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Posts Tagged ‘Carnage’

New movies seen at the cinema this month:

Chronicle – Three highs school students develop telekinetic abilities, but what will they do with them? A surprisingly good low budget movie, the found footage element is unnecessary and holds the narrative back especially in the finale.

Carnage – Two New York couple meet in one of their apartments to discuss a fight between their eleven year old sons. The amicable facade soon fades and is replaced by outright hostility. There is some great acting particularly from Christoph Waltz but the movie fails to rise above its theatrical origins.

Young Adult – Following her divorce, a “young adult” fiction writer returns to her Minnesota hometown aiming to hook up with her high school boyfriend who is now happily married and has a newborn daughter. A fantastic script from Diablo Cody gives Charlize Theron a platform resulting in an outstanding performance.

Man on a Ledge – A police psychologist is sent to talk an escaped convict (who claims to be innocent of the crime he was convicted for) off the ledge of a Manhattan hotel. If you have seen the trailer you probably know the rest of the story. Unoriginal and predictable but generally good fun. The only real problem Jamie Bell and Genesis Rodriguez in supporting roles are far more interesting than Sam Worthington and Elizabeth Banks.

The Woman in Black – Daniel Radcliffe breaks from Harry Potter with an old fashioned haunted house movie that is notable for been the best movie from the resurrected Hammer. Atmospheric and haunting movie with a well balanced threat of melancholy running through it.

A Dangerous Method – The origins of psychoanalysis told through the relationship of pioneers in the field Carl Jung and Sigmund Freud. Intriguing and interesting with fantastic performances but lacking purpose, direction and depth.

Ghost Rider: Spirit of Vengeance – The sequel to 2007’s Ghost Rider is a slight improvement on the terrible original but is still an incoherent mess. Nicolas Cage’s over the top performance is fun but the film falls flat as does the poor and pointless 3D.

Extremely Loud & Incredibly Close – A socially awkward nine-year-old searches New York for the lock that matches a mysterious key that belonged to his father, who died in the World Trade Centre. Not as bad as some reviews you would have you believe but certainly not deserving its pest picture Oscar nomination.

Rampart – Set against the Rampart scandal in late 90’s LA and telling the story of an old school cop who doesn’t let the law get in the way of his way of doing things. A week narrative, a sloppy structure and lack of focus hinder what could have been a compelling watch. As it is, the main reason to see the movie is a fantastic performance from Woody Harrelson.

I am honestly torn this month as there are three movies I loved. Chronicle, I had no expectations for but really enjoyed. The Woman in Black, a supremely well made chiller that dispels the myth that they don’t make them like the used to. But just edging it to be the movie of the month: Young Adult, largely for the Oscar worthy performance from Charlize Theron.

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The BAFTA long-list has been announced today. The list is made up of between five and fifteen nominations in each category, it will be whittled down to five to create the actual nominations announced on the 17th of this month. As the British equivalent to the Oscars often has a strong home-grown leaning it is no surprise that My Week With Marilyn and Tinker Tailor Soldier Spy lead the way with sixteen inclusions each.

The thing I find surprising is some of films that have been included: The Artist, The Descendants, The Iron Lady, War Horse, J. Edgar, Shame, Young Adult and Carnage. The problem isn’t that they are bad or undeserving films, it is that it haven’t seen them. Or to be more precise, that I haven’t been given the opportunity to see them yet. Two of the films I refer to went on general release today, the rest are yet to be released. This is a bizarre state of affairs for an award ceremony that is supposed to represent the best films seen in UK cinemas during 2011. A quick look at the BAFTA website explains the loophole in eligibility:

“Films must be released theatrically in the UK, within the Academy awards year: 1 January to 31 December 2011. Films that open between 1 January and 10 February 2012 inclusive may be ‘qualified’ by Distributors by being screened to Academy Film Voting Members by Tuesday 20 December 2011”.

I can only speculate the reason for BAFTA’s desire to include otherwise ineligible movies. If asked they would probably tell you that they want to be inline with the original release date of the movies and other award ceremonies. My opinion, they relish their new importance as the forerunner to the Oscars. While I don’t have a particular problem with either possibility I cant help thinking that if distributors want their movies to be eligible for awards they should show them during the “awards year” so ordinary cinemagoers like me can see them.

I also have another fear for the strange practice; providing they don’t screen utter crap, the voters could be unduly influenced by a film being put forward in this way. This already happens to a small degree by the time of year that a film is released. In last years best picture category (nominations: The Kings Speech, Black Swan and True Grit, Inception and The Social Network) three of the five nominated films were released after 31st December 2010 and none of the movies were released in the first half of the year. It isn’t just about the BAFTA’s, along with other early award ceremonies like The Golden Globe (awarded by the Starfuckers of the Hollywood Foreign Press Association) the awards help influence the nominations and ultimately the winners of the Oscars.

Aside from the complaining, I would like to express my delight at a some of the included films: Drive (isn’t a typical award film), Senna (I didn’t know documentaries were eligible in the best picture category). And in the acting categories: Antonio Banderas – The Skin I Live In (none English performances are often overlooked), Brendan Gleeson – The Guard (line foreign language, comedy are often overlooked), Christopher Plummer – Beginners (released back in July – the academy have short memories).

As mentioned the nominations will be announced on 17th January and the awards will take place on Sunday 12th February.

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