Feeds:
Posts
Comments

Posts Tagged ‘Batman’

A look at the cast of characters for Batman v Superman: Dawn of Justice (2016) reveals all the usual DC suspects: Superman, Batman, Aquaman, Lois Lane, Wonder Woman, Lex Luthor, The Flash, Perry White.  It’s a similar story with Suicide Squad (2016): Harley Quinn, Batman, The Joker, plus a few less well known (to me at least ) Enchantress, Deadshot, Captain Boomerang, Rick Flagg, Killer Croc, El Diablo, Slipknot.  Then you have the other upcoming DC Universe movies : Wonder Woman (2017), Justice League Part One (2017) & Part Two (2019), The Flash (2018), Aquaman (2018), Shazam ( 2019), Cyborg (2020), Green Lantern (2020).catwoma

So who is missing? Catwoman.  I can understand the reluctance to give her a standalone movie following the unmitigated disaster of the Halle Berry vehicle Catwoman (2004), but surely there must be space this most beloved of characters somewhere within the universe.  Although a tricky character to get right, two films have got it very right.   Michelle Pfeiffer in Tim Burton’s Batman Returns (1992) and Anne Hathaway in Christopher Nolan’s The Dark Knight Rises (2012).  The brilliance of the two portrayals is twofold; firstly they get both Catwoman and Selina Kyle right; secondly they are completely different to each other making them fight their respective films perfectly.catwoman

Everyone remembers Michelle Pfeiffer PVC catsuit and her fight scenes but some of her best moments are out of the costume, including when she comes back from the dead and meets Bruce Wayne in Max Shreck’s office; or when she is dancing with Bruce Wayne when they both realise who each other is.  The same is true of Anne Hathaway, we first meet her out of costume as a jewel thief and then we get her “there’s a storm coming” speech that features in the trailer, incidentally also whist dancing with Bruce Wayne.  Will there be time for moments like this in a movie with such a large cast of characters as the DC movies seem to be?  However they do it, I can’t imagine a DC Cinamatic Universe without Catwoman, so have to ask the question, is this the one secret they are keeping from us, or are they yet to decide what do with this most tricky of characters?  With a heavy bias towards male characters so far, it is something they need to decide on quickly.Anne Hathaway Catwoman

Advertisements

Read Full Post »

As previously mentioned, a new Batman movie is inevitable but how will it live up to Christopher Nolan’s Dark Knight vision of Batman, the answer make it very different. One option is to follow the silly or the camp versions that went before it, but I have a different idea. Until I started researching a article a couple of months ago I didn’t know that there was a Batman serial made in 1943. Set at the time it was made during World War II “The Batman” had become a government agent and was pitted against Japanese agent Dr. Daka. Are you starting to see where I am coming from? Firstly a little background: Batman’s first appearance was in May 1939 in The Case of the Chemical Syndicate, published in Detective Comics #27. Six months later his origin (variations of which have been retold many times since) and motivation were revealed. He received his own solo title in 1940 and Robin, Catwoman and The Joker were all introduced.

Like all good stories Batman could exist in any era, the 40’s set Captain America and the 60’s set X-Men: First Class have proved that setting a comic book movie in the past has proved that it can work. Set in the mid 30’s in a Gotham City full of gangsters rich from profits made during prohibition. Falling somewhere between a noir detective thriller and an action adventure it will give a great chance to reinvent Batman. This isn’t as strange as it sounds, not only was Batman created in the 30’s but it’s original style was inspired by pulp novels of the time. I would probably avoid World War II, that would probably stray too far into Captain America territory. Rather than an actual reboot from day one this new Batman should jump straight into the story as an established character with a little exposition as we go along, we all know enough about the characters mythology now to negate the need for an origin story.

