.boyhood poster

CNick Cave: 20,000 Days on Earth was neither documentary or a narrative film, but was one of the best movies of the year.20,000 Days on Earth

DDoug Liman: Edge of Tomorrow was the enigma of 2014.  The Doug Liman directed movie received solid reviews and great word of mouth but underperformed at the box-office.edge of tomorrow

EEgypt & Exodus: Gods and Kings – Ridley Scott’s biblical epic was released on Boxing Day in the UK and few weeks earlier in some countries.  The film has been banned in Egypt as the courtiers censors are unhappy with “historical inaccuracies”.Exodus Gods and Kings

FFincher & Flynn: Director David Fincher turned Gillian Flynn’s bestselling Novel Gone Girl into an excellent movie.Gone Girl

GGuardians of the Galaxy –  Made up of a cast of largely unknown characters, it was considered a risk for the franchise.  Not only was the film great fun but was the Highest grossing film at the US box-office (and 2nd highest worldwide) for the year.Guardians-of-the-Galaxy

HThe Hobbit: After more than 20 hours screen time, The Battle of the Five Armies brings Peter Jackson’s time in Middle Earth to an end.Peter_Jackson_Hobbit

IThe Interview:  The release for the movie The interview was cancelled following threats from hackers.  Barack Obama and George Clooney joined the debate and the film received a limited Christmas day release earning $1million from 331 scenes in independent theatres.the-interview-poster

JJennifer Lawrence: With an Oscar win and two other nominations as well as a starring role in two of the biggest movie franchises, Jennifer Lawrence is probably the biggest young star in Hollywood.  She was also the most outspoken victim of hackers who stole nude images and posted them online.jennifer-lawrence

KKickstarter: the big names to come from kickstarter in 2014 were the Veronica Mars movie and Zach Braff’s ;Wish I Was Here.  Blue Ruin and Obvious Child also raised a little to help get them released.veronica-mars-movie

L Luc Besson & Lucy: After numerous movies with his name attached as a writer or producer Besson is back in the director’s chair with the surprise hit Lucy.  Making back its $40million budget back in its opening weekend.Lucy

MMcConaissance: Matthew McConaughey’s resurgence was completed with a best actor Oscar for Dallas Buyers Club.Matthew McConaughey for Dallas Buyers Club

NNightcrawler: Jake Gyllenhaal gives the performance of his career in Dan Gilroy’s feature debut.Nightcrawler Jake Gyllenhaal

OOprah Winfrey: as well as producing two movies: Selma and The Hundred-Foot Journey Winfrey proved her Hollywood power by lending her support to the independent British film Belle.Oprah Winfrey

PPaddington: What could have been a disaster turned out to be charming and funny.paddington

Q – Quvenzhané Wallis: The young star of Beasts of the Southern Wild retuned with a small part in 12 Years a Slave and starring role in the remake of Annie.Quvenzhané Wallis

RThe Rover: After his début feature, Animal Kingdom in 2010 David Michôd is back with The Rover, a movie full of subtext, foreboding and great acting from Guy Pearce, Robert Pattinson and Scoot McNairy. The Rover

SScarlett Johansson: It’s been a busy year for Johansson with the UK release of: Her, Captain America: The Winter Soldier, Chef, Under the Skin and the surprise hit of the year Lucy.Scarlett Johansson under the skin

TAlan Turing: The imitation Game finally told the long overdue story of war hero and farther of computing, Alan Turing.the imitation game

UUnreleased: A region 2 DVD of Snowpiercer is available from a well know online retailer but the film is still yet to receive a UK release.Snowpiercer

VVampire: Forget Twilight, with Only Lovers Left Alive and What We Do in the Shadows there are two original ideas to kick-start the genre.Only Lovers Left Alive

W – Mia Wasikowska: After appearing in Stoker my favourite film of 2013 Mia Wasikowska is rapidly becoming one of my favourite actresses with appearances in Maps to the Stars, The Double, Only Lovers Left Alive and Tracks in 2014.Mia Wasikowska

X – X-Men: Days of Future Past: Bryan Singer returned to the X-Men franchise with a seminal story form the 80’s. It beat Captain America: The Winter Soldier at the world box-office, dragging the franchise from the shadow of Marvel Studios.X-Men-Days-of-Future-Past-chess-game

Y – 12 Years A Slave: Winner of Oscars for Best picture, Best Adapted Screenplay and best supporting actress for Lupita Nyong’o in her first feature film.Lupita Nyongo

