Sequels Suck?

In a particularly meta moment in the oh so meta Scream 2, Randy (Jamie Kennedy) tells us “Sequels suck!” and “By definition alone, sequels are inferior films!”. Classmate Mickey (Timothy Olyphant) disagrees “It’s bullshit generalization. Many sequels have surpassed their originals.”  He suggests T-2, another classmate played by Joshua Jackson thinks “Aliens. Far better than the first.”  While I don’t totally agree, I prefer The Terminator to T-2, and love Alien and Aliens equally, there are however, some horror sequels and second films is series that I prefer to the first:

Bride of Frankenstein (1935): I love the original, but the sequel has the edge.  Together cinematographer John Mescall and art director Charles D. Hall, director James Whale created Expressionist masterpiece that isn’t just a horror movie, it’s also a social satire and a comedy.  The greatest of the Universal horrors. 

Dawn of the Dead (1978): George A. Romero’s masterpiece came a whole decade after the original film, Night Of The Living Dead. Tom Savini (who also appears in the film) provided the zombie makeup that makes the film so effective.  The allegory of modern consumer society is more and more relevant as time passes.  A film that manages to be both a truly gruesome horror and a clever satire. 

Evil Dead II (1987): Bruce Campbell returns as Ash in Sam Raimi’s sequel to The Evil Dead.  It is essentially more of the same from the first film but more polished, more gory and a hell of a lot funnier. 

Dracula: Prince of Darkness (1966): Most fans will tell you the first Hammer Dracula, Horror of Dracula from 1958 is the best.  While a great film and one of the studio’s best, it is a retread of Bram Stoker ‘s original often told story.  Prince of Darkness is an original story, and a really effective one. It lacks  Peter Cushing as Van Helsing (except a prologue recap of the previous film) but Andrew Keir’s Father Sandor is a suitable substitute.  Famously, Christopher Lee doesn’t speak in this film (as the dialogue in the script was so bad), this makes his performance is more chilling.  A true horror that has a feeling of dread from start to finish. 

Blade II (2002): Wesley Snipes is perfectly cast as the half human, half vampire “daywalker” vampire hunter.  Predating the MCU, Blade (1998) proved what Marvel movies could be.  It works as both a horror, and an action movie, with suitable amounts of both gore and humour.  How could you make this better?  Hire Guillermo del Toro to direct it!  del Toro brings even more style, but also, as always  he plays with the idea of who the monsters are. 

The Devil’s Rejects (2005): Admittedly this one has something of low bar, 2003’s House of 1,000 Corpses wasn’t great, but this second instalment of the (mis)adventures of the Firefly family is a really solid grindhouse inspired gore-fest.  By far the best Rob Zombie directed movie, and the end is fantastic.  A third instalment 3 from Hell is in post production and due out in 2019. 

10 Cloverfield Lane (2016):  Totally different to the original, telling a very different story, and dropping the now tired found footage gimmick.  Most of the film is a claustrophobic three-hander; John Goodman is fantastic, Mary Elizabeth Winstead is even better. 

I have only included horror movies, there are plenty of examples from other genres, I have also stuck to examples where I think the sequel is better than the original movie, not merely good sequels.  

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Original ideas in Vampire Movies

The Twilight Saga (2008 – 2012) is loved and loathed in equal measure, it does however give us a different type of vampire in a different type of vampire movie. Here are a few more vampire movies with original ideas.

Sunlight in Nosferatu (1922)

Nosferatu, eine Symphonie des Grauens translated as Nosferatu: A Symphony of Horror; or simply Nosferatu (1922) directed by F. W. Murnau and starring Max Schreck was adapted from Bram Stoker’s Dracula the names were changed, not to protect the innocent, but because the studio did not obtain the rights to the novel. They didn’t even use the word vampire, instead replacing it with Nosferatu. Despite being an adaptation, Nosferatu has some original ideas, one of them has become a mainstay of vampire movie ever since (except Twilight). Sunlight. In the original novel Dracula avoids daylight as he is weakened by sunlight. Orlok (as he is called in Nosferatu) is destroyed by sunlight.

Kung Fu vampires in The Legend of the 7 Golden Vampires (1974)

Blade (1998) reinvented the vampire movie, not as a horror but as an action movie. The Legend of the 7 Golden Vampires (1974) was a co production between Hammer Studios and Hong Kongs Shaw Brothers Studio. Having lost its way from Scars of Dracula(1970) onwards a change was needed and in The Legend of the 7 Golden Vampires was certainly a change. Relocating the story to China and utilising the skills of both legendry Hong Kong action director Chang Cheh and Roy Ward Baker, a veteran of several previous Hammer films. The result is a bonkers 83 minute action horror that is both brilliant and original.

