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Posts Tagged ‘Cate Blanchett’

You may have noticed that beyond my own awards “The Groovers” I haven’t written about this awards season.  With the 86th Academy Awards taking place tonight it seems like a good time to explain why,  the simple reason apathy.

There are two real contenders for the best picture Oscar with two or three possible contenders.  the rest are making up the numbers.  I would be happy to see any of the four/five contenders win the award.  Similar story with the best director, I would be happy to see four of the five win.  Sandra Bullock is the only person with a realistic chance of beetling Cate Blanchett to the best actress.  Best actor looks like a straight fight between Chiwetel Ejiofor and Matthew McConaughey.  The only category I have any real investment in is best supporting actress, simply because I don’t think my choice of Sally Hawkins will win.blue-jasmine1

The one category I will be looking out for is best adapted screenplay.  I don’t think Richard Linklater, Julie Delpy and Ethan Hawke are going to win, but it is the only category either of my two favorite movies of 2013  is nominated in, Stoker has no nominations.Richard Linklater Julie Delpy Ethan Hawke for Before Midnight

But we do have the one award that is always interesting, Best Foreign Language Film.  unfortunately none of the five contenders made it to my local cinema so I have only seen two of them.  And again, I don’t think either of the ones I have seen will win, so again, little or no investment.  imgres

So I am bitching about the Oscars, not for the first time.  How about BAFTA?  The British awards get it right, don’t they.  Well they kind of did.  I struggle to disagree with any of the awards, but that means there were no surprises.   So whose fault is it?  Film makers for making safe awards bait, the Academy for falling for it, or me for being so cynical.   Probably a combination of all three.  Two movies are likely to clean up, 12 Years a Slave is an important movie with a worthy story, Gravity is technologically brilliant, but it does make the whole awards season a little dull.  Ultimately the problem is awards themselves, like star ratings they are a pointless.  Are the award winners better than the other nominations? No! Are films that don’t win awards worth watching? Yes Do we enjoy a movie more because it has awards? No! Am I answering my own questions? Yes! Awards are great for the industry to pat itself on the back and helps some movies find an audience but I can’t comprehend that one film is better than all others especially when some of my favorite movies, like Stoker don’t get noticed or recognised.  12 Years a Slave

I will be taking note of who wins in morning but I am just not that bothered.  I am more interested I what great movies I will get to see in the next year.  

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Dom 5As the award season hots up, its time for the third annual groovers awards. All awards are chosen by me and the criteria for eligibility is decided by me. Most of the awards are self explanatory: Best Movie, Best Actor, Best Actor and Actress, Best Screenplay (original or adapted), Best Foreign Language Film. The Best Looking Movie is just as it sounds, the movie that looks best, a combination of design and photography. The Fandango Award; Fandango was writer/director Kevin Reynolds debut (and best) feature, and the first notable movie for star Kevin Costner. The Fandango award goes to a writer, director of star for a debut or breakthrough movie.

Best Movie: StokerStoker

Best Director: Alfonso Cuarón for GravityAlfonso Cuarón for Gravity

Best Actress: Cate Blanchett for Blue JasmineCate Blanchett for Blue Jasmine

Best Actor: Matthew McConaughey for Dallas Buyers ClubMatthew McConaughey for Dallas Buyers Club

Best Screenplay: Richard Linklater, Julie Delpy, Ethan Hawke for Before Midnight Richard Linklater Julie Delpy Ethan Hawke for Before Midnight

Best Foreign Language Film: The Broken Circle BreakdownThe Broken Circle Breakdown

Best Looking Movie: GravityGRAVITY

Fandango Award:  The award goes to Jeremy Lovering and Alice Englert for In Fear. Although his debut movie, Jeremy Lovering has been directing for TV for 20 years. Although this is rising star Alice Englert third movie, it was actually shot before the other two. Jeremy Lovering and Alice Englert for In FearA special mention to Dustin Hoffman who at the age of 75 and after more than 50 years in the business decided to turn his hand to directing with Quartet but he didn’t win.Dom 5

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If you take a look at the top ten grossing movies of the year so far there are seven sequels (Iron Man 3, Despicable Me 2, The Hunger Games: Catching Fire, Monsters University, Fast & Furious 6, Oz The Great and Powerful, Star Trek Into Darkness) and a reboot (Man of Steel). World War Z (based on a book) will probably be knocked out of the top ten by The Hobbit: The Desolation of Smug leaving Gravity as the only original property to bother the top ten. Do audiences only go in large numbers to see sequels of franchise movies or do studios only commit large amounts of money to existing properties that a ready made audience? The $825million taken by Christopher Nolan’s Inception proved that a totally original movie could make money, however it would probably never been given the green light if not for the $1billion The Dark Knight took. As cinema prices creep up and audiences become ever more selective, studios become more cautious making it a self fulfilling prophesy relegating most original ideas to smaller films. With this in mind, here are my top five original movies of the year. Original movies, not a sequel, prequel, remake, re-imagining or reboot. Also, not based on a book, comic book or true story.

