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Posts Tagged ‘Anne Hathaway’

A look at the cast of characters for Batman v Superman: Dawn of Justice (2016) reveals all the usual DC suspects: Superman, Batman, Aquaman, Lois Lane, Wonder Woman, Lex Luthor, The Flash, Perry White.  It’s a similar story with Suicide Squad (2016): Harley Quinn, Batman, The Joker, plus a few less well known (to me at least ) Enchantress, Deadshot, Captain Boomerang, Rick Flagg, Killer Croc, El Diablo, Slipknot.  Then you have the other upcoming DC Universe movies : Wonder Woman (2017), Justice League Part One (2017) & Part Two (2019), The Flash (2018), Aquaman (2018), Shazam ( 2019), Cyborg (2020), Green Lantern (2020).catwoma

So who is missing? Catwoman.  I can understand the reluctance to give her a standalone movie following the unmitigated disaster of the Halle Berry vehicle Catwoman (2004), but surely there must be space this most beloved of characters somewhere within the universe.  Although a tricky character to get right, two films have got it very right.   Michelle Pfeiffer in Tim Burton’s Batman Returns (1992) and Anne Hathaway in Christopher Nolan’s The Dark Knight Rises (2012).  The brilliance of the two portrayals is twofold; firstly they get both Catwoman and Selina Kyle right; secondly they are completely different to each other making them fight their respective films perfectly.catwoman

Everyone remembers Michelle Pfeiffer PVC catsuit and her fight scenes but some of her best moments are out of the costume, including when she comes back from the dead and meets Bruce Wayne in Max Shreck’s office; or when she is dancing with Bruce Wayne when they both realise who each other is.  The same is true of Anne Hathaway, we first meet her out of costume as a jewel thief and then we get her “there’s a storm coming” speech that features in the trailer, incidentally also whist dancing with Bruce Wayne.  Will there be time for moments like this in a movie with such a large cast of characters as the DC movies seem to be?  However they do it, I can’t imagine a DC Cinamatic Universe without Catwoman, so have to ask the question, is this the one secret they are keeping from us, or are they yet to decide what do with this most tricky of characters?  With a heavy bias towards male characters so far, it is something they need to decide on quickly.Anne Hathaway Catwoman

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Following Frank Miller/Robert Rodriguez’s neo-noir 2005 Sin City a sequel based on another of the Sin City graphic novel series “A Dame to Kill For”. Originally mooted for release in 2007 it has been constantly pushed back until around 2010 when it looked like it would never happen. In accordance with the new Hollywood bylaw stating that Josh Brolin must be cast in all new movies he has taken the part of Dwight McCarthy replacing the departing Clive Owen. Other changes Devon Aoki (who is pregnant) Michael Madsen (who dropped out), Brittany Murphy and Michael Clarke Duncan have sadly passed away. Josh Brolin Clive Owen A Dame to Kill For Dwight McCarthy

Dwight McCarthy (Josh Brolin) is called by femme fatale and former lover Ava Lord (Eva Green) asking for his help to get away from her abusive husband. It soon becomes clear there is far more going on than Dwight bargained for. For the film to work the casting of Ava Lord is crucial. The first name mentioned back in 2006 was the seemingly perfect Angelina Jolie. It was even suggested that the original delay was caused by her pregnancy. After she dropped out Rachel Weisz was reported as a replacement but the film never got off the ground. Over time Salma Hayek, Rose McGowan (who was dating Robert Rodríguez at the time), Michelle Williams, Helena Bonham Carter, Scarlett Johansson, Anne Hathaway and Jennifer Lawrence have all been linked or rumoured for the part but Eva Green has finally been confirmed in the role.Eva Green Ava Lord Sin City

As with the first film, it is split into sections, it appears they are based on A Dame to Kill For, Just Another Saturday Night and two new stories, The Long Bad Night and one as yet untitled. Other returning cast includes: Mickey Rourke as Marv, Jessica Alba as Nancy Callahan, Powers Boothe as Senator Roark, Rosario Dawson as Gail, Jaime King as Goldie and Wendy, Bruce Willis as John Hartigan with new cast including Joseph Gordon-Levitt as Johnny, Ray Liotta as Joey and Juno Temple as Sally. North American release is set for October, European dates are yet to be announced but are sure to be soon after.Sin City A Dame to Kill For new and retuning cast

