Looking forward to the BAFTA’s

We are a few hours away from the BAFTA awards, in advance of that here are a few thoughts on who I think will and should win:
Best Film
Zero Dark Thirty is the best film and should win, I would also be happy to see Argo win but actually think it will go to: Les Misérables
Alexander Korda Award for Outstanding British Film of the Year
Skyfall is by far the best film in the category and is unlucky not to be in the best film category. It stands a good chance of winning but if Les Misérables doesn’t get best film, it will be in with a chance too.
Best Actor
Hugh Jackman and Ben Affleck were both great and in any other year would be worthy winners, but there is really only one contender this year: Daniel Day-Lewis for Lincoln (2012)
Best Actress
A really strong category, I think it will go to Jessica Chastain for Zero Dark Thirty. Best Supporting Actor
I would be happy to see any of the nominees win this one, but think Tommy Lee Jones edges it for Lincoln.
Best Supporting Actress
The shoe in for the equivalent Oscar is Anne Hathaway for Les Misérables, she stands a good chance here too, the only competitor could be Judi Dench for Skyfall.
David Lean Award for Achievement in Direction
I would chose Kathryn Bigelow for Zero Dark Thirty with Ben Affleck for Argo as a close second. However, I have a feeling Michael Haneke for Amour may sneak it.
Best Screenplay (Original)
Only one choice here, Wes Anderson and Roman Coppola for the magical Moonrise Kingdom
Best Screenplay (Adapted)
Another strong category, I would go for David Magee for Life of Pi and think it should win, as much for the complexity of adapting the screenplay as for the final result.
Best Cinematography
It easy to forget that cinematography is about hw well shot and lit and film is not how pretty the finished result is. With this in mind it has to be a straight fight between Janusz Kaminski for Lincoln and Roger Deakins for Skyfall. My vote goes to Deakins.
Best Editing
To clarify for the people who nominated Django Unchained, this catergry is for the best editing, not the movie most in need of editing. Again I think it’s a straight fight between Skyfall (Stuart Baird) and Zero Dark Thirty (Dylan Tichenor, Billy Goldenberg). I would lean towards Zero Dark Thirty.
Best Production Design
I would like to see Dennis Gassner and Anna Pinnock for Skyfall as they avoided all the usual lazy clichéd pitfalls usually associated with the franchise. However the design of Anna Karenina (Sarah Greenwood and Katie Spencer) is both clever and stunning so will probably win.
Best Costume Design
All the nominees tick all the relevant boxes Jacqueline Durran for Anna Karenina looks like a good bet. Anthony Asquith Award for Film Music
None of the nominated scores was that memorable for me.
Best Make Up/Hair
Forgoing the flash and flair of the other nominated movies, Lincoln had a believable look of the era.
Best Sound
Skyfall had the most amazing sound design , especially noticeable when seen in Imax but Les Misérables will most likely win for the original way in which the songs were recorded.
Best Achievement in Special Visual Effects
All the nominated movies could put up a strong argument for this award, but Life of Pi edges it.
Best Film not in the English Language
I liked Untouchable and Headhunters but thought Rust and Bone was considerably better than both. However, I havent seen Amour (the favourite) or The Hunt so can’t accurately predict this one.
Best Animated Feature Film
I have seen two of the nominated movies. Frankenweenie was better than Brave.
Best Documentary
I have only seen two of the three nominated movies so will go with the favourite: The Imposter
EE Rising Star Award
Her Killer Joe performance is enough for me to give it to Juno Temple but wouldn’t mind seeing Andrea Riseborough or Elizabeth Olsen win as they are both brilliant in everything they do. I would like to see more of Suraj Sharma and Alicia Vikander before deciding on their future stardom
Outstanding Debut by a British Writer, Director or Producer
I would love to see Dexter Fletcher, Danny King win for the excellent but under seen Wild Bill.

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2012’s Future B Movie Classics

Skyfall and The Dark Knight Rises are amongst my favourite movies of the year, but between them they cost the best part of the unimaginable sum of half a billion dollars. What can be done with a lower budget? All of the ten films listed below were made for less than $25million and are all the better for the invention and creativity that comes with limitations of a small budget. In a B movie tradition I have discarded indie drama’s in favour of genre movies: action, gangsters, sci-fi and horror.  The other notable thing, is that despite their B credentials they all received a UK cinema release.

Haywire
Budget: $23,000,000 (estimated)
Legend has it that Steven Soderbergh was sat at home late one night channel surfing when he came across a Mixed Martial Arts contest (a cage fight). He was so enthralled with one of the contestants Gina Carano that he diced to write a movie for her. Having never acted before it was a big risk, but we are talking about the director who cast porn star Sasha Grey in The Girlfriend Experience. Taking a different approach for haywire, he filled the supporting roles with talented actors (Michael Fassbender, Michael Douglas, Antonio Banderas, Bill Paxton and Ewan McGregor), but it is the action that really sets the film apart. Forgoing the post Bourne trend of ultra close-ups and staccato editing in favour of long takes and mid length shots with lots of depth of field. It all helps show off Carano’s fighting talents. A love it or hate it film, it has received mixed reviews, personally I love it.