ZThe Zero Theorem: Terry Gilliam is back after five years, and back to what he does best, making interesting films that look like the cost a lot more to make than they actually did.The Zero Theorem

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I am not going to review Iron Man 3, why bother there are probably already three hundred reviews online, most of them by better reviewers than me and some of them who actually got paid for the privilege! However I couldn’t let the movie come and go without passing comment, after all, it is a significant movie in the history of Marvel and given the significance of Marvel in recent movie history that makes it a significant movie full stop!iron man 3

When it was announced that Jon Favreau would not direct the third Iron Man movie no one would expect the chosen a director to be one whose only other movie was flop nearly a decade ago. However anyone who has seen the fantastic Kiss Kiss Bang Bang will know that Shane Black was the perfect choice. Possibly the first step in the resurrection and reinvention of Robert Downey Jr.s career. Kiss Kiss Bang Bang was smart, funny and dark, the perfect movie of Downey Jr. just like Iron Man. Better known as a writer, Black is responsible for the Lethal Weapon movies, The Last Boy Scout and The Long Kiss Goodnight as well as Kiss Kiss Bang Bang. It therefore comes as no surprise that he brings a lot of dark comedy to the charter, possibly even more than in the first two movies. This really works taking the movie to a different level, making it equally as good as, if not better than the first movie and certainly righting the wrongs of the second movie. It is also filled with other Black trade marks: kidnapping as a plot device, black comedy, set at Christmastime. But these are little more than window dressing and comfort blankets for the director. The real flair is the self awareness he brings to a character trying to rebuild himself.kiss kiss bang bang

I started writing something a few years ago (I don’t think I ever finished it) about how the characters in films (if they were real people in the real world) would go back to their daily lives after a significant event. For example, John McClane may be good at taking down a group of terrorists, but what’s he like as a detective doing a day to day job? This was touched upon in the third Die Hard movie but never explored. I didn’t expect to see it explored in a superhero movie through the eyes of the hero character, a brave and risky plot with a character that is seminal to the future of The Avengers franchise as well as the hugely profitable Iron Man movies. This is achieved through Stark’s inability to deal with the aftermath of the events of The Avengers. This along with a plot device that I won’t spoil, results in Stark spending a lot of time out of the Iron Man suit, this is a good thing and a brave choice. The film is at its best at these times. Without straying into reviews or risking plot spoilers, the villains are perfectly conceived and portrayed, there are also seamlessly intertwined with the stark/Iron Man plot. This is a movie written as a movie, a complete and integrated story and not one where a committee has listed all the elements and plot points that have to be shoehorned in.

Thor The Dark World

Back to the significance of the movie. The first Iron Man existed as a sci-fi movie set on the edge of reality, this places the character closer to The Dark Knight than Thor (leading to the question how will Batman fit into DC’s hero collective, The Justice League?), whose introduction, along with the rest of the Avengers marked a movement more towards total fantasy. Where the Avengers dropped the characters, if not the audience into this new world without warning, Iron Man 3, drags us back, takes a look at what happened then lets us move on. This is an important step for the franchise to take to give it a future, it creates a neat bridge between the world of the first Iron Man and the future of the franchise. And that is the important thing. A film has to exist in a believable world that obeys its own rules or it risks alienating or distracting its audience by taking them out of the story.

captain america and  black widow

So what next? The Avengers 2 is set for release in two years time and little is know about it yet. Before that Thor: The Dark World is in the can and will be in cinema’s towards the end of this year, early synopsis’ suggest a plot surrounding protecting Jane Foster from “the denizens of the dark world of Svartalfheim”. Captain America: The Winter Soldier is out next spring and is set to feature a prominent role for Natasha Romanoff/Black Widow. There is no sign of a further Hulk movie. This makes me wonder, where will the Avengers villain come from? Loki from the first Avengers movie had been introduced in the first Thor movie. Will the primary villain of the next movie be introduced in a similar way, in either Captain America: The Winter Soldier or Thor: The Dark World? I would suggest Captain America the more likely of the two simply for balance, and the balance of power in the collective. But then you have the curveball, Guardians of the Galaxy is set to go into production shortly and scheduled for release next year. It is being made by Walt Disney Studios Motion Pictures (owners of Marvel) and not a co production, will it exist in the same universe or cross over with The Avengers? In comic books the Guardians of the Galaxy originally existed in an alternate universe within the Marvel Comics continuity but now exists in the mainstream Marvel Universe with Tony Stark/Iron Man as a member. Only time will tell, but based on what I have seen so far I am looking forward to finding out.

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