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Posts Tagged ‘Beasts Of The Southern Wild’

Having now seen all but one of the best picture nominations I thought it was time to take a look back at the contenders and a few of the movies that missed out.

Amour: The only nominated movie I haven’t seen yet, I hope to see it on Monday when my local cinema is showing it for one night only.
Will it win? probably not but it will most likely win the best foreign language Oscar.  Amour
Argo: A political drama/thriller story based on real events that is tense and funny in equal measure and at the right times. Set in 1979/80 it often feels like a 70’s movie and is all the better for it, it’s a film that will age well making it a contender as a future classic.
Will it win? It certainly has momentum after its BAFTA and AFI wins. Actors form a large voting contingent and the they like to vote for their own so Ben Affleck’s presence as director could help but he has been snubbed in the Best Director category.

Ben Affleck in Argo
Beasts of the Southern Wild: The surprise indie hit of last year by first time director Benh Zeitlin. Stunningly shot fantasy that at its best may be metaphor for the environment and the way we treat it. It is however an esoteric mess of a film that while good, I fail to recognise the greatness others see in it.
Will it win? As a low budget indie movie with a tiny budget and a small gross it has the feeling of the “just glad to be nominated” film of the year.Beasts of the Southern Wild
Django Unchained: Where do I start with Quentin Tarantino’s Blaxploitation Spaghetti Western. Set against the backdrop of slavery it makes an interesting companion peace for Lincoln. Its too long and self indulgent to be a great film the violence is poetic and the dialogue sumptuous.
Will it win? The academy seems to want to keep Tarantino at arms length. The movie is more likely to pick up Oscars in acting and writing categories.Django Unchained
Les Misérables: I’m not a fan of musicals but largely enjoyed this one. Hugh Jackman, Eddie Redmayne and Anne Hathaway are great, Russell Crowe is terrible. The pacing and the editing all feels off making a collection of disjointed moments rather than a coherent movie.
Will it win? When it first came out I thought it would win but it doesn’t seem to have any momentum.Les Misérables
Life of Pi: An amazing achievement in film making. Its based on a reportedly un-filmable novel. Large sections of the movie feature a single charter played by an unknown actor. Impossible to film without a reliance on digital effects. On top o all this Ang Lee also makes 3D work to a certain extent. On a negative, how well will it work on the small screen and how many academy voters will have seen it of DVD screeners?
Will it win? I think it’s a bit of a long shot but it is directed by an Oscar winning director.

life-of-pi Lincoln: I have heard mixed reviews of this movie. A lot of people have described it as long and slow, accusing it of been an average film with great performances. I found it engrossing and mesmerising. It isn’t just about Daniel Day-Lewis and Tommy Lee Jones who are both sensational, the whole cast is fantastic with a recognisable actor in many of the supporting roles.
Will it win? A historical epic with a near certain best actor, it stands a good chance.Daniel Day Lewis as Lincoln
Silver Linings Playbook: A romantic comedy about mental illness isn’t what you expect for a pest picture nomination. Its possibly a little lightweight given the comparison to the other movies on the list but is elevated by some great performances.
Will it win? It stands a good chance, with nominations in all for acting categories, it has the support of the largest voting block.Silver Linings Playbook
Zero Dark Thirty: The dramatisation of the hunt for Osama bin Laden centred around one woman’s relentless. To make a gripping and story where the audience know the outcome is no easy task but Kathryn Bigelow has done it
Will it win? I think it stands a good chance. Kathryn Bigelow not receiving a best director nomination and controversy over its portrayal of torture will both work against it though.Zero Dark Thirty

The change in rules a couple of years ago allow for up to ten movies to be nominated in the category. Only nine were nominated, who could have taken the tenth place? Here are my top three:

Skyfall: Skyfall is my favourite movie of the year so far, I’m not sure it’s the best movie of the year, but what is best? If you enjoy something more than everything else, who is to argue its that it isn’t the best! To make a great movie within the confines of a franchise is impressive, but Sam Mendes managed to do it within THE franchise. Consisting of twenty-two movies made by ten previous directors, Bond is not a franchise or a movie series, it is an icon of cinema. But to add to the problem, it had become a joke, a pastiche of itself. To make a film within these confines and still following the conventions of the series to satisfy the fans. The great success of Skyfall is that it is rises above all the limitations that were placed on it.skyfall

The Dark Knight Rises: As much as I like Slumdog Millionaire, like every other movie from 2008, it isn’t anywhere near as good as The Dark Knight. The fact that The Dark Knight didn’t win the best picture Oscar is a travesty, it not being nominated wasn’t even a surprise. Sadly the final part of the trilogy The Dark Knight Rises didn’t get look-in either but comic boot movies simply don’t win best picture Oscars, even great ones. Had it been based on a novel by a respected author and feature a hero without a mask and cape there would be no question, it would have received a nomination.The Dark Knight Rises

