Archive for February, 2011

The academy is famous for been old-fashioned, stuffy and set in their ways but now they have invited a prankster and practical joker into their inner sanctum by nominating him for an Oscar. The best thing about it is that the man in question Banksy may just have done it with a film that is itself a hoax and his biggest prank to date. For those who haven’t seen Exit Through The Gift Shop read THIS.

The big question is will he be invited to join the academy, he is certainly eligible. The official academy website says “Individuals nominated for an Academy Award® who are not already members will be considered for membership”. I somehow don’t think Banksy will be invited to join their little club! Don’t expect to see him at the ceremony either, even if he wins. As to what he is planning we will have to wait and see. The usual thing to do if you can’t make it to the ceremony is to send someone else in your place, the obvious choices would be the narrated by Rhys Ifans, the “star” Thierry Guetta or one of the producers. The other option is a video link with Banksy’s identity disguised the way it was in the film. This itself would lead to the question of if the person on screen is who he appears to be.

This article from Entertainment Weekly suggests we may have something to look forward to “Banksy, in fact, has already been warming up for Oscar night. It’s rumored that he is presently in Los Angeles”. One way or another I for one hope that Banksy takes the opportunity for one of his infamous stunts. An Oscar statute with a trademark monkey head or a red carpet decorated with his other trademark a rat, would be perfect as would. The other option is the simplist and most radicle, for him not to turn up, not to send a representative and completely snub the Oscars.  As Hollywood is on Banksy alert, it is the last thing anyone is expecting and the anticlimax will be far worse for the academy than any Banksy prank. Whatever happens Best Documentary Feature category will be a little more interesting than usual!


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The Metro-Goldwyn-Mayer logo features the slogan “Ars gratia artis” it is a Latin version of the 19th century French slogan ‘l’art pour l’art’ or Art for art’s sake. With this in mind it is interesting that Louis B. Mayer was the person most responsible for the formation of Academy of Motion Picture Arts and Sciences. Mayer’s vision was more like a trade union whose primary function would be to mediate labour disputes and promote the movie industry. Within a year of the founding of the academy what we now know as the Oscars were devised.

With all this in mind I can’t help wondering what point of the Oscars is. Would the movie industry be any different without them or other awards? On the whole I would have to say no. As a football fan (that’s soccer to the American readers) I understand the need for competition, without competition sport would be far less compelling or entreating but movies are very different, they are to take things back to the top essentially art. Does art really need to be quantified in this way? True there are many art related awards these days such as The Turner Prize and the music industry has as many awards as the movie industry but they all serve as little purpose as the Oscars.

As a blogger the Oscars are a goldmine of material for debate but there really has to be more point to justify their existence than a chance to bemoan their poor selections. There is always the notion of self publicity, but what I don’t buy that either. By the time the awards come around most nominated films have long since finished their theatrical run. Although it doesn’t harm the winners you don’t exactly see many people building their careers awards success.

So this brings us to the real point of the Oscars and any other awards , they are a way for an industry to slap itself on the back and feel good about itself. My thoughts are probably not unique or original but one thing is certain they Hollywood and the Oscars won’t change. So next Sunday as The King’s Speech is taking the best picture award that should belong to Inception and Natalie Portman beats Jennifer Lawrence I can happily sit back knowing it all really doesn’t matter.

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Second Birthday

Fandango Groovers is two years old today. When I started the blog back in 2009 I had no idea what I was doing or had any plan for where it was going. When I got to ten thousand hits after around three months I was amazed that people were actually reading my ramblings, somehow I am now around a month away from a million hits, how did that happen? I have been trying to think of a way of marking the occasion and decided to list my top ten movies that have been released (UK release) since I started the blog.

