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I preparation for No Time To Die I have been re-watching the Daniel Craig Bond films. It’s the first time I have watched them all back to back. A few things sprang to mind watching them.Daniel Craig Bond Posters

  • Casino Royale stands alongside From Russia with Love as the best films about Bond, rather than the best Bond Movies, in that they can be appreciated on their own merits away from the franchise and its baggage.
  • Quantum of Solace is the misunderstood and underappreciated masterpiece that I always suspected. A direct sequel to Casino Royale, it takes virtually nothing other than its title from Ian Flemings novels, but in its tone it is probably the closes in style and tone to the source material.
  • Roger Deakins should have won the cinematography Oscar for Skyfall, he was robbed by a CGI spectacular.
  • Spectre is a better film than I gave it credit for, despite the Blofeld reveal that was even worse than I remember.

But, on thing stands out over all of this.  There is a missing film between Quantum of Solace and Skyfall.

Let me explain; Casino Royale gives us the Young upstart. Quantum of Solace is a direct sequel pick it up moments after Casino Royale’s epilogue.  A slightly jaded, almost broken man working through the loss and apparent betrayal of Vesper, coming out the other side, moulded rather than healed,   the complete Bond, cold, cruel, detached, but able to appreciate, if not enjoy life.  Something akin to the best of Cornery, Dalton or Brosnan, but more importantly the character seen on the pages of Fleming’s books.

But then Skyfall has an older Bond past his prime, fighting for relevance, we are missing a movie. We need to look at M (Judi Dench) aka Basil Exposition for to explain this.  It was M after all who on her first screen meeting with Bond (Pierce Brosnan in GoldenEye) called him “a sexist, misogynist dinosaur. A relic of the Cold War“.  In Casino Royale (2006) just after giving Bond his 00 status, his licence to kill, she told him “I knew it was too early to promote you” but just six years later in Skyfall (2012) she said “You know the rules of the game. You’ve been playing it long enough“.  Future M, Gareth Mallory (Ralph Fiennes) tells Bond “It’s a young man’s game.” Craig’s Bond has always been on his way up, or past his best.

The speculation for No Time to Die is that Bond has retired and his 007 codename has passed to Nomi (Lashana Lynch).  This in itself could be problematic, as I can’t see Bond being retired, by the end of the film this means they have to find a way of giving him back his 007 code.  If Nomi is indeed 007, how will this pas back to Bond?  Kill, demote, or incapacitate her, or even worse something akin to 006 Alec Trevelyan (Sean Bean).  Let’s not forget, she is potential not only the first female 00, but the first none white one.  Her fate is far more significant than that of 006, 002, 004 (The Living Daylights), and 009 in (Octopussy). Some of the Fun Bond Movies

I’m getting off track; the Daniel Craig movies are the best Bond movies, and I don’t want to see the character turn into the Roger Moore or Pierce Brosnan versions of the character, who had far more misses than hits in terms of the quality of their movies.  However, I would have liked to have seen Craig have a film as an established character, not one on the way up or down, and one where he gets to have a little fun with the part, think: You Only Live Twice (1967), The Man with the Golden Gun (1974), The Spy Who Loved Me (1977), or GoldenEye (1995).  Sadly this will not happen, but we may get to see the other thing I want to see, Bond coming out of retirement, sadly it won’t be an older Bond; Timothy Dalton, or Pierce Brosnan but it’s still an idea with real millage.  One thing is certain,

James Bond WILL return!

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james bond no time to dieAs the promotion of next spring’s No Time To Die, the 25 James Bond movie gets underway, the merry go round of who will replace Daniel Craig as 007.  The first thing I would say is that I am only talking about male actors, Bond is a man,  and as M (Judi Dench) says in GoldenEye “a sexist, misogynist dinosaur. A relic of the Cold War”.  There have been many suggestions that Ian Fleming’s character was actually a closeted or repressed homosexual.  This isn’t as outlandish as it sounds.  The books were written at a time when it was illegal to be gay.  A gay friend, who knows a lot more than me on the subject once told me that the secret services actively recruited gay men at this time.  Putting all this aside, the character would change too much if a woman were cast.  That’s not to say there isn’t room for a female 00 agent.  I would love to see a different film within the same universe.  That said, EON Productions are making a rare departure from Bond with The Rhythm Section due for release early next year, before No Time To Die.  Based on Mark Burnell novel of the same name the film promises to be a more gritty and realistic take on the genre.  Blake Lively stars as Stephanie Patrick an accidental/reluctant spy.  The film has an estimated $50 million budget, as a new property, this is considered a big risk, Bond 25 however cost five times that and will be expecting to smash $1billion in ticket sales.  I hope the film does well for two reasons, the second book is the best in the series, I would love it to see it adapted.  Secondly it would help the idea of a female 00. mark burnell the rhythm section

