The Twilight Saga (2008 – 2012) is loved and loathed in equal measure, it does however give us a different type of vampire in a different type of vampire movie. Here are a few more vampire movies with original ideas.
Nosferatu, eine Symphonie des Grauens translated as Nosferatu: A Symphony of Horror; or simply Nosferatu (1922) directed by F. W. Murnau and starring Max Schreck was adapted from Bram Stoker’s Dracula the names were changed, not to protect the innocent, but because the studio did not obtain the rights to the novel. They didn’t even use the word vampire, instead replacing it with Nosferatu. Despite being an adaptation, Nosferatu has some original ideas, one of them has become a mainstay of vampire movie ever since (except Twilight). Sunlight. In the original novel Dracula avoids daylight as he is weakened by sunlight. Orlok (as he is called in Nosferatu) is destroyed by sunlight.
Blade (1998) reinvented the vampire movie, not as a horror but as an action movie. The Legend of the 7 Golden Vampires (1974) was a co production between Hammer Studios and Hong Kongs Shaw Brothers Studio. Having lost its way from Scars of Dracula(1970) onwards a change was needed and in The Legend of the 7 Golden Vampires was certainly a change. Relocating the story to China and utilising the skills of both legendry Hong Kong action director Chang Cheh and Roy Ward Baker, a veteran of several previous Hammer films. The result is a bonkers 83 minute action horror that is both brilliant and original.
Vampire movies are fantasy as any movie containing a fictional species is, however vampire stories tend to be more complicated than that. With stories of good and evil, darkness and light, they are often more religious or spiritual stories. The weapons that destroy vampires often signify purity, they include crucifixes and holly water. Near Dark takes a different approach. Essentially a modern day western, a dustland fairytale were salvation comes not from a mysticism but from a blood transfusion.
Those who only know Joel Schumacher as the director that killed the Batman franchise in the 90’s will be surprised by his pop culture credentials. As a twelve year old , The Lost Boys was amongst my favourite movies. Although the conclusion is the usual good over evil scenario we have come to expect from a vampire movie, the hour leading up to the conclusion is exactly what the tagline promises: Sleep all day. Party all night. Never grow old. Never die. It’s fun to be a vampire.
Based on the novel of the same name by Anne Rice is the story of Louis de Pointe du Lac (Brad Pitt), a man who following the the deaths of his wife and child has lost the will to live. Offered death by the mysterious Lestat de Lioncourt (Tom Cruise) he instead asks to live and in return is given the eternal “life” of a vampire. What follows is a an existential story based around the melancholy of an unusually long life. Not a completely original idea but probably the best example of the idea.
Ever since Nosferatu vampires have seen vulnerable to sunlight so why did it take so long to set a vampire movie in a place with no sunlight? 30 Days of Night was originally an unsuccessful film pitch, in 2002 it became a three issue graphic novel mini-series written by Steve Niles and illustrated by Ben Templesmith. Five years later it became a movie directed by David Slade. Both comic and movie tell the story of the fight for survival as a group of vampires descend on Barrow, Alaska during its month-long “polar night”.
Vampires are mysterious creatures that exist in the shadows, it is often the case that they appear in movies without the other characters knowing of their existence. But what happens when vampires are take over the world and become the dominant race? Simple they run out of food and that’s the premise of Daybreakers (2009).