  1. Let The Right One In

  2. Inception

  3. The Hurt Locker

  4. Inglourious Basterds

  5. The Secret in Their Eyes

  6. Monsters

  7. Black Swan

  8. Winter’s Bone

  9. Watchmen

  10. Kick-Ass

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IMDb Oscar Poll

I just took part in the IMDB Oscar Poll, the results so far make interesting reading. Firstly who else has voted? To take the trouble to do the poll suggests participants are movie fans so I would suggest they have probably seen a lot of the films. On top of that they would probably have been influenced by the recend Golden Globes and BAFTA’s. So what are people voting for?

Best Picture: Inception currently has more than 40% of the vote, more than double, The King’s Speech in second place.

Best Actor: Colin Firth is the runaway leader for The King’s Speech, no surprise there.

Best Actress: Fresh from her BAFA win Natalie Portman for Black Swan has 85.0% of the vote.

Best Supporting Actor: Despite Geoffrey Rush’s BAFTA success Christian Bale is leading this poll.

Best Supporting Actress: Much closer than the other categories, it looks like a three way fight between Helena Bonham Carter, Hailee Steinfeld and Melissa Leo. Amy Adams isn’t that far behind but Jacki Weaver is unsurprisingly way of the pace, Animal Kingdom being one of the least seen nominated movies (it isn’t even out in the UK yet).

Best Director: David Fincher is just pulling away from Darren Aronofsky, these are probablt the two most deserving in of the Oscar.

Best Foreign Language Film: Biutiful (Mexico) is way ahead with 60% of the vote. The obvious reason for this would be the love for Javier Bardem, however Bardem is bottom of the poll for best actor. Chances are most people who vote probably haven’t seen many of the movies they are voting for. Because of the unique way this category is voted for all the people who vote in the Oscars will have seen all five movies.

Best Adapted Screenplay: I can’t see anyone other than Aaron Sorkin winning this, the other voters seem to feel the same way, lets hope the academy do too.

Best Original Screenplay: Christopher Nolan is running away with this one with nearly 75% of the vote for Inception, this could be the payoff for being unfairly overlooked in the director category.

Best Animated Feature: Do I need to tell you? Toy Story 3 has over 70% of the vote.

So what does all this mean for the Oscars? Absolutely nothing, the academy is a law unto itself and won’t be influenced by public opinion. As for where the awards will go, although I think inception is the best film of the year I don’t give it a hope in hell of winning, it just isn’t an Oscar friendly movie. In the other categories I think all the poll leaders have a reasonable chance of winning. And just as in the poll, supporting actress is probably the most open category.

If you haven’t already why not cast your vote HERE.

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Marvel or DC?

Back in January Katie from The Stories That Really Mattered asked us to declare “I’m a Marvel” or “I’m a DC”. For those who aren’t comic-book-literate Marvel and DC are the two biggest names in comic books. For some this would be an easy choice as they form a bond or affiliation with a particular publisher and the universe they have created a little like the way sports fans chose a team and immediately dislike their local rivals, but for me it’s proving to be a bit of a problem choosing.

The problem starts with the big hitters, I am not really a fan of Spider-Man (Marvel) or Superman (DC), I don’t dislike them, I just can’t get excited by them. Then we move onto what I do like, I didn’t read comic books as a kid but did read some X-Men as a student and enjoyed them, when the movies finally came out, directed by Bryan Singer the first two were great movies, it did go downhill for the third and the Wolverine spin-off. Hopefully X-Men: First Class directed by Matthew Vaughn will get the franchise back on track. Then we have Blade, forget the rubbish third instalment and take a look at the first two movies in the series. The first movie, released in 1998 is probably the most important Marvel movie ever made, a co production between New Line and the newly formed Marvel Studios, if it had failed the world of comic book movies would probably look very different now.

So what do DC have to offer? Batman! Back in the late 80’s and early 90’s Tim Burton made two great Batman movies before Joel Schumacher took over and fucked it up. This could have been the end of “The Caped Crusader” on film but then out of nowhere British auteur Christopher Nolan gave us Batman Begins and The Dark Knight. A lot will rest on The Dark Knight Rises, it could turn out to be the only comic book movie trilogy without a week link. Lets look at this from another point of view, a hero is only as good as his adversary, Magneto is good, but he is no Joker! Then we move away from the big name franchises and look at some of the other comics DC have produced that have been made into great movies: Watchmen (much underrated), A History of Violence and V for Vendetta (in America). The tide could be turning in DC’s favour.

