After a gap in proceedings last month I finally caught up on Moonlight and Fences, the last two Oscar contenders I had missed.  Making up for lost time I also saw another dozen movies: 

Logan: Finally a Wolverine movie worthy of the character from the comic books.  More violent than anything else we have seen from the franchise.  Within the confines of a comic book movie it is also far more realistic and grounded than usual.  Hugh Jackman and Patrick Stewart are both fantastic in parts they have grown into in the seventeen years since the first X-Men movie.


Trespass Against Us: Family crime drama set within a traveller community.  Michael Fassbender again proves to be one of the best actors working today.  Brendan Gleeson has fun with the more showy role.

Trespass Against Us

Moonlight: Had I seen this before all the hype I would have probably declared it the best small independent film in years.  As good as it is, and although I wouldn’t argue with its Oscar win, I have seen films in the past year that I prefer.


The Great Wall: As stunning to look at as you would expect from Yimou Zhang.  The story is silly beyond belief but is entertaining and fun.

The Great Wall

The LEGO Batman Movie: The follow up to The LEGO movie is essentially a Batman spoof and not a LEGO movie.  Ultimately it is good fun with the jokes coming thick and fast.

The LEGO Batman Movie

Kong: Skull Island: Shortly after the end of the Vietnam War a group of scientists and soldiers go in search of the titular giant ape.  Uneven and disjointed but always fun.  Not a patch on the 1933 original but better than most other attempts to update the story.

Kong Skull Island

Viceroy’s House: Essentially the Cliff Notes of Lord Mountbatten and Britain’s Withdrawal from India.  Entertaining and informative but lacking any great depth.

Viceroy's House

Fences: Denzel Washington’s movie adapted from August Wilson’s play.  Fantastic acting but the film fails to escapes its theatrical origin.


Free Fire: Ben Wheatley’s costume drama goes back to a more incoherent time, well not exactly; 1978, an arms deal goes wrong resulting in a violent but often amusing shootout.  Clocking in at a brisk 90 minutes, it’s a movie a many filmmakers could learn a lot from.

Free Fire

Personal Shopper: After a fantastic supporting performance in director Olivier Assayas’ previouse film Clouds of Sils Maria, Kristen Stewart returns to star.  A haunting film the seeps into your psyche.  Not as good as Clouds of Sils Maria but Stewart is sensational.

Personal Shopper

Get Out: A clever race satire dressed up as a horror/thriller.  Far more intelligent and subversive than many have give it credit for.  Best of all it is tremendous fun.

Get Out

Life: Is there life on Mars? Scientists on the international space station examine samples from The Red Planet and find that there was Life on Mars.  Engaging, largely thanks to a likeable cast but without the grit or originality of Alien.

2219634 - LIFE

Power Rangers: Surprisingly not terrible.  Most of the film is a teen drama that is clichéd but not dull.  The robots hitting each other ending is as bad as anything Transformers has to offer.

Power Rangers

Ghost in the Shell: Like action remake of Mamoru Oshii’s seminal 1995 cyberpunk manga anime.  It looks amazing and Scarlett Johansson is brilliant perfectly playing a charter who is literally uncomfortable in her own skin.  Unable to transcend its manga and anime origins it is a little cold but texture is added by Clint Mansell and Lorne Balfe’s fantastic retro future score.  If that hasn’t sold it to you, to top it all off, it also features Takeshi Kitano.

Ghost in the Shell

Not every film I saw this month where great, but I enjoyed them all in some way, even the weaker ones.  When you strip away the also ran’s we are left with five contenders for movie of the month.  You could argue that Moonlight is the best film this month but it isn’t the movie of the month.  Did I truly love Personal Shopper or did I just love Kristen Stewart’s performance? Get Out is the cleverest and probably most relevant movie of the month and is so close, but not the movie of the month.  Logan was my movie of the month right up until I started writing this last paragraph, I can’t get beyond the simple sublime brilliance of the movie of the month: Free Fire. 

Free Fire movie poster

Dom 5

I had a couple of Oscar articles planned before the awards but was ill at the time and didn’t get around to it, I also didn’t get around to posting Sixth Annual Groovers Movie Awards.  Better late than never! All awards are chosen by me and the criteria for eligibility is decided by me.  The categories for the awards given aren’t always the same year on year.  The award, is called the “Dom”, if you don’t know the relevance you need to watch the movie Fandango (1985).