Realism in Near Dark (1987)

Vampire movies are fantasy as any movie containing a fictional species is, however vampire stories tend to be more complicated than that. With stories of good and evil, darkness and light, they are often more religious or spiritual stories. The weapons that destroy vampires often signify purity, they include crucifixes and holly water. Near Dark takes a different approach. Essentially a modern day western, a dustland fairytale were salvation comes not from a mysticism but from a blood transfusion.

It’s fun to be a vampire in The Lost Boys (1987)

Those who only know Joel Schumacher as the director that killed the Batman franchise in the 90’s will be surprised by his pop culture credentials. As a twelve year old , The Lost Boys was amongst my favourite movies. Although the conclusion is the usual good over evil scenario we have come to expect from a vampire movie, the hour leading up to the conclusion is exactly what the tagline promises: Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.

Melancholy in Interview with a Vampire (1994)

Based on the novel of the same name by Anne Rice is the story of Louis de Pointe du Lac (Brad Pitt), a man who following the the deaths of his wife and child has lost the will to live. Offered death by the mysterious Lestat de Lioncourt (Tom Cruise) he instead asks to live and in return is given the eternal “life” of a vampire. What follows is a an existential story based around the melancholy of an unusually long life. Not a completely original idea but probably the best example of the idea.

30 Days of Night in 30 Days of Night

Ever since Nosferatu vampires have seen vulnerable to sunlight so why did it take so long to set a vampire movie in a place with no sunlight? 30 Days of Night was originally an unsuccessful film pitch, in 2002 it became a three issue graphic novel mini-series written by Steve Niles and illustrated by Ben Templesmith. Five years later it became a movie directed by David Slade. Both comic and movie tell the story of the fight for survival as a group of vampires descend on Barrow, Alaska during its month-long “polar night”.

What happens when the food runs out? in Daybreakers (2009)

Vampires are mysterious creatures that exist in the shadows, it is often the case that they appear in movies without the other characters knowing of their existence. But what happens when vampires are take over the world and become the dominant race? Simple they run out of food and that’s the premise of Daybreakers (2009).

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Bram Stoker (8 November 1847 – 20 April 1912)

165 years at 15 Marino Crescent in Clontarf, a coastal suburb on the north side of Dublin, Charlotte Mathilda Blake Thornley gave birth to the third of her seven children. You have probably never heard of her of her six other children, but you may now the third, Abraham “Bram” Stoker. In 1897 at the age of fifty, he published his fifth and most famous novel Dracula. Over 200 actors have played Dracula in around 300 films and TV episodes. My favourite of these has always been Christopher Lee. The English Knight played the Transylvanian Count numerous times mainly in Hammer movies. Is it because he is the best or just the first actor I saw play the part, probably a bit of both! When I was about ten years old I was introduced to Christopher Lee, I had no idea who he was. A few months later Channel 4 started showing a series of old Hammer Horror movies starting with Dracula: Prince of Darkness. Not only was this my introduction to Dracula, but to horror movies in general, for that reason, I can think of no better way to celebrate Stokers birthday that to talk about one of my favourite Hammer Horror movies.

Dracula: Prince of Darkness (1966)

“There’ll be no morning for us”

The movie starts with a prologue made up of the closing scenes of the previous film (the first Hammer Dracula) complete with a voiceover explaining the destruction of Dracula (Christopher Lee). We cut to a group of English tourists including Charles Kent (Francis Matthews, a sort of low rent Cary Grant type) who are stranded by a superstitious coach driver whist on their way to Carlsbad. After a coach and horses turns up out of nowhere, they find themselves rescued and accepting the “hospitality” of a dead count in his mysterious castle. I won’t give the plot away but I think you can guess that the castle belongs to Dracula and it is no accident that they have found their way to his castle.

An interesting movie, the story is original but holds many similarities with the original, this is evident in the characters. The traditional Van Helsing character (played by an un-credited Peter Cushing in the prologue) is replaced by Father Sandor (Andrew Keir who went of to play Prof. Quatermass in the Hammer movie Quatermass and the Pit). Charles and Diana Kent (Francis Matthews & Suzan Farmer) are a good stand in for Jonathan and Wilhelmina Harker. Ludwig (Thorley Walters) fills the Renfield part. The movie did two things for the genre: it set the template for the Hammer Dracula movies and also opened the floodgates for Dracula (and vampire movies in general) to move away from the original Bram Stoker novel. Directed by Hammers greatest director Terence Fisher the film has a perfect blend of carefully manipulated tension and just enough gore and horror to make this a great atmospheric movie that only Hammer could have made. There has been some contention as to why Christopher Lee’s Dracula is mute, whatever the reason it just makes it more sinister. A Must for all classic horror fans. The significance for this movie for me goes beyond the film itself, had I not seen it, I would not have become interested in Hammer Horror and certainly would never have read Bram Stokers original novel.

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