So where does that leave me, am I Marvel or DC? Katie has created an online poll with the cop-out answer “I’m a Marvel…except for Batman”. So am I Marvel…except for Batman or can I nail my colours to one side or the other? I am not going to take Katie’s cop-out, or invent one of my own, “I’m DC except for the X-Men”. None of the above, I thought I was a Marvel I may just be a DC so I am going to sit on the fence a little longer. It’s still a cop-out I know, sorry Katie.

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BAFTA 2011

A few thoughts on last nights BAFTA awards. Before I get onto the winners, a few observations. The BAFTA’s are awards given by a national academy in their own right and often make better choices than the oscars, and yet IMDB reduce them to The Road to the Oscars along with other awards such as the starfuckers of The Hollywood Foreign Press Association responsible for the golden globes. There were a lot of winners missing from the ceremony, are the BAFTA’s losing their appeal or did they all think they would miss out to The King’s Speech. Finally why do they not show the awards live on the BBC?

Best Film

Winner: The King’s Speech: No real surprise here, it is what everyone was expecting and I am certainly not upset by it. A fantastic movie that deserves all the great press it is getting but is it the best film of the year? For me sadly not although I gave it five stars out of five when reviewing it, I gave the same to Black Swan and Inception. The Social Network narrowly missed out on the full five stars. True Grit only opened in the UK on Friday and I will be seeing it in the next few days, I really don’t know what loophole made it eligible. My choice for the Best Film wold have been Inception.

Alexander Korda Award for Outstanding British Film of the Year

Winner: The King’s Speech:  The other nominations were: 127 Hours, Another Year, Four Lions, Made in Dagenham. All great movies, I think they got it right though.

Best Actor

Winner: Colin Firth for The King’s Speech: Definitely the right choice, Firth was outstanding but lets not forget it is a strong category. Although Biutiful was a little esoteric and incoherent but Javier Bardem’s performance was brillient and Firths greatest challenger. Jesse Eisenberg and James Franco both played real life people with questionable reputations, the actors made them both human and sympathetic. As mentioned above I Am yet to see True Grit but Jeff Bridges is always worth watching.

Best Actress

Winner: Natalie Portman for Black Swan: I have made no secret my opinion on this one, I would have given the award to Jennifer Lawrence for Winter’s Bone who wasn’t nominated. Of the nominees Natalie Portman was the right choice. Noomi Rapace who was excellent in The Girl with the Dragon Tattoo is the real winner, although she didn’t pick up the award she has stepped onto the world stage and picked up some high profile roles. Both Annette Bening and Julianne Moore picked up nominations for The Kids Are All Right, both where great but not worth an award. I look forward to seeing how good Hailee Steinfeld is in True Grit.

Best Supporting Actor

Winner: Geoffrey Rush for The King’s Speech: Rush was excellent but did he win on his own merits or was it just part of the groundswell and Zeitgeist that goes with The King’s Speech? For my money Andrew Garfield should have won for The Social Network, not only was his the pest supporting performance of the year, but ti was also his only chance for a major award as he has been criminally overlooked by the Oscars. Again a strong category, Christian Bale, Mark Ruffalo and the late great Pete Postlethwaite could have all walk away with the award in other years.

Best Supporting Actress

Winner: Helena Bonham Carter for The King’s Speech: How Lesley Manville didn’t win for Another Year, I will never know, at least she got a nomination, The Oscars didn’t recogniser her great performance. As strong as the supporting actor category, Amy Adams for The Fighter; Barbara Hershey for Black Swan and Miranda Richardson for Made in Dagenham could easily walked away with the award.

