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Posts Tagged ‘Emile Hirsch’

Skyfall and The Dark Knight Rises are amongst my favourite movies of the year, but between them they cost the best part of the unimaginable sum of half a billion dollars. What can be done with a lower budget? All of the ten films listed below were made for less than $25million and are all the better for the invention and creativity that comes with limitations of a small budget. In a B movie tradition I have discarded indie drama’s in favour of genre movies: action, gangsters, sci-fi and horror.  The other notable thing, is that despite their B credentials they all received a UK cinema release.

Haywire
Budget: $23,000,000 (estimated)
Legend has it that Steven Soderbergh was sat at home late one night channel surfing when he came across a Mixed Martial Arts contest (a cage fight). He was so enthralled with one of the contestants Gina Carano that he diced to write a movie for her. Having never acted before it was a big risk, but we are talking about the director who cast porn star Sasha Grey in The Girlfriend Experience. Taking a different approach for haywire, he filled the supporting roles with talented actors (Michael Fassbender, Michael Douglas, Antonio Banderas, Bill Paxton and Ewan McGregor), but it is the action that really sets the film apart. Forgoing the post Bourne trend of ultra close-ups and staccato editing in favour of long takes and mid length shots with lots of depth of field. It all helps show off Carano’s fighting talents. A love it or hate it film, it has received mixed reviews, personally I love it.

Killer Joe
Budget: $10,000,000 (estimated)
Back in 2006 William Friedkin made a criminally overlooked gem called Bug, it was based on a play by Tracy Letts who also wrote the screenplay. The pair re-teamed to adapt a play Letts wrote twenty years ago. Set around a criminally stupid dysfunctional Texas family it is a violent and repugnant tale. Emile Hirsch, Juno Temple, Thomas Haden Church and Gina Gershon are all brilliant but are in the shadow of the real star Matthew McConaughey. Often funny but the humour is truly jet black, this is a seriously fucked up film that many people will hate, again, I love it.

The Raid
Budget: $1,100,000 (estimated)
Welshman Gareth Evans is the unlikely director of this film that highlights Indonesian martial art, pencak silat. Set in a Jakarta tower block controlled by a crime lord a swat team have to fight for their lives as the story of why they are there gradually unfolds. A brutal and violent film that isn’t actually that originally but still manages to feel fresh and new. It isn’t as good, inventive or as memorable as Die Hard but it cost less than £1million, in other words less than the coffee budget from Lord of the Rings.

Wild Bill
Budget: no idea but its British so it won’t be much!
Dexter Fletcher has always been a decent and likeable actor, although never a great one, therefore it many come as a surprise, but his debut feature as a director is brilliant. Given his association with British gangster movies it is natural that Wild Bill would be set in London’s underworld. What’s great about the movie is that it avoids the usual storylines associated with this type of movie in recent years and concentrates on more personal story of an ex con who returns home from prison to find his two young sons abandoned my their mother. Being a farther is the last thing on his mind but something compels him to do the right thing. Fletcher also avoids the pitfall of casting himself instead opting for a whose who of British TV and genre movies.

Killing Them Softly
$18,000,000 (estimated)
This gritty tale of low level mobsters and hit men could have been a disaster. Not a great deal happens, it is filled with scenes of men talking around the issues of the movie. The social and political commentary have earned the movie its greatest praise and largest criticism. Directed by Andrew Dominik and starring Brad Pitt, the pair worked together on The Assassination of Jesse James by the Coward Robert Ford and are both on top form again. And like all great genre movies, it clocks in at less than 100 minutes.

Lockout
$20,000,000 (estimated)
Based on an “original idea” by Luc Besson, I’m not sure there is an original idea in the whole movie and don’t think Luc Besson has actually had an original idea in a long time, but that really doesn’t matter, the movie is great. Its silly and its fun and that’s all it ever intended or indeed needed to be. The plot involves a shady but honest spy type character who is forced to rescue the president’s daughter who is held hostage on a prison in space. So basically its Die Hard meets Escape from New York, in space. The CGI is terrible and the plot is thin but none of this matters, the action is good and the dialogue is often funny. The real appeal is a surprisingly good Maggie Grace and the always brilliant Guy Pearce.

Chronicle
$12,000,000 (estimated)
The surprise low budget hit from the early part of the year. A Sci-fi movie reminiscent of Push (2009) and the TV show Misfits. I’m not a fan of the found footage genre but they get away with on the whole here. It loses its way in the final act but overall it is still an enjoyable movie. The unknown cast are good and the fact they are unknown often works in the movies favour.