Best Film: Should I christen it the Denis Villeneuve  award?  For the second year in a row the best movie of the year is directed by Villeneuve: Arrival


Best Director: Tom Ford. Proving A Single Man wasn’t a fluke, Ford is back with Nocturnal Animals.  The second best movie of the year and one that is directed with a precision reminiscent of David Fincher, past master John Ford.


Best Performance: This is where it gets complicated, do you give Amy Adams the best performance award for Arrival or Nocturnal Animals? It doesn’t matter, you would be right either way.

Amy Adams

Most Fun Movie of the Year: Sing Street, John Carney’s story of a teenager who starts a band for the most noble of reasons, to impress a girl, is fun, funny and charming.


Best Horror: To be honest, Green Room, Jeremy Saulnier’s follow-up to Blue Ruin is more a violent thriller than an horror, but it is shocking, violent, bloody and visceral; all the elements of a great horror.


Breakout Star: The startling thing about the breakout star, Anya Taylor-Joy is how out of nowhere that she came.  Last years winner Alicia Vikander had been a star of TV and film in her native Sweden for a decade before her moving to English language movies.  Prior to The Witch, Taylor-Joy has just two IMDB credits, a bit part in Vampire Academy and an episode of TV Show Endeavour.  As well as her sensational performance in The Witch she is also fantastic in the underrated Morgan and  Split.

Anna Taylor Joy

Fandango Award: Kelly Fremon Craig – Fandango was writer/director Kevin Reynolds debut (and best) feature, and the first notable movie for star Kevin Costner. It gives its name to this award for the best breakout film-makers of the year:  This years winner; Kelly Fremon Craig had just one credit as a writer before writing, directing and producing The Edge of Seventeen.  As the director of the best teen movie in a generation she is in some pretty impressive company: John Hughes, Mark Waters, Michael Lehmann, Richard Linklater and Nicholas Ray.


Dom 5

Choose life. Choose Facebook, Twitter, Instagram and hope that someone, somewhere cares. Choose looking up old flames, wishing you’d done it all differently. And choose watching history repeat itself. Choose your future. Choose reality TV, slut shaming, revenge porn. Choose a zero-hour contract, a two hour journey to work. And choose the same for your kids, only worse, and smother the pain with an unknown dose of an unknown drug made in somebody’s kitchen. And then… take a deep breath. You’re an addict. So be addicted, just be addicted to something else. Choose the ones you love. Choose your future. Choose life.

t2 trainspotting

I saw T2 Trainspotting back in January on general release.   I didn’t get around to writing about it at the time so wasn’t going to bother.  With the North American release imminent now is as good a time as any.  However, there is little point in reviewing it as there are already a plethora of opinions online.     

To talk about T2 Trainspotting, first we have to go back to the original film from 1996.  Trainspotting was a special film in its day.  In 1996 I was a student and immersed in the culture of the day.  Times were good, it was pre 9/11, the economy was booming after the recession of the early 90’s, Brit Pop was at its height, The England football team weren’t.  At the movies Richard Linklater, Kevin Smith and particularly Quentin Tarantino were spearheading a new independent cinema that spoke to our generation, but they are all American.  Trainspotting was different, Trainspotting was British, Trainspotting was ours.  Overnight Trainspotting posters started replacing Reservoir Dogs posters on the walls of every student house in town.  It was the tinny glimmer that a British film industry could make modern contemporary and exciting films.


The first thing that is worth mentioning is that Trainspotting wasn’t really set in 1996.  Based on Irvine Welsh’s novel from three years before it, a date is never actually mentioned but it feels more like the late 80’s early 90’s, a less hopeful time.  The Choose Life mantra dates back to the Katharine Hamnett T’shirts of the mid 80’s.  Did this squalor make us feel even better about the time we were living in?  The new film appears to be set in the modern day, Renton’s new choose life speech tells us how it all went wrong and how we have a less optimistic outlook, making it truly a film for 2017 and the political climate.

Irvine Welsh

Back in 1996, there was a certain buzz about Trainspotting long before release, partly thanks to the cult status of Welsh’s novel but more to do with Danny Boyle’s feature début Shallow Grave from two years before.  I still went to see the film with a certain amount of trepidation because of the subject matter.  How much fun could a film about heroin addicts be?  But Trainspotting isn’t about heroin, it is about life, it is about the choices we make.   It doesn’t glorify heroin, but it doesn’t condemn its protagonists, it glorifies life.  Along with well drawn characters, this is what lets the film be both compelling and devastatingly funny.