David Lean Award for Achievement in Direction

Winner: David Fincher for The Social Network: Although not the best movie of the year this was the right choice. Making such an entertaing and enthralling movie out of so little is a testament to the writing and the direction. To put it simply, it is the most directed movie of the shortlist. The other Nominees were: Darren Aronofsky for Black Swan; Danny Boyle for 127 Hours; Tom Hooper for The King’s Speech and Christopher Nolan for Inception.

Best Screenplay (Original)

Winner: David Seidler for The King’s Speech: Had it been the most original screenplay Christopher Nolan would surely have won for Inception, as it was The Kings Speech was a good choice. The other nominees were: Mark Heyman, Andres Heinz, John J. McLaughlin for Black Swan; Scott Silver, Paul Tamasy, Eric Johnson for The Fighter and Lisa Cholodenko, Stuart Blumberg for The Kids Are All Right.

Best Screenplay (Adapted)

Winner: Aaron Sorkin for The Social Network: There was only one choice for this one, everything I said about best director goes double for the screenplay. The other nominees where: Danny Boyle, Simon Beaufoy for 127 Hours; Rasmus Heisterberg, Nikolaj Arcel for The Girl with the Dragon Tattoo; Michael Arndt for Toy Story 3: Joel Coen, Ethan Coen for True Grit.

Best Cinematography

Winner: Roger Deakins for True Grit: Having not see the movie yet I don’t know if it was the right choice, hopfully they didn’t take th lowest common denominator approach and given the award to the movie with the prettiest pictures. Of the other four (Anthony Dod Mantle, Enrique Chediak for 127 Hours; Matthew Libatique Black Swan; Wally Pfister for Inception and Danny Cohen for The King’s Speech), all of which I have seen, I would have gone for Black Swan, not only is the movie strangely beautiful but it is also amazingly lit and composed.

Best Film not in the English Language

Winner: The Girl with the Dragon Tattoo: The Girl with the Dragon Tattoo is a great movie and it would have been a worthy winner if not for The Secret in Their Eyes, a phenomenal movie that picked up the equivelent Oscar last year. The other Nominees were: Biutiful; I Am Love; Of Gods and Men.

Best Animated Feature Film

Winner: Toy Story 3: I can’t say much on this one as the winning movie was the only one I saw, the other nominees were: Despicable Me and How to Train Your Dragon.

Orange Rising Star Award

Winner: Tom Hardy: The only category voted for by the public. I struggled with my vote: Tom Hardy was great in inception but for me already an established star. Gemma Arterton was certainly an established star and with a mixture of indie and blockbuster movies 2010 was a big year for her, I must admit I never saw the attraction (from and acting point of view) until I saw The Disappearance of Alice Creed. Andrew Garfield had a great year with a movie stealing performance in The Social Network and the lead role in the new Spider-Man Reboot. Aaron Johnson does define rising star having come out of nowhere in the last eighteen months. Like all the other nominees Emma Stone has been kicking around for a few years now, having seen her in a few movies she really came to my attention in Zombieland in 2009, she built on this last year with Easy A. In the end I went for Andrew Garfield

Outstanding Debut by a British Writer, Director or Producer

Winner: Four Lions: Christopher Morris(Director/Writer): My choice would have been Gareth Edwards(Director/Writer) for Monsters, a movie I consider good enough to have been nominated in the Best picture category. Unfortunately genre movies tend not to be considered award worthy! The other nominees were: Clio Barnard, Tracy O’Riordan(Director, Producer) for The Arbor; Banksy, Jaimie D’Cruz(Director, Producer) for Exit Through the Gift Shop; Nick Whitfield(Director/Writer) Skeletons.

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Howlin’ for You

An interesting thing appeared on the Featured Trailers section of the IMDB front page as a “First Look”. it is for a new “movie” that looks like a Rodriguez/Tarantino Grindhouse project. The description is as follows:

“Alexa Wolff, a sexy assassin with a troubled past, unknowingly falls in love with the man who killed her father. He is not her first love, though. Two other men came before. But they would not have her. Now, all grown up with an appetite for revenge, Alexa’s leaving a trail of bloody corpses and broken hearts in her wake.”

