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Once upon a time in a far and distant land people’s favourite entertainment was the theatre.  There were only two theatres in the land, and if you wanted to use them you had to pay a fee every year.  They were sort of independent, but the government who controlled how much the fee was, and who had to pay it.  They were on something of a short leash. Then came a third and a fourth, and eventually a fifth, they were independent from the other two.  They didn’t charge an annual fee instead, they used to stop the plays every so often to let salesmen in.  These salesmen paid the theatres lots of money to convince the audience that they wanted to buy shit they didn’t need.  Then the government stepped in and made rules about which salesmen could come in, at what time and for how long, it helped a little.  But here’s the catch if you ever visited one of these independent theatres, you still had to pay the fee to the original ones.  Then one day another company came swooping down from above and opened lots of little theatres.  They charged another even higher fee.  They were closely followed by another and before long the two companies had merged.  The reason for their success, they not only showed plays, but also all the sport.  While all the theatres had performers from far and distant lands,  this one had all the plays from a distant land across the see to the west, and they had them before anyone else. 

The problem with all these theatres, is they choose what was on and when.  If you didn’t like what was on, all you could do was walk down the street and watch something different.  But if you wanted to see a particular play, you had to be in the right place at the right time.  The old theatres were accused of repeating too many of their plays and being poor value for money.  This was probably true, but they didn’t spend their money on plays, they had other ways to inform, educate​and ​entertain​. 

Then one day everything changed a magician came from the land across the sea to the west and flicked his magical net across the land.  He created a special magical theatre where every visitor chose what they wanted to watch and when they wanted to watch it.  The choice was massive, there were thousands of plays to watch, long and short, old and new.  They could watch half a play or just a few minutes of it and come back and watch the rest another time.  Things would never be the same again.  He charged everyone who came to visit a monthly fee, for this they would get a password they needed to get.  They were allowed to share this password with all the people in their house, but nobody else.  However, some people only visited occasionally and didn’t want to pay every month, but this was okay because if you had a friend who would share their password.  The magician new this was happening, but he didn’t mind because more and more people were visiting.  While all this was going on a magical book salesman had being making his own magical theatre.  Nobody noticed because it wasn’t as big or as good, and it really confused people because it kept changing its name.  But slowly it grew and became a serious rival for the magician. 

Then over time, everyone learned the magic and lots more magic theatres opened.  All the old-fashioned theatres opened magical theatres along side their big old ones.  They didn’t show anything new, but you could watch all their old plays, or catch up on something you had missed.  Best of all they didn’t charge any extra.  It wasn’t all good.  Some of the theatres were poorly built and frequently stopped working.  Some of them still let the salesmen in, they would stop the plays for even longer than in their other theatres because they had different rules.  It was a brake new world, and for a time everything was good.  Because you could watch anything at any time, the theatres started telling longer story broken up into lots of little plays that you could watch a bit at a time or all in one go and people loved it.  This had been done before but they spent all the money in the world and did it so much better.  The people declared it a golden age.  Then a plague swept through every land across the globe and people couldn’t meet up in public for two whole years.  The magical theatres that let people be entertained in isolation thrived as they entertained the world.

But then over time the cracks started to show; there were countless magical theatres across the land, too many!  People didn’t have the time or money to visit them all so had to pick and choose the ones they wanted, but the choice wasn’t always easy.  The magicians who owned the magical theatres started spending more and more money to attract people to their theatre and away from the competitors.  For many years the first magician who owned the biggest and the best theatre wouldn’t tell anyone how many people came to visit his theatre or what plays they were watching.  Very quickly the audience began to smell a rat so the magician gave some cryptic information to appease the masses.  It didn’t really work, but it gave them something to talk about.  The magician wasn’t exactly evil, but he was ruthless and had a wicked streak running though him.  He created a magical device that he called the algorithm.  The algorithm was a cold hard and heartless machine, it didn’t care about the people, its only goal was to please its magical master.  The algorithm quickly worked out that shiny new plays would bring in new audiences at a faster rate than the existing audiences would leave if their beloved plays were cancelled.  The algorithm was really clever, it knew that some plays were really popular and could be stretched out for a very long time, even if they got progressively worse.  It cancelled many beloved plays that were really popular, but it knew they had stropped bringing in new audiences, but it distracted them with new stories every week.  Often disposable rubbish that wouldn’t last long.  Occasionally very good but equally doomed.  But the plan was foolish and short-sighted.  The plays were no longer entertainment, they were content, an opium to distract the masses. 

