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Posts Tagged ‘Katniss Everdeen’

Nearly sixty years after its original release Nicholas Ray’s seminal tean drama Rebel Without A Cause has been given a limited rerelease in cinemas. Made around a decade after the term teenager was coined, James Dean’s Jim Stark probably cinemas most notable adolescent. The template set by that character has endured ever since. From John Bender and Gardner Barnes to Cady Heron and Bliss Cavendar all the notable teenage and young adult charters from cinema have been outsiders in one acceptance within a group.Rebel Without a Cause

This trend is most evident in the glut of children’s and young adult novels that have been adapted into movies in recent years. In the modern cinematic world, being a little socially awkward isn’t enough. While the 80’s may have been the era of the teen movie, today’s films deal with the same angst, but it often disguised with a thin veil of fantasy and the fantastic. Initially not knowing his magical origins and not totally understanding his destiny until the end, Harry Potter (2001-2011) never quite fitted in the Muggle world or magicians world. The same is true of Clary in The Mortal Instruments: City of Bones (2013), Lena Duchannes in Beautiful Creatures (2013), Ender Wiggin in Ender’s Game (2013) and “John Smith” aka number 4 in I am Number Four (2011).I AM NUMBER FOUR

Twilight (2008 – 2012) is an interesting addition to the theme. Edward Cullen is an outsider because he is a vampire, he is an outsider within vampire’s because he is a “vegetarian”, but he is already accepted by his family. Jacob Black doesn’t know he is an outsider until he becomes a wolf. Bella Swan is an outsider, simply by being a typicle teenager. This disparate group find their place by their acceptance of each other. Katniss Everdeen in The Hunger Games (2012-2015) is somewhat different, she is human and only extraordinary by her actions, but they are actions caused by the dystopian world in which she lives. So as strange as it sounds, The Hunger Games is closer in this respect to the teen movies of the 80’s than many of the supernatural movies of recent years.The Hunger Games

But this leads neatly onto the latest pretender Beatrice “Tris” Prior in Divergent (2014). Born into a society that where people are divided into factions divined from peoples personalities: Abnegation (selfless), Amity (peaceful), Candor (truthful), Erudite (intelligent) and Dauntless (brave). When tested Tris is discovered to Divergent, someone who has attributes of multiple factions. This is considered to be a danger to society, a clearly flawed society making her an instrument or catalyst for change. Not satisfied with just finding her place in society, she has a part in shaping it. Following so closely on from The Hunger Games is this the new direction for the genre?Tris Prior

Have writers lost their imagination and need to create a dystopian world for our outcasts to inhabit because they have run out of ideas to make their ideas interesting? Or have we seen it all before and are too cine-literate to be interested in the mundane of real life? I think there is some truth in this, but with well drawn characters and a good script, everyday life can be just as interesting as the spectacular, take: 10 Things I Hate About You (1999), Igby Goes Down (2002), Easy A (2010) and The Perks of Being a Wallflower (2012), all films that could all sit alongside the films of John Hughes. A perfect example of this, is Jennifer’s Body (2009), while I am a fan of and constant defender of the movie, despite the inclusion of supernatural, it isn’t as good as writer Diablo Cody’s previous film Juno (2007) but they both perfectly explore the anxieties and ideas I am talking about.Juno

I could be reading too much into this but ultimately I think the success of films like Rebel Without A Cause, The Breakfast Club and Divergent is that they have all tapped into a fundamental paradox of human nature. As a society we are desperate to fit in but we also want to stand out from the crowd.

For those who are wondering, I am not sure of the origin of the quote "I want to be a nonconformist. Just like everybody else" but first saw it attributed to the street artist Banksy.

 

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Around five years ago a book that I love was made into a $200million movie that I hate. While I wouldn’t go as far as to say I love Suzanne Collins’s Hunger Games Books but I do like them and hope they don’t go the way of The Golden Compass the mess that was made of Northern Lights, the first part of Philip Pullman’s “His Dark Materials” trilogy.

In a dystopian future version of the United States, the country of Panem is split into twelve districts whose only purpose is to serve the people of the decadent capitol. In response to an uprising many years before, each year, two young people from every district are chosen to for the Hunger Games, a televised fight to the death. When her sister is chosen, Katniss Everdeen (Jennifer Lawrence) volunteers to take her place, and is sent to the capital along with her and fellow District 12 “tribute” Peeta Mellark (Josh Hutcherson). The skills Katnis has learnt as a hunter and poacher may be the thing that keeps her alive in the games.

A faithful and loving adaptation that successfully traverses the tightrope of what to cut and what to include. But it takes more than being faithful, it needs to be good, and The Hunger Games is very good. It is most likely helped by the fact that original author Suzanne Collins is amongst the script writers. The greatest challenge is how to adapt the first person narration of the novel to something more cinematic. This is achieved effortlessly with the addition of a pair of commentators (Stanley Tucci and Toby Jones) who provide exposition and explanation for those who haven’t read the books.

The casting is perfect; it is possibly because of the parallels with Ree Dolly, her character from Winter’s Bone but I can’t think of anyone other than Jennifer Lawrence who could have played Katniss. But it goes beyond that, Stanley Tucci, Liam Hemsworth, Elizabeth Banks, Donald Sutherland and Paula Malcomson (who was great in Deadwood) are all perfect. I struggled to imagine Woody Harrelson as Haymitch, but as always with Harrelson he pulls it off. But as with the book it is all about Katniss, Lawrence’s performance is note perfect showing fear and emotion as a reluctant hero. The filmmakers aren’t afraid to make our heroine socially awkward and sometimes cold and distant. It is this that humanises the character making her more likeable.

A film about kids killing each other in was never going without violence and it is very much in evidence but a 12A (PG13 in America) certificate is needed for the target audience. This is achieved by not showing the audience quite as much as we think we are seeing, it is a tried and trusted and surprisingly effective trick. Coupled with a minimum use of blood it works and the movie gets a teenage friendly rating without feeling watered down. There are couple of pacing issues, there is a lot to fit in and it does rush through parts of the story then sags a little in the middle, but this is quickly forgotten when the games begin. When it comes, the action is well constructed and paced but not as plentiful as the trailer would have you believe. It is a surprisingly thoughtful movie spending little time talking about the immorality and unfairness of the class structure leaving the audience to draw its own conclusions.

A resounding success that is better than the first two Harry Potter movies and all the Twilight adaptations to date. A film that should satisfy fans of the books and newcomers alike.

With a budget of around $100million the movie needs to be a financial success for parts two and three to be made. With an opening weekend that could exceed £200million (worldwide) it’s a safe bet that we will be seing Catching Fire and Mockingjay in the next few years. My only fear, the first was by far the strongest of the books with the last been the weakest. To create a successful and memorable trilogy they are going to have to get creative with the script and possible invest a bit more money on the effects for parts two and three.

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