The cast is filled with TV stars and B movie actors and a pair of musicians, Dan Auerbach and Patrick Carney from The Black Keys. The trailer is accompanied by the bands song “Howlin’ for You“, and that if you haven’t realised is the whole idea of it. The trailer is actually a video for the song.

How it got on the IMDB as a trailer, I don’t know but it was a stroke of genius. Looking like a real B movie trailer I wound love to see it made into a cheesy grindhouse movie like Machete It has got a lot interest and has received as many comments from people who think it is real as from those who are in on the joke.

IMDB appears to be the only place to have the video so I can’t embed it here but you can get it by clicking This Link.

Update: its now on youtube (until WMG delete it) so can embed it.


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Next month sees the 50th birthday of a movie icon, not an actor or an actress but a car, the E-Type Jaguar (aka XK-E). Initially only available as a GT/coupé with convertible coming later and having a fourteen year production run the E-Type went through many changes but one thing remained, it is a stunning and iconic car, Enzo Ferrari described it as “The most beautiful car ever made”. In the past 50 years the car has made numerous movie appearances here are just a few:


“Arizona, noon, on the seventh of June, When they highballed over the pass, Bulldog Mack with a can on back, And a Jaguar haulin’ ass”

The Jaguar in question was a 1974 XK-E driven by Ali MacGraw.

Vanishing Point

Kowalski “the last American hero” is on his own personal race from Denver to San Francisco in a 1970 Dodge Challenger R/T when he gets involved in a “Race” with a 1966 Jaguar XK-E. It doesn’t end well for the Jag.

Danger: Diabolik

This slightly camp but great fun Italian comic book movie based movie features a matching pair of “his & hers” E-Types, one black one white. They feature a lot in this under appreciated movie.

The Italian Job

Everyone remembers the Mini Coopers (and the Lamborghini Miura that got destroyed at the start) but the movie also features two E-Types. Initially intended as fast getaway cars if anything goes wrong, they along with an Aston Martin DB4 are destroyed by the Mafia. Thanks two the magic of cinema the Aston and the red E-Type were largely unharmed and are still in existence, note sure what happened to the other one.

Austin Powers: International Man of Mystery

I must admit I never really liked or found these movies that funny but an I couldn’t really leave a Union Flag E-Type of the list. The joke continued two years later in Austin Powers: The Spy Who Shagged Me as Heather Graham’s character Felicity Shagwell dives a Stars and Stripes emblazoned 1966 Chevrolet Corvette.

Harold and Maude

For reasons you really need to see the film to understand Harold converts his XK-E into a hearse. You also need to see the film to find out what happens to it, I won’t spoil the plot for you.

The Avengers

Okay so the movie was utter shit but both Uma and the Jag look good!


As the protagonists of the movie gamble on the most valuable of commodities, luck they also win and lose more material possessions such as this 1971 E-Type.

The Blues Brothers

You would be forgiven for not noticing the car driven by Twiggy in the gas station scene in this classic movie.

And the movie it didn’t appear in: The E-Type could easily have become the iconic car driven by James Bond. There are lots of reasons why Bond drove the new Aston Martin DB5 in Gold finger (1964). One of them goes back to the novel the movie it is based on. As Ian Fleming described: “The car was from the pool. Bond had been offered the Aston Martin or a Jaguar 3.4. He had Taken the DBIII. Either of the cars would have suited his cover”