Back to Bond:  I understand Tom Hiddleston is still favourite, and for my money a good choice.  Tom Hardy, never seems far from the conversation; great actor but I don’t see him as Bond.  Sam Heughan seems to have come out of nowhere, and is the favourite of some bookies.  I didn’t know who he was and had to look him up.  This is often a good thing when it comes to Bond, an A list actor has never been cast in the role.  This also bodes well for lesser know actors: James Norton, and Jack Lowden, as well as TV stars Aidan Turner and Richard Madden.  It isn’t so great for big names: Michael Fassbender, Idris Elba, and Chris Hemsworth.  Of the three my pick would be Fassbender who would make a great brooding Bond in the vein of Timothy Dalton.  Elba would have been a good choice, but I feel the ship has sailed.  At 47, he would be in his 50’s by the time his first movie came out, and his 60’s by the third or fourth.  Hemsworth, I would discount for two reasons: I personally would prefer to see a British or Irish actor in the part, and I would rather see him in more comedic roles.bond

Other actors getting odds of 10/1 or better include Jamie Bell, Cillian Murphy, Henry Cavill, Damian Lewis.  Bell, I don’t see as Bond, I can’t explain why.  Cavill, I think that ship has sailed.  Murphy, I would never have considered, but think he would be an interesting choice (even better if he used his Peaky Blinders accent!).  I’m warming to the idea of Lewis, just as he seems to be dropping out of contention.  The two others who seem to have dropped out of contention are Benedict Cumberbatch and Henry Golding.  Cumberbatch probably comes with too much baggage, If you mention the name of any of the actors who have played Bond: Connery, Lazenby, Morre, Dalton, Brosnan, Craig; Bond is the first think you think of. Cumberbatch is already Doctor Strange and Sherlock Holmes.  As for Golding, he has dropped out the race as quickly as he entered it.  From what little I have seen of him, he seems to have the looks and the charm, but I haven’t seen anything to convince me he is a very good actor.bond2

So who will be the seventh James Bond?  Probably either nobody from this list, or one of the lesser know actors.  But as strange as it sounds, it doesn’t matter that much.  George Lazenby aside (50 years ago), they have never chosen a poor actor.  How good or bad the films are rests with the script and direction.  I have always maintained that Timothy Dalton is the best Bond, he plays the character closest to the one in Ian Fleming’s novels, but he didn’t make the best films.  With GoldenEye (1995) Pierce Brosnan made one of the best Bond films, but his subsequent films ranged from poor to terrible.  This was purely down to the scripts, and nothing to do with the actor.

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The interesting thing will be the setup.  Will Ralph Fiennes, Naomie Harris, and Ben Whishaw return?  From one point of view, I would like to see them back as they are all great, on the other hand, a clean reboot with a new whole cast would be interesting too.  I like the idea of doing something different, either, going back to the books and making a 1950/60’s set period spy movie.  Or a modern day version, but going back to the start, Bond Year One!  A movie about a younger Bond being recruited.  I have also for a long time advocated bringing back Timothy Dalton, or even Pierce Brosnan to play an older retired Bond.

Given the timescales these movies work to, I would expect to see Bond 26 in 2024/25. 

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I started writing a review of The Living Daylights (1987) for my Groovers Video Vault, it quickly became clear that I was not writing about the movie but about its star, Timothy Dalton. He probably isn’t the best James Bond, but he is certainly the most underrated, probably the closest to the character Ian Fleming wrote, and possibly the most influential since Sean Connery. The review of The Living Daylights will have to wait for another day.

In 1985 a 58 year old actor played James Bond, the actor Roger Moore was playing the part for the seventh and final time in his twelve year tenure. An older Bond could have made an interesting character as it did when (the younger) Sean Connery reprised the role for the unofficial Never Say Never Again (1983), but thanks to lazy writing, Moore still playing the part as if he were a much younger man. This was exacerbated by the over reliance of silly gadgets and comedy one liners. In essence the small elements that made Bond, Bond had taken over. It was a bit like watching an aging rock star putting all their effort into an extravagant stage show but forgetting to sing the songs. The final nail in the creative coffin was that they had run out of Ian Fleming novels and were writing new stories, bad stories. Bond had become a parody, the result A View to a Kill was a terrible film, the franchise was an unsustainable mess, something had to be done. There was little of merit in the Roger Moore movies after his third outing, The Spy Who Loved Me (1977), the series really needed new direction back then. I suspect that remembering the failure of George Lazenby as Sean Connery’s replacement, the producers were scared of upsetting the status quo and kept Moore in the role for an extra decade. As bad as the films got (Moonraker (1979), Octopussy (1983) and A View to a Kill (1985) being the low points) they still made money.