The key to a movie like this is getting the right director, given what he did with The Rocketeer (1991) and Captain America: The First Avenger (2011), Joe Johnston could be the man for the job. I loved Zack Snyder’s Watchmen (2009) but given the fact he is currently making the Superman movie Man of Steel, it is unlikely he would make a Batman movie. Then there is my go to director for action with a little depth, Kathryn Bigelow. I would love to see a Quentin Tarantino Batman movie, but not this one. But all these would be a second choice at best, the next Batman movie should be the one who missed out when Nolan made Batman Begins, Darren Aronofsky. I would expect Aronofsky’s Batman to b darker even than Nolan’s, pushing the boundaries of right and wrong and how far a Batman should go in his fight against crime. Next we need a credible Batman, there are two options, a complete unknown or a huge star. Of the stars a few ideas that have been kicking around that I like are: Leonardo DiCaprio, Ryan Gosling, Michael Fassbinder (who could probably play any part he likes) and Jake Gyllenhaal. Joseph Gordon-Levitt and Tom Hardy could also do a good job but their presence in the Nolan movies probably negates this.

I don’t see this movie ever being made, for one simple reason, money. A 1930’s set movie won’t fit with the inevitable Justice League movie without a Superman movie set in the same era. Whatever happens a suitable gap should be left before the franchise is rebooted, the eight years between Batman & Robin and Batman Begins should be a minimum, however I don’t see them waiting that long again because of money! Christopher Nolan has turned Batman into Time/Warner’s most bankable commodity.

Read Full Post »

Following last weeks thoughts on where the Batman franchise may go from here, I thought I would take a look how we got to where we are now. The Dark Knight Rises didn’t just happen, a comic book movie this big and epic but also this dark could not have been made in the 80’s or 90’s. Is the world in a darker place making such filmmaking a product of its time? Probably, but there is more to it than that. The billion dollar gross of The Dark Knight (2008) ensured that there would be a third film but things were very different before that. Batman Begins (2005) had a reasonable but unspectacular profit (it grossed around two and half times its budget). A few years before that would a big budget comic book movie have been made especially after Batman & Robin (1997).

When I started getting into movies as a kid the only comic book or super hero movies that had any credibility were Superman (1978) and Superman II (1981). Batman was best remembered for the Adam West/Burt Ward TV show from the 60’s that although it has gained a cult status now it something of a joke for a long time. Then things changed in with Tim Burtons Batman (1989). Although it is a long way from Christopher Nolan’s (very dark) Dark Knight version of Batman it was a million miles from the camp TV show. Gotham City became stylized Art Deco world that didn’t know if it belong to the future or the past. Futuristic gadgets existed alongside old cars and villains carrying Tommy guns. Michael Keaton’s Bruce Wayne is a gloriously awkward character, only just the right side of sanity and probably closer to Robert Downey Jr’s Tony Stark than Christian Bale’s Batman. The big name and star turn is Jack Nicholson as the Joker who has been unfairly forgotten in the shadow of Heath Ledger in The Dark Knight. Batman Returns (1992) offered more of the same, it didn’t expand on the first film or offer anything new or different the way The Dark Knight did after Batman Begins but did boast an unforgettable Michelle Pfeiffer as Selina Kyle/Catwoman. But then it all went wrong when Joel Schumacher took over.

Before all of that Frank Miller wrote two seminal comic book series The Dark Knight Returns (1986) and Batman: Year One (1987). As well as introducing characters and storylines that their way into Nolan’s films, both books had a dark tone and themes of rebirth and redemption that we have come to associate with Batman. It also popularised the name “The Dark Knight”.

Then in a true comic book way, an unlikely hero came forward to save the genre, Blade (1998). After years of the rights to Marvel comics being sold off for TV shows and rubbish films (often with a tiny budget) Marvel studios first film was a co production with New Line Cinema. Not risking one of their big name comic books their first film and in some ways their most important was Blade. The character originated in the 1970’s as a supporting character in The Tomb of Dracula comic book. He went on to star in his own comic book as well as making appearances in various other Marvel Titles. Released in 1998 written by David S. Goyer (who also has writing credits on all three Nolan, Batman films), directed by Stephen Norrington and starring Wesley Snipes. Snipes is perfect in the lead role giving the right blend of stone faced killer, brooding hero and a little deadpan humour. The production had a relatively modest budget of around $45million and produced worldwide Gross revenue of $131million. This does not appear to be much when compared to the near $600million Iron Man took or the or the $2.5billion the three Spider-Man movies have made however without the relative success of Blade these films and the X-Men may never have been made. The sequel directed by visionary geniuses Guillermo Del Toro is even better and also introduced comic book audiences to a darker more melancholic view. Like many of his movies, there is an underlying question of who the monsters really are, and more importantly who are the real monsters.