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We are a few hours away from the BAFTA awards, in advance of that here are a few thoughts on who I think will and should win:
Best Filmbafta awards
Zero Dark Thirty is the best film and should win, I would also be happy to see Argo win but actually think it will go to: Les MisérablesZero Dark Thirty
Alexander Korda Award for Outstanding British Film of the Year
Skyfall is by far the best film in the category and is unlucky not to be in the best film category. It stands a good chance of winning but if Les Misérables doesn’t get best film, it will be in with a chance too.skyfall
Best Actor
Hugh Jackman and Ben Affleck were both great and in any other year would be worthy winners, but there is really only one contender this year: Daniel Day-Lewis for Lincoln (2012)Daniel Day Lewis as Lincoln
Best Actress
A really strong category, I think it will go to Jessica Chastain for Zero Dark Thirty.Zero Dark Thirty Best Supporting Actor
I would be happy to see any of the nominees win this one, but think Tommy Lee Jones edges it for Lincoln.Tommy Lee Jones Lincoln
Best Supporting Actress
The shoe in for the equivalent Oscar is Anne Hathaway for Les Misérables, she stands a good chance here too, the only competitor could be Judi Dench for Skyfall.Judi Dench Skyfall
David Lean Award for Achievement in Direction
I would chose Kathryn Bigelow for Zero Dark Thirty with Ben Affleck for Argo as a close second. However, I have a feeling Michael Haneke for Amour may sneak it.Michael Haneke Amour
Best Screenplay (Original)
Only one choice here, Wes Anderson and Roman Coppola for the magical Moonrise KingdomMoonrise Kingdom
Best Screenplay (Adapted)
Another strong category, I would go for David Magee for Life of Pi and think it should win, as much for the complexity of adapting the screenplay as for the final result.Life Of Pi
Best Cinematography
It easy to forget that cinematography is about hw well shot and lit and film is not how pretty the finished result is. With this in mind it has to be a straight fight between Janusz Kaminski for Lincoln and Roger Deakins for Skyfall. My vote goes to Deakins.Roger Deakins Skyfall
Best Editing
To clarify for the people who nominated Django Unchained, this catergry is for the best editing, not the movie most in need of editing. Again I think it’s a straight fight between Skyfall (Stuart Baird) and Zero Dark Thirty (Dylan Tichenor, Billy Goldenberg). I would lean towards Zero Dark Thirty.zero dark thirty
Best Production Design
I would like to see Dennis Gassner and Anna Pinnock for Skyfall as they avoided all the usual lazy clichéd pitfalls usually associated with the franchise. However the design of Anna Karenina (Sarah Greenwood and Katie Spencer) is both clever and stunning so will probably win.annakarenina-sets-various
Best Costume Design
All the nominees tick all the relevant boxes Jacqueline Durran for Anna Karenina looks like a good bet.annakarenina_poster-header Anthony Asquith Award for Film Music
None of the nominated scores was that memorable for me.
Best Make Up/Hair
Forgoing the flash and flair of the other nominated movies, Lincoln had a believable look of the era.Lincoln
Best Sound
Skyfall had the most amazing sound design , especially noticeable when seen in Imax but Les Misérables will most likely win for the original way in which the songs were recorded.Les Misérables
Best Achievement in Special Visual Effects
All the nominated movies could put up a strong argument for this award, but Life of Pi edges it.life-of-pi
Best Film not in the English Language
I liked Untouchable and Headhunters but thought Rust and Bone was considerably better than both. However, I havent seen Amour (the favourite) or The Hunt so can’t accurately predict this one.Marion Cotillard  Rust and Bone
Best Animated Feature Film
I have seen two of the nominated movies. Frankenweenie was better than Brave.It's a dog's death … Frankenweenie
Best Documentary
I have only seen two of the three nominated movies so will go with the favourite: The ImposterThe Imposter
EE Rising Star Award
Her Killer Joe performance is enough for me to give it to Juno Temple but wouldn’t mind seeing Andrea Riseborough or Elizabeth Olsen win as they are both brilliant in everything they do. I would like to see more of Suraj Sharma and Alicia Vikander before deciding on their future stardomJuno Temple Killer Joe
Outstanding Debut by a British Writer, Director or Producer
I would love to see Dexter Fletcher, Danny King win for the excellent but under seen Wild Bill. Dexter Fletcher