So, as Simon aka Sick Boy asks Mark Renton: what have you been up to, For 20 years? For a start, director Danny Boyle and star Ewan McGregor had a famous falling out over the studio’s insistence at casting the more bankable Leonardo DiCaprio in The Beach.  This gap has made a difference.  Boyle has spoken about how they tried to make a sequel after ten years based on Welsh’s follow up novel Porno.  The twenty year gap has given the story and its characters space to breath.  The film starts with Renton running on a treadmill, a perfect juxtaposition to his running from security guards after shoplifting in the opening to the first film.  Sick Boy, Spud and Begbie are all doing about what you would expect of them.  Spud (Ewen Bremner) is the biggest revelation of the movie, the least used and often comic relief of the first film becomes the most significant and poignant character of T2.  I have never seen a sequel that uses so much of the original film.  The nods and flashbacks are a great risk, but actually provide many of the films best moments.  Along with flashbacks to the main characters as children this not only makes for an interesting film, it also adds extra colour to the original film.


I was lucky enough to catch a screening of the original film a week before seeing the sequel.  Anyone planning on seeing T2 should re-watch Trainspotting first to get the most out of both films.   In the movie, Sick Boy accuses Renton of being  nostalgic, “You’re a tourist in your own youth”.  The film is nostalgic, in fact, it is both more nostalgic and melancholic than I expected but no less enjoyable.  It isn’t as good as the original but Trainspotting set the bar so high I didn’t expect it to be, most fans won’t be disappointed. 

Please do not adjust your set, normal service will resume shortly.  For the first time since starting this feature in June 2009, I have failed to post my movie of the month list.  Hit by cold, chest infections and chronic man flue not only have I not being writing about movies, I have not being going to see them.  I had plans to see the last two Best Picture Oscar Nominations Fences  and Moonlight; as well as the one off screening of Foreign Language contender Toni Erdmann.  Sadly none of this happened, I still have a couple of days to catch Moonlight and Fences but have missed my chance to see Toni Erdmann until it crops up on Netflix or similar.  So what did I see?

Hacksaw Ridge: A film of two halves, the war film is brilliant, the build up was to sentimental and preaching. andrew-garfield

Resident Evil: The Final Chapter: The final Resident Evil movie until the inevitable reboot.  It is as dumb and convoluted as the previous five films, but it is also good fun and never boring.resident-evil-the-final

Hidden Figures: The true story of Africa American woman working at the heart of NASA at the height of the space race.  A feel good movie without the baggage of sentiment. Octavia Spencer received an Oscar nomination, the other two leads: Taraji P. Henson and Janelle Monáe are just as good as is Kevin Costner in a supporting role. hidden-figures

 Loving: The true story of Richard and Mildred Loving a mixed race couple whose marriage was deemed illegal in 1958 Virginia.  Cleverly concentrating on the couple and  not the legal case, Ruth Negga and  Joel Edgerton are both outstanding. loving

Fifty Shades Darker: It’s easy to poke fun at this film, I would rather look for the positive, sadly there is little positive to say beyond the charisma and comic timing of star Dakota Johnson, she and co star Jamie Dornan deserves so much more. fifty-shades-darker

Billy Lynn’s Long Halftime Walk: An interesting little film told mainly in flashback.  Surprisingly good largely thanks a great performance from unknown Joe Alwyn.  There are also some great supporting performances especially from Kristen Stewart. 1289347 - BILLY LYNN'S LONG HALFTIME WALK

20th Century Women: Back in 2010 writer / director Mike Mills gave us Beginners.  A film about his late father.  Now he is back with one about his mother.  Set in the late 70’s it is a very modern movie with some quirky storytelling.  Annette Bening is sensational, Elle Fanning and Greta Gerwig are also great in supporting roles. 20th-century-women

John Wick: Chapter 2: Three years ago John Wick gave us a bonkers over stylised ultraviolent revenge thriller. This sequel is basically the same again.  It doesn’t offer anything new but is just as much fun as the original.  john-wick-chapter-2

Lion: True story of a five-year-old Indian boy who gets lost on the streets of Calcutta before being adopted by an Australian couple.  25 years later he attempts to track down where he is from with the help of google earth.  Both Sunny Pawar and Dev Patel are excellend as the older and younger versions of Saroo. lion