So these are the films that created the environment that made The Dark Knight trilogy possible but what about its director. Christopher Nolan’s first feature Following (1998) is a low budget, low key affair that is well worth a look. He really made his name with the innovative and brilliant Memento (2000) before making Insomnia (2002) a remake of a Norwegian. Both films made a decent profit received critical praise. Between the first two Batman movies Nolan made The Prestige (2006), another financial success that received largely positive reviews. After the success of The Dark Knight he embarked on what appeared to be an expensive vanity project, Inception (2010), but that too was a runaway success taking over $800million and appearing at the top of many people top ten movies of 2010 (including mine). The net result of each of these movies is the same, they prove Nolan to be a bankable director that studios what to work with.

This leads to the part Warner Bros. played in the production of Nolan‘s Batman trillogy. Ultimately they hired him to make A Batman film. Prior to that, there was always going to be a Batman film but which Batman film? Early ideas involved a fifth film in the existing series and a return for director Joel Schumacher. Schumacher preferred the idea of a reboot bases on Frank Miller’s Batman: Year One he was reported to have said: “[I] owe the Batman culture a real Batman movie. I would go back to the basics and make a dark portrayal of the Dark Knight.” This is the first suggestion I have heard of for both a reboot and a darker movie. Lee Shapiro and Stephen Wise pitched an idea to Warner called Batman: DarKnight. It involved the character Man-Bat as well a plot centred around Dr. Jonathan Crane and his experiments into fear (sound familiar). This idea didn’t get off the ground, the studio instead deciding to hired Darren Aronofsky to write and direct and adaptation of Batman: Year One. He quickly brought Frank Miller in on the project as a co-writer and approached Christian Bale for the role of Batman. This idea fell by the wayside along with Clint Eastwood’s The Dark Knight Returns and a Wolfgang Petersen directed Batman vs. Superman.

I’m not necessarily saying all of these movies or events had a direct influence on Nolan and his trilogy but they are all the building blocks that made the movies possible.

Read Full Post »

With The Dark Knight Rises bringing an end to Christopher Nolan’s Batman trilogy there is a lot of talk about where the character should go from here. It would be naive to think this is the end of Batman on screen. There is too grater appetite from viewers and too much money to be made from the studio point of view for it not to happen.

WARNING this paragraph contains The Dark Knight Rises plot spoilers 

Firstly a little background. You may remember the whole thing about all Marvel characters who couldn’t appear in the Avengers movie because the rights have been licensed to other studios; Fox’s has dibs on Daredevil, Fantastic Four and Silver Surfer while Sony/Columbia have the big money Spider-Man. Batman has no such problem, Time/Warner owns DC Comics giving Warner Brothers exclusive rights to do whatever they wish with the character. The result of this is that the true power lies with the studio. If they want to continue the Nolan universe going with a new director, Joel Schumacher for example, they can. The way The Dark Knight Rises ended leaves great potential for spin-offs. Blake (Joseph Gordon-Levitt) is set up to become Robin or even a second Batman, this has endless possibilities. Selina Kyle aka Catwoman (Anne Hathaway) came to the Nolan Batverse as an established character with a slinky costume and a shady back-story. This gives her character the option for an origin story as well as a spin-off. And then there is Batman himself, depending on your interpretation of the end of the movie, Bruce Wayne (Christian Bale) may or may not be alive. If he is alive, he has certainly left Gotham, what will he get up to in a different country. As tantalising as these possibilities are, it is probably best they remain unmade leaving customers wanting more. Fortunately, my understanding is that Christian Bale has said he won’t play Batman for any other director so they will need to change him to. I would like to think the rest of the cast would do the same. So where do we go from here.

