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Posts Tagged ‘Steven Spielberg’

The Oscar for Cinematography is not a beauty contest, it isn’t about how pretty a film looks, it is about how well it is lit and photographed, in the same vein, the best director Oscar doesn’t go to the best film, that’s what the best film category is for! While, the Best picture Oscar is really the sum total of all the awards, the acting, the music, the photograph, the script, the direction and all the other elements that make up a film, the best director Oscar, is based purely on the process of directing. It is worth remembering that although the winners are selected by the Academy membership as a whole, the nominations are made by the academy’s directing branch. In other words, the nominations come from the directors and their contemporaries.

Michael Haneke Benh Zeitlin Ang Lee Steven Spielberg David O Russell

This years nominations are: Michael Haneke – Amour, Benh Zeitlin – Beasts of the Southern Wild, Ang Lee -Life of Pi, Steven Spielberg – Lincoln David O. Russell -Silver Linings Playbook. I am yet to see Lincoln and Amour so will reserve judgment on the strength of the category but have selected five directors I would have liked to have seen nominated:

Kathryn Bigelow – Zero Dark Thirty
Wes Anderson – Moonrise Kingdom
Ben Affleck – Argo
Sam Mendes – Skyfall
Christopher Nolan – The Dark Knight Rises

Each of them has crafted a fantastic movie that would have been run of the mill in lesser hands if they even existed. All would have been worthy winners.

Kathryn Bigelow Wes Anderson Ben Affleck Sam Mendes Christopher Nolan

Should Steven Spielberg win it will put him the elite company of : William Wyler and Frank Capra with three best director Oscars and just one behind John Ford with four. Ang Lee has picked up one win and one other nomination in the category previously (Brokeback Mountain and Crouching Tiger, Hidden Dragon respectively), David O. Russell has been nominated before (The Fighter), it is Michael Haneke’s first nomination. Not only is it Benh Zeitlin’s first nomination, it is his first feature.

Whoever loses, or indeed those who weren’t nominated, it is worth remembering they are in good company, despite thirteen nominations between them Alfred Hitchcock (5), Federico Fellini (4) and Stanley Kubrick (4) didn’t win a single best director Oscar.Alfred Hitchcock Federico Fellini Stanley Kubrick

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After a year of reading Ryan’s Blind Spot Series I have decided to join in for 2013. first up E.T. the Extra-Terrestrial.

E.T. the Extra-Terrestrial is over thirty years old and is much loved by a generation, my generation, however I have never seen it. Many people reading this will know the film better than I do. In this situation, reviewing a film that came out when I was six but didn’t see until I was thirty-six would somehow miss the point. So rather than reviewing the movie I am just going to share a few thoughts including my relationship with the movie.ET

It is not a movie I have avoided or not wanted to see, it is just something that has never happened. As I have mentioned previously on this site, I didn’t go to the cinema very often as a kid, I was a child of the home video generation. Unlike now when a big movie seems to find its way to DVD as soon as it has finished its cinema run things were different back in the 80′s and years passed without ET making it to VHS. It finally made it to VHS in the late 80′s. By this time I was in my early teens and watching movies like The Terminator and Aliens and wasn’t interested in a “Kids Film”. Some time during this period between the cinema and video release my dad borrowed a copy of the video from a friend that obviously turned out to be a pirate copy. The quality was so poor we couldn’t tell what was going on and gave up after ten minutes (possibly less). The film was re-released for the 20th anniversary in 2002. I went along to the one night only screening at my local multiplex to find it sold out and went to see something different.

I hadn’t actually given up on seeing the movie, but didn’t go out of my way to see it. Then two things happened, I signed up for the Blind Spot Series, knowing that ET would have to be on my list as I had previously discussed it with Ryan. And to celebrate the 30th anniversary the movie was shown on TV with a documentary about it. I promptly set my STB to record it and have just watched it, so what did I think of it?

ET-the-Extra-Terrestrial

You all know the plot. A group of alien explorers and botanists are collecting samples of plant life from earth when they are disturbed, by the US government. They flea leaving one of their number behind. He is found by a young boy who forms a strong emotional bond with the alien that becomes symbiotic causing great danger for both parties.

Firstly, it isn’t the movie I expected. The subplot of Elliot’s parents separation looms large in the background and with it the subtext of the broken society that was creeping into 70′s and 80′s cinema after the optimism and hope of the 60′s. This dark tone is mirrored by the darkness of the film visually, with a lot of nigh time scenes. But it is in the harsh light of day and of florescent lighting that the movie is thematically at its darkest. In that way, it makes a good companion peace with Jaws that may (or may not depending on which film critic you ask) be about infidelity. The relationship between boy and alien is always doomed, by giving the ET what he wants, what he needs, to return him home, will result in their separation. But all this can be countered by the idea of making the aliens, the monsters, the creatures who are different, good, honest and benevolent. In the time before glasnost, Steven Spielberg was preaching acceptance and friendship. How ever you look at it, it is clearly a very personal film to its director, but I often get the feeling all his films are very personal to him.E-T-The-Extra-Terrestrial drew barrymore

Although it has its moments it is a lot less fun than I expected. The sentimentality is ramped up to eleven with the aid of John Williams’ score, but this isn’t a criticism, the movie achieves what it sets out in this regard. My only real criticism of the movie is that it doesn’t have that one moment you expect from Spielberg to grab hold of you like: Quint’s story of the sinking of the USS Indianapolis in Jaws, the “snowing” ash in Schindler’s List, the Omaha Beach landing in Saving Private Ryan or even the T-Rex footsteps in Jurassic Park. There are memorable moments in the movie but they just didn’t grab me.

Never held back by the schmaltz that is clearly present, as it is always balanced with great story telling and darker themes. A supremely well made movie that I enjoyed watching but saw far too late in life to fall in love with the way many people before me have.

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