What a choice, we have the worthy of Loving and Hidden Figures or the fun of John Wick: Chapter 2, which is movie of the month? I could make a case for all three as well as 20th Century Woman.  Close call but movie of the month goes to:hidden-figures-movie-poster


Last year the Oscars were overshadowed by a controversy so big it even had its own hashtag: #OscarsSoWhite.  While it was reported that celebrities such as Jada Pinkett Smith and Spike Lee threatened to boycott the ceremony (I have no idea if they attended or not), one man spoke sense.  British actor Idris Elba gave a speech bemoaning the lack of opportunities for black people in the British film and TV industry. Idris Elba

This is the real point.  Oscar, or the Academy to be more precise, isn’t a sinister group of people who get together in a dark and smoky room to decide who is going to win the awards based on the current zeitgeist, a desire to snub a group of people or honour someone based on past glory!  The academy is a group of disparate individuals (most of whom are old white men) voting for films they probably haven’t seen.  The hashtag campaign was bore out of a lack of diversity.  In the acting categories, all twenty nominations last year were white:

  • Leonardo DiCaprio, Bryan Cranston, Michael Fassbender, Eddie Redmayne, Matt Damon
  •  Brie Larson, Cate Blanchett, Saoirse Ronan, Jennifer Lawrence, Charlotte Rampling
  •  Mark Rylance,  Sylvester Stallone, Tom Hardy, Mark Ruffalo, Christian Bale
  • Alicia Vikander, Jennifer Jason Leigh, Kate Winslet, Rachel McAdams, Rooney Mara

But a little like Idris Elba suggested, the problem isn’t with the academy, the problem is with the industry and with the audience, us! Last year’s Oscars may be remembered for the #OscarsSoWhite hashtag, but will it be remembered for the snub of numerous black actors?  I would say probably not.  I only saw just over 100 Oscar eligible movie so probably missed a few smaller gems.  Of what I saw, the only black actor who I can think of who should be disappointed is Michael B. Jordan for Creed.

But things are very different this year, the nominations are:

  • Casey Affleck, Andrew Garfield, Ryan Gosling, Viggo Mortensen, Denzel Washington
  • Isabelle Huppert, Ruth Negga, Natalie Portman, Emma Stone, Meryl Streep
  • Mahershala Ali, Jeff Bridges, Lucas Hedges, Dev Patel, Michael Shannon
  • Viola Davis, Naomie Harris, Nicole Kidman, Octavia Spencer, Michelle Williams
  • oscar-2017

Seven of the twenty acting nominations are for none white actors.  The most notable film is Hidden Figures for several reasons.  Octavia Spencer is fantastic and well deserving of her nomination, but her co-stars Taraji P. Henson and Janelle Monáe are both equally as good. Finally the film is doing surprisingly well. Viola Davis is probably the safest bet for a winner.

But should we be congratulating ourselves yet?  Fences, Moonlight, Hidden Figures and Loving are all films about black people or black issues.  When the awards are colour-blind, that’s when we have made progress and can celebrate.  A recent example of this would have been Denzel Washington’s best actor nomination for Flight (2012).  He was playing a character who could have been any race (or either sex).  But even this idea is diluted a little by the fact that it is Denzel, not Denzel Washington, just Denzel! You say the name Denzel and everyone knows you are talking about Denzel Washington.  He is such a megastar and so beloved that he does transcend race to a certain degree.  Furthermore the nomination came after he had already won two Oscars and nominated for a further three, every one (with the possible exception of Training Day) playing characters whose race was significant to the plot or their character.  It would have been more telling had he been nominated for his supporting in Philadelphia (1993), a film where his performance was at least as good as best actor winner Tom Hanks.  This was at a time before he had taken on legendary status.flight

Ultimately, awards are bullshit, it would be far more significant if we had a black James Bond, Superman or Batman.  This then brings us onto a different problem of diversity.  During the recent explosion of comic book movies we are yet to see one with a female lead, the first Wonder Woman later this year.  But then we have made some progress, that part of Finn (John Boyega) in Star Wars: The Force Awakens (2105) would surely have gone to a white actor a generation ago.  The diversity we see in this year’s awards season is certainly not a bad thing, let’s not get to excited about it, the battle will truly be won when we don’t have to talk about Oscar being black or white. 