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  • Fox and Cancelled are two words that seem to appear together in a lot of sentences! Dollhouse was created by Joss Whedon and ran for just two seasons (I have only seen the first one so far). Centred around a secret underground establishment, the Dollhouses of the title. The Dollhouse contains people know as Actives who are programmed to take on temporary personalities and skills; wealthy clients hire these “dolls” to perform various tasks, their minds are then wiped. The episodes work as stand alone stories but have a thread running through them with an ongoing plot that develops most notably an “Active”, Echo (Eliza Dushku) is gradually becoming self aware despite her mind wiping. Given what Joss Whedon did with Firefly/Serenity a movie version would be unlikely but potentially awesome.
  • Cast
  • Eliza Dushku – Echo
  • Will it be made? Doubtful


  • Telling the story of the inhabitants of Jericho, a small town in rural Kansas and how they survive after America has been decimated by nuclear attacks on 23 major cities. The show was cancelled after just two seasons with what remains of the united states forming alliances that could result in a second civil war. There is perfect source material for a movie as the series was followed by a six-part comic book series.
  • Cast
  • As many of the original cast as the plot will allow most notably:
  • Skeet Ulrich – Jake Green
  • Lennie James – Robert Hawkins
  • Will it be made? there have been rumours



  • A diverse group of people are invited/coerced into an illegal car race across America with the promise of $32million prize money. In the background there are darker more sinister things going on with the race organisers and sponsors. Despite a great cast, some good action and an interesting premise the show sadly bombed and fox cancelled it with only six episodes and an unaired pilot in existence. The cancellation of the show could be worked into a movie version, the story would be along the lines that the race was cancelled around the time the show was cancelled but a new race is now underway with key members of the original cast returning.
  • Cast
  • The original cast including:
  • Nathan Fillion – Alex Tully
  • Amy Acker – Kathryn Tully
  • Emma Stone – Violet Trimble
  • Kristin Lehman – Corinna Wiles
  • Will it be made? Unfortunately not



  • Its not a new idea, a film adaptation of 24 was originally talked about in the hiatus between series six and seven. A script was written and rejected last year leaving the movie in limbo. To keep the real-time concept of the show but condense it into a two hour movie needs a device to make it work. In this case it is a simple device, set the movie in a confined space such as a single building, i.e. Jack Baur does Die Hard. It has been rumoured that Tony Scott is going to pitch his idea, a Tony Scott version of 24 is a movie I would like to see.
  • Cast
  • Kiefer Sutherland – Jack Bauer
  • Will it be made? Probably, eventually


Terminator: The Sarah Connor Chronicles

  • To go full circle and base a movie on a TV show that was based on a movie would be a brave decision but one that could really work. Following on from Terminator 2: Judgment Day but taking a different time line and reality to Rise of the Machines and Salvation the premise of the show lets it live alongside the movie franchise. The plot possibilities are endless but I would like to see Shirley Manson’s Catherine Weaver, a T-1001 (similar to the T-1000 from Terminator 2) with an ambiguous agenda. The only issue I had with the original show was that given the name of the show I would like to see more Sarah Connor and less John Connor.
  • The Cast
  • Lena Headey – Sarah Connor
  • Thomas Dekker – John Connor
  • Summer Glau – Cameron Phillips
  • Shirley Manson – Catherine Weaver
  • Will it be made? Extremely unlikely

 Also see my list of TV shows that could make great movies from last year.

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A little later than usual, 2011’s first movie star of the month. There are a lot of contenders this month: Colin Firth who will probably win a much deserved Oscar for The King’s Speech; James Franco’s portrayal of Aron Ralston in 127 Hours is Firth’s greatest challenger for the Oscar and also a contender here; Vera Farmiga is quickly becoming one of my favourite actresses, her performance in Henry’s Crime certainly helps her cause; Michelle Williams is as brilliant as ever in Blue Valentine; Her co-star Ryan Gosling is equally as good; The Mechanic proves that Jason Statham is every inch a movie star, he has forged an impressive career despite limited acting ability. I gave Black Swan movie of the month a couple of days ago it‘s now a clean sweep with Natalie Portman been awarded movie star of the month. I somehow think it she will be winning a lot more awards in the next few weeks.

January Movie Start of the Month: Natalie Portman

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