The cracks turned into rifts.  The magician was spending more money than he was bringing in and the quality of his plays was dropping.  Nobody knew if his theatre was still the biggest, but everyone could see it was no longer the best.  There were many new players in town.  One was a magical mouse, that despite a dubious past was beloved across all the lands.  The other was one of the biggest companies in the world, according to the legend it had made its money selling stylish but overpriced fruit.  The magician had to do something, so he made a plan.  He had two ideas.  The first was he would give some of his customers a discount, but in return he would let the salesmen.  The other was to put guards on the doors to make sure nobody was sharing their passwords with other people.  If people were caught in the act they would be made to pay or not let.  Many people had already stopped visiting, it was clear things would get worse.  But it wasn’t the magician that was having a hard time.  the original two theatres were constantly restructuring and downsizing as they battled with the government over how much their fee should be and what sort of plays they should make.  All this was happening at the worst of times following two years of plague and a war in the east made everyone’s food and heating bill higher. 

I don’t know how the story ended, but it was clear the magician was on shaky ground and his theatre wasn’t as well built as he thought it was.  Would it last?  And surely there were two many theatres charging too much money, some would have to merge or go bust?  One day we will find out what happened next, I don’t think that will be a happy or pretty story for everyone!

This story is entirely fictional, any resemblance to actual persons or streaming service living or dead is entirely coincidental.

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As I’m sure you have heard, since the launch of Disney+ all Marvel TV shows on other networks are coming to an end.  This seems like a good time to have a quick look back at the TV shows based in the MCU (Marvel Cinematic Universe).  It is worth noting that none of these shows had any impact on the MCU; Agents of S.H.I.E.L.D, and Agent Carter has featured characters from the movies, but to the best of my knowledge, aside from a small appearance from James D’Arcy in Endgame (that has no impact on the plot), nobody has gone the other way.  Something that I understand is set to change.  In an interview with Bloomberg Marvel chief Kevin Feige said: “If you want to understand everything in future Marvel movies, he says, you’ll probably need a Disney+ subscription, because events from the new shows will factor into forthcoming films such as Doctor Strange in the Multiverse of Madness.” I was always disappointed that none of the key characters from the TV shows made it into the movies, but am not sure this isn’t a step too far.  Below is a quick synopsis of the shows and what I thought of the ones I watched:

Agents of S.H.I.E.L.D (2013 – 2020) – S.H.I.E.L.D recruit new agents, have personal problems, and save the world numerous times, all under the watch of Phil Coulson (Clark Gregg) resurrected from the dead following the events of The Avengers. I watched this from the start.  The events of Captain America, The Winter Soldier threw them a real curveball that derailed the plot.  Surprisingly they recovered from this and the series improved.  They have also had some memorable antagonists; Kyle MacLachlan, Powers Boothe, and Bill Paxton.  It was also the first time I had seen the amazing Ruth Negga.  I gave up early in the sixth season.  I understand there will be a seventh and final season next year. Agents of S.H.I.E.L.D

Agent Carter (2015-2016) – After the end of WWII, British Agent  Peggy Carter is working in America for Strategic Scientific Reserve (SSR), a forerunner to S.H.I.E.L.D.  She is mostly relegated to secretarial duties while the men in the office haplessly blunder around.  This series took forever to make it to the UK, I eventually saw it on Amazon, after it had been cancelled.  I watched both series, the pacing is a little up and down, but the period setting looks great and Hayley Atwell and James D’Arcy make likeable leads. Agent Carter

Daredevil (2015 -2018) – The first of the MCU shows made by Netflix.  Charlie Cox stars as Matt Murdock a blind lawyer who uses his superhuman senses to moonlight as the crime fighting masked vigilante Daredevil.  The first season was excellent, but lost its way in the second before returning for a fantastic third and final season.  I binged all three seasons as soon as they came out. Daredevil