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A few thoughts on the nominations. Firstly I am always a little disappointed when films are nominated before they have been released in the UK (Lincoln, Zero Dark Thirty, Django Unchained). I am surprised and disappointed that Sam Mendes/Skyfall isn’t nominated in the best film/best director categories. I didn’t expect it to get anything at the Oscars but held out hope the British Academy would recognise it. Fantastic to Marion Cotillard’s monumental performance in Rust and Bone nominated despite not being in an English language movie. Also pleased to see actor turned director Dexter Fletcher (director/writer) nominated for the debut British writer/director/producer category. A strong year for documentaries and foreign language movies. The rising star award has a heavy female bias with woman in four of the five places. Its also a strong category presenting a problem. It is awarded via a public vote, at least three of the five might get my vote.

Here is a Full list of nominees:

BEST FILM
Argo
Les Miserables
Life of Pi
Lincoln
Zero Dark ThirtyZero Dark Thirty

OUTSTANDING BRITISH FILM
Anna Karenina
The Best Exotic Marigold Hotel
Les Miserables
Seven Psychopaths
Skyfallskyfall

LEADING ACTOR 
Ben Affleck – Argo
Bradley Cooper – Silver Linings Playbook
Daniel Day-Lewis – Lincoln
Hugh Jackman – Les Miserables
Joaquin Phoenix – The MasterJoaquin Phoenix  The Master

LEADING ACTRESS 
Jessica Chastain – Zero Dark Thirty
Marion Cotillard – Rust and Bone
Jennifer Lawrence – Silver Linings Playbook
Dame Helen Mirren – Hitchcock
Emmanuelle Riva – AmourMarion Cotillard  Rust and Bone

SUPPORTING ACTOR 
Alan Arkin – Argo
Javier Bardem – Skyfall
Philip Seymour Hoffman – The Master
Tommy Lee Jones – Lincoln
Christoph Waltz – Django UnchainedAlan Arkin Argo

SUPPORTING ACTRESS 
Amy Adams – The Master
Dame Judi Dench – Skyfall
Sally Field – Lincoln
Anne Hathaway – Les Miserables
Helen Hunt – The SessionsAnne Hathaway Les Miserables

DIRECTOR 
Ben Affleck – Argo
Kathryn Bigelow – Zero Dark Thirty
Michael Haneke – Amour
Ang Lee – Life of Pi
Quentin Tarantino – Django Unchained

ORIGINAL SCREENPLAY
Amour – Michael Haneke
Django Unchained – Quentin Tarantino
The Master – Paul Thomas Anderson
Moonrise Kingdom – Wes Anderson, Roman Coppola
Zero Dark Thirty – Mark Boal

ADAPTED SCREENPLAY 
Argo – Chris Terrio
Beasts of the Southern Wild – Lucy Alibar, Benh Zeitlin
Life of Pi – David Magee
Lincoln – Tony Kushner
Silver Linings Playbook – David O Russell

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
James Bobin (director) – The Muppets
Dexter Fletcher (director/writer) and Danny King (writer) – Wild Bill
Tina Gharavi (director/writer) – I Am Nasrine
Bart Layton (director) and Dmitri Doganis (producer) – The Imposter
David Morris (director) and Jaqui Morris (director/producer) – McCullin

ANIMATED FILM
Brave
Frankenweenie
Paranorman
DOCUMENTARY
The Imposter
Marley
McCullin
Searching for Sugarman
West of Memphis

FILM NOT IN THE ENGLISH LANGUAGE
Amour
Headhunters
The Hunt
Rust and Bone
Untouchable