Storage 24
Budget: again no idea but its British so will be well within the $25million limit.
I have suggested in the past that Noel Clarke is the most important person in the British film industry at the moment. Actor, writer, director and producer, awarded the Orange Rising Star Award at the 2009 BAFTA’s, he is the writer and star of Storage 24. Ultimately it is an alien invasion movie but without the grandeur of Hollywood movies and scaling it back to a small intimate and personal story. It plays out like a haunted house movie with a great blend of horror, comedy and action. Remembering the golden rule the creature is kept hidden for a long time and when we see it, its pretty good for a low budget movie. Criminally overlooked and underrated.

How I Spent My Summer Vacation (aka Get the Gringo)
$20,000,000 (estimated)
Sadly under seen thanks to Mel Gibson’s personal problems and the lack of a cinema release in America. First time director Adrian Gruenberg worked for Gibson as assistant director on Apocalypto, the pair give us an old fashioned story of a getaway driver who finds himself in trouble south of the border. There is a scene towards the end of the movie where Gibson impersonates Clint Eastwood but long before that the film starts to resemble A Fistful of Dollars (1964)/Yojimbo (1961) and is all the better for it. Full of both the action and the dry whit you would expect from Mel Gibson of old. Ultimately it is the story of a flawed character looking for redemption, just like Gibson himself.

The Grey
$25,000,000 (estimated)
A horrible and inaccurate portrayal of grey wolves but a haunting and entertaining movie. Liam Neeson has always walked the line between serious actor and action star, originally leaning more towards actor but more recently falling on the action side of the line. When a plane carrying oil drillers crashes in the freezing wastes of Alaska the survivors are hunted by killer wolves. A metaphor for the destruction of the environment and the power of nature or just a survival thriller. Whatever you get from the movie it is well made and largely enjoyable.

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I don’t mind bad movies, I actually sometimes like them, there is something charming and fun about crap movies. Take a look at the works of Edward D. Wood Jr. Enzo G. Castellari or more recently Uwe Boll, none of them are particularly good but equally none of them are completely without artistic merit or entertainment value. These movies should not be confused with a far worse crime against cinema, disappointing movies. The Darkest Hour is certainly a disappointing movie. It has so much going for it but fails to deliver. There is an attractive and talented leading couple (Emile Hirsch, Olivia Thirlby) and a director (Chris Gorak) who impressed with his debut feature (Right at Your Door), to add to all this Timur Bekmambetov (Night Watch) is attached as a producer.

So what’s the problem? Before exploring the problems it is problem worth explaining what is going on for those who haven’t seen the movie, I think that my well be most of you! Two young wannabe dotcom entrepreneurs (Emile Hirsch and Max Minghella) fly to Moscow in the search of investors for their new social media website. Finding themselves shafted by a colleague (Joel Kinnaman) they head for a trendy bar to get drunk. They quickly hook up with two American (although one is clearly Australian) girls (Olivia Thirlby and Rachael Taylor) until things go wrong. A power failure in the bar signals the start of an alien invasion involving an invisible advisory that devours electricity. Not knowing how far the invasion has spread the group look for a way out.

Where to begin! Although clichéd, the characters aren’t bad thanks to the charisma of Emile Hirsch, Olivia Thirlby and Max Minghella. Rachael Taylor lacks dimension but that is more down to the script than her performance. And that’s the big problem the story and the script. Given the huge global scale of the events, not a lot happens. The same can be said for the characters attempts escape from the aliens, they never seem to be in that much danger except from the stupid positions they put themselves in. While they are able to work out the aliens intentions and weaknesses with ease they still do senseless things and inevitably get themselves killed. The people who run upstairs when they should be running out the front door in a slasher movie display genius in comparison to some of their actions.

There is a convention in creature movies to not show the monster. As they are virtually invisible most of the time this is an easy trick for the film to accomplish. When we do see more of them towards the end of the movie they are like the movie itself, disappointing. And that’s the crux of it. Every good thing the movie does eventually falls flat and fails. To top all this off it claims to be in 3D. I don’t like 3D at the best of times but after seeing Hugo I am prepared to admit it can work however here, other than the opening and closing shots I couldn’t see any 3D.

The result is a movie that could easily have attained four out of five stars if all the parts had gelled but in reality it is so dull at times that I feel generous giving it two stars. The finall scenes suggest this is the setup for a sequel or franchise, good luck with that!

Two Stars out of Five ★★★★★

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