Jessica Jones (2015 – 2019) – The second Netfix show: Following a short stint as a superhero, with a tragic ending, Jessica Jones reinvents herself as a New York private detective with a drink problem.  Running for just 39 episodes over three seasons, this was my favourite  Marvel TV show.  Krysten Ritter was perfectly cast as the snarky, sarcastic lead, the supporting cast was also great.  The stories, particularly season one were amongst the strongest too.  As with Daredevil, I binged them all!Jessica Jones

Luke Cage 2016 – 2018 – Having already been introduced in Jessica Jones, Luke Cage (Mike Colter) gets his own show.  Reluctant hero Cage is a former convict with superhuman strength and unbreakable skin.  Set in Harlem with a largely African American cast, the series made a refreshing change to the usual super hero shows and movies.  The villains are excellent, particularly Alfre Woodard, and a pre Oscar Mahershala Ali.  The supporting cast includes the always excellent Rosario Dawson, reprising her role from Daredevil.  It ran for 26 episodes over two seasons, I watched them all and largely enjoyed it.  The first season started really well but lost its way, the second season was up and down.  Luke Cage

Marvels Inhumans (2017) – I understand the plot goes something like this: After a military coup, the Inhuman Royal Family escape their home on the dark side of the moon, to Hawaii.  They must put aside personal differences to save the world!  The first two episodes were shot in IMAX and screened in cinemas.  I didn’t get around to seeing them, but understand they are terrible.  I didn’t bother with the series, and it seems no one else did either, it bombed and was swiftly cancelled, the eight completed episodes were retiled a mini-seriesMarvels Inhumans

Iron Fist (2017 – 2018) – The weakest of the Netflix shows.  Finn Jones plays Danny Rand, A young man who returns to New York after being presumed dead for fifteen years following a plane crash. Rand has heightened martial arts abilities, and the ability to call upon the mystical power of the Iron Fist.  The character isn’t very well written, and the plots are less engaging than those  in the other series.  It is helped by a strong supporting cast most notably Jessica Henwick as Colleen Wing.  I watched all 23 episodes (across two seasons) but took longer over it than any other Netfix/MCU show.  As a side note Danny Rand appears as a supporting character in a few episodes of Luke Cake, and works better as a supporting character. Iron Fist

The Defenders 2017 –  Daredevil, Jessica Jones, Luke Cage, and Iron Fist, join forces to fight a common enemy, the Hand.  It was been suggested that it was the least-viewed Marvel Netflix following mixed reviews and word of mouth.  I enjoyed it and watched all eight episodes in quick succession. the defenders

The Punisher (2017 – 2019) – The final MCU/Netflix show.  Probably the most consistently excellent MCU show, and at its best it is as good as Jessica Jones, and Daredevil.   Jon Bernthal plays Frank Castle a former cop turned vigilante “the Punisher”, after the loss of his family.  First introduced in Daredevil, the first season goes back to tell the well trodden origin of the character.  The second season is actually better.  Another show that deserves more than the 26 episodes it got. The Punisher

Marvel’s Runaways (2017 – 2020) The plot (copied from wikipedia):  “Six teenagers from different backgrounds unite against a common enemy – their criminal parents” sounds interesting.  There are twenty episodes to date, with a final season of ten due out later this month.  I haven’t seen any of them yet, but may get around to it. Radio On

Cloak & Dagger (2018 – 2019) The unsung hero of the MCU TV.  Two very different teenagers  with seemingly unconnected powers find they are more effective when working together.  An excellent show that combines all the tropes of a teen romance, with a superhero show.  Sadly cancelled in the Disney+ cull of competing Marvel properties, it deserves a third and final season.  It has been rumoured that stars, Olivia Holt and Aubrey Joseph are reprising their characters in the supporting cast of the final season of Runaways, another reason to catch up with it.AUBREY JOSEPH, OLIVIA HOLT

So what does Disney+ have planned for us to replace everything that has been cancelled?  The following shows have all been slated and are at various stages of production.