Stoker: In the year that the remake of Chan-wook Park’s masterpiece Oldboy limped onto cinema screens Stoker proved to be Park’s best film since Oldboy. The original screenplay was written by actor Wentworth Miller. A weird, beautiful and sublime blend of melodrama, psychological thriller and coming of age drama. Budget: $12,000,000 (estimated)stoker

Gravity: Alfonso Cuarón’s space adventure about a pair of astronauts trying to find a way home after a collision in space is a truly stunning film and the first film that should be seen in 3D preferably IMAX 3D. Budget: $100,000,000 (estimated)GRAVITY

Prisoners: Great acting from ensemble cast and stunning photography from Roger Deakins combine with taught direction French-Canadian director Denis Villeneuve making his English-language debut elevate this from a genre movie with an overt subtext to a really good film. Budget: $46,000,000 (estimated)Prisoners

The East: An original story of the murky world of private intelligence firms and an environmental anarchist collective. Written by director Zal Batmanglij and star Brit Marling. It is notable for great acting and its dark melancholic tone. Budget: $6,500,000 (estimated)The East

Pacific Rim: To call Guillermo del Toro’s monsters vs. robot movie original would be a stretch as it appears to be based on every other monster movie/comic book to have gone before it, however it isn’t directly based on any other previously produced work. It makes the list ads it is just great fun, pure and simple. Budget: $190,000,000 (estimated)PACIFIC RIM

Mud – the continuing renascence of Matthew McConaughey.
The Counsellor – Cormac McCarthy’s first screenplay is far better than has been reported
About Time – Charming and funny time travel comedy from Richard Curtis.
Blue Jasmine – Cate Blanchett, deserves an Oscar.
Elysium – Neill Blomkamp’s Sci-Fi action drama lacks subtlety but is still good

Check back at the end of the month to see how many of these movies make my top ten of the year.

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The Dark Knight Rises may turn out to be both the biggest and the best film of the year. Every movie fan with a virtual soapbox to stand on will review it in one way or another, I may do so myself some time in the future, but for now I will not. Instead I have decided to do something different. I am looking at the key players in the movie and picking out my favourite of their movies or performances excluding The Dark Knight Trilogy.

Christopher Nolan: The modern interpretation of the term masterpiece refers a pierce of art (in any medium) that is receives high critical praise and is often considered the pinnacle of the artists career. But the original, true meaning is very different. During the old European guild system, an apprentice wishing to graduate from a guild and become a master craftsman or member of their guild would have to produce a Masterpiece. If successful, the piece would be retained by the master or the guild. Using this theory, Following (1998) is Christopher Nolan’s masterpiece. An ultra low budget mystery, crime, thriller with no star names. This led to him making Memento (2000), a simple revenge, thriller that is elevated to a superior mystery by the ingenious idea of telling the story backwards. Using the same criteria, it could be argued that Following was a practice run and Memento is the true masterpiece. Taken on its own merits Insomnia (2002) is a great movie, it just isn’t as good as the Norwegian original. It is a worthy and justified remake that is sympathetic to the story of the original but has its own individual touches. You know how movies come in two’s, this year there are two Snow White movies, a few years ago there were to giant asteroid movies, 2006 was the year of the Victorian stage magicians. Neil Burger’s The Illusionist was good, Christopher Nolan’s The Prestige was much better. Legend has it that after The Dark Knight took a billion dollars Warner Bros let Nolan make any movie he liked. What he came up with was Inception (2010) a little art house movie disguised as a big budget studio blockbuster. Inception may well be his best (non Batman) film, but for introducing me and most of the rest of the world to his work I am declaring Memento to be both his masterpiece and finest hour for Christopher Nolan.