CINEMATOGRAPHY
Anna Karenina
Les Miserables
Life of Pi
Lincoln
Skyfall

COSTUME DESIGN 
Anna Karenina
Great Expectations
Les Miserables
Lincoln
Snow White and the Huntsman

EDITING
Argo
Django Unchained
Life of Pi
Skyfall
Zero Dark Thirty

MAKE UP AND HAIR
Anna Karenina
Hitchcock
The Hobbit: An Unexpected Journey
Les Miserables
Lincoln

ORIGINAL MUSIC
Anna Karenina
Argo
Life of Pi
Lincoln
Skyfall

PRODUCTION DESIGN
Anna Karenina
Les Miserables
Life of Pi
Lincoln
Skyfall

SOUND
Django Unchained
The Hobbit: An Unexpected Journey
Les Miserables
Life of Pi
Skyfall

SPECIAL VISUAL EFFECTS
The Dark Knight Rises
The Hobbit: An Unexpected Journey
Life of Pi
Marvel Avengers Assemble
Prometheus

SHORT ANIMATION
Here to Fall
I’m Fine Thanks
The Making of Longbird

SHORT FILM
The Curse
Good Night
Swimmer
Tumult
The Voorman Problem

RISING STAR (public vote)
Elizabeth Olsen
Andrea Riseborough
Suraj Sharma
Juno Temple
Alicia VikanderRISING STAR

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Following the release of The Expendables 2 earlier this there was a lot of buzz about an all female Expendables. At the time I speculated on the stars of the 70’s, 80’s and 90’s who could star in it, but given the action movies from this year I thought I would look at it from a different point of view. Who are this years top female action stars?

If you remember the original Total Recall (Sharon Stone) has one good action scene before getting killed off. In the remake director Len Wiseman has extended the part and cast his wife Kate Beckinsale, she reciprocates by playing the part with relish and being the best thing in the movie totally eclipsing Jessica Biel’s Melina. Beckinsale also stars as Selene in Underworld: Awakening, back for a third time in the fourth installment of the vampire v werewolf franchise. It is possibly the weakest of the series but Beckinsale still does a great job. Resident Evil: Retribution is the latest in Another franchise that has lasted longer than anyone thought possible, the reason to keep watching, Milla Jovovich. From successful franchises to ones that can’t get off the ground; although not a financial success, Dredd is a big improvement on the previous attempt to make a Judge Dredd movie, Olivia Thirlby’s rookie judge Anderson gives the movie a new dimension and direction.

The star of the original The Girl with the Dragon Tattoo, Noomi Rapace has made the jump to Hollywood. Elizabeth Shaw is the central character at the heart of Prometheus, she is no Ripley (Sigourney Weaver) but still makes a compelling star. I first saw Naomie Harris in 28 Days Later… 10 years ago, she has had a few decent roles in the decade that followed she has had the odd good role, its great to see her get one Eve in Skyfall. Anyone who has seen Winter’s Bone would probably agree that Jennifer Lawrence was the only person who could have played Katniss Everdeen in The Hunger Games. A reluctant hero, she may not have the ass kicking credentials of Gina Carano or Kate Beckinsale but she has more grit and determination than any actress/character on this list. Lawrence also appeared as Raven / Mystique in X-Men: First Class, with The Hunger Games first sequel Catching Fire due out next year and X-Men: Days of Future Past in 2014 expect to see a lot more of her. Its also worth remembering Rebecca Romijn’s all action take on the part to give an insight on where the character is going.

Given the amount of hits this site has received in the last few years from people searching for “Anne Hathaway Catwoman” its fair to say Anne Hathaway’s Selina aka Catwoman in The Dark Knight Rises has been the most anticipated female action role of year. I’m not sure she has replaced Michelle Pfeiffer as the ultimate Catwoman but she certainly didn’t disappoint. The other highly anticipated, big budget franchise movie of the summer was The Avengers (aka Avengers Assemble here in the UK). As a regular human I was concerned at what Natasha Romanoff / Black Widow (Scarlett Johansson) would have to do in The Avengers surrounded by gods, monsters and super solders not to mention a billionaire playboy with a powered suit of armour. As it turns out her and Jeremy Renner’s Clint Barton / Hawkeye are at the heart of the story and are both brilliant.

