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Posts Tagged ‘A Dangerous Method’

New movies seen at the cinema this month:

Chronicle – Three highs school students develop telekinetic abilities, but what will they do with them? A surprisingly good low budget movie, the found footage element is unnecessary and holds the narrative back especially in the finale.

Carnage – Two New York couple meet in one of their apartments to discuss a fight between their eleven year old sons. The amicable facade soon fades and is replaced by outright hostility. There is some great acting particularly from Christoph Waltz but the movie fails to rise above its theatrical origins.

Young Adult – Following her divorce, a “young adult” fiction writer returns to her Minnesota hometown aiming to hook up with her high school boyfriend who is now happily married and has a newborn daughter. A fantastic script from Diablo Cody gives Charlize Theron a platform resulting in an outstanding performance.

Man on a Ledge – A police psychologist is sent to talk an escaped convict (who claims to be innocent of the crime he was convicted for) off the ledge of a Manhattan hotel. If you have seen the trailer you probably know the rest of the story. Unoriginal and predictable but generally good fun. The only real problem Jamie Bell and Genesis Rodriguez in supporting roles are far more interesting than Sam Worthington and Elizabeth Banks.

The Woman in Black – Daniel Radcliffe breaks from Harry Potter with an old fashioned haunted house movie that is notable for been the best movie from the resurrected Hammer. Atmospheric and haunting movie with a well balanced threat of melancholy running through it.

A Dangerous Method – The origins of psychoanalysis told through the relationship of pioneers in the field Carl Jung and Sigmund Freud. Intriguing and interesting with fantastic performances but lacking purpose, direction and depth.

Ghost Rider: Spirit of Vengeance – The sequel to 2007’s Ghost Rider is a slight improvement on the terrible original but is still an incoherent mess. Nicolas Cage’s over the top performance is fun but the film falls flat as does the poor and pointless 3D.

Extremely Loud & Incredibly Close – A socially awkward nine-year-old searches New York for the lock that matches a mysterious key that belonged to his father, who died in the World Trade Centre. Not as bad as some reviews you would have you believe but certainly not deserving its pest picture Oscar nomination.

Rampart – Set against the Rampart scandal in late 90’s LA and telling the story of an old school cop who doesn’t let the law get in the way of his way of doing things. A week narrative, a sloppy structure and lack of focus hinder what could have been a compelling watch. As it is, the main reason to see the movie is a fantastic performance from Woody Harrelson.

I am honestly torn this month as there are three movies I loved. Chronicle, I had no expectations for but really enjoyed. The Woman in Black, a supremely well made chiller that dispels the myth that they don’t make them like the used to. But just edging it to be the movie of the month: Young Adult, largely for the Oscar worthy performance from Charlize Theron.

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Three years to the day after my first ever post (incidentally about the upcoming Oscars) I am here to announce the 1st Annual Groovers Movie Awards. No nominations, just winners. Ten categories, most of which are the same or similar to those in other awards. The award itself named the “Dom” is modelled after a Dom Pérignon bottle (you need to watch Fandango to understand the relevance) and will remain virtual unless Moët want to step in as a sponsor me.

Best Movie:

The Artist: A virtually silent black and white movie with a 1.37:1 aspect ratio about the end of the silent movie era doesn’t sound very exciting. The result is totally stunning, charming and funny. The overwhelming favourite for the pest picture Oscar. 

Best Director:

Martin Scorsese for Hugo: Martin Scorsese’s love letter to cinema is a stunning film beautifully made and even achieving the seemingly impossible task of making 3D work. 

Best Actress:

Tilda Swinton for We Need to Talk About Kevin: Missing out to Meryl Streep at the BAFTAs and completely overlooked by the Oscars, Tilda Swinton was my only contender for best actress.

Best Actor:

Brendan Gleeson for The Guard: Missing out to Jean Dujardin for The Artist in Golden Globes and pretty much overlooked by other awards, Brendan Gleeson reminded us what a great actor he is.

Best Screenplay:

Lynne Ramsay & Rory Kinnear for We Need to Talk About Kevin: Notable not only for how well written it is, but for what a tough job it must have been given the unusual structure of the source novel.

Best Foreign Language Film:

The Skin I live in: Winner of the BAFTA for Best Film Not in the English Language but not submitted for the equivalent Oscar (Spain chose to submit the as yet not released in the UK, Black Bread) sees Auteur Pedro Almodóvar at his bizarre best.

Best Documentary:

Senna: Not only the best documentary of the year, but the best documentary I have seen in many years.

Best Looking Movie:

Melancholia: An amalgam of many awards including Cinematography, Production Design and Art Direction. Melancholia wins the award for being the most beautiful looking movie of the year.

Movie Stars of the year:

Best actor and actress awards age given for the for individual outstanding performances but the movie star of the year award is given for an outstanding performances in multiple films in a year:

Jessica Chastain (The Help, The Tree of Life, The Debt, Take Shelter)

Michael Fassbender (Shame, X-Men: First Class, A Dangerous Method, Jane Eyre)

Fandango Award:

Fandango was writer/director Kevin Reynolds debut (and best) feature, and the first notable movie for star Kevin Costner. It gives its name to this award for the best breakout filmmakers of the year. The award is shared between two movies that interestingly were both co-written by their director and star:

Nick Damici and Jim Mickle for Stake Land

Mike Cahill and Brit Marling for Another Earth

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