But the Nolan Batman universe doesn’t have to end here, there is something that could happen. What is possibly the best Batman story, Frank Miller’s The Dark Knight Returns remains un-filmed (an animated version is due out later this year). Did Nolan avoid using the title because he wants to save it for a future movie? Probably not but you never know. They will have to wait at least fifteen years until Christian Bale is approaching his mid fifties, and that is the interesting thing. Christopher Nolan is yet to make a bad film, and more importantly from a studio point of view he is yet to make a flop, but that is a career has lasted just fifteen years to date. Given another fifteen years and another half dozen movies there is no way of knowing what position Nolan will be in and what his motivation will be. We also don’t know if the world climate will be right for a movie like The Dark Knight Returns. With all this in mind I haven’t given up on a new Christopher Nolan Batman movie somewhere around 2027! To keep continuity with the existing movie a rewrite will be required removing Superman from the story, this isn’t as big a problem as you would think. Superman would be replaced by a government sponsored elite team who are sent to take Batman down. And best of all the timing fits, there is enough time between now and then for another actor and director to take on the character before Nolan and Bale return.

Before then there is something else we have to contend with. The Justice League aka the Justice League of America first appeared in comic books in 1960, for those not familiar, it is a sort of DC equivalent to The Avengers. Rumours of a Justice League movie have been around for years but is yet to happen. The big problem; all the other original members (Superman, Wonder Woman, Flash, Green Lantern, Aquaman and Martian Manhunter) are all supernatural, superhuman or alien. But the problem goes deeper than that, none of them have appeared in a decent movie for thirty years. The long and short of it, there can be a Justice League movie, but it can not include Christopher Nolan’s Batman. They will also struggle to make it as successful as The Avengers. The sensible thing to do from an artistic point of view would be to make a Justice League movie with its own story, its own cast and its own continuity outside the other movies. If successful it could create its own franchise, if it flops it would do so without harming other franchises.

There is sure to be a reboot, but when and how. Although it seems like longer, there was less than a decade between Batman Begins and Batman & Robin suggesting a reboot could happen as soon as the end of the decade. Or have things been accelerated by the quick reboot of Spider-Man? While I am not suggesting a Joel Schumacher style farce, the tone and style of any reboot has to be dramatically different to Nolan’s vision. This is essential for its own good as well as avoiding the impact on Nolan than way Schumacher’s movies taint the memory of Tim Burton’s movies.

Read Full Post »

The Olympics and a couple of big releases have led to a limited number of new releases in July so I have only seen five movie, but amongst them is the best film of the year so far.

Killer Joe: William Friedkin’s tale of murder set around a dysfunctional Texas family is often violent and repugnant, but it is also brilliant mainly because of a star turn from a resurgent Matthew McConaughey.

Storage 24: For the second month in a row a movie written by and starring the one man British film industry Noel Clarke. A well designed and thought out creature and good use of the confined space make for a really good British monster movie.

The Amazing Spider-Man: A reboot surprisingly soon after Sam Raimi’s trilogy. Andrew Garfield and Emma Stone are perfectly cast, the action is pretty good but the thing that sets it apart is the none costume build up to the action.

The Dark Knight Rises: Both the most intimate and the biggest in scale of Christopher Nolan’s Batman trilogy. Elevated by great casting particularly Tom Hardy and Anne Hathaway. A fitting conclusion to what is possibly the best trilogy ever that like all great movies leaves you wanting more.

Chariots of Fire: The 1981 film has been re-released in time for the Olympics. Based on a true story concentrating on two British athletes culminating with their appearance at the 1924 Paris Olympics. A seminal sports movie that is still relevant thirty years on.

Not only my movie of the month but my favourite movie so far this year:

The Dark Knight Rises

Read Full Post »

The release of The Dark Knight Rises has got me thinking about comic book movies. With that in mind I give you my five favourite comic book based movies released since I started blogging in February 2009.

The Dark Knight Rises: I’m still holding off on an actual review of this movie but here are a few thoughts: it is the best movie I have seen so far this year. I don’t think it is as good or as complete as The Dark Knight but it is a more than fitting conclusion to what is possibly the best trilogy of all time. The use of Bane and Catwoman (never actually referred to as catwoman) is perfectly handled and end is measured thoughtful and fitting.

Watchmen: Zack Snyder’s adaptation of Alan Moore’s seminal graphic novel set in an alternate version of our reality on the verger of nuclear war circa 1985 has a unusual place in comic book movies. It was met with relatively positive reviews and word of mouth but very quickly had a backlash. The film looks amazing and is faithful to the comic book (except the end that achieves the same end with a tweak to the story) but more importantly, more than twenty years after the publication of its source novel it is still relevant. And like Christopher Nolan’s Batman trilogy it deals with flawed and imperfect heroes and complicated villains.