  • The Falcon and the Winter Soldier (Filming – due: late 2020)
  • WandaVision (Filming -Due: early 2021)
  • Loki (Pre Production – Due 2021)
  • What If…? (In Production (animated) – Due: 2021)
  • Hawkeye (Ordered – Due: 2021/2022)
  • Ms. Marvel (Ordered – Due: TBA)
  • Moon Knight (Ordered – Due: TBA)
  • She-Hulk (Ordered – Due: TBA)

The interesting thing, the first three are only set to have six episode first seasons.  Is this because they are so expensive, or are Disney spreading their properties too thinly?  Are they a toe in the water before a longer full season is ordered, or are has this just been misreported? Given the level of the MCU movies, I expect the new shows to be top quality.  I’m just not convinced cancelling excellent shows that still have millage in them the best way to do it.  Maybe there is truth to the rumour of a Disney+ reprieve for Jessica Jones and Daredevil! 

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a long time agoThere has been lots of talk about where the Star Wars saga should go.  I was skeptical about Rogue One: A Star Wars Story and if it were a good idea, ultimately it turned out to be fantastic.  The as yet untitled Han Solo movie is a step further.  Firstly to make a young Han Solo movie it requires a new young actor to plan Han Solo, if you have to do it, Alden Ehrenreich is a good choice, but do they have to do it?  Is Han Solo’s past not best left a mystery?  It is clear why Disney want to make the film; existing properties are the vain of gold that the studio are most expert at tapping, the value of this vein is greatly increased by the addition of an A list character from the franchise.  So where does the franchise go from here? han solo movie cast

Around the time of the original release of Return of the Jedi, I remember an interview with George Lucas where he spoke of a nine film series.  The original trilogy followed by two further trilogies, one prequel, on sequel.  By the time the prequels came out Lucas had changed his tune suggesting that he was too old to make any further films beyond the second trilogy and furthermore, there was only ever going to be two trilogies, the original and the prequel series telling the story of the rise, fall and redemption of Anakin Skywalker/Darth Vader. star_wars_episode_one_the_phantom_menace_ver1

As luck and a strange twist of fate, or to be more honest money would have it, we are now getting the third trilogy.  But what next? to quote Winston Churchill (hopefully correctly) “This is not the end, this is not even the beginning of the end, this is just perhaps the end of the beginning”.  So what next, after the Han Solo movie and episodes VII and IX?  There has been constant suggestions of a Boba Fett movie, I am not sure why, he has never been an interesting character.  There is however a whole universe and a thousand generations of stories to be told!

A notable thing about original story is the time in which they are set.  The fight for good and evil, light and dark is told over three films, each set over no more than a few days, this works for the original films but will not work with an origin story.  The second and third prequels stretch the idea to tell their storey over a longer period, this is to their detriment. So back to those thousand generations.  The original conversation between Ben/Obi-Wan Kenobi and Luke Skywalker tells us so much of the Star Wars universe, in some ways too much as George Lucas had to retcon so much of it to fit the Empire Strikes Back and Return of the Jedi into the mythology, this was even before he started rewriting everything to make the prequels work.  But there remains one statement from Obi-Wan Kenobi still untouched of diluted:

“For over a thousand generations, the Jedi knights were the guardians of peace and justice in the old Republic… before the dark times… before the empire.”luke and obi wan

How long is a thousand generations and what stories could be told?  Best guess, a thousand generations is around 20,000 to 25,000 years.  The stories are endless, You could start with the origin of the Jedi and the start of the battle between light and dark.  This however could be too much of a religious allegory , far better would be individual stories of turning points in the battle.  These could be told in a single stories or trilogies.

The possibilities are endless.  Where and when did the Jedi begin?  Was this a time before intergalactic travel and set on a single planet?  Would you tell the story of The First Jedi?  Who came first, The Jedi or The Sith?  Did one begin as a balance to the other, or did they start out as the same thing and one broke away over disagreements on the use of the force.  I like the idea of a story of a young apprentice learning the ways of the force with his master, only to discover that they are the bad guys not the good guys, we the audience should realise this before the apprentice but not before long before.  The final act would be the apprentices own personal battle between good and evil as he/she has to choose between what they have always known and what they now understand to be right.  Both the prequels and The Force Awakens suggest young Jedi are taught as a collective before been taken on by a master, is there room for a Jedi high-school movie? Jedi are presented as little monk like, how about the story of the first female Jedi? What about Yoda origin story, or even better a story of a power struggle on the Jedi council with a young Yoda as new, headstrong and less wise character than we know.yoda and younglins

As mentioned, the possibilities are endless, I am sure Disney have both the quality and quantity of writers to be able to think up more and better ideas than me, I just hope they do it, I want to hear a thousand generations of Jedi stories.