The biggest action star of the year (male or female) came out of nowhere, former mixed martial arts fighter Gina Carano as Mallory Kane in Haywire. There is something old-fashioned about Steven Soderbergh’s action revenge thriller Haywire, using long takes, still cameras and short lenses that give lots of depth of field. This is the perfect showcase for Gina Carano to show of her fighting ability. It takes the movie back to a pre Bourne time for action movies and has resulted in a love it or hate it reaction. Whatever your thoughts it looks like we have seen the birth of a new action star. An honourable mention for Melissa George who impressed again in last years A Lonely Place to Die, she doesn’t have any movies coming out this year but is currently starring on BBC1 in Hunted. The show is formulaic in the style of Spooks but she is really good in it.

Other performances that didn’t make the grade but are worth a quick mention are: Although there was nothing wrong with her performance Nan Yu’s Maggie in The Expendables 2 was a caricature rather than a character. Kristen Stewart was actually quite good as Snow White but the film wasn’t up to much and she was totally overshadowed by Charlize Theron. Rihanna looked good in Battleship but the film was pretty crap and the girl can’t act. Wrath of the Titans was marginally better than Clash of the Titans and Rosamund Pike is reasonably good as Andromeda having been given a much larger role than Alexa Davalos in the first film. Maggie Grace managed to avoid getting Taken in Taken 2 but she more than makes up for this by being held hostage in Lockout. In both movies she does have a few action scenes. Combining this with a part as a vampire in The Twilight Saga: Breaking Dawn – Part 2 she may be moving more towards action roles.

Did I miss anyone out. Can anybody recommend any movies or performances I have missed from the past year?

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With The Dark Knight Rises bringing an end to Christopher Nolan’s Batman trilogy there is a lot of talk about where the character should go from here. It would be naive to think this is the end of Batman on screen. There is too grater appetite from viewers and too much money to be made from the studio point of view for it not to happen.

WARNING this paragraph contains The Dark Knight Rises plot spoilers 

Firstly a little background. You may remember the whole thing about all Marvel characters who couldn’t appear in the Avengers movie because the rights have been licensed to other studios; Fox’s has dibs on Daredevil, Fantastic Four and Silver Surfer while Sony/Columbia have the big money Spider-Man. Batman has no such problem, Time/Warner owns DC Comics giving Warner Brothers exclusive rights to do whatever they wish with the character. The result of this is that the true power lies with the studio. If they want to continue the Nolan universe going with a new director, Joel Schumacher for example, they can. The way The Dark Knight Rises ended leaves great potential for spin-offs. Blake (Joseph Gordon-Levitt) is set up to become Robin or even a second Batman, this has endless possibilities. Selina Kyle aka Catwoman (Anne Hathaway) came to the Nolan Batverse as an established character with a slinky costume and a shady back-story. This gives her character the option for an origin story as well as a spin-off. And then there is Batman himself, depending on your interpretation of the end of the movie, Bruce Wayne (Christian Bale) may or may not be alive. If he is alive, he has certainly left Gotham, what will he get up to in a different country. As tantalising as these possibilities are, it is probably best they remain unmade leaving customers wanting more. Fortunately, my understanding is that Christian Bale has said he won’t play Batman for any other director so they will need to change him to. I would like to think the rest of the cast would do the same. So where do we go from here.

But the Nolan Batman universe doesn’t have to end here, there is something that could happen. What is possibly the best Batman story, Frank Miller’s The Dark Knight Returns remains un-filmed (an animated version is due out later this year). Did Nolan avoid using the title because he wants to save it for a future movie? Probably not but you never know. They will have to wait at least fifteen years until Christian Bale is approaching his mid fifties, and that is the interesting thing. Christopher Nolan is yet to make a bad film, and more importantly from a studio point of view he is yet to make a flop, but that is a career has lasted just fifteen years to date. Given another fifteen years and another half dozen movies there is no way of knowing what position Nolan will be in and what his motivation will be. We also don’t know if the world climate will be right for a movie like The Dark Knight Returns. With all this in mind I haven’t given up on a new Christopher Nolan Batman movie somewhere around 2027! To keep continuity with the existing movie a rewrite will be required removing Superman from the story, this isn’t as big a problem as you would think. Superman would be replaced by a government sponsored elite team who are sent to take Batman down. And best of all the timing fits, there is enough time between now and then for another actor and director to take on the character before Nolan and Bale return.