The Avengers: Possibly jumping up the list as I had low expectations of this movie. I liked most of the movies leading up to The Avengers without loving any of them the way I love The Dark Knight. The big problem is how you bring the disparate group together in a movie with just the right blend of action and comedy. The biggest problem is how to utilise Robert Downey Jr.’s Tony Stark/Iron Man (the funniest, most entertaining character and has the best movie behind him) without marginalising the other avengers. Not only has Joss Whedon done the seemingly impossible but he also made the two least significant characters (Black Widow and Hawkeye) the best.

Kick-Ass: What would happen if an ordinary everyday person decided to become a supper hero? Not billionaire Bruce Wayne, but an ordinary kid. Haven’t we seen this one before, it was called Watchmen and it failed to find the audience it deserved. Kick-Ass has a lot in common with Watchmen but is also very different from it, it is these contradictions that make it so good. It isn’t really a superhero movies and it isn’t a spoof of superhero movies either. It isn’t a comedy and but it is extremely funny at times. It is a coming of age drama, a satire on human nature and modern society and a violent bloody action movie.

Scott Pilgrim vs. the World: On the surface Scott Pilgrim is a similar movie to Kick-Ass but it is very different. Lighter in tone but with a very dark side. Less grounded in reality but more directly concerned with everyday issues. Depending on your point of view it is either the very cool and hip (except cool and hip probably aren’t cool or hip terns to use) or a flimsy, flashy over edited mess that is trying too hard. The casting is spot on and the action brilliantly choreographed, the script is cutting and funny but above all it is great fun.

The other comic book movies I have enjoyed in the last three and half years but didn’t quite make the list are: X-Men First Class, Thor, Captain America: The First Avenger and The Amazing Spider-Man. The worst comic book movies of the time are Green Lantern, X-Men Origins: Wolverine and Jonah Hex.

Read Full Post »

“It’s the car, right? Chicks dig the car.”  

The Batmobile has always been an important part of the appeal of Batman.  It has gone from a vehicle to get Batman to the scene of the crime to an import weapon in his fight against crime.   Here is a brief look at how it has evolved:

The Batman (1943): A little like the original comic book, Batman drives a regular car and not The Batmobile, in this case a 1939

60’s TV Show & 1966 movie: For the 60’s TV show car customizer Dean Jeffries was hired to design and build a “Batmobile”, due to time constraints the original design was dropped in favour of the 1955 Lincoln Futura concept car.

Batman (1989) & Batman Returns (1992): The long low sleek Batmobile was designed to reflect Tim Burton’s Art Deco vision.  It was designed by Anton Furst who won an Oscar for the Art Direction/Set Decoration.  The car was built on a Chevy Impala chassis.

Batman Forever (1995): New Batman, new Batmobile.  H. R. Giger was chosen to design it but sadly departed the project sighting creative differences. What we got was something that had lost its sleek lines in favour a more aggressive looking car.

Batman & Robin (1997): As the franchise lost its way so did the design of the car.  Without a roof or a passenger seat it isn’t the most practical crime fighting vehicle.  It does have one nice if pointless design touch, the GoodYear tires have Batsymbols in the treads.

Batman Begins (2005): Every Batman movie up to this point featured Batman as an established character.  As an origin story Batman Begins doesn’t just tell the origin of the character it tells the origin of the car.  A prototype military vehicle called “the Tumbler” designed by the character Lucius Fox.  More practical, manoeuvrable than the last few Batmobile’s, it looks like something that could exist in the real world just like Christopher Nolan’s Batman.

The Dark Knight (2008): The Tumbler returned for a second movie but this time with a new part trick. After being hit by rocket-propelled grenade fired by The Joker the Batmobile is damaged beyond repair. Batman ejects motorcycle like vehicle know as the Batpod formed from the front wheels of the Tumbler.

The Dark Knight Rises (2013): Trailers and images from the new film suggest that the primary villain Bane has got himself a fleet of Tumblers.  We also see Catwoman riding a Batpod.

Read Full Post »

Older Posts »