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“I’ve got a very bad feeling about this.” Han Solo, Star Wars (1977)

 With the news that Disney is to acquired Lucasfilm for a reported $4billion and that a new Star Wars movie series is on the way speculation is mounting as to how it will work. The first thing that springs to mind is what is George Lucas thinking? I remember seeing an interview with him around the time of return of the Jedi where he suggested that he always saw the saga as nine films, three before and three after the original trilogy. Then around the time of Revenge of the Sith he had changed his mind saying that the saga had always been about the rise, fall and redemption of Anakin Skywalker/ Darth Vader and that there was nowhere else for the story to go adding that he was too old to do it all again. Far be it from me to say that he has sold out or cashed in, but it does appear that that is what is happening. This in itself isn’t a problem providing it is done well. We have already seen with the prequels that George Lucas is capable of screwing up his own franchise an that other new talent can reinvent a previously stale one: J.J. Abrams with Star Trek springs to mind.

It has been suggested the first new film will be called Star Wars: Episode VII. This suggests following on from Return of the Jedi is what they have in mind. A setting around thirty years after Jedi would work both with the gap between episode III and IV and with the age of the original cast if they are to be used. A thirty year gap will also give the opportunity for Han and Leia to have kids who will now be in their twenties and can play a significant part in the story. Luke could have started to rebuild the Jedi finding and training new young gifted apprentices. A possible plot that could spring from this could involve an apprentice (or group of apprentices) exploring the dark side of the force creating a new threat. This could be attributed to Luke taking on and training multiple pupils instead of the traditional single master and pupil relationship. There have also been suggestions for a film set just after Jedi, this would be a bad idea as it would mean recasting the original characters or using some horrible CGI to make the old actors look young, does anyone remember Patrick Stewart at the end of X-Men Origins: Wolverine?

This leads us onto other ideas, first the possibility of going years into the future; I have heard the name The New Jedi Order suggested. This would possibly amount to a reboot of the original idea set in the future with new characters. I personally favour a different option. Going back to an older time. I seem to remember Ben/Obi-Wan Kenobi telling Luke that the Jedi were guardians of the universe for a thousand generations. This gives us anything up to 50,000 years play with. Although I am more than familiar with the six existing movies, I have never read any of the spin-off literature or played any of the games relating to Star Wars. With this in mind two titles that I have heard mentioned are Dawn Of The Jedi and Knights of the Old Republic, I have no knowledge of their stories, but the titles sound good. It is conceivable that over time more than one of these ideas could be explored. The one I would most like to see would be the origin of the Jedi and the Sith set in an older simpler time. Were the Jedi formed to combat the dark side of the force or were the Sith an offshoot of the Jedi as some of the order were corrupted by the search for greater powers? Are the Jedi less honourable and good than we think? Were they an attempt by a government to control anybody who is different, anyone with special powers? All these ideas could be explored. However, if we are going to have original cast members in the movie they need to do it now, Mark Hamill is 61, Carrie Fisher is 56 and Harrison Ford is 70.

One thing they should look at in any new saga is a strong female character, possibly a leading Jedi or Sith. Although Natalie Portman’s Padmé had her moments, the prequels lacked anyone with the presence of Leia when they really should have had a stronger character. I’m sure there is a law somewhere in Hollywood stating that Jennifer Lawrence has to be at least “attached to” every new film so just give her lightsaber and see what happens! There has also been suggestion for some time of a TV show set between Revenge of the Sith and A New Hope featuring some of the secondary characters such as The Hut and fanboy favourite Boba Fett. There has to be some mileage in this as well as the X-Wing novel series that started with Rogue Squadron just after Return of the Jedi.

And finally who could do justice to this most treasured franchise? Two names already working within the Disney family spring to mind: Joss Whedon and Bryan Singer.

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