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Posts Tagged ‘Marilyn Monroe’

Marilyn-Monroe-and-Tom-Ewell-from-The-Seven-Year-Itch-1955

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Have you ever noticed the number of actors and actresses who advertise aftershave and perfume? If you haven’t take a look at your TV as we approach Christmas and you may be surprised. The thing I didn’t realise until recently is how many of them are directed by big A list directors. This isn’t a new thing, David Lynch made an advert for Opium by Yves Saint Laurent in the early 90’s, he has since gone on to direct one for Gucci and a bag commercial for Dior starring Marion Cotillard.

Dior’s Midnight Poison Commercial starring Eva Green was made by In the Mood for Love director Kar Wai Wong. Sofia Coppola has made two adverts for Dior, the most recent feats “brand ambassador” Natalie Portman. With the help of CGI Charlize Theron’s second Dior, Jadore advert also feature Marilyn Monroe, Grace Kelly and Marlene Dietrich it is directed by French director Jean-Jacques Annaud. The inclusion of Marilyn Monroe is an interesting and potentially risky one as the actress is generally associated with Chanel.

On the subject of Chanel, they have really embraced the idea of using movie directors: The Bleu de Chanel advert featuring French actor Gaspard Ulliel (Hannibal Rising) was directed by Martin Scorsese. The Chanel #5 advert from a few years ago featuring the song Sea of love (the one that ends with an aerial shot of a swimming poor that looks like a perfume bottle) was directed by Ridley Scott. Do you remember Estella Warren as the Little Red Riding Hood? (also a Chanel No. 5 commercial) That one was directed by Luc Besson. Its no surprise that the Paris set Chanel No. 5 commercial had echoes of Moulin Rouge! Not only does it star Nicole Kidman but it was directed by Baz Luhrmann. The current Chanel No. 5 advert stars Audrey Tautou and is set on the Orient Express, it reunites the actress with the Amelie/A Very Long Engagement director Jean-Pierre Jeunet. Keira Knightley has made two Chanel, Coco Mademoiselle adverts the most recent one was directed by Pride & Prejudice and Atonement director Joe Wright.

The commercial that has been getting a lot of airtime recently is the Gucci Guilty advert featuring Evan Rachel Wood and Chris Evans and directed by comic book writer turned film maker Frank Miller. With an over stylised look and heavy use of green screen it is very reminiscent of Sin City.

A recurring trend in fragrance commercials is directors reuniting with actors they have made films with. Maybe one day Tom Tykwer will make a perfume commercial with Ben Whishaw and Rachel Hurd-Wood or Karoline Herfurth, that’s one I would like to see!

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As I sat watching Silver Streak on TV, a movie I haven’t seen for about twenty years, I suddenly realised something I have always know in the back of my mind; there is something magical about movies set on trains. Air travel and the jet set should be more sexy, it probably is, but its far less cinematic, Planes are little more than a mode of transport, they are the way James Bond gets from one exotic local to another, but trains are the locations in themselves. True, plains have been the setting for movies live Air Force One, Flight Plan or Red Eye, but none of these movies offer anything new that we haven’t seen before in movies like The Narrow Margin (the 1952 original, although the Gene Hackman, Anne Archer remake isn’t bad either). The size of a train is what makes it so suitable for a film, particularly a thriller or murder mystery, they are big enough to provide the space need for the action to play out but small enough to create just enough claustrophobia and intimacy.

A common theme of train set movies if people finding love, romance or just sex on a journey. North by Northwest features one of the best seduction scenes ever as Cary Grant and Eva Marie Saint flirt and seduce each other over dinner. The movie then ends with the most audacious ending as the train itself becomes a phallic symbol in the most overt of innuendos that only Hitchcock could get away with. In a lot of ways Silver Streak condenses all the ideas of North By Northwest down to a train based part of the movie with just enough action, comedy and absurdity to keep it the right side of parody.

Although only a small section of Some Like it Hot is set on a train, it is a fantastic part, not least as its where we are introduced to ‘Sugar’ Kane (Marilyn Monroe). James Bond has spent his fair share of time on train, most notably in From Russia with Love (1963). Encapsulating the romance and the danger as Bond (Sean Connery) woos Tatiana Romanova (Daniela Bianchi) and fights ‘Red’ Grant (Robert Shaw). Bringing things more up to date Harry Potter first meets Hermione on the Hogwarts Express, it is also the place he first encounters the dementors.

As the world shrinks under the weight of ever the increasing progress of technology the magic of trains in movies evaporates, but filmmakers will always find ways to bring it back. This can involve setting movies in more exotic places like The Darjeeling Limited (2007) and Transsiberian (2008) or in the past: Water for Elephants (2011). In this age of laptop computers and MP3 players I wonder how often people actually strike up a conversation with a stranger on a train anymore? That could be a good or a bad thing depending on who you talk to: Guy Haines (Farley Granger) encounters psychotic Bruno Anthony (Robert Walker), who has a plan to help him get away with murder in Alfred Hitchcock’s Strangers on a Train (1951) (adapted from Patricia Highsmith’s novel of the same name with a screenplay by Raymond Chandler). On the other hand in Richard Linklater’s Before Sunrise, American student Jesse (Ethan Hawke) has a very different experience when he meets Céline (Julie Delpy), a young French woman on her way home to Paris.

Next time you are watching a movie set on a train (and there a lot, I have only mentioned a few) have a think about the setting and if it would work anywhere else.

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