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Eight films seen this month, there are a few more out I would like to catch up with if I find the time.  Although I enjoyed all the films this month, the movie of the month shone out by a mile, I think you may spot it when you read my comments:

Suicide Squad – On the plus side, Margot Robbie, Will Smith and Viola Davis are all excellent and perfectly cast.  On the negative side; DC has all the best villains, if you are going to turn them into heroes you are left with a rubbish villain.  When you add to this a disjointed story you are left with a decent film that should have been a great film. You can’t help thinking how much better Marvel would have handled it.Sucide Squad

Nerve – Emma Roberts is 25, it’s about time she stopped playing 17 year olds and developed a career.  The film is largely disposable fun, best not to think too much about the plot and it massive holes.Nerve

The Shallows – Entertaining but silly woman against shark movie elevated by a strong, largely solo performance from Blake Lively.  Shot with a lustful gave on its female lead that falls somewhere between shampoo commercial and the pornographic gaze of Michael Bay.  You could argue that it is gratuitous, or that it is the point of the movie, who am I to say.The Shallows

Julieta – Pedro Almodóvar returns to the family drama focusing on female characters.  While I love The Skin I Live In, this is what Almodóvar does best, and possibly better than any other Auteur. A treat for fans of Almodóvar or just fans of cinema.Julieta

Lights Out – Effective horror with a great concept, a perfect, short run time and some great performances particularly from Maria Bello.Lights Out

Swallows and Amazons – Enjoyable version of Arthur Ransome’s classic children’s book.  The introduction of the spy story subplot works surprisingly well.  The unknown child cast are good, Kelly Macdonald, Rafe Spall and Andrew Scott are all good in the adult roles.  Purists will bemoan both the lack of sailing and how poorly the sailing scenes are filmed.Swallows and Amazons

The Purge: Election Year – A direct sequel to the second Purge film ” Anarchy ” with Frank Grillo reprising his role.  The only criticism is that where the second film moved things on, this third film offers nothing new.

The Mechanic: Resurrection – Unnecessary sequel to an unnecessary remake.  There is some good action, Jason Statham is fun as you would expect.  Jessica Alba, Tommy Lee Jones and Michelle Yeoh  are all wasted.  The makeup department should have given Sam Hazeldine an moustache to twirl.The Mechanic Resurrection

An easy choice, movie of the month is:Julieta poster

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Last night I visited the cinema to watch two perfect movies; Nerve and The Shallows.  When I say perfect, you may think they were instant classic movies that will contend all the awards and will rank amongst the greatest ever made.  Sadly this is not true, they are flawed movies that are average at best.  However, they are exactly what they are supposed to be,  they are disposable fun B movies.Nerve and The Shallows

The B movie started life in the early days of cinema using sets and stages from major pictures to make cheep films in an effort to maximise studios return on investment.  They were also a useful way of breaking new contract players into movie making.  The major studios were full of potential leading men and ladies, ingénue’s straight of the bus, a small number of whom would become stars.

Many of the B pictures became series, or followed a formula that would make you think they were a series.  Away from the eight major studios, the so called Poverty Row studios made nothing but B movies.  In the last days of the silent era and the early days of the talkies into the Golden Age of Hollywood, the B movie evolved into second features.  Throughout the 30’s and 40’s B movies were often genre pictures and usually clocked in at between 60 and 70 minutes for the poverty row studios and up to 90 minutes for the majors. As antitrust rules killed off second features, B movies evolved.  They continued to focus of genres; monsters, gangsters and cowboys were joined by the post war explosion in Sci-Fi.  The 60’s saw the birth of Exploitation movies.  Many of the directors credited as visionaries of American New Wave got their break in 60’s exploitation and B movies.

So back to last night’s double feature: Nerve is a teen (although most actors haven’t been teens this decade) satire on social media dressed up as an adventure thriller.  The plot isn’t as good as the concept and loses its way as it develops but is helped by engaging performances from Emma Roberts and Dave Franco.Nerve

The Shallows is an effective horror thriller about a young surfer who is stranded on rocks 200 yards from shore by a killer shark.  The surf scenes are well shot and Blake Lively manages to hold the viewers interest in a largely solo performance.  The plot is full of clichés and goofs but does feature a main character who doesn’t make the stupid decisions you usually associate with the genre.the shallows

So what is so good about the movies? They are 106 and 96 minutes long respectively.  If Scorsese or Nolan want to make a three hour masterpiece, great, they have proved they can do it, but do popcorn B pictures need to be two plus hours long? Simply NO!  Many two hour movies could be dramatically improved by being trimmed down to sub 100 minutes.  A perfect example of this:King Kong

If you watch the original, and still the best version of King Kong (1933) staring Fay Wray and directed by Merian C. Cooper and Ernest B. Schoedsack (both uncredited) and run it alongside Peter Jackson’s 2005 version, you may be surprised at what happens.  The older film runs for around 96 minutes, and is ending at about the same time as Naomi Watts, Jack Black and Adrien Brody arrive at Skull Island.  In fact, you could watch the old film twice in the time it takes to watch the new one once.  Did beauty kill the beast, or was it boredom?

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