Before then there is something else we have to contend with. The Justice League aka the Justice League of America first appeared in comic books in 1960, for those not familiar, it is a sort of DC equivalent to The Avengers. Rumours of a Justice League movie have been around for years but is yet to happen. The big problem; all the other original members (Superman, Wonder Woman, Flash, Green Lantern, Aquaman and Martian Manhunter) are all supernatural, superhuman or alien. But the problem goes deeper than that, none of them have appeared in a decent movie for thirty years. The long and short of it, there can be a Justice League movie, but it can not include Christopher Nolan’s Batman. They will also struggle to make it as successful as The Avengers. The sensible thing to do from an artistic point of view would be to make a Justice League movie with its own story, its own cast and its own continuity outside the other movies. If successful it could create its own franchise, if it flops it would do so without harming other franchises.

There is sure to be a reboot, but when and how. Although it seems like longer, there was less than a decade between Batman Begins and Batman & Robin suggesting a reboot could happen as soon as the end of the decade. Or have things been accelerated by the quick reboot of Spider-Man? While I am not suggesting a Joel Schumacher style farce, the tone and style of any reboot has to be dramatically different to Nolan’s vision. This is essential for its own good as well as avoiding the impact on Nolan than way Schumacher’s movies taint the memory of Tim Burton’s movies.

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The Dark Knight Rises may turn out to be both the biggest and the best film of the year. Every movie fan with a virtual soapbox to stand on will review it in one way or another, I may do so myself some time in the future, but for now I will not. Instead I have decided to do something different. I am looking at the key players in the movie and picking out my favourite of their movies or performances excluding The Dark Knight Trilogy.

Christopher Nolan: The modern interpretation of the term masterpiece refers a pierce of art (in any medium) that is receives high critical praise and is often considered the pinnacle of the artists career. But the original, true meaning is very different. During the old European guild system, an apprentice wishing to graduate from a guild and become a master craftsman or member of their guild would have to produce a Masterpiece. If successful, the piece would be retained by the master or the guild. Using this theory, Following (1998) is Christopher Nolan’s masterpiece. An ultra low budget mystery, crime, thriller with no star names. This led to him making Memento (2000), a simple revenge, thriller that is elevated to a superior mystery by the ingenious idea of telling the story backwards. Using the same criteria, it could be argued that Following was a practice run and Memento is the true masterpiece. Taken on its own merits Insomnia (2002) is a great movie, it just isn’t as good as the Norwegian original. It is a worthy and justified remake that is sympathetic to the story of the original but has its own individual touches. You know how movies come in two’s, this year there are two Snow White movies, a few years ago there were to giant asteroid movies, 2006 was the year of the Victorian stage magicians. Neil Burger’s The Illusionist was good, Christopher Nolan’s The Prestige was much better. Legend has it that after The Dark Knight took a billion dollars Warner Bros let Nolan make any movie he liked. What he came up with was Inception (2010) a little art house movie disguised as a big budget studio blockbuster. Inception may well be his best (non Batman) film, but for introducing me and most of the rest of the world to his work I am declaring Memento to be both his masterpiece and finest hour for Christopher Nolan.

Wally Pfister: Cinematographer/Director of Photography Wally Pfister started out as a cameraman for a Washington news service before being given his first break by Robert Altman. He then enrolled in American Film Institute where a film he worked on was nominated for the Academy Award for Best Live Action Short Film. Like so many great filmmakers, he received his first break as a Cinematographer from Roger Corman. Most of his notable works have been on Christopher Nolan films, he was nominated for the Academy Award for Best Cinematography for Batman Begins, The Prestige, The Dark Knight finally winning for the movie that truly is his finest hour, Inception.