Killer Joe
Budget: $10,000,000 (estimated)
Back in 2006 William Friedkin made a criminally overlooked gem called Bug, it was based on a play by Tracy Letts who also wrote the screenplay. The pair re-teamed to adapt a play Letts wrote twenty years ago. Set around a criminally stupid dysfunctional Texas family it is a violent and repugnant tale. Emile Hirsch, Juno Temple, Thomas Haden Church and Gina Gershon are all brilliant but are in the shadow of the real star Matthew McConaughey. Often funny but the humour is truly jet black, this is a seriously fucked up film that many people will hate, again, I love it.

The Raid
Budget: $1,100,000 (estimated)
Welshman Gareth Evans is the unlikely director of this film that highlights Indonesian martial art, pencak silat. Set in a Jakarta tower block controlled by a crime lord a swat team have to fight for their lives as the story of why they are there gradually unfolds. A brutal and violent film that isn’t actually that originally but still manages to feel fresh and new. It isn’t as good, inventive or as memorable as Die Hard but it cost less than £1million, in other words less than the coffee budget from Lord of the Rings.

Wild Bill
Budget: no idea but its British so it won’t be much!
Dexter Fletcher has always been a decent and likeable actor, although never a great one, therefore it many come as a surprise, but his debut feature as a director is brilliant. Given his association with British gangster movies it is natural that Wild Bill would be set in London’s underworld. What’s great about the movie is that it avoids the usual storylines associated with this type of movie in recent years and concentrates on more personal story of an ex con who returns home from prison to find his two young sons abandoned my their mother. Being a farther is the last thing on his mind but something compels him to do the right thing. Fletcher also avoids the pitfall of casting himself instead opting for a whose who of British TV and genre movies.

Killing Them Softly
$18,000,000 (estimated)
This gritty tale of low level mobsters and hit men could have been a disaster. Not a great deal happens, it is filled with scenes of men talking around the issues of the movie. The social and political commentary have earned the movie its greatest praise and largest criticism. Directed by Andrew Dominik and starring Brad Pitt, the pair worked together on The Assassination of Jesse James by the Coward Robert Ford and are both on top form again. And like all great genre movies, it clocks in at less than 100 minutes.

Lockout
$20,000,000 (estimated)
Based on an “original idea” by Luc Besson, I’m not sure there is an original idea in the whole movie and don’t think Luc Besson has actually had an original idea in a long time, but that really doesn’t matter, the movie is great. Its silly and its fun and that’s all it ever intended or indeed needed to be. The plot involves a shady but honest spy type character who is forced to rescue the president’s daughter who is held hostage on a prison in space. So basically its Die Hard meets Escape from New York, in space. The CGI is terrible and the plot is thin but none of this matters, the action is good and the dialogue is often funny. The real appeal is a surprisingly good Maggie Grace and the always brilliant Guy Pearce.

Chronicle
$12,000,000 (estimated)
The surprise low budget hit from the early part of the year. A Sci-fi movie reminiscent of Push (2009) and the TV show Misfits. I’m not a fan of the found footage genre but they get away with on the whole here. It loses its way in the final act but overall it is still an enjoyable movie. The unknown cast are good and the fact they are unknown often works in the movies favour.

Storage 24
Budget: again no idea but its British so will be well within the $25million limit.
I have suggested in the past that Noel Clarke is the most important person in the British film industry at the moment. Actor, writer, director and producer, awarded the Orange Rising Star Award at the 2009 BAFTA’s, he is the writer and star of Storage 24. Ultimately it is an alien invasion movie but without the grandeur of Hollywood movies and scaling it back to a small intimate and personal story. It plays out like a haunted house movie with a great blend of horror, comedy and action. Remembering the golden rule the creature is kept hidden for a long time and when we see it, its pretty good for a low budget movie. Criminally overlooked and underrated.

How I Spent My Summer Vacation (aka Get the Gringo)
$20,000,000 (estimated)
Sadly under seen thanks to Mel Gibson’s personal problems and the lack of a cinema release in America. First time director Adrian Gruenberg worked for Gibson as assistant director on Apocalypto, the pair give us an old fashioned story of a getaway driver who finds himself in trouble south of the border. There is a scene towards the end of the movie where Gibson impersonates Clint Eastwood but long before that the film starts to resemble A Fistful of Dollars (1964)/Yojimbo (1961) and is all the better for it. Full of both the action and the dry whit you would expect from Mel Gibson of old. Ultimately it is the story of a flawed character looking for redemption, just like Gibson himself.

The Grey
$25,000,000 (estimated)
A horrible and inaccurate portrayal of grey wolves but a haunting and entertaining movie. Liam Neeson has always walked the line between serious actor and action star, originally leaning more towards actor but more recently falling on the action side of the line. When a plane carrying oil drillers crashes in the freezing wastes of Alaska the survivors are hunted by killer wolves. A metaphor for the destruction of the environment and the power of nature or just a survival thriller. Whatever you get from the movie it is well made and largely enjoyable.

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