Moonrise Kingdom: Recognised for its screenplay (where it will most likely lose out to Quentin Tarantino for Django Unchained) but overlooked in other categories. It was possibly more Oscar friendly than the other two movies with a charming story and a terrific ensemble cast. The problem, Wes Anderson has long been the darling of the critics but his only Oscar nominations to date are for best screenplay written Directly for the Screen for The Royal Tenenbaums (2001) (Shared with Owen Wilson) and Best Animated Feature Film of the Year for Fantastic Mr. Fox (2009).Moonrise Kingdom

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The Oscar for Cinematography is not a beauty contest, it isn’t about how pretty a film looks, it is about how well it is lit and photographed, in the same vein, the best director Oscar doesn’t go to the best film, that’s what the best film category is for! While, the Best picture Oscar is really the sum total of all the awards, the acting, the music, the photograph, the script, the direction and all the other elements that make up a film, the best director Oscar, is based purely on the process of directing. It is worth remembering that although the winners are selected by the Academy membership as a whole, the nominations are made by the academy’s directing branch. In other words, the nominations come from the directors and their contemporaries.

Michael Haneke Benh Zeitlin Ang Lee Steven Spielberg David O Russell

This years nominations are: Michael Haneke – Amour, Benh Zeitlin – Beasts of the Southern Wild, Ang Lee -Life of Pi, Steven Spielberg – Lincoln David O. Russell -Silver Linings Playbook. I am yet to see Lincoln and Amour so will reserve judgment on the strength of the category but have selected five directors I would have liked to have seen nominated:

Kathryn Bigelow – Zero Dark Thirty
Wes Anderson – Moonrise Kingdom
Ben Affleck – Argo
Sam Mendes – Skyfall
Christopher Nolan – The Dark Knight Rises

Each of them has crafted a fantastic movie that would have been run of the mill in lesser hands if they even existed. All would have been worthy winners.

Kathryn Bigelow Wes Anderson Ben Affleck Sam Mendes Christopher Nolan

Should Steven Spielberg win it will put him the elite company of : William Wyler and Frank Capra with three best director Oscars and just one behind John Ford with four. Ang Lee has picked up one win and one other nomination in the category previously (Brokeback Mountain and Crouching Tiger, Hidden Dragon respectively), David O. Russell has been nominated before (The Fighter), it is Michael Haneke’s first nomination. Not only is it Benh Zeitlin’s first nomination, it is his first feature.

Whoever loses, or indeed those who weren’t nominated, it is worth remembering they are in good company, despite thirteen nominations between them Alfred Hitchcock (5), Federico Fellini (4) and Stanley Kubrick (4) didn’t win a single best director Oscar.Alfred Hitchcock Federico Fellini Stanley Kubrick

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A little late as I have been too busy watching movies to write about them. A busy and varied month that features two movies sure to make it to my top ten of the year.

Untouchable: Clichéd, predictable and sentimental, all these things are true, but it is also honest, endearing, touching and very funny. The acting is also first rate.

Looper: Better than the film the trailer would portrayed but not as good as some reviews would have you believe.

The Perks of Being a Wallflower: Angst filled coming of age drama elevated by the performances of a great young cast.

Liberal Arts: The mixture of a precocious nineteen year old girl and an a 30 something man going through early onset midlife crisis make for an interesting if lightweight movie. Once again Elizabeth Olsen shines.

On the Road: A faithful adaptation of a near un-filmable book. It works on many levels, particularly the great young cast and the stunning photography but it fails to capture the spirit of the source novel.

Taken 2: A Sequel that is a cynical attempt to cash in on an average but profitable movie.

Ruby Sparks: A high concept but quirky romantic comedy that manages to hit all the right notes. Zoe Kazan has proved herself as good a screenwriter as she is as an actress.

Frankenweenie: Tim Burton’s stop motion animated comedy-horror is a return to form for a director who previously appeared to be losing his way. Not only is it a touching drama but also a fun nod to classic horror movies.

Beasts Of The Southern Wild: Stunningly shot fantasy that at its best may be metaphor for the environment and the way we treat it. It is however an esoteric mess of a film that while good, I fail to recognise the greatness others see in it.

Skyfall: I wasn’t sure if Sam Mendes would be the right director for Bond, there was no need to worry, he has crafted what isn’t just a great Bond film, it’s a great film.

I have also seen previews of Rust and Bone and Argo that will be in contention for the November movie of the month. And, The Shining A special Halloween screening of Stanley Kubrick’s classic horror showing in the longer American cut that is longer than versions I have previously seen. It is as great as ever.

Sometimes I deliberate for ages and change my mind over the movie of the month, as much as I loved some of the movies this month, there was only one real contender, the Movie of the Month is:

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