Wally Pfister: Cinematographer/Director of Photography Wally Pfister started out as a cameraman for a Washington news service before being given his first break by Robert Altman. He then enrolled in American Film Institute where a film he worked on was nominated for the Academy Award for Best Live Action Short Film. Like so many great filmmakers, he received his first break as a Cinematographer from Roger Corman. Most of his notable works have been on Christopher Nolan films, he was nominated for the Academy Award for Best Cinematography for Batman Begins, The Prestige, The Dark Knight finally winning for the movie that truly is his finest hour, Inception.

Christian Bale: Where do you start with Christian Bale? A child star in Empire of the Sun who found real fame in his late twenties. Noted for his extreme physical transformations for the movies The Machinist and Rescue Dawn, in I’m Not There, it is a tossup between him and Cate Blanchett as to who is the best “Dylan”. In 3:10 to Yuma, The Prestige, The Fighter, Public Enemies and Terminator Salvation he gives more subtle and low key performances than his co stars, it is therefore a surprise that his finest hour is probably his most showy and over the top performance, Patrick Bateman in American Psycho.

Anne Hathaway: Many people know Anne Hathaway from her film début The Princess Diaries and can’t see beyond that. I first saw her in Havoc or Brokeback Mountain (saw them both around the same time) where despite all the praise going to Heath Ledger and Jake Gyllenhaal I thought the best performances came her and Michelle Williams. I was impressed enough to go and see The Devil Wears Prada and enjoyed it, but her finest hour is Rachel Getting Married. A family drama about a young woman who is released from rehab to attend her sisters wedding. A truly an amazing performance, her character is ultimately a miserable, selfish, narcissistic bitch but she also comes across as vulnerable, funny and sometimes even likable. 

Tom Hardy: I have seen many movies featuring Hardy and remember a great buzz about him around the time of Star Trek: Nemesis, but to be honest I really didn’t take notice until Bronson. Since then he has been brilliant in everything I have seen him in. as for his finest hour, it could easily be Warrior where his performance is monumental or Inception where he offers some great comic relief within an ensemble, but it has to be Bronson. 

Gary Oldman: How do you pick the finest hour from the thirty year career of an actor as talented as Oldman? Far more varied than you would think Oldman is at his best when he is wild and out of control, look back at Sid Vicious in Sid and Nancy, Stansfield in Leon and Beethoven in Immortal Beloved. That is why it may come as a surprise that his best performance may well be his most low key and economical performance, George Smiley in Tinker Tailor Soldier Spy. 

Michael Caine: Gary Olman’s career may be long but Michael Caine has been around for ever, certainly since before I was born. Many of his most notable performances came in the mid/late 60’s and early 70’s and include: Alfie, Sleuth, Zulu, Get Carter and The Ipcress File. He reinvented himself in more comic roles in the 80’s such as: Educating Rita, Without a Clue and Dirty Rotten Scoundrels. Outside Christopher Nolan movies, the pick of his 21st century movies are The Quiet American, Children of Men and Harry Brown, but for his finest hour, you need to go back to the 60’s for his iconic performance as Charlie Croker in The Italian Job.

Morgan Freeman: Freeman found fame relatively late in life. In his early fifties and after thirty years in the business, in a two year period he appeared in Driving Miss Daisy, Glory, Robin Hood: Prince of Thieves and The Bonfire of the Vanities. He makes a lot of movies, therefore there is a certain amount of crap in there too, but the highlights are very high, the include: Unforgiven, Se7en and Million Dollar Baby. His finest hour is probably The Shawshank Redemption. 

Marion Cotillard: A captivating actress who has been brilliant in every film I have ever seen her in. For many people she if best known for her Oscar winning portrayal of Edith Piaf in La vie en rose. Others will know her from her English language movies: Public Enemies, A Good Year, Big Fish and Nine. She was also memorable in Midnight in Paris and Inception. Although deep down I know her finest hour was as Edith Piaf in La vie en rose, I still go back to where I first saw her, Lilly, the long suffering but high maintenance girlfriend in Taxi (and its first two sequels).

Joseph Gordon-Levitt: The former child actor found fame as a teenager in the TV show 3rd Rock from the Sun. his most notable movie appearances from this time is probably 10 Things I Hate About You. He went on to appear in: Havoc (along side future Dark Knight Rises co-star Anne Hathaway) and earned acclaim in Mysterious Skin Stop-Loss and The Lookout. In recent years he has impressed in 500 Days of Summer, 50/50 and Inception, but his finest hour is still the high school noir Brick. 

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