How does one celebrate a birthday/anniversary? I have been writing this blog for eight years now.  I had no idea what I was doing when I started and had no idea how long it would last, I didn’t think it would still be going after eight years.  Some anniversaries I have mentioned, others I have forgot, will I remember the big one in two years time, will I still be writing here by then? Who knows, for now I give you a staple of movies time-travel.  Take a look below at my first ever post from 19/02/07:

I have been thinking of starting a blog for some time on one of my favourite subjects Movies; I have finally gotten around to it. As it is the weekend of the biggest event in the movie calendar the Oscars I decided to do a my own preview on the awards running through the main awards noting what I think will win along with what I think should win.

Best Motion Picture of the Year: Slumdog Millionaire is by far the best film of the nominations and should win. The other nominations are: The Curious case of Benjamin Button is a good film if a little long. Frost/Nixon started life as stage play but has grown into an entertaining and informative film that deserves its place on the list. Milk a little preachy in its approach but a well told story with strong leading performances. The Reader is well filmed and well acted but a very average film that is inferior to many films that didn’t receive a nomination.

frankBest Performance by an Actor in a Leading Role: Mickey Rourke for The Wrestler has been the favourite this award season so far; it is the most likely winner but I would go for Frank Langella in Frost Nixon. A fantastic performance that captures the mannerisms of the former president as well as a more sympathetic portrait of the man than I thought possible. The other nominations are: Richard Jenkins – The Visitor, Sean Penn – Milk, Brad Pitt – The Curious case of Benjamin Button.

rachBest Performance by an Actress in a Leading Role: Like Rourke, Kate Winslet (The Reader) has been the darling of the award season and will probably win but my vote would go to Anne Hathaway for Rachel Getting Married: an amazing performance from the young actress whose character is ultimately a miserable, selfish, narcissistic bitch but she also comes across as vulnerable, funny and sometimes even likable, very reminiscent of Angelina Jolie’s mental patient Lisa in Girl Interrupted. Angelina Jolie is herself also in with a chance for Changeling. The other nominations are: Melissa Leo for Frozen River and Meryl Streep for Doubt.

jokeBest Performance by an Actor in a Supporting Role: Robert Downey Jr. for Tropic Thunder isn’t realistically in with a chance in a comic role a bit like Johnny Depp for Pirates of the Caribbean in 2003. The winner will be a well deserved Heath Ledger for The Dark Knight although I can’t help thinking the comic book role may have been overlooked if not for the actor’s untimely death. The other nominations are: Josh Brolin for Milk, Philip Seymour Hoffman for Doubt and Michael Shannon for Revolutionary Road.

barca1Best Performance by an Actress in a Supporting Role: Possibly the hardest to call with strong performances across all the nominations. Amy Adams (Doubt) has to be in with a chance as does Marisa Tomei who is excellent in The Wrestler but I think it will go to Penélope Cruz who lit up her scenes in Vicky Cristina Barcelona and will be presented by her co star Javier Bardem who won last year for No Country for Old Men. The other nominations are: Viola Davis for Doubt and Taraji P. Henson for The Curious Case of Benjamin Button.

 Best Achievement in Directing: Another tough category but I think as with best film Danny Boyle will be a deserved winner for Slumdog Millionaire but would not be disappointed if David Fincher won for The Curious Case of Benjamin Button, both directors made enjoyable epic films. The other nominations are Ron Howard for Frost/Nixon (who is a good outside bet) Stephen Daldry for The Reader (a great performance by Kate Winslet but not a great film) Gus Van Sant for Milk.

bruges1Best Writing, Screenplay Written Directly for the Screen: It is often difficult pick the best screenplay especially in the written directly for the screen category, how do you separate it from the best film category. Mike Leigh is an interesting case he is nominated for Happy-Go-Lucky this is his fourth writing nomination to go with his two directing nominations. It would be great to see him win but he does famously use a very loose script letting actors improvise their characters and the scenes. My vote is for Martin McDonagh for In Bruges, his brave script the sticks two fingers up at political correctness in what is probably the best comedy of 2008. the other nominations are: Courtney Hunt for Frozen River, Dustin Lance Black for Milk and Andrew Stanton, Pete Docter, Jim Reardon for WALL·E.