Christian Bale: Where do you start with Christian Bale? A child star in Empire of the Sun who found real fame in his late twenties. Noted for his extreme physical transformations for the movies The Machinist and Rescue Dawn, in I’m Not There, it is a tossup between him and Cate Blanchett as to who is the best “Dylan”. In 3:10 to Yuma, The Prestige, The Fighter, Public Enemies and Terminator Salvation he gives more subtle and low key performances than his co stars, it is therefore a surprise that his finest hour is probably his most showy and over the top performance, Patrick Bateman in American Psycho.

Anne Hathaway: Many people know Anne Hathaway from her film début The Princess Diaries and can’t see beyond that. I first saw her in Havoc or Brokeback Mountain (saw them both around the same time) where despite all the praise going to Heath Ledger and Jake Gyllenhaal I thought the best performances came her and Michelle Williams. I was impressed enough to go and see The Devil Wears Prada and enjoyed it, but her finest hour is Rachel Getting Married. A family drama about a young woman who is released from rehab to attend her sisters wedding. A truly an amazing performance, her character is ultimately a miserable, selfish, narcissistic bitch but she also comes across as vulnerable, funny and sometimes even likable. 

Tom Hardy: I have seen many movies featuring Hardy and remember a great buzz about him around the time of Star Trek: Nemesis, but to be honest I really didn’t take notice until Bronson. Since then he has been brilliant in everything I have seen him in. as for his finest hour, it could easily be Warrior where his performance is monumental or Inception where he offers some great comic relief within an ensemble, but it has to be Bronson. 

Gary Oldman: How do you pick the finest hour from the thirty year career of an actor as talented as Oldman? Far more varied than you would think Oldman is at his best when he is wild and out of control, look back at Sid Vicious in Sid and Nancy, Stansfield in Leon and Beethoven in Immortal Beloved. That is why it may come as a surprise that his best performance may well be his most low key and economical performance, George Smiley in Tinker Tailor Soldier Spy. 

Michael Caine: Gary Olman’s career may be long but Michael Caine has been around for ever, certainly since before I was born. Many of his most notable performances came in the mid/late 60’s and early 70’s and include: Alfie, Sleuth, Zulu, Get Carter and The Ipcress File. He reinvented himself in more comic roles in the 80’s such as: Educating Rita, Without a Clue and Dirty Rotten Scoundrels. Outside Christopher Nolan movies, the pick of his 21st century movies are The Quiet American, Children of Men and Harry Brown, but for his finest hour, you need to go back to the 60’s for his iconic performance as Charlie Croker in The Italian Job.

Morgan Freeman: Freeman found fame relatively late in life. In his early fifties and after thirty years in the business, in a two year period he appeared in Driving Miss Daisy, Glory, Robin Hood: Prince of Thieves and The Bonfire of the Vanities. He makes a lot of movies, therefore there is a certain amount of crap in there too, but the highlights are very high, the include: Unforgiven, Se7en and Million Dollar Baby. His finest hour is probably The Shawshank Redemption. 

Marion Cotillard: A captivating actress who has been brilliant in every film I have ever seen her in. For many people she if best known for her Oscar winning portrayal of Edith Piaf in La vie en rose. Others will know her from her English language movies: Public Enemies, A Good Year, Big Fish and Nine. She was also memorable in Midnight in Paris and Inception. Although deep down I know her finest hour was as Edith Piaf in La vie en rose, I still go back to where I first saw her, Lilly, the long suffering but high maintenance girlfriend in Taxi (and its first two sequels).

Joseph Gordon-Levitt: The former child actor found fame as a teenager in the TV show 3rd Rock from the Sun. his most notable movie appearances from this time is probably 10 Things I Hate About You. He went on to appear in: Havoc (along side future Dark Knight Rises co-star Anne Hathaway) and earned acclaim in Mysterious Skin Stop-Loss and The Lookout. In recent years he has impressed in 500 Days of Summer, 50/50 and Inception, but his finest hour is still the high school noir Brick. 

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