Producers, particularly Cubby Broccoli courted a young little known Irishman Pierce Brosnan who was staring in the TV show Remington Steele. Contractual obligations prevented Brosnan from taking the part so attention turned to Shakespearean actor Timothy Dalton. Dalton had been approached to replace Connery in the late 60’s but felt he was too young, and then again in the early 80’s when Moore’s contract was in dispute. Comments in various interviews have suggested Dalton was not happy with the direction the franchise was going, he also suspected that he and other actors were used force Moore’s hand. When he eventually took the part he did it on his own terms. A fan of Flemings source novels, Dalton insisted on scaling back the sci-fi/fantasy elements of the plot in favour of a grittier more plot driven story. He played Bond as a reluctant hero who like his literary counterpart drank and smoked too much. He was a man clinging to small pleasures while he tried to take away the taste and guilt of the repugnant side of the job. This can be seen early in his first movie, The Living Daylights (1987). It took its name from an Ian Fleming short story that was originally published along with Octopussy.

The story saw a jaded Bond on sniper duty, his mission to take out a KGB sniper and aid an agents escape from East Berlin. On realising the KGB sniper is a beautiful, blonde cellist he had seen on her way to and from practice earlier, he decides to shoot her weapon from her hands rather than killing her. Captain Sender his local contact, explains to Bond that he had to mention Bonds actions in his report stating “You should have killed that sniper whoever it was” Bonds response:

James Bond Said wearily “Okay with any luck it’ll cost me my Double-0 number. But tell Head of Station not to worry. That girl won’t do any more sniping. Probably lost her left hand. Certainly broke her nerve for that kind of work. Scared the living daylights out of her. In my book, that was enough. Let’s go.”

It is with this defiance that Timothy Dalton played the part. Most of the short story makes it to the screen reworked into the plot of the movie. Bond’s words became “STUFF my orders! I only kill professionals. That girl didn’t know one end of her rifle from the other. Go ahead. Tell M what you want. If he fires me, I’ll thank him for it.”

Bonds relationship with Saunders (based on Captain Sender from the short story) is unusual within a Bond film, in that it brings out many emotions in him. Initially the two don’t get on, but they grow to respect each other. When Saunders is killed Bond loses heart in his cover and becomes agitated and on edge. There is nuance in this performance you don’t expect from Bond. This isn’t a new Bond this is a return to the real Bond, the Fleming Bond. We can see this in his interactions with General Pushkin, the new head of the KGB. This the Bond we have seen on screen and read about on the page who has always been more interested in following his instincts than his orders. Dalton’s second and final Bond film Licence to Kill (1989) takes Bond a stage further refusing M’s orders and resigning in order to seek personal revenge. The film was both praised and criticised for darker and more violent tone of the movie taking it away from the family audience and more towards contemporary Hollywood thrillers. Interestingly it wasn’t that well received by American audiences. Receiving a 15 certificate in the UK and Rated PG-13 in America probably didn’t help.

In 1990, MGM/UA was sold, this led to various legal disputes that are too complicated to go into. The legal disputes caused delays and the next film due to go into production in the early 90’s was delayed until early 1994, this again was delayed and Dalton resigned from the role despite originally signing a three picture deal.

The interesting thing about Daltos time as Bond is what happened when he quit, Cubby Broccoli got his man, the actor he always wanted to play Bond, Pierce Brosnan. After a promising start GoldenEye (1995) the series descended into something very similar to the latter Roger Moore films, farces filled with silly gadgets and product placements. Bond as a character was conceived during World War II and was a cold war character, for that reason he lost a little of his relevance after The Living Daylights. While he was away fighting drug dealers and on a brief hiatus, the world was changing, Russia was changing. To their credit this became an underlying plot point in Brosnan’s début film but it was never expanded on or played with in future films. Then in 2006 in the wake of the Jason Bourne movies for the first time ever, Bond wasn’t recast, it was rebooted with Daniel Craig getting the part to the surprise of almost everyone. His début Casino Royale (2006) was a return to form, its sequel Quantum of Solace (2008) (a direct sequel is another Bond first) was less well received. And now the Zenith of what Dalton started, Skyfall (2012) has taken Bond further from Roger Moore and Pierce Brosnan than many thought possible. He may have taken it too far to be recognisable as a Bond, but it is proving popular with fans (including me), audiences and critics. Don’t expect the ever humble Dalton to take any credit where Bond is today, but I don’t think he would have got to this point without the new direction he took the character in 1987.

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