Best Writing, Screenplay Based on Material Previously Produced or Published presents a different problem. What are you voting for? The best screenplay or the best achievement based on the constraints of the original material. The nominations are based on: two plays, two novels and a novella/shot story. My vote goes to Frost/Nixon (Peter Morgan) as it most successfully moves away from it stage origins and captures the age perfectly. But realistically I think Slumdog Millionaire (Simon Beaufoy) will take the award. The Curious Case of Benjamin Button is a great film that takes it inspiration if not its story from an F. Scott Fitzgerald short story. As much as I enjoyed the film a still can not forgive it writer Eric Roth for stealing two and a half hours of my life in the form of Forrest Gump! (His co writer on this film is Robin Swicord) The other nominations are John Patrick Shanley for Doubt, a film that seems incapable of transcending its theatrical origins. David Hare for The Reader, a film with great performances but not a great film.

Best Achievement in Cinematography. There is a tend to give the Cinematography award to pretty images and vast landscapes forgetting the true meaning of the art; Cinematography is an art! The use of camera and lenses choices to capture the film makers vision and the use of lighting to capture the mood. There are two very different films that stand out for me: Tom Stern (who has worked with Clint Eastwood on most of his recent films) for Changeling and Wally Pfister for The Dark Knight. However I think voters will be blinded by the vibrant colours in the beautifully shot Slumdog Millionaire (Anthony Dod Mantle). The other nominations are: Claudio Miranda for The Curious Case of Benjamin Button and Roger Deakins & Chris Menges for The Reader.

 komplexBest Foreign Language Film of the Year is another strange category as only one film can be entered from any one country so The wave misses out to the other German entry Der Baader Meinhof Komplex. I would probably choose this one but think the terrorist subject matter will not go down well in America. Unfortunately I have not seen the Israeli entry Vals Im Bashir but everyone I know who has seen it (both of them) have been amazed by it. The other entries are: Entre les murs (France), Revanche (Austria) and Okuribito (Japan).

So there it is my first ever blog entry. Hope I didn’t bore you too much, if I did you probably stopped reading long before this point! I will be back next week with an explanation of where my blog got its name.

The best ever DC adaptation the dark Knight has taught us. You either die a hero all live long enough to see yourself become the villain. The MCU will run out of steam and ideas one day. When that happens they can either carry on making progressively worse films or, they can end the series and wait for the inevitable reboot. This dying a hero before it has chance to become a villain. So far Marvel have got it right, But this is where it gets complicated. When do you end a successful serious?  do you bleed it dry or do you get out early leaving the audience wanting more? The latter makes the most sense but the former will be hard for the filmmakers to resist, they do have the bottom line to think of after all.  But, as this happens, they will be confronted with actors who either want to move on to avoid typecasting, or who and ever increasing remuneration. captain-america-and-iron-man

Nobody realistically expects the end of phase 3 to be the end of the  MCU,  but what comes next? Very simply the death of Iron Man and Captain America! this is a comic book movie so their deaths will be heroic and nobody will stay dead forever. And this is where I must admit that the title is a little misleading; Iron Man and Cap don’t have to die, their alter ego’s Tony Stark and Steve Rogers are the ones who must die.  After all, the roles of both Iron Man and Captain America have been taken on by other characters.  Their demise Will pave the way for one of the other characters to take over the lead of avengers for a final fourth phase. The most obviously there will be Captain Marvel, Who will be introduced to the serious very soon. But why kill Steve And Tony? There are two reasons for this, firstly: their stories will be told by this time, secondly; the series needs to kill off a few of its major characters to remain credible. There is an argument to end the series at the end of phase three, however, this will not give time to properly explore the new characters that are constantly being introduced such as the aforementioned Captain Marvel. There is another strong if potentially selfish reason for wanting to kill these major characters, it will leave a void that must be filled.  It is unlikely, but could lead to the most interesting character in the universe getting her own movie; I am of course talking of black widow. We have seen hints and clips suggesting a back-story for black widow and Hawkeye but have yet to see either in any detail. I’m not convinced okay I’ll carry a movie but he could play a large part in Black widows a story. But this is just one element of it, do you want another back-story/origin movie? Black widow is such an interesting character that she could be used in the new standalone story.the-avengers

But back to the point. How long before Chris Evans and Robert Downey Jr decide they’ve had enough and don’t want to continue in their roles? It has been suggested that Downey Jr is already at that point and is only still on board for the paycheque. What will happen when money is enough to keep them? The worst possible scenario is recasting. Only marginally better is writing the characters out without having the actors to do the story justice. To put it simply they MCU needs Tony Stark and Captain America to die heroes and friends.